MS1402-VLZ ARCHITECTS’
& ENGINEERS’
SPECIFICATIONS
■
“IN YOUR FACE”
ALL-PRODUCT BROCHURE
MORE INFORMATION
FEATURES
RM1402-VLZ RACK
MOUNT BRACKETS
■
6 low noise/high head-
room XLR mic inputs
(–129.6dBm E.I.N.)
■
6 balanced/unbalanced
mono line inputs
■
4 balanced/unbalanced
stereo line inputs
■
60mm log-taper faders
■
48V phantom power
■
3-Band EQ (12kHz,
2.5kHz, 80Hz)
■
Low Cut Filter on
channels 1-6
■
PFL/AFL (Solo In-
Place) on every
channel (global)
■
Very Low Impedance
architecture
■
EFX to Monitor switch
■
2 stereo buses
■
Alt 3-4 for extra bus
■
Balanced inputs and
outputs (except RCAs
and channel inserts)
■
Balanced XLR Main L/R
outputs with mic/line
level switch
■
1/4” main outputs
■
60dB Gain on chs. 1-4
■
Global Aux 1 Pre/Post
switch
■
Level Setting Marker
RELATED PRODUCTS
M
ackie’s
MicroSeries 1402-VLZ is
a compact mixer that com-
bines the size and durability
of the 1202-VLZ with the
features and flexibility of the
CR1604-VLZ. Like those two
mixers, the MS1402-VLZ
delivers high headroom and
ultra low noise, thanks to its
VLZ very low impedance
architecture, first introduced
on our acclaimed 8•Bus
consoles. And it’s just as
rugged, with all-steel con-
struction, thru-hole-plated
fiberglass circuit boards,
gold-plated interconnects
and sealed rotary controls.
The MS1402-VLZ is a distin-
guished sibling.
Mixing Made Easy
One of the first things you’ll
notice is that the 1402-VLZ
has faders. Like the faders
on our SR Series consoles,
these 60mm, log-taper fad-
ers provide smooth, consis-
tent fades throughout the
fader’s travel.
3-band EQ at truly useful
freqeuncies (80Hz, 2.5kHz
and 12kHz) allows for
more “musical” equaliza-
tion. The six studio-grade
mic preamps
(on channels
1 thru 6) have –129.5dBm
E.I.N. And with its integral
48V phantom power sup-
ply, the 1402-VLZ is com-
patible with all of your fa-
vorite dynamic and con-
denser mics. Room rumble,
wind noise and mic
thumps are cut off on
those channels by a Low
Cut Filter (75Hz, 18dB/oc-
tave), allowing you to use
Lo Shelving EQ to enhance
the higher end of the bass
frequency range (instead of
using it to get rid of the
aforementioned noises).
Each channel has PFL &
In-Place AFL (globally switch-
able) for solo and cueing
flexibility. In PFL you can lis-
ten to your channels pre-
fade/post-EQ at full level,
before the signal reaches the
fader and pan control. AFL
lets you listen to your chan-
nels post-fader/post-EQ. This
is great for hearing where the
signal is in the stereo horizon
(hence the name “Solo In-
Place”). Each channel has
PFL and In-Place AFL (glo-
bally switchable). PFL Solo
14 X 2 MICRO SERIES MIC/LINE MIXER
®
®
