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Содержание M1R

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Страница 2: ...blems occur use at a greater distance from the radio or TV HANDLE GENTLY Although this unit is designed and constructed to KORG s high standards the use of excessive force may cause damage to its keys and knobs CLEANING Use only a soft dry cloth to clean the exterior of this unit Never use benzene volatile cleaners or solvents polish or cleaning compounds WARRANTY PROCEDURE The product warranty en...

Страница 3: ...0 Structure of the M1R s Program Parameters 20 Functions in the Edit Program Mode 21 Editing in the Edit Program Mode 22 3 EFFECT PARAMETERS 36 Effect Placement 36 Names of the Effect Types and an Outline of their Parameters 40 Reverb 40 Early Reflection 41 Delay 42 Chorus 43 Flanger 44 Phase Shift 45 Tremolo 46 Equalizer 47 Overdrive 48 Exciter 49 Ensemble 49 Rotary Speaker 50 Combination Type Ef...

Страница 4: ...l Recording 85 Step Recording 88 Song Initialize 91 Track Copy 93 Track Bounce 93 Track Erase 94 Put Copy Pattern 94 Measure Copy 95 Measure Insert 96 Measure Delete 96 Measure Erase 97 Quantize 98 Pattern Real Time Recording 99 Pattern Step Recording 100 Get Pattern 101 Pattern Copy 102 Pattern Bounce 102 Editing Event 103 7 GLOBAL MODE 110 Functions in the Global Mode 110 MIDI SYSTEM EXCLUSIVE 1...

Страница 5: ...rted in the PCM data slot on the front panel This lights up when MIDI signals are being received 7 CONTRAST dial This controls the brightness of the display on the front panel Turning the dial clockwise darkens the characters on the display and turning it counterclockwise lightens them 2 PCM DATA slot Only cards that are stored with PCM Multisound data should be inserted here Do not insert the Pro...

Страница 6: ...N Mode PROG PROGRAM Mode EDIT PROG EDIT PROGRAM Mode SEQ SEQUENCER Mode GLOBAL GLOBAL Mode 14 START STOP keys 15 REC key 16 Numeric keypad 0 9 2 4 3 2 R l L ASS PEDAL SW L _ _ _ OUTPUT 4 ASS PEDAL SW jacks 1 2 For connection of pedal and footswitches Assigninglarameters to be controlled by the switches is done in the GLOB L Mode Function F 2 1 5 OUTPUT jacks 1 L 2 R 3 4 These are the Ml R s voice ...

Страница 7: ...g limitations of the conventional synthesizer is possible Processing any of the programs or individual sounds with the use of VDFs Variable Digital Filter and VDAs Variable Digital Amplifier is of course possible Moreover different effects can be assigned to specific programs in a configuration of 2 systems and 2 channels through theMlR s MDE Multi Digital Effect feature when playing Multisounds W...

Страница 8: ...r selection are from 00 to 99 Selection from only 00 to 49 is possible when large sequence allocation is selected Single osc Double OSC1 Drum Kit ORMS The EDIT PROGRAM Mode can be used for making settings up to this point OUTPUT E Choose from 4 different instrument settings The pan setting of the Drum Kit which is set in the GLOBAL Mode has priority VDF COMBINATION MODE The word Combination as ref...

Страница 9: ...e up of 8 tracks OUTPUT Tracks c be created by combining pattems OO to 99 PAN CD A A B B c D r L D The volume difference between the two outputs can be changed over a range of ratios from 1 9 9 1 Sends signals to C and D at the same volume 8 EFFECT El E2 When set to parallel operation A EFFECT B EFFECT 2 c t IT D t When set to serial operation A B c D EFFECT EFFECT 2 1 L 2 R 3 4 1 L 2 R 3 4 Effect...

Страница 10: ...git of the desired number in our example pressing 3 will change the number to 23 pressing to 7 will change it to 27 and so on The BANK HOLD key will be lit when the Bank Hold function is on To turn the function off press the BANK HOLD key once more This key temporarily returns the Program or Combination which is being edited in the EDIT COMBINATION or EDIT PROGRAM Mode to the setting that existed ...

Страница 11: ...one The VALUE dial cannot be used here to change the Combination or Program Pressing any of the cursor keys through HJ will move the cursor to the performance edit parameters and editing can be done by using the UP DOWN keys and the VALUE dial To return the UP DOWN keys to function as Program up and down after selecting the performance edit mode in PROGRAM Mode press the PROG button in COMBINATION...

Страница 12: ...note numbers O I27 are received through MIDI IN Some of the Programs may not sound when played in higher ranges How to M tchuMIDTChannels I 1 Press GLOBAL of the Mode Select keys 2 Press 5 on the numeric keypad 3 Make sure that the cursor is at the CH display If it is not press cursor key ffi 4 Adjust the VALUE dial until the desired MIDI channel is displayed For situations in which MIDI data is b...

Страница 13: ...nging the volume of layer 2 Example 2 shows a display when a multi Combination is selected As in the first example the Program number shown directly above cursor key gJ Program number 106 can be changed by pressing cursor key g then by adjusting the VALUE dial IHOW TO PLAY PROGRAMS ONE SOUND COLOR 1 Press the PROG key of the mode select keys this puts the Ml in the PROGRAM Mode 2 Select the number...

Страница 14: ...rresponding to the note played Range 10 to 10 V Vel Sens Velocity Sensitivity This parameter sets the degree to which key velocity affects the amplitude and the cutoff frequency The larger the valuelis the greater the change in timbre becomes corresponding to how hard the keys are struck Range 10 to 10 A VDF A EG Attack Time VDF and VDA EG attack time This parameter controls the attack time of the...

Страница 15: ...1 c J c i PROG EDIT PROG ic J c j SEQ GLOBAL c i r _ M s l v r SEO START STOP REC c J c SONG9 New 5on9 31 Free R P Son99 Tri M001 J 120 100 U99 C l A B C D E F G H 4iiiiiiiit iiiiiii 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit CARD c J c COMBI EDIT COMBI c J c PROG EDIT PROG c J c SEQ GLOBAL c J c r seo START STOP REC _ _ Now that you ve heard the demo sequence follow these s...

Страница 16: ... GLOBAL j r SEO STARTISTO REC c i r 1 See the MODES AND I FUNCTIONS chapter section 2 EDIT PROGRAM MODE p 20 L _J 15 3 Create the Combination by combining the Programs created in step 2 in the EDIT COMBINATION Mode INT CARD c i COMsl ED1TCOM 81 1 c i PROG EDIT PROG i c J SEQ GLOBAL c i r SEO START STOP REC c i See the MODES AND FUNCTIONS chapter section 5 EDIT COMBI NATION MODE p 61 I I _1 3 Recor...

Страница 17: ...st MEMORY CARD FORMAT Program Card 100 Combinations 100 Programs 1 Global Parameter Sequencer Card Program Sequence 50 Combinations Card 10 Banks 100 Patterns a total of less than 7700 steps 10 Banks 100 Patterns a total of less than 4200 steps The M 1 has three kinds of memory formats PCM cards are not included in this classification Use KORG MCR 03 RAM cards Two RAM cards are neccesary in order ...

Страница 18: ...cillator 0 99 Volume of Level Oscillator 1 00 LOctave Octave setting of Oscillator 1 16 1octave down 8 standard pitch 4 1 octave up T T CD F 0 2 OSCl Oscillator 1 Indicates that this is the second page of function 0 and that the function is called Oscillator 1 The cursor key to be used to access the parameter The abbreviation of the parameter that is shown on the display Name of the parameter The ...

Страница 19: ...nd OSC 2 of the Programs when set to DOUBLE fil F VDFCutoff 10 10 Controls the cutoff frequency of VDF 1 and VDF 2 changes the tonal quality of the sound L VDALevel 10 10 Controls the level volume of OSC 1 and OSC 2 K Keyboard Track 10 10 Controls the sensitivity at which changes in sound color and volume are affected by the part of the keyboard played ID v Velocity 10 10 Controls the sensitivity ...

Страница 20: ...set to a negative value only the absolute value Velocity OSC 1 2 EG Level Vel Sens becomes smaller but the sign or does not change Sensitivity EG Time Vel Sens VDF 1 2 VEL SENS EG Int EGTime VDA 1 2 VEL SENS Amplitude Parameters with values set to O remain as O and do not EG Time change Attack Time VDF 1 2 Attack Time Increases or assumes a positive value 3 VDA 1 2 Attack Time Release Time VDF 1 2...

Страница 21: ... the pitch of the Changes the tonal qualities Changes the volume sound over time of the sound over time of the sound over time l i l osc 1 VDF1 VOA 1 Sets the waveform type Sets the tonal Sets the volume and the basic pitch qualities of the sound t 1 PITCH MG VOF MG Regularly varies Regularly varies the pitch of the sound the tonal qualities vibrato of the sound EFFECT r t t For double mode only E...

Страница 22: ... time 3 VDFlVELSENS Degree to which VDF 1 responds to key velocity 4 VDFl KBDTRK Degree to which VDF 1 tracks the keyboard 3 1 VDF2 Cutoff frequency EG intensity of VDF 2 Double mode 2 VDF2EG Variation of the VDF 2 s cutoff frequency over time Double mode 3 VDF2 VEL SENS Degree to which VDF 2 responds to key velocity Double mode 4 VDF2KBDTRK Degree to which VDF 2 tracks the keyboard Double mode 4 ...

Страница 23: ... can be created here but the maximum simultaneous voices available is decreased to 8 DRUM KIT is a mode that uses drum sounds as the sound origin to make up a keyboard controllable drum kit Assign determines whether the program is to be played polyphonically or monophonically When the Hold parameter is set to ON notes played will continue to sound even after releasing the key This is used mainly f...

Страница 24: ...R Piano L99 4 I 12 D 50 DL99 A B C 0 E F C H Multisound Multisound name Selection of Multisound for Oscillator 2 L OSC Level o 99 Volume of Oscillator 2 Octave 16 8 4 Octave of Oscillator 2 JI Interval 12 12 Pitch of Oscillator 2 relative to Oscillator 1 adjustable in semitones JD Detune 50 50 Detuning of Oscillator 2 relative to Oscillator 1 adjustable in cents ill DL Delay Start o 99 Delay time ...

Страница 25: ...key velocity Sets the rate at which the pitch of Oscillator 1 changes These parameters set the rate at which the pitch of Oscillator 1 changes Setting opposite positive and negative values for each EG level will result in an EG shape reverse of the above The stronger the key is struck the greater the change of pitch when setting EG Level Vel Sens EG level velocity sensitivity to The opposite occur...

Страница 26: ... the cutoff change is greatest when set to 99 PROG 100 RT70 R 87 1 JDF1 EG Rt t sck Ti r11e DT53 8 52 ST12 5 99 RT99 R 08 A B C 0 E F C H 4iiiiiiiiit AT Attack Time 0 99 Determines how the VDF 1 s cutoff frequency will vary over time IDA Attack Level 99 99 The time parateters Attack Time Decay Time Slope Time Release Time are used to set the time it takes to reach the next level DT Decay Time 0 99...

Страница 27: ...osen the more softly the keys are played the greater the cutoff frequency change becomes The set value by EG intensity is the norm When set to Cutoff level 1 1 _ Y w y EG troogly It is true of most acoustic musical instruments that the softer the sound made the fe wer high frequency components that are present in the sound When imitating this effect set the cutoff frequency to low in the VDF set a...

Страница 28: ...tting to The greater the change is the closer the value gets to 99 or 99 The change of Cutoff and the change of pitch are equal when set to 0 Cutoff Level When Cutoff Freq Keyboard Tracking 0 When Cutoff Freq Keyboard Tracking 0 Vv ft When lower notes Normal VDF EG setting When higher notes When Cutoff Freq Keyboard Tracking 0 are played are played F 3 1 VDF 2 Only DOUBLE Mode F F 013 100 UDF2 Cut...

Страница 29: ...e will vary over time F 4 2 VDA 1 VEL SENS VDA 1 Velocity Sensitivity PROG 100 UDRl UEL SENS RMPlitude R 29 EGTiMe 99 RT 0 OT ST RT A 8 C 0 E F G H 4iiiiiiiiit 4iiiiiiiiit 4iiiiiiiiit 4iiiiiiiiit 4iiiiiiiiit fil A Amplitude Amplitude 99 99 Change ofVDA l s volume by key velocity Velocity Sensitivity EG Time EG time 0 99 Change of the VDA s EG time variation of volume over Velocity Sensitivity time...

Страница 30: ...f VDA 1 by key position Amplitude Keyboard Tracking EG Time 0 99 Change of VDA 1 EG speed by key position EG time Keyboard Tracking fil AT Attack Time 0 These ilfe the parameters that EG time keyboard tracking can be programmed to affect negative and positive values can be individually selected with 0 0DT Decay Time 0 having no effect ST Slope Time 0 ffi RT Release Time 0 VDA Keyboard Tracking is ...

Страница 31: ...E PROG 100 UDR2 KBD TRK Center KeY C 1 R 99 EGTiMe 99 RT 0 OT ST RT Degree to which VDA 2 volume of Oscillator 2 tracks the keyboard A 8 C D E F G H The functions and parameters are the same as F4 3 VDA I KBD TRK as applied to Oscillator 2 F 6 1 Pitch MG Pitch Modulation PROG 100 PITCH MG WaveforM TRIRt GLE F31 041 I5 3 OFF SYtK OFF A 6 C 0 E F G H Waveform TRIANGLE I Selects the modulation wavefo...

Страница 32: ...ntensity 99 This effect does not work when Oscillator Select is OFF OSC Select selects the Oscillator to be modulated BOTH affects both Oscillator 1 and Oscillator 2 In all modes with the exception of DOUBLE Mode the net effect of setting this parameter to OSC 2 is equal to that of OFF and the net effect of a BOTH setting is equal to that of OSC 1 The modulation waveform starts upon the pressing o...

Страница 33: ...parameters such as pitch volume or tone color when pressing down hard on the keys Pitch sets the width and direction of pitch change by after touch within the range of 12 to 12 1 octave The larger the value to which Pitch MG pitch modulation is set the greater the effect of Pitch MG becomes when pressing down hard on the keys No change is made at 0 The modulation waveform oscillator select and key...

Страница 34: ...controlled by moving the joy stick from left to right pitch modulation can be controlled by moving the joy stick up while VDF modulation effect can be controlled by moving the joy stick down Pitch Bend sets in semitone units the range over which pitch can be changed by pitch bend wheels and other controllers 12 is the maximum value and is equal to I octave above the normal pitch VDF Sweep Int VDF ...

Страница 35: ...iiiiiiiiiiiii fil ffi Effect placement PARALLEL SERIAL P3 Out 3 Panpot OFF 100 0 0 100 P4 Out4 Panpot OFF 100 0 0 100 This function sets the Effect Placement and Pan setting of Outputs 3 and 4 See pp 36 37 for more on Effect Placement F 8 6 EFFECT COPY EFFECT COPY froM COMBINRTION 00 COPYl A B C 0 E F G H iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii...

Страница 36: ...Function F 6 1 2 Program number to which the Program will be stored cursor key HJ I 50 to I 99 cannot be selected when large sequence allocation is selected Card memory programs COO to C99 can be selected when COMBl PROG SEQ RAM card is inserted in the PROO SEQ slot the formatted COMBl PROG or 3 Press WRITE cursor key El 4 Are You Sure will show on the display When you want to write press YES curs...

Страница 37: ...it Combination Mode or Sequencer Mode Details of editing and parameters are identical The Effect section is comprised of 2 effects and 2 panpots with a 4 input A B C and D and 4 output l L 2 R 3 and 4 configuration For the placement of the 2 effects there are 2 operation modes serial and parallel All signal routing is digital the signal is changed from digital to audio with the D A converter only ...

Страница 38: ...am by using Output 3 Pan and Output 4 Pan Different sounds that are output to C and D can be mixed with the stereo output by adjusting the pan setting of each Program with Output 3 Pan and Output 4 Pan When stereo effects have been selected for Effect 1 and 2 and the operation mode has been set to Parallel stereo out mixed outputs of Effect 1 and Effect 2 can be used by setting Output 3 Pan to 100...

Страница 39: ...Q and High EQ are effective even when the effect switch is OFF Set the effect type to No Effect when you want all effects including the equalizer to be off while editing Programs F 8 2 EFFECT 1 PARAMETER Sets the parameter of Effect 1 See explanations about each parameter type starting on p 40 since the details of the parameters differ depending on the parameter type The value set here is lost whe...

Страница 40: ... copied COPY Executing the copy Copies only effect parameters from the Combination Program and song in the memory The parameters are copied to Combinations Programs and songs when editing here 1 Select the mode which has parameter to be copied 00 2 Select the number to which the parameter will be copied Program number for the Program Combination number for the Combination and song number for the s...

Страница 41: ...90 HD High Damp 0 99 L EQLow 12 12 dB H EQHigh 12 12 dB IBJ Dry EFF Balance DRY 99 1 1 99 EFF Similar to 1 Hall above but especially suited for string and brass ensemble sounds Similar again to 1 Hall above but with particular emphasis on the early reflections characteristic of a large hall The tight well defined reverberation patterns of a relatively small room Emphasis here is on the relative de...

Страница 42: ...0 DRY EFF Balance L 00 H 00 60 40 A B C 0 E F G H tiiiiiiimiitiiiiiiiiiiiit4iiiiiiiiiiiiittiiiiiiiiiiiiii4iiiiiiiiiiiiittiiiiiiiiiiiiiitiiiiiiimii EQ E REF This is an effective program for reinforcing the low frequency range as well as a general purpose gating effect for use on drum sounds Unlike EARLY REFLECTION I and EARLY REFLECTION II this effect uses a reverse envelope on the early reflection...

Страница 43: ...Y DELAY 11 CROSS DELAY A stereo delay in which the feedback signal of each delay crosses over and is routed to the other delay EFFECT 1 Cross Dela L180 R360 F 0 HD10 Feedback L 00 H 00 70 30 A B C 0 E F G M Ciiiiiiiit tiiiiiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit L Delay Time Left 0 500 mSec fil R Delay Time Right 0 500 mSec F Feedback 99 99 HD High Damp 0 99 f L EQLow 12 12...

Страница 44: ...E F C H CHORUS CHORUS 13 STEREO CHORUS II Similar to STEREO CHORUS I except that there is no phase inversion EFFECT 1 Chorus 2 M20 52 40 0005 IN Moel lJaveforM L 00 H 00 60 40 A B C D E F C H 0M Mod Depth 0 99 s Mod Speed 0 03 30 Hz D Delay Time 0 200 mSec J Mod Waveform SIN TRI 0L EQLow 12 12 dB H EQHigh 12 12 dB IBl DRY EFF Balance DRY 99 1 1 99 EFF CHORUS CHORUS Intensity of modulation Speed of...

Страница 45: ...h the feedback signal of each flanger circuit crosses over and is routed to the other flanger See 11 CROSS DELAY for more on feedback EFFECT 1 Cross Flan9er Mod Speed Hzl M37 50 21 D25 F 8 1 5IN L 00 H t10 25 75 A B C D E F G H FLANGER FLANGER M Mod Depth 0 99 Depth of flanging effect fil s Mod Speed 0 03 30 Hz Speed of modulation JD Delay Time 0 SO mSec Time between direct sound and effect sound ...

Страница 46: ...ced by phase inversion of the two phaser circuits EFFECT 1 Phaser 1 Manual MN99 50 69 M60 F 75 SIN C OC L _1 A 8 C D E F G H 17 PHASER II MOD Similar to PHASE SHIFTER I except that there is no phase inversion EFFECT 1 Phaser 2 Feedback MN99 50 57 M69 F 7 TRI 60 40 A 8 C D E F G H PHASER PHASER PHASER PHASER MN Manual 0 99 Center frequency which phase shift affects fil s Mod Speed 0 03 30 Hz Speed ...

Страница 47: ...inversion between the LFOs of the two tremolo circuits Shape EFFECT 1 TreMolo 2 M63 54 00 TRI 5 00 L 0 1 H n EFF A B C 0 E F G H tiiiiiiiiiii9 tiiiiiiiiiii9 tiiiiiiiiiii9 TREMOLO TREMOLO Signal Level Waveform Shape M Mod Depth 0 99 Depth of tremolo effect fil s Mod Speed 0 03 30 Hz Speed of modulation tremolo effect Mod Waveform Selection of modulation waveform SIN Sine wave f J TRI Triangle wave ...

Страница 48: ...B C D E F H 3dB 3dB EO r 12dB r EO LOW Fe HIGH Fe L Low Gain 12 12 dB Gain which cuts or boosts low range components fil Low Fe 250 500 lK Hz Low frequency point at which boost or cut will be made Low Cutoff JH High Gain 12 12 dB Gain that cuts or boosts the high range components High Fe lK 2K 4K Hz High frequency at which boost or cut will be made El DRY EFF DRY 99 1 1 99 EFF Output balance of di...

Страница 49: ...sts high range components IBl DRY EFF DRY 99 1 1 99 EFF Output balance between direct sound and effect sound Balance 22 DISTORTION Compared with OVERDRIVE this effect has a dirtier sound with more of a hard edge and is excellent for simulating a fuzz distortion sound As with OVERDRIVE it is effective when used in solos EFFECT 1 Over Drive D 0 L15 Drive L 00 H 00 EFF A 8 C D E F G H tiiiiiiiiil tii...

Страница 50: ...components H EQHigh 12 12 dB Gain that cuts or boosts high range components IBJ DRY EFF DRY 99 1 1 99 EFF Output balance of direct sound and effect sound Balance ENSEMBLE Group 24 SYMPHONIC ENSEMBLE This effect is designed to be most effective for ensemble sounds like strings by applying greater modulation in a chorus type program EFFECT 1 s Phonic Ens Mod DePth M l1 L 1 1 H 1 1 50 5 1 A B C 0 E F...

Страница 51: ...iiiiiiiiiii9 4iiiiiiiiiii9 _ ROTARY SP M Mod Depth 0 99 Depth ofeffect JR Speed Ratio 10 10 Ratio ofrotation speed of the high range speaker to the rotation speed of the low range speaker ffi DRY EFF DRY 99 1 1 99 EFF Output balance ofdirect sound and effect sound Balance COMBINATION Effects Group Effect programs 26 to 33 are combination effects in which different effects are assigned to the two c...

Страница 52: ...quencies are damped IBl DRY EFF Balance DRY 99 1 1 99 EFF Output balance between direct sound and effect sound 27 DELAY ROOM EFFECT 1 Oela RooM Pre Dela MS 0250 F 50 H010 70 30 1 5 0030 H030 60 40 A B C 0 E F C H iiiiiiim tiiiiiiiii tiiiiiiiii iiiiiiim tiiiiiiiii DELAY 0D Delay time 0 500 mSec Time from direct sound to effect sound fil F Feedback 99 99 Amount of feedback negative values produce in...

Страница 53: ...ance of direct sound and effect sound EARLY REFLECTION 00 E R Time 100 400 mSec E R time 0D Pre Delay 0 150 mSec Time between the direct sound and E R sound IBl DRY EFF DRY 99 1 1 99 EFF Output balance of direct sound and effect sound Balance 29 DELAY DELAY EFFECT 1 Dela Oela TiMe L MSl 250 F 50 HD10 70 30 260 F 50 HD10 70 30 A B C D E F G H DELAY Delay Time 0 500 mSec Same as DELAY of 26 DELAY HA...

Страница 54: ...gle wave ill DRY EFF DRY 99 1 1 99 EFF Sound volume balance of direct sound and effect sound Balance 31 DELAY FLANGER EFFECT 1 Dela Flan9er Mod DePth 250 F 50 HD10 70 30 MZ0 0 18 F 75 40 60 A B C D E F G H iiiiiiiit tiiiiiit DELAY D Delay time 0 500 mSec Same as DELAY of 26 DELAY HALL fil F Feedback 99 99 HD High Damp 0 99 IBJ DRY EFF DRY 99 1 1 99 EFF Balance FLANGER filM Mod Depth 0 99 Depth of ...

Страница 55: ...time 0 500 mSec Same as DELAY of 26 DELAY HALL 00 F Feedback 99 99 HD High Damp 0 99 DRY EFF DRY 99 1 1 99 EFF JBalance PHASER JM Mod Depth 0 100 Depth of phase shift I Mod Speed 0 03 30 Hz Speed of modulation F Feedback 99 99 Amount of feedback negative values produce inverted phase IBJ DRY EFF DRY 99 1 1 99 EFF Output balance of direct sound and effect sound Balance 54 ...

Страница 56: ...Y D Delay Time 0 500 mSec Same as Delay of 26 DELAY HALL fil F Feedback 99 99 HD High Damp 0 99 DRY EFF Balance DRY 99 1 1 99 EFF TREMOLO fil M Mod Depth o 99 Depth of tremolo effect 0 Mod Speed 0 03 30 Hz Speed of modulation JS Shape 99 99 Changing the modulation waveform ffil DRY EFF DRY 99 1 1 99 EFF Output balance between direct sound and effect sound Balance 55 ...

Страница 57: ...SER 1 99 I o 69Hz I 60 I 75 1 7 PHASER 99 ltli ilE Ri H I 1 8 STEREO TREM OLO 1 80 I 1 59Hz I SIN I 99 1 9 STEREO TREMOLO 2 2 0 IEQUALIZER 631 4 OOHz I TRI f 0 POW GAJN Q w pp rnrn 2 1 IOVER DRIVE 2 2 I DISTORTION 80 I 80 I 20 IQl WQRIBIQN LEVlUN I I 2 3 I EXCITER 2 4 I SYMPHONIC ENS I 80 Jfpp J i E T l SPEED R ATIO I I 2 5 I ROTARY SPEAKER I 62 I I 5 r2 6 I DELAY HALL 2 7 I DELAY ROOM 250rnS I 50...

Страница 58: ...I SIN I OdBI OdBI 25 75 I ll AVEEQRM PRYiEEE I l 5 I SIN 25 75 1 6 I TRI 60 40 1 7 I l tju o Ln i ht L t fo OdB OdB I EFF 1 8 I OdB I OdB I EFF I 1 9 I IH IGH GAIN IHIGH wet j f DRYi EFF l OdB I 2KHz I I EFF I 2 0 J I IEQ m o w 1tQ ttt m IJ Rxnw I I I OdB J OdB I EFF I2 1 I Q J lQW l Miv f F titi I J Dfa Ow f a i l aii jrltiv 11tfai I OdB I I EFF I 2 2 I OdB I OdB I EFF I 2 3 I OdB OdB J 50 50 I2 ...

Страница 59: ...rder to edit more than two programs writing one program to memory is necessary before the program can be called up again jEDITING IN THE COMBINATION MODEj In the COMBINATION Mode the program which is assigned to the Combination can be changed and the volume of each Program can be adjusted All Combination parameters here can be edited in the EDIT COMBINATION Mode as well Writing the Combination to ...

Страница 60: ...ll sound when the keys are struck softly Loud Program I00 199 Program that will sound when the keys are struck hard COO C99 IBJ L Loud Level 0 99 Volume of the Program that will sound when the keys are struck hard MULTI COMBI 104 MultiCoMbi Tl E Bass IQl 102 103 105 106 109 110 112 A B C 0 E F G H 4iiiiiiiit tiiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit Toggling between the two...

Страница 61: ...o Timbre 2 Timbre 3 Level 0 99 Level of the Program assigned to Timbre 3 Timbre 4 Level 0 99 Level of the Program assigned to Timbre 4 Timbre 5 Level 0 99 Level of the Program assigned to Timbre 5 IJ Timbre 6 Level 0 99 Level of the Program assigned to Timbre 6 Timbre 7 Level 0 99 Level of the Program assigned to Timbre 7 IBJ Timbre 8 Level 0 99 Level of the Program assigned to Timbre 8 60 ...

Страница 62: ... by the Combinations you call up lcoMBINATIONTYPESI Single A Combination type which is made up of only one Program When it is necessary as in live performance to switch quickly back and forth between a Program and a Combination store the Program beforehand as a Single Combination so that any switching is done strictly as a Combination change Layer The playing of two Programs mixed or layered toget...

Страница 63: ...or Effect 2 Selection of Effect 2 s parameter Assignment of Effects 1 and 2 Copying of effect parameters Renaming and writing of Combinations F 0 1 COMBINATION TYPE COMB 100 COMBINRTION TYPE 2INGLE CSELECTJ A 8 C D E F G H iiiiiiil iiiiiiil tiiimiiiit tiiimiiiit tiiimiiiit I COMBINATION TYPE Selection of Combination type SINGLE LAYER SPLIT VELOCITY SW MULTI J SELECT Executing the selection Select ...

Страница 64: ...anpot OFF 100 0 0 100 IBl P4 Out 4 Panpot OFF 100 0 0 100 This function sets the Effect Placement and Pan setting of Outputs 3 and 4 See pp 36 37 for more on Effect Placement F 8 6 EFFECT COPY EFFECT COPY fro CCOMBINRTION 100 CCOPYl A 8 C 0 E F G H iiiiiiit iiiiiiit iiiiiiit iiiiiiit iiiiiiit iiiiiiit llil PROGRAM COMBINATION SONG 00 100 199 0 9 COPYI See the Effect Parameter section p 36 for desc...

Страница 65: ...OPQRSTUUWXYZ JA _ abcdef9hiJklMnopqrstuvwxyz I 2 Select the Combination number HJ to be written to 150 to 199 cannot be chosen when memory allocation is in the large sequence configuration Card memory COO to C99 or COO to C49 can be selected when a formatted RAM card is inserted in the front panel PROG SEQ DATA slot 3 Press Write EJ 4 Press YES Q when the display shows Are you sure The data which ...

Страница 66: ...iiiiit Program I00 199 Selection of Program number COO C99 Level D 99 Volume setting fil Panpot A 9 1 to Output destination 1 9 B C C D D NOTES Program selects the Program or preset voice Level sets the volume of the Program s sound The volume when set to 99 is the full volume as set in the Program parameter and 0 mutes the Program completely Panpot determines the output to outputs A through D Sel...

Страница 67: ...ection ofLayer 2 s Program COO C99 IBJ L Layer 2 Level 0 99 Layer 2 s volume control F 1 2 PANPOT DAMPER COMB 101 LRYER 5 ENR La er 1 PanPol R ENR I 12 D 50 A B C D E F C M Layer 1 Panpot A 9 1 to Layer l s output destination 1 9 B C C D D fil Layer 1 Damper DIS ENA Damper effect OFF ON switch for Layer 1 Layer 2 Panpot A 9 1 to Layer 2 s output destination 1 9 B C C D D Layer 2 Damper DIS ENA Dam...

Страница 68: ...display shows SND and the Panpot setting in the GLOBAL Mode is operative Damper has no effect on the Program of Layer 1 when Layer 1 Damper is set to DIS Panpot 2 assigns the output of the Layer 2 to outputs A through D The selection is as follows A A B 9 1 to 1 9 B C C D and D Damper has no effect on the Program of Layer 2 when Layer 2 Damper is set to DIS Interval permits changing of the pitch o...

Страница 69: ...199 Selection of the Program higher than the split point COO C99 F 1 2 LEVEL PAN DAMPER COMBI 102 KEY SPLIT Lo1 Jer Let ie1 L29 1 9 ENI L77 D Et ll I A 8 C D E F G H 4iiiiiiiiiiiittiiiiiiiiit4iiiiiiiiiiiittiiiiiiiiit4iiiiiiiiiiiit4iiiiiiiiiiiittiiiiiiiiittiiiiiiiiit L Lower Level 0 99 The lower Program s volume control Lower Panpot A 9 1 to Lower Program s output destination 1 9 B C C D D Lower Da...

Страница 70: ...am parameter and 0 mutes the Program completely Lower Panpot assigns the output of the lower Program to outputs A through D The selection is as follows A A B 9 1 to 1 9 B C C D and D Damper has no effect on the lower Program when Lower Damper is set to DIS Upper Level sets the level volume of the upper Program The volume when set to 99 is the full volume as set in the Program parameter and 0 mutes...

Страница 71: ...Point 1 127 Setting the velocity value of the velocity switch EJ Loud Program I00 199 Selection of the Program that sounds when playing harder than the COO C99 velocity switch point F 1 2 LEVEL PAN DAMPER COMBI 103 UELOCITY SW Soft Level L65 8 ENR L48 C DIS A 8 C 0 E F G H tiiiiiiiiiit tiiiiiiiiiit L Soft Level 0 99 The soft Program s volume control fil Soft Panpot A 9 1 to Soft Program s output d...

Страница 72: ...ter and 0 mutes the Program completely Soft Panpot assigns the output of the soft Program to outputs A through D The selection is as follows A A B 9 1to1 9 B C C D and D When the Drum Kit Program is selected the display shows SND and the Panpot setting in the GLOBAL Mode is operative Damper has no effect on the soft Program when Soft Damper is set to DIS Loud Level sets the level volume of the lou...

Страница 73: ...ut destination of each Timbre 7 1 MIDI PROGRAM CHG 2 DAMPER MIDI program change receiving switch f each Timbre Damper effect receiving switch of each Timbre 3 AFTER TOUCH 4 CONTROL CHANGE After touch effect receiving switch ofeach Timbre Control effect receiving switch of each Timbre F 1 1 PROGRAM SELECT COMB 104 PROGRRM SELECT Tl E Bass IQl 102 103 105 106 109 110 112 A B C D E F G H 4iiiiiiiiit ...

Страница 74: ...bend after touch and control change parameters receive data over the MIDI channel set for each Timbre Reception of this data can be turned off in functions 7 1 through 7 4 Real time performance controls such as foot controllers connected to the MIR affects only the timbres which are set to the same channel as the MIDI Global channel When the receiving channel is the same as the Global channel G is...

Страница 75: ...of sound that will be output Key Window Bottom Key Window Top Only the range defined by the key window top and the key window bottom will sound The key window top point cannot be set to a lower value than the key window bottom point When the key window top value is set lower than the key window bottom the key window bottom value is automatically adjusted to a semitone below key window top F 3 3 VE...

Страница 76: ...PLE Bottom 25 Top 100 Level Volume I ywwuuuwuu 1 Velocity 0 re j I 127 I I Under 25 C IQver 100 I Velocity range over which timbre will sound The Timbre will sound only when playing with at a velocity value between the velocity window top and the velocity window bottom The velocity window top point cannot be set to a lower value than the velocity window bottom point F 4 1 OUTPUT LEVEL COMB 104 OUT...

Страница 77: ...mbre 8 24 24 Allows for transposition of each Timbre in semitone steps either up or down two octaves F 5 2 DETUNE COMBI 104 DETUNE Tl E Bass Q0 02 14 50 00 50 19 04 A B C 0 E F G H Timbre 1 50 50 Adjusts the pitch of each Timbre in 1 cent steps over 00 Timbre 2 50 50 a range of 50 cents Timbre 3 50 50 Timbre4 50 50 ID Timbre 5 50 50 0 Timbre 6 50 50 Timbre 7 50 50 IBJ Timbre 8 50 50 Allows for fin...

Страница 78: ...the Drum Kit Program is selected the display shows SND and the Panpot setting in the GLOBAL Mode is operative F 7 1 MIDI PROG CHG MIDI Program Change COMB 04 MIDI PROG CHG Tl E Bass NR DIS ENR ENR DIS DIS DIS ENR Timbre 1 DIS ENA Determines whether or not each Timbre receives A B C D E F G H 00 Timbre 2 DIS ENA MIDI program change messages Timbres set Timbre 3 DIS ENA to DIS do not receive program...

Страница 79: ...ill be active for each timbre After touch will Timbre 3 DIS ENA not affect Timbres set to DIS in this function Timbre4 DIS ENA fil Timbre 5 DIS ENA I Timbre 6 DIS ENA Timbre 7 DIS ENA ffi Timbre 8 DIS ENA Sets whether the after touch effect is available or not After touch will not affect Timbres set to DIS in this function F 7 4 CONTROL CHANGE COMBI I04 CONTROL CHRNGE Tl E Bass ENR ENR DIS ENR DIS...

Страница 80: ...1 Parameter Play data of Track 1 Program no Program MIDI channel etc TRACK2 Play data of Track 2 TRACK3 Play data ofTrack 3 TRACK4 Play data of Track 4 TRACKS Play data ofTrack 5 TRACK6 Play data of Track 6 TRACK 7 Play data of Track 7 TRACKS Play data of Track 8 L 1 Program I sound color can be assigned to 1 track It is possible to change each track s Program in the middle of the song Each track ...

Страница 81: ...rized as data As opposed to the normal recording of tracks patterns can be recorded by repeated overdubbing Patterns of the Drum Kit can be recorded by using drum sounds 2 Step Recording This method is used to input each note by specifying its pitch and length 3 Copying from track Patterns can be made by copying the play data in the track EDITING SEQUENCER DATA There are two kinds of editing metho...

Страница 82: ...rack to track F4 3 TRACK ERASE Erasing track data F5 1 PUT COPY PATIERN Assignment and copying of patterns to measures FS 2 MEASURE COPY Copying of the specified measure F5 3 MEASURE INS DEL ERA Inserting deleting erasing the specified measure F5 4 MEASURE QUANTIZE Adjusting automatically the timing of all notes in a specified measure F6 1 PATIERN REAL TIME Real time recording of patterns F6 2 PAT...

Страница 83: ...play Tempo lil Program El and volume Q can be changed during play However when these data are included as part of the play data the values are fixed Songs inside the card can be selected for play by pressing the card key when the memory card which has sequence data is inserted in the PROG SEQ DATA slot Starting Play from Midway Point of Song Change the measure number Q when the sequencer is stoppe...

Страница 84: ... Other modes or functions cannot be selected while recording Tempo change affects all 8 tracks no matter on what track it is recorded Therefore unnatural and unexpected effects may result when several tracks include tempo change NOTE Memory space equal to 1 step is taken up by a single bar line Memory of 2 steps is taken up by notes which bridge over the bar line NOTE After touch and other control...

Страница 85: ...oneit 1e Res J 48 MM QFF PUHCH 001 010 A 8 C 0 E F G H 4iiiiiiiiiiii Res Resolution 48 J l Quantization of rhythm at recording MM Metronome OFF ON Metronome switch m I P In Measure Punch In Measure 1 250 Measure at which punch in is set P Out Measure Punch Out Measure 1 250 End Measure at which punch out is set Resolution determines whether the rhythm is quantized during recording When set to I it...

Страница 86: ...lect this page by pressing the PAGE key twice and set the track 1 through 8 to be recorded to REC 3 Select the MIDI Channel page by pressing the PAGE key and set the MIDI channel of each track to be recorded to different channel numbers 4 Record by using F 0 1 PLAY REC Before recording in multi channel recording remaining memory is divided equally among the tracks to be recorded As a result there ...

Страница 87: ...sing F0 1 REC PLAY if program change is included in the data which is being played When changing the song by F0 1 REC PLAY the Program number in the song parameter is reset F 1 2 TRACK VOLUME SONG0 TRRCK VOLUME Track 1 29 99 99 99 99 99 99 99 Track 1 0 99 Setting the volume of each track A 8 C 0 F G H 4iiiiiiiiiit tiiiiiiiiii 4iiiiiiiiiit fil Track2 0 99 Track 3 0 99 Track4 0 99 fil Track 5 0 99 I...

Страница 88: ...zer additional voices in each track can be allotted to the device allowing a total of 32 voices that can be played simultaneously Track 1 INT Track 2 INT Ml s internal voices are played Track 3 INT Track 4 INT Track S EXT Track 6 EXT External MIDI sound sources are played Track 7 EXT Track 8 EXT When the MIDI Overflow parameter of GLOBAL Mode function F 5 1 MIDI Global is ON note data is sent thro...

Страница 89: ...combined note and control data F 2 1 STEP RECORDING SONG0 STEP RECORDING Track Measure 001 A B C D E F G H tiiiiiiiiit tiiiiiiiiit Track 1 8 Track number to be recorded IBJ Measure 1 250 Measure number SONG0 Trl Slep l 1 M001 1 00 Step T i e f 1f Ten CRSTlHIEl l A B C D E F G H tiiiiiiiiit tiiiiiiiiit tiiiiiiiiit tiiiiiiiiit fil Step Time 1 32 1 1 The basic length of a note a thirty second to a wh...

Страница 90: ...lue of 1 clock is 1 48 of a quarter note M001 Measure 1 24 I Beat Clock 3 Sets the type length of the note to be input by step time 00 and triplet dot Q The value of a triplet is 2 3 of the step time and the value of a dot is 3 2 of the step time 32 16 8 4 2 1 ft J p J 0 TRIP ft J p J 0 3 3 3 3 3 3 DOT ft J P J J Q 4 Sets the length each note sounds staccato tenuto 00 Length of Sound stac I 1 I 50...

Страница 91: ...e two ways of inputting longer notes than the note value set by step time One method is to reset the note by step time and the other is to lengthen by using tie The length of the note as determined by each method is shown below When step time 112 l 4 I i I 80 of 2 beats When lengthening by tie step time 1 4 I II 1 beat 80 of 1 beat Tie can also be set while playing the keys and the note becomes lo...

Страница 92: ...eal time set the tempo in this function before recording Setting tempo has no effect when clock in GLOBAL Mode F5 l is set to MIDI Next Song sets the song that will follow the present song s completion When playing song 0 5 and 2 continuously I INext 5 I INext 2 I I Song O Song 5 Song 2 Next OFF If the first song is set as the next song it will continue to play repeatedly When the memory card whic...

Страница 93: ...rrent track Prot Track Protect OFF ON Prevents recording on current track This function edits the parameter of each track Select the track whose parameter is to be edited by using Track The parameter of each track is indicated by the number of the track Program sets the Program sound color of the track The Program set here is played until any program changes appear in the play data If real time re...

Страница 94: ...on Al and set the source track the track that will be bounced and the destination track the track to which the selected track will be bounced Im 2 BOUNCE is executed by pressing EXEC Q Source Track VZ7 7Z Z l7ZZ f Destination Track v Source Track Data is cleared DestinationTrack IXXXXXX8XXXXXXX The data on the source track is cleared after the bounce operation Setting of destination track is effec...

Страница 95: ...Executing PUT or COPY Patterns can be connected or strung together in the measure of the specified track There are two ways of connecting patterns PUT and COPY PUT writes the pattern number to the track and COPY copies the play data of the pattern to the track In the case of PUT LT Track L tie n a L Consumes little memory Play changes when pattern is revised In the case of COPY Track Play data can...

Страница 96: ...s Tr Dest Track 1 8 Track number to which measure is to be copied JM Dest Measure 1 250 First measure of destination EXEC Executing the copy Copies the specified range of the play data 1 Specify the song IA track lliJ and the first measure Q of the copy source and specify the track rnJ the first measure of the destination and number of measures to be copied Q to the destination 2 Execute COPY by E...

Страница 97: ...t delete or erase by using INS DEL ERASE Al MEASURE INSERT This function inserts an empty measure of a specified length 1 Set the track g measure Q and number of measures rnJ 2 Executes insert by EXEC Q MEASURE t TRACK 9 f LENGTH j The measures following the specified measure move over to accommodate the inserted measures When setting TRACK to ALL insert is executed to all the tracks Insert cannot...

Страница 98: ...Specify the data to be deleted IE ALL all data NOTE note data from keyboard CTRL control data pitch bend after touch modulation wheel etc 3 Execute ERASE by EXEC Qj MEASURE I I LENGTH I TRACK 9 Erase is executed for all the tracks when TRACK is set to ALL This function cannot erase the measure in the middle of the pattern When setting DATA to ALL and when there are patterns included in the range t...

Страница 99: ...length The data recorded in real time with a resolution setting of J18 111111 1111 1111111 11111 111 11 111111111 E J Quantization of the above data with a resolution of J 2 IJ I IJ I r r r r I 1 Specify the track first measure lliJ and number of measures Q to be quantized 2 Set the preciseness of quantization by using Resolution 2J When J 1 is set notes are quantized to the nearest quarter note 3...

Страница 100: ...length number of measures in F 6 3 PATTERN INITIALIZE and erase the play data beforehand 1 Select the pattern to be made Patterns made by step write and copy are also selectable 2 Make certain that the MIDI channels of the external keyboard and the track as set in F 0 1 PLAY REC are the same 3 Set the resolution lliJ metronome ON OFF g and tempo rnJ These are changeable in real time 4 Start record...

Страница 101: ... 3 INITIALIZE and erase the existing play data before recording 1 Select the pattern to be created Al Patterns made by real time recording or by the GET function can be also selected 2 Make certain that the MIDI channels of the external keyboard and the track as set in F 0 1 PLAY REC are the same 3 Press the REC key so that it lights up and then press the START STOP key 4 Operation steps from this...

Страница 102: ... in the song are erased by pressing YES Q Pattern initialize is cancelled by pressing NO HJ F 6 4 GET PATTERN PRTTERN GET FROM TRRCK Pattern Son90 Trl M001 P00 EXECl A 8 C D E F G H Source Song 0 9 Song number which has the measure to GET fil Tr Source Track 1 8 Track number which has the measure to GET JM Source Measure 1 250 Number of the first measure to GET JP Pattern 0 99 Pattern number from ...

Страница 103: ...t COPY BOUNCE Selection of the function copy or bounce COPY Copying from pattern to pattern BOUNCE Bouncing from pattern to pattern JP Source Pattern 0 99 Pattern to be copied bounced p Dest Pattern 0 99 Destination pattern to be copied bounced EXEC Executing the copy or bounce This function copies and bounces the play data from pattern to pattern Copying or bouncing cannot be executed when the ti...

Страница 104: ...or note Bend 8192 8191 for pitch bend After touch 0 127 for after touch Program IOO I99 C0 99 for program change c Control 0 108 for control change 0 Length 0 00 6 00 TIE Length of note for note Data 0 127 Control data for control change INS Inserting event IBJ DEL Deleting event Sequence data having a length of 1 step is called an event For instance a note assumes a value of 1 even though it has ...

Страница 105: ... by the beat number within the measure and by the clock number in the beat One clock pulse is the same as 1 48 beat One MIDI clock pulse is equal to two Ml clock pulses EVEHT EDIT Event t1001 004 1 04 BEND 4095 CINSHDELl A 8 C 0 E F C H Note J J p P J J J J 0 Length 0 12 0 18 0 24 0 36 1 00 1 24 2 00 3 00 4 00 Note events include note name the pitch of the note velocity the strength at which the k...

Страница 106: ...IT Meas Jre t1Q03 No Events CIHSl A B C D E F C H The measures occupied by patterns are indicated as below No editing is possible Changing patterns should be done in F 5 1 EVEtH EDIT Measure t 1Q04 Pattern 00 A B C D E F C H Editing Events When Event is selected the pitch of the sound and type of event can be changed by IQ and the data of the event can be changed by and El See the Event Operation ...

Страница 107: ...re will be increased by 1 Location does not change New tracks can be made by Event Insert In this case it is necessary to create an empty measure beforehand by using Insert Measure F 5 3 A note lying over two measures is treated as 2 notes connected with a tie When editing such notes follow the procedure below EUENT EDIT Index A 1M001 02 1 00 C4 U064 TIE Clt 151 CDELl A B C D E F C H EUENT EDIT 8 ...

Страница 108: ...iiiiiiiiiiiii4iiiiiiiiiiiiii4iiiiiiiiiiiiit Selects the effect type for Effect 1 FS 3 EFFECT2 Selects the effect type for Effect 2 Same as F 8 1EFFECT1 F 8 5 EFFECT PLACEMENT EFFECT PLRCEMENT 2EF IRL P3 50 50 P4 50 50 A 6 C D E F c H 4iiiiiiiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit 4iiiiiiiit EFFECT TYPE 0 SWITCH Effect Placement f P3 Out 3 Panpot ill P4 Out4Panpot 01 03 No Effect OFF ON SELECT PA...

Страница 109: ...iiiiii 4iiiiiiii Exchanges the sequence data of RAM card and that of internal memory Save and Load functions for sequence data and formatting of the RAM card are done in the Global Mode F 8 1 to F 9 2 This function cannot be done when the sequence data of internal memory is greater than the capacity of the RAM card or when the sequence data of the RAM card is greater than the capacity of the inter...

Страница 110: ...confirmation of the load SoMe Patterns Will Not Be Rssi9ned Rre You Sure YESl NOl A 8 C D E F G H liiiiiiiiiiiii liiiiiiiiiiiii liiiiiiiiiiiii iiiiiiii liiiiiiiiiiiiiliiiiiiiiiiiii liiiiiiiiiiiii iiiiiiii Selecting YES Q erases these patterns and loads Load can be cancelled by pressing NO HJ F 9 3LOAD1 PATTERN Load 1 Pattern Card Pat 04 Int Pat 01 E ECl A 8 C D E F C H iiiiiiiiiit iiiiiiiiiit 4iii...

Страница 111: ...F 0 1 MASTER TUNE Parameter to be set Adjustment of the entire instrument s pitch Transpose setting of the instrument Assignment of each function for the two pedals Selection of scale Equal temperament pure major etc Setting the user scale Assignment of drum sounds Assignment of drum sounds Assignment of drum sounds Assignment of drum sounds Setting MIDI global channel MIDI clock and overflow mode...

Страница 112: ...UP Pedal 1 Effect 1 ON OFF A B C 0 E F C H tiiiiiiiiiiit tiiiiiiiiiiit tiiiiiiiit Pedal 1 Function assigned to Pedal I Program Up Footswitch Program Combination up Program Down Footswitch Program Combination down SEQ Start Stop Footswitch Start Stop of sequencer Effect 1 ON OFF Footswitch ON OFF of Effect I Effect 2 ON OFF Footswitch ON OFF of Effect 2 Volume Foot Controller volume control VDF Cut...

Страница 113: ...or becomes brighter Effect 1 Balance Determines the overall balance between the direct sound and the effect sound of Effect 1 by foot controller The ratio of the effect sound to direct sound becomes greater when pressing down the pedal Effect 2 Balance Determines the overall balance between the direct sound and the effect sound of Effect 2 by foot controller The ratio of the effect sound to direct...

Страница 114: ...nt This is especially useful in reproducing the errors of intonation that occur in the playing of many acoustic instruments or in reproducing instruments whose pitch is slightly unstable Pure Major Pure Major is a tuning for which chords played in the selected key are most closely in tune Select the key from C to B Pure Minor Select the key from C to B User Programmable Original scales can be crea...

Страница 115: ...um Kit sounds and assign them to Programs of the Drum Kit mode Up to 30 kinds of drum sounds can be assigned to each of the 4 Drum Kits 1 to 4 Index selects the drum sound to edit Select the drum sound by using Inst instrument See the back cover for the list of drum sounds When using the PCM card optional which has drum sounds stored in it sounds in the card can be selected by adjusting the VALUE ...

Страница 116: ...cer Overflow OFF ON MIDI local mode switch Channel sets the sending and receiving channel of MIDI When the type is set to Multi in the COMBINATION PLAY Mode or when in the SEQUENCER Mode MIDI data other than that of channel set here may be handled When MIDI Overflow is set to ON any incoming on off note data either through MIDI IN or the MIR s sequencer which is beyond the 16 note simultaneous pol...

Страница 117: ...y system exclusive are not sent or received when setting Exclusive to DIS NOTE Parameter change by system exclusive is used to edit Programs with the use of a computer When connecting 2 M1 Rs or the M1 R with an M1 and setting Exclusive to ENA Program editing is done on both devices at the same time Set it to DIS when connecting MIDI instruments other than the M1 or M1 R F 6 1 PROGRAM MEMORY PROTE...

Страница 118: ...ructure of the internal memory of the MIR See p 16 for more details Select the memory structure desired then press EXEC QI Save all data to a blank formatted card before switching the memory allocation setting since much of your precious data could be irretrievably lost All sequence data will be lost if total sequence data is more than 4400 steps when switching to the 100 PROG l OOCOMBl 4400 SEQ l...

Страница 119: ...l the Program parameters Combination sends all the Combination parameters SEQ data sends all the sequence data All Data sends all Program parameter Combination parameter and sequence data at the same time Dump is executed by pressing the DUMP Q Program data and sequence data can be saved on external devices providing that MIDI devices which can save system exclusive data such as the KORG SQD 8 are...

Страница 120: ...y and all data existing in internal memory It is recommended that you save all internal memory data to a RAM card before loading The display prompts for confirmation after pressing LOAD Q Press YES Q to save and NO IHJ to cancel When the format of the card differs from the structure of the internal memory loading is executed as follows Programs and Combinations are loaded and assigned according to...

Страница 121: ...6 3 Set the Protect Switch at the top of the card to OFF beforehand NOTE This function erases any and all data existing in the card It is recommended that you retain all important data and save new data to a blank RAM card The display prompts for confirmation after pressing SAVE Q Press YES Q to save and NO HJ to cancel Global parameters F 0 1 through F 5 2 are saved together at the same time when...

Страница 122: ...ormat of the RAM card and formats the card Seep 16 in the BASIC OPERATION chapter for more information on formatting RAM cards Use the KORG MEMORY CARD RAM 256 KBytes MCR 03 for the RAM card Newly purchased blank RAM cards must be formatted before they can be used for saving or writing NOTE This function erases any and all data existing in the card It is recommended that you retain all important d...

Страница 123: ...cription 1111 1000 Timing Clock 3 1111 1010 Start 3 1111 1011 Continue 3 1111 1100 Stop 3 1111 1110 Active Sensing 3 Transmits when in Sequencer Mode Internal Clock Byte Hex Description 11 11 0000 FO EXCLUSIVE STATUS 0111 1110 7E NON REALTlME MESSAGE 0000 0 MIDI GLOBAL CHANNEL DEVICE ID 0000 0110 06 INQUIRY MESSAGE 0000 0010 02 DENT TY REPLY 0100 0010 42 KORG ID MANUFACTUHERS ID 0001 1001 19 MIR I...

Страница 124: ...OR 2 2 SYSTEM COMMON MESSAGES Status Second Third Description 1111 0010 0111 1111 Ohhh hl hh Song Position Pointer 111 1111 Least significant hhh hhhh Kost significant 1111 0011 OOOs ssss Song Select s ssss Song N 0 19 10 19 Card Receive when in Sequencer Mode External Clock 2 3 SYSTEM REALTIME MESSAGES Status Descr Qtion 1111 1000 Timing Clock 4 1111 1010 Start 4 1111 1011 Continue 4 1111 1100 St...

Страница 125: ... N 1111 0111 EOX Byte Descrj _Q_tion Receives this message and transmits Func 45 message or transmits Func 24 message FO 42 3n 19 EXCLUSIVE HEADER 5 ALL PROGRAM PARAMETER DUMP REQUEST R 0001 0001 PROGRAM WRITE REQUEST l H 0000 OOOc Bank See NOTE 3 1 Byte Descrj _Q_tion FO 42 3n 19 EXCLUSIVE HEADER 0001 1100 ALL PROGRAM PARAMETER DUMP REQUEST CH 0000 OOOc Bank See NOTE 3 1 Oppp PPPP Write Program N...

Страница 126: ...e NOTE 3 1 O ddd dddd Data See NOTE 11 1111 0111 EOX Receives this message data and transmits Func 23 message or transmits Func 24 message Receives Func OE message and transmits this message data Transmits this message data by DATA DUMP 19 A LL DATA GLOBAL COMB PROG SEQ DUMP R T Byte Description FO 42 3n 19 EXCLU SIVE HEADER 0101 0000 A LL DATA GLBL COMBI PROG SEQ DUMP 50H 0000 OOmc Mem Allocation...

Страница 127: ...te Descr E_tion FO 42 3n 19 EXCLUSIVE HEADER 0010 0010 WRITE ERROR 22H 1111 0111 EOX Transmits this message when DATA WRITE BY l llil Incompleted NOTE 1 mmm 0 COMBINATION EDIT COMB 2 PROGRAM 3 EDIT PROG GLOBAL SEQUENCER NOTE 2 b 0 Change the Mode Bank 1 Don t change the Mode Bank NOTE 3 1 c 0 Internal 1 Card NOTE 3 2 m 0 OOCombination lOOProgram 1 50 50 NOTE 4 11 mm 0 0 Card Off o l NG Card ROii 0...

Страница 128: ...2 MULT SOUND J_oo 63 Int 64 card OSC 2 OCTAVE FF Ol 16 4 INTERVAL F4 oc 12 12 DETUNE CE 32 50 50 DELAY START oo 63 PITCH MG WAVE FORM bit 0 0 1 2 3 3 OSC 1 MG ENABLE bit5 0 0FF l ON OSC 2 MG ENABLE bit6 0 0F ON KEY SYNC bit7 0 0FF ON FREQUENCY oo 63 DELAY oo s3 INTENSITY oo s3 CUTOFF MG WAVE FOR bit O O 1 2 3 3 OSC 1 MG ENABLE bi t5 0 0FF 1 ON OSC 2 MG ENABLE bit6 0 0FF l ON KEY SYNC bit7 0 0FF 1 ...

Страница 129: ...17 TEMPO 28 Do 40 208 PROTECT Tr 1 bitO O ENA DIS 18 PROTECT Tr 8 bit 19 NEXT SONG NO 00 14 Il C10 0FF 20 SONG NAME Head 20 7F 29 SONG NAME Tail 30 NUL 31 EFFECT PARAMETER 11 55 TRACK 1 CONTROL DATA 56 PROGRAM NO oo C IOO C99 57 OUTPUT LEVEL oo B3 58 KEY TRANSPOSE F4 oc 12 12 59 DETUNE CE 32 50 50 60 PAN oo oD 5 TRACK 2 8 CONTROL DATA 61 SAME AS TRACK 1 56 60 x 7 95 SONG 1 9 CONTROL DATA 96 SAME A...

Страница 130: ...id fc To L 2 o 5k l k 2k 01 Mid Gain T F4 0C 12 12 04 Low fc T o L 2 0 25k o 5k 1k 05 High f c T o L 2 lk 2k 4k 06 High Gain T F4 0C 12 12 07 Low Gain I F4 0C 12 12 21 Over Drive 00 EQ l id fc o 1 2 o 5k 1 k 2k 01 EQ Mid Gain F4 0C 12 12 02 Drive 00 63 00 99 03 Level 00 63 00 99 06 EQ High F4 0C 12 12 07 EQ Low F4 0C 12 12 22 Distortion 02 I Distortion 00 63 00 99 03 I Level 00 63 00 99 07 I EQ Lo...

Страница 131: ...ACK 4 1 VDA 1 EG 2 VDA 1 VELOCITY SENSE 3 VDA 1 KBD TRACK 5 1 VDA 2 EG 2 VDA 2 VELOCITY SENSE 3 VDA 2 KBD TRACK 6 1 PITCH MG 2 VDF MG 7 1 AFTER TOUCH 2 CONTROLLER 8 1 EFFECT 1 TYPE 2 EFFECT 1 PARAMETER 3 EFFECT 2 TYPE 4 EFFECT 2 PARAMETER 5 EFFECT PLACEMENT 8 9 10 12 14 63 64 103 104 71 78 79 77 72 73 111 118 119 117 112 113 92 93 89 87 88 132 133 129 127 128 19 23 27 28 32 33 38 13 13 39 13 13 46...

Страница 132: ... TOP 41 52 K WINDOW BTM 42 53 V WINDOW TOP 43 54 V WINDOW BTM 44 55 OUTPUT LEVEL 37 48 TRANSPOSE 38 49 DETUNE 39 50 PANPOT 40 51 MIDI PRG CHG 45 56 DAMPER 45 56 AFTER TOUCH 45 56 CONTROL CHNG 45 56 EFFECT TYPE 11 EFFECT PARA 13 13 EFFECT2 TYPE 12 EFFECT2 PARA 13 13 EFFECT PLACE 19 131 POSITION C I D I E F G H 10 11 12 13 14 15 37 37 47 48 58 69 80 91 102 113 59 70 81 92 103 114 10 11 12 13 14 15 1...

Страница 133: ...results in loss of all data in the card Because the format of the card differs writing in and reading out of data cannot be executed When writing to this card use Global Mode function F9 2 Format Card The number of steps of the sequence data to be saved is beyond the capacity of the card Re format the Sequence Card in order to save the data Card which does not have any Card remaining memory space ...

Страница 134: ...tination Measure 1 j I I Track I Pattern I When executing an edit the length of the tracks extends beyond 250 measures The total of all the songs and steps has used up the available memory capacity In Event Editing the specified track does not have any play data In copying from a track part of a pattern has been included in the specified range of the source r Pattern r Pattern L Copy Get _J Get Wh...

Страница 135: ...byte 16 bit 2 system digital multi effects I 100 Programs 100 Combinations I 2 10 songs 100 patterns max 7700 notes 8 tracks 8 timbre multi timbral operation Dynamic Voice Allocation Damper pedal assignable footswitches pedals 1 I 2 1 L 2 R 3 4 stereo headphones IN OUT THRU Backlit LCD 40 characters x 2 lines RAM card MCR 03 ROM card PCM card 11 w 430 W x 405 D x 88 H 16 15 16 x 15 15 16 x 3 7 16 ...

Страница 136: ... 99 System Exclusive 0 0 2 4 System Song pos 0 0 3 Common Song sel 0 0 19 0 0 19 3 Tune x x System Clock 0 0 3 Real time Commands 0 0 3 Aux Local ON OFF x x Message All note off x 0 123 127 Active sensing 0 0 Reset x x NOTES 1 Transmit receive if CONTROL is set to ENA in GLOBAL Mode 2 Transmit receive if EXCLUSIVE is set to ENA in GLOBAL Mode 3 When Clock is Internal it transmits but does not rece...

Страница 137: ......

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