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About effect and the parameter

It explains each effect of drive/amp models and cabinet models, modulation, pre-effects, delay, and reverb effects and the parameter.

PRE effects

F0: COMP (COMPRESSOR)

This is the ideal choice when you want to play smooth, clean, and consistent phrases, or when you need a bit
more sustain on a lead line. It models a compressor pedal that was popular for its percussive clean sound.

Main

SENS

Adjusts the sensitivity. Turn the knob toward the right to increase the amount of
compression and sustain.

P1

LEVEL

Adjusts the output level.

F1: PICKUP

This models the way in which a pickup affects the sound. It can transform a single-coil pickup into a humbucker,
a humbucker into a single-coil, or create a model in which two phase-reversed pickups are combined. A compres-
sor is built-in.

Main

TYPE

Selects the pickup conversion model.

H-S: Humbucking sound will be transformed into single-coil sound.
S-H: Single-coil sound will be transformed into humbucking sound.

P1

LEVEL

Adjusts the output level.

P2

PHASE

Adjusts the distance of the virtual pickup that's mixed-in.

P3

PHASEMIX

Adjusts the mix amount of the virtual pickup. Settings of -10–0 mix the sound in
reverse-phase.

P4

SENS

Adjusts the sensitivity of the compressor.

F2: AC SIM (ACOUSTIC SIMULATOR)

This uses the acoustic guitar modeling technology of the ToneWorks AX10A, converting the sound of an electric
guitar into the sound of an acoustic guitar.

Main

TOP

Adjusts the high-frequency tone.

P1

BODY

Adjusts the low-frequency tone.

P2

TYPE

Selects the body type.

1:

An old-style small body, suitable for detailed arpeggios

2:

A small-size body with a distinctive mid-range, favored by country and blues
players

3:

A large body characterized by a refined sound, suitable for pop.

4:

The body of a resonator guitar, suitable for slide playing

P3

MIX

Adjusts the mix amount of body resonance.

F3: WAH (VOX WAH)

This is a detailed simulation of two legendary VOX wah pedals; the V847 and the V848. You can use the CLOSE
and OPEN knobs to adjust the tone when the pedal is closed and open, giving you a wide range of tonal varia-
tion.

Main

PEDAL

Adjusts the openness (position) of the wah pedal.

P1

TYPE

Selects either 47 (V847) or 48 (V848) as the wah type.

P2

ORDER

Selects the connection order.
PRE/POST connects the wah before/after the Amp Model.

P3

CLOSE

Adjusts the tone when the wah pedal is closed (pedal back).

P4

OPEN

Adjusts the tone when the wah pedal is open (pedal forward).

Содержание Toneworks AX3G

Страница 1: ...Contents About effect and the parameter 2 PRE effects 2 DRIVE AMP models 4 DRIVE models 4 AMP models 5 CABINET models 6 MOD MODULATION effects 7 DELAY REVERB effects 9 DELAY effects 9 REVERB effects 10 Preset program list 11 ...

Страница 2: ...nt of the virtual pickup Settings of 10 0 mix the sound in reverse phase P4 SENS Adjusts the sensitivity of the compressor F2 AC SIM ACOUSTIC SIMULATOR This uses the acoustic guitar modeling technology of the ToneWorks AX10A converting the sound of an electric guitar into the sound of an acoustic guitar Main TOP Adjusts the high frequency tone P1 BODY Adjusts the low frequency tone P2 TYPE Selects...

Страница 3: ...to Vibrato mode U2 U VIBE set to Chorus mode or Models the popular four stage phaser bL Models the Danish phaser P4 MANUAL Adjusts the center frequency of the sweep MANUALhas no effect if DEPTH is set to 10 F6 CH FLN CHORUS FLANGER This is a chorus flanger unit with a standard circuit structure Main SPEED Adjusts the modulation speed P1 DEPTH Adjusts the modulation depth P2 RESO Adjusts the amount...

Страница 4: ...unit named after a half human half horse creature appearing in Greek fables d2 FAT DIST FAT DISTORTION Cabinet C2 TWEED 4x10 This models a pedal named after one of the most disliked rodents to ever walk the planet The result is a smooth distortion rich in harmonics d3 OR DIST ORANGE DISTORTION Cabinet C3 BLACK 2x10 This models a classic distortion unit manufactured in Japan and packaged in an oran...

Страница 5: ...iglass front and four inputs A5 UK 80 Cabinet C7 UK H30 4x12 This models a UK made 100 watt single channel head with master volume manufactured in 1983 A6 UK MDN UK MODERN Cabinet C8 UK T75 4x12 This models the high gain channel of a modern 100 watt amp A7 US MDN US MODERN Cabinet C9 US V30 4x12 This models the high gain channel of a 100 watt high gain metal plated beast of an amp made in Californ...

Страница 6: ...ceramic magnetic speakers that accompanied the amp on which the BLACK 2x12 amp model is based used widely for country or blues C5 AC15TBX This is an open back combo cabinet containing one of the famed 12 inch VOX Blue Alnico speakers manufac tured by Celestion in Ipswich England C6 AC30TBX This open back cabinet contains two 12 inch VOX Blue Alnico speakers wired in series at 16 ohms for even more...

Страница 7: ... many hail as the godfather of two handed tapping Main SPEED Adjusts the modulation speed P1 RESO Adjusts the amount of resonance P2 DEPTH Adjusts the modulation depth P3 MANUAL Adjusts the center frequency of the sweep If DEPTH is set to 10 MANUAL will not function P4 MIX Adjusts the mix amount of the effect F3 BI CHO BI CHORUS This is a chorus model unique to the AX3G It provides two chorus unit...

Страница 8: ... you produce a panning effect that spreads to left and right Main SPEED Adjusts the tremolo speed P1 DEPTH Adjusts the tremolo depth P2 SPREAD Adjusts the left right spaciousness P3 LEVEL Compensates the output level F6 ROTARY This models a stereo rotary speaker Main SPEED Adjusts the rotational speed of the speaker P1 DEPTH Adjusts the modulation depth F7 PITCH PITCH SHIFTER This is a pitch shift...

Страница 9: ...ree playback heads The echo from each head has its own feedback loop letting you create warm and complex multitap echo effects Main MIX Adjusts the mix amount of the delay P1 TIME Sets the delay time P2 FEEDBACK Adjusts the amount of feedback P3 TONE Adjusts the tone of the delay F2 MOD DLY MODULATION DELAY This models Korg s first digital delay the SDD 3000 You can also use this to produce chorus...

Страница 10: ... characterized by a rapid attack and is suitable for percussive playing F8 ROOM This models the reverberation of a typical room with numerous early reflections F9 HALL This models the reverberation of a concert hall with numerous echoes Main MIX Adjusts the mix amount of the reverb P1 TIME Sets the reverb time The relation between this setting and the actual length of rever beration will differ de...

Страница 11: ...S MDN off off F0 ECHO 60 RND FILT SF AMP off A1 BLK 2x12 off F8 RND FILT F2 MOD DLY 61 FILTRON SF AMP off d0 TUBE OD off F9 FILTRON off 62 ROTARY SF AMP off off off F6 ROTARY F6 SPRING 63 UK 80S Lead AMP off A5 UK 80 off F2 CL FLN F6 SPRING 64 VULGAR D Lead AMP off A7 US MDN C9 US V30 4x12 F1 MT CHO F9 HALL 65 CLEAN Clean AMP off A1 BLK 2x12 off off F5 SLAP 66 CRUNCH Crunch AMP off A3 AC30TB off o...

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