Korg NAUTILUS Series, Руководство по параметрам, Страница: 100 / 961

PROGRAM mode: HD-1
90
A+B
AMS Mixer, Type = A+B
A+B merges two AMS sources into one. This can be handy
when you need to add one more modulation source to a
parameter, but you’ve already used up all of the available
AMS slots.
For instance, let’s say that you’re using an LFO to modulate
Filter Resonance, and then you decide that it would be
interesting to scale that parameter with an EG as well.
Resonance has only a single AMS input, but you can easily
merge the LFO and the EG together using the A+B AMS
Mixer:
1. Assign the LFO to AMS A.
2. Assign the EG to AMS B.
3. Assign the AMS Mixer as the Filter Resonance AMS
source.
AMS Mixer A+B example
AMS A [List of AMS Sources]
This selects the first AMS input.
For a list of AMS sources, see “Alternate Modulation Source
(AMS) List” on page 901.
AMS A Amount [–99…+99]
This controls the depth and direction of the AMS A input.
AMS B [List of AMS Sources]
This selects the second AMS input.
For a list of AMS sources, see “Alternate Modulation Source
(AMS) List” on page 901.
AMS B Amount [–99…+99]
This controls the depth and direction of the AMS B input.
Amt A x B
AMS Mixer, Type = A x B
This Mixer Type uses AMS B to scale the amount of AMS
A. For instance, you can control the amount of LFO1 with
the Filter EG or the amount of the Pitch EG with the Joystick
+Y.
AMS Mixer Amt AxB example
AMS A [List of AMS Sources]
This selects the first AMS source, which can then be scaled
by AMS B. For a list of AMS sources, see “Alternate
Modulation Source (AMS) List” on page 901.
AMS A Amount [–99…+99]
This controls the initial amount of AMS A, before
modulation from AMS B. Input from AMS B then adds to
this initial amount.
Even if Amount A is set to 0, AMS B can still control the
final amount of AMS A over the full +/–99 range.
AMS B [List of AMS Sources]
This selects the second AMS source, to scale the amount of
AMS A. For a list of AMS sources, see “Alternate
Modulation Source (AMS) List” on page 901.
AMS B Amount [–99…+99]
This controls the depth and direction of the AMS B
modulation of AMS A.
For example, if AMS A is set to LFO 1 and AMS B is set to
the Filter EG, positive settings mean that the EG will
increase the amount of LFO1.
Tips for using Amt A x B
Using SW 1/2 to turn an AMS source on and off
You can use Amt AxB to “gate” an AMS source:
1. Set AMS A to the desired source, and set AMS A
Amount to 0.
2. Set AMS B to SW 1 or 2, and AMS B Amount to +99.
Now, SW1 or 2 will turn AMS A on and off.
Output
AMS A
AMS B
Amt A
Amt B
AMS A: LFO
AMS B: EG
Amt A*B Output
AMS A
AMS B
Amt B
Output
Amt A
AMS A: LFO
AMS B: EG
Amt A*B Output