Korg M3, Руководство по параметрам

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Sampling mode
350
If you set this to xxx/yyy, an individually sliced sample will
be selected. xxx is the selected index, and yyy indicates the
total number of sliced samples. A maximum of 90 samples
can be assigned to the keyboard. If the sample was sliced
into more than 90 samples, this will be displayed as 90.
You can also select an index by holding down the ENTER
switch and playing a note on the keyboard. The index that
includes that note will be selected.
When you execute Time Stretch, the addresses will be
specified automatically. However, playback may be
slightly offset due to inaccuracies in the end address,
etc. If this occurs, set Index to Result, and use “Start”
and “End” to re-specify the addresses.
Keyboard & Index: This shows the multisample that is
temporarily used in this dialog box.
When you play the keyboard, this multisample will sound.
It will act in the same way as in normal pages (e.g., the
Recording pages). (0–1a)
In the case of a stereo sample, a stereo multisample
will be used temporarily. The sample of each index will
sound in stereo.
Sample waveform display: This displays the waveform of
the selected sample. If the Index is other than Result, the
locations at which the sample is sliced will be indicated by a
gray-colored line. If Index is set to xxx/yyy, the sample of
the selected index will be highlighted. If Index is other than
xxx/yyy, the Start, Loop S, and End addresses will be
indicated by red, green, and blue colored lines, respectively.
In the case of a stereo sample, the L channel sample
data will be displayed above, and the R channel sample data
will be displayed below.
ZOOM: Here you can zoom in/out vertically and
horizontally on the waveform displayed in the “Sample
waveform display.” (1–1e)
9. If the slice locations are not appropriate, use “Sensitiv-
ity” to modify the sensitivity at which the attacks are
detected, thus changing the slice locations.
Sensitivity [00...30]:
Start:
End:
Use Zero:
Divide:
Link:
See “Time Slice” on page 343, steps 6 and 7.
10. When you press the Stretch button, the Time Stretch
dialog box will appear, and you can re-do the time
stretch.
Execute Time Stretch using the same procedure as in step 5.
If the sample slice locations are not appropriate, this will
also affect the result of Time Stretch. For details on setting
the slice locations, please see “Time Slice” on page 343, steps
6 and 7.
11. Save the sample you created. Press the Save button, and
the Save dialog box will appear.
In To Sample No., specify the save destination sample
number. By default, an unused sample number will be
selected. If Overwrite is checked, this cannot be set.
If you wish to delete the original sample data and overwrite
it with the edited sample, check Overwrite.
If you execute this command with Overwrite checked,
the original sample data will be deleted, and
overwritten by the edited sample data. Thus, in the
Time Stretch dialog box that appears after execution,
the edited sample data will automatically have its
attacks detected and sliced, and displayed in Index
Source.
For stereo samples, use “Save to No.(L)” and “(R)” to
specify the save-destination of the L and R channels.
To execute the Save, press the OK button. To cancel without
executing, press the Cancel button.
12. By repeating steps 10–11 you can create more samples
as desired.
13. Press the Exit button to end the Time Stretch operation.
The last-saved sample number will be set for the index.
Note: If you to use the saved sample in Program mode or
Sequencer mode, you can use the Convert MS To Program
(Convert Multisample To Program)
menu command, or
you can select that multisample for the “2–1a: OSC1
Multisample” (see page 37) or “2–3: OSC2 Basic” (see
page 42) parameters “MS1”–“M4” (if “Type” =
Multisample) and create a program.
Be aware that if you exit Time Stretch without using the
Save button then press the OK button to save the
sample, the sample(s) you created will be lost.
Before executing the Slice on a long sample, you should
first divide the sample into measures. In some cases, it
may not be possible to assign the sample to the
keyboard or edit the slice locations.
Time Stretch requires vacant samples, multisamples,
and relative parameters in order to execute. Before you
execute, make sure that there is sufficient free space. If
there is not, an error will occur.
Note: If you open the time slice (Slice) dialog box on the
same sample, it will be sliced in the same way it previously
was. These slice locations will also be used if you use the
Time Slice
menu command, so that you don’t have to make
the settings again.
If you wish to detect the attacks again or to re-do the
operation, change the Sensitivity after you open the dialog
box.
Crossfade Loop
When looping a pitched instrument sample of a complex
sound such as strings or woodwinds to make the sound
sustain, it is necessary to create a long loop to preserve the
rich character of the sound. Crossfade Loop can be used to
minimize the difference in sound between the two regions to
create a natural-sounding loop.
In order to solve such problems, Crossfade Loop causes the
sound to change gradually from the end to the beginning of
the loop.
In actuality, the sample data is created as follows.
A specific length (the Crossfade Length) of the waveform
Sound
Playback Repeated playback
(first half of loop) (second half of loop)
Gradually changes to first half