Korg TRITON Extreme, Руководство пользователя

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You can control these parameters via CC#8.
3–2. BUS Sel. (BUS Select)
This parameter enables you to specify the destination bus
for the post-IFX signals. “L/R” is a common setting to send
signals to the Master EQ before they are routed to the OUT-
PUT (MAIN) L/MONO and R outputs.
Select 1, 2, 3(Tube), 4(Tube), 1/2, or 3/4(Tube) to route the
signals to OUTPUT (INDIVIDUAL) 1, 2, 3, or 4 (
☞
“Individ-
ual Outputs”). Select “Off” so that no signals will be output
to L/R, 1, 2, 3, or 4. In this case, the signals are routed from
the Master Effects to AUDIO OUTPUT (MAIN). This setting
is used when you are connecting the Insert Effects with the
Master Effects in series using “Send1 (MFX1)” and “Send2
(MFX2).”
3–3. Send1, Send2
These parameters enable you to set the send level of the sig-
nals routed to Master Effects MFX1 and MFX2. These set-
tings are effective only when “BUS Select” is set to L/R or
Off
.
If you are not using any Insert Effects, use “Send1” and
“Send2” of the P8: “Routing” page in Program, Combina-
tion, Sequencer, and Song play modes to set the Master
Effect send level (Use the Global P0: Input/Sampling page
to set the send level for the audio inputs.).
“Send1” responds to CC#93 and “Send2” responds to
CC#91.
4. Controlling the Insert Effects via
MIDI
Using the Dynamic Modulation (Dmod) function enables
you to control all effect parameters in real-time during per-
formance from the controllers of the TRITON Extreme or a
connected MIDI sequencer. You can also control the Pan
(CC#8)
,” “Send1,” and “Send2” parameters in the same
way.
4–1. Program mode and Sampling mode
You can control the parameters on MIDI Global channel
(MIDI Channel” (Global P1: 1–1a).
4–2. Combination mode
Use “Ctrl Ch” parameters of the “IFX1–5” pages to set up
the control channels for IFX1, 2, 3, 4, and 5. Select an appro-
priate option from Ch01–16, Gch, and All Routed.
Ch01–16:
Select this when you want to control each insert
effect from a different channel. An “*” symbol will be dis-
played at the right of the MIDI channel Ch01–16 of the tim-
bre that is routed to each insert effect. If the routed timbres
have different MIDI channel settings, this parameter is used
to specify the channel that will control the insert effect.
Gch:
Select this option if you wish to control the parameters
on MIDI Global channel “MIDI Channel” (Global P1: 1–1a).
This is a common setting.
All Routed:
Select this option to control the parameters on
all the channels (channels 1–16 that have a “*” mark) that are
routed to the corresponding Insert Effects.
4–3. Sequencer mode and Song Play mode
Use “Ctrl Ch” parameters of the “IFX1–5” pages to set up
the control channels for IFX1, 2, 3, 4, and 5. Select an appro-
priate option from Ch01–16 and All Routed.
Ch01–16:
Select this when you want to control each insert
effect from a different channel. An “*” symbol will be dis-
played at the right of the MIDI channel Ch01–16 of the track
that is routed to each insert effect. If two or more tracks with
differing MIDI channels Ch01–16 are being sent to a single
insert effect, this parameter is used to specify the one track
that will control the insert effect.
All Routed:
Select this option to control the parameters on
all the channels (channels 1–16 that have a “*” mark) that are
routed to the corresponding Insert Effects.
“All Routed” is a typical option. If you wish to control the
parameters on a single channel, you may select it from
Ch01–16
.
Since Sequencer mode lets you record and play exclusive
messages and edit tracks that include exclusive events, you
can use them to switch effects or modify effect parameter
values during song playback.
OSC1: Amp1 Pan=L000
OSC2: Amp2 Pan=R127
Left Center Right
Post IFX Pan(CC#8)
C064
Left Center Right
L032
L000
R096
R127
Insert Effect = Mono In - Stereo Out
OSC1
OSC2
Mono In - Mono Out