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1402-VLZ3

  M

IC GAIN 

0

U

60

  -10

dBV 

+15dB -45dB

  M

IC GAIN 

0

U

60

  -10

dBV 

+15dB -45dB

  M

IC GAIN 

0

U

60

  -10d

BV 

+15dB -45dB

  M

IC GAIN 

0

U

60

  -10dBV 

+15dB -45dB

  M

IC GAIN 

0

U

60

  -10dBV 

+15dB -45dB

  M

IC GAIN 

0

U

60

  -10dBV 

+15dB -45dB

U

O

O

+10

U

O

O

+20

U

O

O

+20

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

MIC 

2

MIC 

3

MIC 

4

MIC 

5

MIC 

6

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

AUX SEND

1

2

1

2

RIGHT

LEFT/

MONO

ALL BAL/UNBAL

BAL/UNBAL

L

R

LINE IN 1

LINE IN 2

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LINE IN 3

LOW CUT

75 Hz

18dB/OCT

LINE IN 4

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LINE IN 5

LINE IN 6

LOW CUT

75 Hz

18dB/OCT

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

LINE IN 7-8

LINE IN 9-10

LINE IN 11-12

LINE IN 13-14

AUX

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

AUX

EQ

PAN

SOLO

1

MUTE

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

ALT 3–4

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

2

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

3

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

4

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

5

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

6

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

7-8

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

9-10

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

11-12

MUTE

L R

HI

12kHz

MID

2.5kHz

LOW

80Hz

SOLO

13-14

MUTE

ALT 3–4

L R

L

MONO

MONO

MONO

MONO

R

BAL

OR

UNBAL

L

R

BAL

OR

UNBAL

L

R

BAL

OR

UNBAL

L

R

BAL

OR

UNBAL

TAPE

INPUT

TAPE

OUTPUT

L

R

L

R

20

10

7

4

2

0

2

4

7

10

20

30

LEVEL

SET

LEFT

RIGHT

MAIN OUT

ALT 3–4

TAPE

MAIN MIX

ASSIGN

TO MAIN MIX

SOLO

MODE

LEVEL SET (PFL)

NORMAL (AFL)

C-R/SOURCE

PO

48V

WER

RUDE

SOLO

LIGHT

MAIN MIX

CTL ROOM 

/SUBMIX

0dB=0dBu

LEVEL

LEVEL

LEVEL

-

10

LEVEL

+4

-

10

+4

-

10

+4

-

10

+4

MIC 

1

XDR 

MIC PRE 

XDR 

MIC PRE 

XDR 

MIC PRE 

XDR 

MIC PRE 

XDR 

MIC PRE 

XDR 

MIC PRE 

O W N E R ’ S   M A N U A L

14-Channel Mic/Line Mixer

Содержание 1402-VLZ3

Страница 1: ...R LINE IN 1 LINE IN 2 LOW CUT 75 Hz 18dB OCT LOW CUT 75 Hz 18dB OCT LINE IN 3 LOW CUT 75 Hz 18dB OCT LINE IN 4 LOW CUT 75 Hz 18dB OCT LOW CUT 75 Hz 18dB OCT LINE IN 5 LINE IN 6 LOW CUT 75 Hz 18dB OCT...

Страница 2: ...dio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils n...

Страница 3: ...AC mains supply see page 12 Level Setting Procedure Message to seasoned pros do not set levels using the old Turn the GAIN up until the clip light comes on then back off a hair trick When a Mackie mi...

Страница 4: ...ction The output section on the right Throughout these sections you ll find illustrations with each feature numbered If you re curious about a feature simply locate it on the appropriate illustration...

Страница 5: ...MS 6 PATCHBAY DESCRIPTION 8 1 MIC INPUTS CHANNELS 1 6 8 PHANTOM POWER 8 2 LINE INPUTS CHANNELS 1 6 8 3 LOW CUT CHANNELS 1 6 9 4 GAIN CHANNELS 1 6 9 5 STEREO LINE INPUTS 9 6 4 10 LEVEL STEREO CHANNELS...

Страница 6: ...rocessor Digital Delay Powered Studio Monitors for Studio Headphone Distribution Amp Headphones for Studio Direct Boxes Out In Out In Out In 5 6 4 14 13 12 11 10 9 6 6 5 4 5 3 1 2 3 4 3 2 1 2 1 1 2 L...

Страница 7: ...should feed the left mono side of channel input only B Pan each channel hard left C Connect Mono PA system to Left main output SRM450 Powered Speaker SWA1501 Powered Subwoofer Direct Boxes 5 6 4 14 1...

Страница 8: ...to these inputs use a 1 4 Tip Ring Sleeve TRS plug the type found on stereo headphones To connect unbalanced lines to these inputs use a 1 4 mono TS phone plug or standard instrument cable LINE IN in...

Страница 9: ...ay to consider LOW CUT s function is that it actually adds flexibility during live performances With the addition of LOW CUT you can safely use LOW equal ization on vocals Many times bass shelving EQ...

Страница 10: ...13 These balanced outputs are capable of delivering 22 dBu into a 600 ohm balanced or unbalanced load To use these outputs to drive balanced inputs con nect 1 4 TRS Tip Ring Sleeve phone plugs like t...

Страница 11: ...y another mixer You can safely connect the XLR outputs into an input that provides 48V phantom power 15 CONTROL ROOM These outputs are provided so you can listen to some thing other than the main mix...

Страница 12: ...4 10 4 10 4 10 4 MIC 1 XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE XDR MIC PRE 18 POWER CONNECTION Just in case you lose the cord provided with the 1402 VLZ3 its power jack accepts a...

Страница 13: ...your signals will travel through the mixer at optimal levels What s more all the labels on our level controls are measured in decibels dB so you ll know what you re doing level wise if you choose to c...

Страница 14: ...4 is one of those controls that can bewil der newcomers so take your time and play around with it Once you ve got it down you ll probably think of a hundred spiffy uses for it 26 PAN PAN adjusts the a...

Страница 15: ...btained independently of the channel s fader AUX 1 when in post mode and AUX 2 are post LOW CUT post EQ and post fader That is the sends obey the settings of these controls AUX 1 in PRE mode follows t...

Страница 16: ...Setting Procedure so easy to do WARNING Engaging both the TAPE and ASSIGN TO MAIN MIX buttons in the SOURCE matrix can create a feedback path between TAPE INPUT and TAPE OUTPUT Make sure your tape dec...

Страница 17: ...on is near ing and you ll want to play a soothing CD for the crowd to prevent them from becoming antsy Then you think But I have the CD player plugged into the TAPE inputs and that never gets to the m...

Страница 18: ...ST AUX 1 Besides being used to work effects into your mix Aux Sends serve another critical role that of delivering cue mixes to stage monitors so musicians can hear what they re doing On the 1402 VLZ3...

Страница 19: ...nfused with Jack Normalling Chicago Cubs utility infielder 1952 61 267 LBA is a feature found on almost every mixer keyboard and effects device These jacks have special spring loaded pins that connect...

Страница 20: ...er If it s a stereo pair try switching them around For example if a left output is presumed dead switch the left and right cords at the mixer end If the problem switches sides it s not the mixer Noise...

Страница 21: ...cted tip to signal high hot ring to signal low cold and sleeve to ground earth Unbalanced Send Return circuits When wired as send return Y connector a 1 4 TRS jack or plug is connected tip to signal s...

Страница 22: ...s and jacks are often used in home stereo and video equip ment and in many other applications Figure D They are unbalanced and electrically identical to a 1 4 TS phone plug or jack see Figure C Connec...

Страница 23: ...rn circuit and will show up in the center of the stereo pair of buses it s assigned to or it can be panned with the Balance control Y cord splitter cable TIP SEND RING IN TIP OUT RING RETURN TO MIXER...

Страница 24: ...ode Rejection Ratio CMRR Mic in to Insert Send out max gain 1 kHz better than 70 dB Maximum Levels Mic in 22 dBu Tape in 16 dBu All other inputs 22 dBu Main Mix XLR out 28 dBu All other outputs 22 dBu...

Страница 25: ...PFL PRE FADER LISTEN ASSIGN TO MAIN AFL L PFL AFL R AUX 2 MIX SOLO MIX MID HI 80 2K5 12K LO MAIN L MAIN R ALT L ALT R AUX 1 PRE AUX 1 POST AUX 2 POST SOLO PFL AFL L PHANTOM POWER GLOBAL SWITCH MIC IN...

Страница 26: ...T MONO ALL BAL UNBAL BAL UNBAL L R LINE IN 1 LINE IN 2 LOW CUT 75 Hz 18dB OCT LOW CUT 75 Hz 18dB OCT LINE IN 3 LOW CUT 75 Hz 18dB OCT LINE IN 4 LOW CUT 75 Hz 18dB OCT LOW CUT 75 Hz 18dB OCT LINE IN 5...

Страница 27: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Страница 28: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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