COMBI
1.1
2.1
2.2
2.3
3.1
3.2
3.3
3.4
4.1
4.2
4.3
4.4
6.1
7.1
7.2
7.3
43
4.4–2: MIDI 4–2
(MIDI Filter 4–2)
4.4–2a: Other Control Change
Other Ctrl Change
[Off, On]
Specifies whether or not MIDI control change message not
covered in the preceding items MIDI Filter 1–4 will be trans-
mitted and received.
■
4.4–2b: UTILITY
☞
“Write Combination,” “Solo Selected Timbre” (1.1–1d)
These parameters specify how the arpeggiator will function
within the combination. Two arpeggiators can be running
simultaneously.
This offers a variety of possibilities, such as applying sepa-
rate arpeggio patterns to two sounds that have been
assigned as a keyboard split, or using velocity to switch
between two arpeggio patterns.
6.1–1: Setup
6.1–1a: Arpeggiator Run,
Arpeggiator Run A, B (Run A, B)
When the [ARP ON/OFF] key is on, the arpeggiator(s)
checked here will run if they are assigned to a timbre by
“Assign” (6.1–1b). (
☞
1.1–4(5)a)
(Tempo)
[040...240, EXT]
Set the tempo of the arpeggiator. This can also be adjusted
by the [TEMPO] knob. (
☞
1.1–1a)
6.1–1b: Assign
Assign
[Off, A, B]
Assigns arpeggiator A or B to each timbre 1–8. When the
[ARP ON/OFF] key is on, the arpeggiator specified for each
timbre will operate according to “Arpeggiator Run” and
these settings.
Off:
The arpeggiator will not operate.
A:
Arpeggiator A will operate. Make settings in the Arp. A
page to select the arpeggio pattern and set parameters.
B:
Arpeggiator B will operate. Make settings in the Arp. B
page to select the arpeggio pattern and set parameters.
If the “Status” (3.1–1a) of the timbre is INT, each timbre
1–8 to which arpeggiator A or B is assigned will be
sounded by the note data generated by the arpeggiator,
regardless of the “MIDI Channel” (3.1–1a) setting of the
timbre. If a timbre is set to EXT or EX2, MIDI note data
will be transmitted on the “MIDI Channel” of each tim-
bre.
In this case, the arpeggiator can be triggered (operated)
by any MIDI channel specified for the “MIDI Channel”
parameter of any timbre 1–8 assigned to arpeggiator A
or B.
You can control the arpeggiator from an external
sequencer, or use an external sequencer to record arpeg-
gio note data. (
4.4–2a
4.4–2b
COMBI 6.1: Ed–Arp.
(Arpeggiator)
6.1–1b
6.1–1a
6.1–1c
