11
PRE FX
Use the PRE FX button to select the pre effect type, and use the VALUE buttons to adjust the amount of effect.
TYPE
Explanation
VALUE
COMP
Compressor that makes picking volume more consistent.
Adjusts sensitivity: 0…30
LIMITER
Limiter that suppresses excessive levels.
Limiting amount: 0…30
EXCITER (*1)
Exciter that adds sparkle to the high-frequency range.
Effect depth: 0…30
TONE
(*1)
This is a three-band tone control. You can adjust the noise reduction by holding down the FUNCTION button and turning the
LEVEL (NR) knob.
BASS
Low-frequency adjustment (00…30).
MID FC
Adjusts the mid peak frequency in a range of 170 Hz…3 kHz (1…10).
MIDDLE
Mid-frequency adjustment (00…30).
TREBLE
High-frequency adjustment (00…30).
LEVEL
Volume adjustment (00…30).
NR
Amount of noise reduction.
NOTCH
You can eliminate acoustic feedback by turning this selector to set the frequency of the notch filter. Turning the knob all the
way to the left will turn the notch filter off. Turn the knob toward the right to raise the notch filter frequency, and find the point
at which acoustic feedback is occurring. If acoustic feedback is not occurring, we recommend that you leave the notch filter
turned off. If you’ve assigned PEDAL FX to NOTCH, you can use the expression pedal to set the notch filter frequency.
FREQUENCY
Notch filter frequency (low-high). Far left is OFF.
MIC&BODY
(*1)
Use the MIC & BODY selector to select a mic & body type, and use the DEPTH buttons to adjust the DEPTH parameter.
TYPE
Explanation
DEPTH
AMB&CHORUS
Use the AMBIENCE selector to select the ambience effect type, and use the AMB buttons to adjust the AMB parameter. By
pressing the TAP button twice at the desired interval you can set the delay time or reverb time. To adjust the chorus effect
depth, hold down the FUNCTION button and use the AMB buttons. AMBIENCE and CHORUS can be used simultaneously. If
you want to turn either AMBIENCE or CHORUS off separately, set the corresponding parameter to a value of “0”. If you
assign PEDAL FX to AMB or CHO, the expression pedal will control that effect.
TYPE
Explanation
TAP
Normal
PEDAL FX:AMB
AMB
PEDAL
AMB
Delay time:
up to 250 [ms]
Delay time:
up to 1.0 [s]
N/A
(*2)
Reverb time:
up to 4.0 [s]
Reverb time:
up to 8.0 [s]
Effect level:
0…30
Controls the
effect depth
Specifies the
effect depth at
maximum
pedal position
(*1) Some settings may produce distortion. If this occurs, reduce the parameter value. (*2) The button will not change the value. (*3) The reverb
time is set to double the interval at which you press TAP.
C-MIC
Condenser mic simulation.
M-LARGE
A large old body suitable for a variety of situations.
M-SMALL
A small old body suitable for delicate arpeggios, etc.
G-LARGE
A large old body with a tough sound, suitable for strumming chords.
G-SMALL
A small body with a distinctive mid-range, favored by country and
blues performers.
T-LARGE
A large body distinguished by a sophisticated sound suitable for
pop. The sound of one of the newer American manufacturers.
DRY
Large body with a distinctive dry sound.
LIGHT
Light sounding body suitable for a band or ensemble.
NYLON
Simulates a nylon-string sound.
STEEL
Body with distinctively metallic highs, suitable for rock.
RESO
Resonator guitar body, suitable for slide playing.
Mic distance 0 (distant)…30 (close)
SLAP
The delay time will be set to 1/4th of the interval at
which you press TAP.
ECHO1
Tape echo simulation with a warm tone (feedback low).
ECHO2
Tape echo simulation with a warm tone (feedback medium).
ECHO3
Tape echo simulation with a warm tone (feedback high).
PP DLY
Ping-pong delay that bounces from to left to right.
MULTI
Multi-tap delay.
AIR
Reverb with an airy feel.
ROOM
Room reverb.
HALL
Hall reverb
(*3).
PLATE
Plate reverb
(*3).
SPRING
Spring reverb
(*3).
Effect depth 0…30
