Korg TRITON Extreme, Руководство пользователя

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96
Send1 (MFX1) [000...127]
Send2 (MFX2) [000...127]
Here you can adjust the send levels from tracks 1–16 to mas-
ter effects 1 and 2. This is valid when “BUS Select” is set
either to L/R or Off. If IFX 1, 2, 3, 4, or 5 is selected, the send
level to the master effects 1 and 2 is set by the “Send 1” and
“Send 2” parameters located in the Insert FX page, after the
signal passes through IFX 1–5.
These settings have no effect if “BUS Select” is set to 1, 2,
3(Tube)
, 4(Tube), 1/2 or 3/4(Tube).
The send 1 and 2 settings you make here will be used when
the song is played or recorded from the beginning. If you
change the settings while recording, the change will be
recorded as part of the musical data, and the send amount
will change when the data is played back. You can also
change these settings during playback. However if send 1
and 2 data has been recorded, the settings will change
accordingly.
If “Status” (2–1a/2a) is either INT or BTH, CC#93 and
#91 can be received to control send 1 and 2 respectively
and change their settings. When you switch songs or
return to the beginning of a song, tracks whose “Sta-
tus
” is EXT, EX2 or BTH will transmit these settings via
MIDI. This data will be transmitted on the MIDI chan-
nel of each track as set by “MIDI Channel” (2–1a/2a).
The actual send level is determined by multiplying the
value of these parameters with the send level settings of
the oscillator(s) of the program used by the track
(“Send1” and “Send2,” Program P8: 8–1d).
▼
8–1: Page Menu Command
8–1A: Copy Insert Effect
☞
Program P8: 8–1A: Copy Insert Effect.
However, the MIDI control channel specified in “Ctrl Ch” of
the IFX 1–5 page will not be copied.
8–1B: Swap Insert Effect
☞
Program P8: 8–1B: Swap Insert Effect.
However, the MIDI control channel specified in “Ctrl Ch” of
the IFX 1–5 page will not be swapped.
8–1C: DrumKit IFX Patch
☞
Combination P8: 8–1C: DrumKit IFX Patch.
8–1D: Put Effect Setting to Track
This command inserts effect settings into a track as exclusive
events. You can use this to make the effect settings change
during a song. (
☞
OG p.47)
When you use MIDI parameter change system exclu-
sive messages to change effect settings, a certain
amount of time will be required for the effect to switch.
Also, if a note is sounding, the sound may not change
smoothly. You should take into account the timing of
the musical data when you specify the location at
which the system exclusive messages will be inserted.
If you switch effects during a song, you should also use
this command to insert an effect change at the begin-
ning of the track (“Measure” 001, “Beat.Tick” 01.000) to
select the effect that will be used from the beginning.
1 Use P8: Insert Effect or P9: Master Effect to edit the effect
settings that you want to insert (IFX1–IFX5, MFX1,
MFX2, MEQ), and determine the song, track, measure,
beat, and clock at which you will insert the exclusive
event.
The illustration below shows the example of switching
IFX3 (used by track 3) at the beginning of measure 9.
2 Select “Put Effect Setting to Track” to open the dialog
box. (The values in the dialog box are settings for the
example described in
1 .)
3 Use “Effect” to select the desired effect.
4 Use “To: Song” to specify the song into which the set-
tings will be inserted, “Track” to specify the insert-desti-
nation track, “Measure” to specify the measure and
“Beat.Tick”
to specify the beat and clock at which the set-
tings will be inserted.
5 Press the OK button to execute “Put Effect Setting to
Track
.” If you decide not to enter, press the Cancel but-
ton .
The inserted events are only the effect type and effect
parameters. Settings such as effect on/off and bypass
must be realtime-recorded.
Turn back the Location, and play the song to verify that
the effect is switched as you intend.
You can also use the P5: Track Edit page menu com-
mand “Event Edit” to verify that a parameter change
system exclusive message (Exclusive) has been
inserted.
If a pattern had been inserted at the same location
(where you inserted the exclusive data), that pattern
will be expanded to note data.
0–1A
0–1B
8–1A
8–1B
8–1C
0–1I
0–1J
8–1D