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Program P5: Edit-Common LFO

This section provides four LFOs (Low Frequency
Oscillators). These LFOs can be used as modulation
sources for parameters of other sections, to create
cyclic changes in the sound.

5–1: LFO 1

5–1a

5–1b

5–1c

5–1a: LFO1

Waveform

[Triangle 0…Exponential Saw Down]

Settings for the general-purpose LFOs

Exponential Saw Up

Exponential Saw Down

Exponential Triangle

Step Triangle-4

Step Triangle-6

Step Saw-6

Triangle Random

Sine

Triangle 0

Saw Up 0

Saw Up 180

Saw Down 0

Saw Down 180

Square

1/2 cycle

Random-Vector

Random-S/H

Triangle 90

Step Saw-4

When Key Sync=ON, the
starting phase will vary
randomly.

Amplitude and the duration at
which each level is held will both
change randomly (sample & hold).

Random 2 changes in a
straight line toward a value
which is determined
randomly every 1/2 cycle.

Frequency

[0…199]

Specifies the frequency of the LFO.

Offset

[–50…+50]

Specifies the center value of the LFO waveform.

The parameter value
being modulated

LFO movement determined
by Modulation Intensity

The parameter value
being modulated

LFO movement determined
by Modulation Intensity

The parameter value
being modulated

LFO movement determined
by Modulation Intensity

Offset = 0

Offset = 50

Offset = -50

Amplitude AMS (Alternate Modulation Source 1)

[Off…MIDI:CC#83]

Selects a modulation source (

☞

p.48 of this manual)

that will control the amplitude of the LFO waveform.

Intensity (Amplitude AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect that
“AMS” will have on the amplitude of the LFO
waveform.

Key Sync

[Off/by Timbre/by Voice]

Use the radio buttons to select the key sync setting
(i.e., whether or not the phase of the LFO waveform
will be returned to its initial state when a note-on
occurs).
Off: The LFO will operate regardless of note-on.
by Timbre: Key sync will occur for the LFOs of all
voices at the time of the first note-on that
occurs in a state when no keys are on.
by Voice: Key sync will occur independently for the
individual LFO of the voice for which

note-on

occurred.

Key Sync = Off

Key Sync = byTimbre / byVoice

Note-On

Note-On

Note-On

Note-On

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Содержание EXB-MOSS

Страница 1: ...ication The manufacturer also will take no responsibility for any damages that may result from loss or disappear ance of data Installing this product For the procedure of installing this product refer...

Страница 2: ...ng Play modes 9 Control change transmission reception for the EXB MOSS 10 4 Parameters 11 Program mode 11 Program P0 Play 11 Program P1 Edit Basic 12 Program P2 Edit Pitch 36 Program P3 Edit Filter 38...

Страница 3: ...e selected for a timbre track in Combination Song and Song Play modes You can also create combinations or songs that combine bank F programs with other programs from banks A E or G Broadly speaking a...

Страница 4: ...or Feedback Amp1 Amp2 Pan LPF HPF BPF BRF 2BPF LPF HPF BPF BRF 2BPF Filter 1 Filter 2 Insert Effect Master Effect Master EQ L Mono R OSC Mixer Filter AMP FX EG1 EG2 EG3 EG4 Amp EG LFO1 LFO2 LFO3 LFO4...

Страница 5: ...sound ranging from synth basses to string like sound p 17 of this manual VPM Variable Phase Modulation This oscillator uses phase modulation to generate harmonics A rich harmonic structure can be crea...

Страница 6: ...ternal memory will be erased and overwritten When you load MOSS SNG Demo songs that use the bank F programs etc of MOSS PCG will be loaded These songs can be played in Sequencer mode When you select a...

Страница 7: ...pe MOSS program and up to four voices to timbre 2 for an electric piano MOSS program These settings have no effect on the programs of banks A E and G When the timbre bank program is changed to switch...

Страница 8: ...s However when a bank F program is selected for a timbre the following parameters will function as explained below OSC Select will have no effect Combination P2 OSC tab The Detune range will be 100 Ev...

Страница 9: ...1 2 Level tab CC 74 Low Pass Filter Cutoff Frequency Filter A Frequency Program P3 Filter 1 2 tab Filter B Frequency Program P3 Filter 1 2 tab CC 75 Decay Time Decay Time Program P4 AmpEG tab Program...

Страница 10: ...e cur rently selected program Be sure to write important programs that you edit If you turn off the power or select another program before you write your edits cannot be recovered Refer to Saving data...

Страница 11: ...ng of 6voices Mode Fixed Dynamic Specifies how the number of voices specified by the Unison setting will be allocated With a setting of Fixed the number of voices specified by the Unison setting will...

Страница 12: ...quarter tone scale of Arabic mu sic Pythagorean A scale based on ancient Greek musical theory suit able for playing melodies Werckmeister Werkmeister III An equal tempered scale used in the later Baro...

Страница 13: ...ings for each oscillator type The oscillator type is selected in 1 1a Mult OSC Setup or 1 2 OSC Basic The parameters that are displayed will depend on the selected oscillator type Standard 1 3a 1 3b 1...

Страница 14: ...ct Lower settings of this parameter will produce a more mellow sound and in the vicinity of 0 the volume will also decrease Triangle Level 0 99 Specifies the output level of the triangle waveform It w...

Страница 15: ...hape parameter CLIP type Output of the clip type table when a sawtooth waveform is input Waveform level Waveform before being input to the table Shape 0 Shape 99 Output level Input level Resonant type...

Страница 16: ...se Filter1 Noise or Filter2 Noise It specifies the volume level of the noise generator output which will be input to the comb filter Pulse Width 0 99 This parameter will be available only if Input has...

Страница 17: ...and direction of the effect of AMS1 AMS2 Alternate Modulation 2 Source Off MIDI CC 83 Selects a modulation source 2 p 48 of this manual that will control Level Intensity Level AMS2 Intensity 99 99 Spe...

Страница 18: ...ollowing settings will not be available Level 0 99 Specifies the output level of the modulator This value will determine the amount of modulation that is applied to the 1 3a Carrier setting AMS1 Alter...

Страница 19: ...urce 2 p 48 of this manual that will control Level Intensity Level AMS2 Intensity 99 99 Specifies the depth and direction of the effect of AMS2 1 3b BPF Parameters Here you can make settings for each...

Страница 20: ...cifies the carrier waveform Wave Edge 0 99 Specifies the amount of high frequency harmonics for the carrier waveform As this value is decreased the sound will have less high frequency harmonics and as...

Страница 21: ...ifies the amount of high frequency harmonics for the carrier waveform As this value is decreased the sound will have less high frequency harmonics and as it approaches 0 the volume will also decrease...

Страница 22: ...produce organ type sounds The oscillator simulates three drawbars similar to electric organs of the past You can specify the footage Harmo and waveform setting for each drawbar allowing a wide range o...

Страница 23: ...es an electric piano There are four groups of parameters Hammer which specifies how the shape and motion of the hammer will affect tonal change and attack noise Tone Generator which vibrates in respon...

Страница 24: ...ents such as a trumpet or trombone By using key velocity or modulation wheel to modulate the Pressure the force of breath blown into the mouth piece you can produce performance expressions that are ve...

Страница 25: ...1 AMS2 Alternate Modulation Source 2 Off MIDI CC 83 Selects a modulation source 2 p 48 of this manual that will control pressure Intensity Pressure AMS2 Intensity 99 99 Specifies the depth and directi...

Страница 26: ...unchecked the pitch will rise smoothly as on most synthesizers JS X Joystick X Specifies how the pitch will change when the joystick is moved in the X direction toward the left If Jump Bend X and Jump...

Страница 27: ...he Wave Shape diagram shown in Standard page 16 of this manual Offset 99 99 Specifies the offset value that will be added to the Reed OSC signal that is input to wave shaping Shape 0 99 Specifies the...

Страница 28: ...elocity Control 99 99 Specifies the depth and direction of the effect that velocity will have on Attack Level The effect will be as shown in the following diagram Parameter value Velocity value 1 127...

Страница 29: ...e settings of 4 3 Amp EG the setting you make here may not have audible results If you raise the EG break level and sustain level it will be easier to hear the result of this setting KTr Decay Keyboar...

Страница 30: ...d Raising this value will cause the low frequency range to be emphasized more strongly Bowed String Model This oscillator is a physical model which simulates the sound of a bowed string instrument suc...

Страница 31: ...ternate Modulation Source Off MIDI CC 83 Selects a modulation source p 48 of this manual that will control bow pressure Int Pressure AMS Intensity 99 99 Specifies the depth of the effect produced by A...

Страница 32: ...Intensity 99 99 Specifies the depth and direction of the effect of AMS 1 3d Peaking EQ Frequency 0 49 Specifies the center frequency at which the peaking EQ will boost attenuate the sound Q 0 29 Spec...

Страница 33: ...tion source p 48 of this manual that will control output level Intensity Level AMS Intensity 99 99 Specifies the depth and direction of the effect of AMS With positive settings higher values of the mo...

Страница 34: ...Touch Lock SW1 Mode Toggle Momentary SW2 SW2 Assign Off After Touch Lock SW2 Mode Toggle Momentary 1 7b Realtime Contol Knobs B Assign Here you can assign the B mode functions mainly various types of...

Страница 35: ...ly set this parameter to 1 0 C 1 C4 C9 C 1 C9 Pitch Key Center Key 1 0 2 0 1 0 0 0 2 1b Pitch Modulation Specifies the pitch Modulation AMS1 Alternate Modulation Source 1 Off MIDI CC 83 Selects a modu...

Страница 36: ...tep X If the Step Joystick Step X or Step Joy stick Step X settings are greater than the settings for JS X and JS X the pitch will not change 2 4b Common Pitch Modulation Creates time varying changes...

Страница 37: ...inner However raising the cutoff frequency excessively will drastically reduce the volume A band pass filter passes the range of frequencies in the vicinity of the cutoff frequency and cuts the ranges...

Страница 38: ...Selects a modulation source p 48 of this manual that will control the amount of resonance Intensity Resonance AMS Intensity 99 99 Specifies the depth and direction of the effect that AMS will have on...

Страница 39: ...odulation For details on the parameters refer to 3 2 Filter 1 Mod Program P4 Edit Amp Here you can make volume related settings There are two independent amps and the signals which are input to each a...

Страница 40: ...me variant change in volume created by the amp EG 4 3a Level Amp EG Level Attack Attack Level 0 99 Specifies the volume that will be reached after the Attack Time has elapsed Break Break Level 0 99 Sp...

Страница 41: ...p EG times At Attack Time AMS2 Intensity 99 99 Dc Decay Time AMS2 Intensity 99 99 Sl Slope Time AMS2 Intensity 99 99 Rl Release Time AMS2 Intensity 99 99 Specifies the depth and direction of the effec...

Страница 42: ...meter value being modulated LFO movement determined by Modulation Intensity The parameter value being modulated LFO movement determined by Modulation Intensity The parameter value being modulated LFO...

Страница 43: ...o Sync MIDI Tempo Sync Checked The LFO frequency will synchronize to the tempo MIDI Clock In this case the settings of 5 1a Frequency and 5 1b Frequency Modulation will have no effect Base Note Times...

Страница 44: ...nge slowly Decay Decay Time 0 99 Specifies the time from when the attack time ends until the Break Level is reached Slope Slope Time 0 99 Specifies the time from when the decay time ends until the Sus...

Страница 45: ...eyboard is played softly with At Dc Sl and Rl set to The settings of 6 1d AMS2 When keyboard is played strongly with At Dc Sl and Rl set to 6 2 EG 2 6 3 EG 3 6 4 EG 4 EG 2 EG 3 and EG 4 have the same...

Страница 46: ...these settings Timbres that are set to 0 will not sound if they are switched to a bank F program Before you select a bank F program set this parameter appropriately MOSS BUS Select Reference Timbre1 T...

Страница 47: ...econd may cause noise to be mixed with t h e o u t p u t s o u n d If you are using bank F programs in multiple timbres When playing multi timbrally and a bank F program is being sounded selecting a b...

Страница 48: ...P000 UP Off Portamento SW CC 65 F A Sustain CC 70 Knob Mod 4 CC 21 B014 Sweep Cool Off U150 Bossa Nova On Mod SW1 CC 80 Knob Mod 1 CC 17 Knob Mod 3 CC 20 Keyboard U164 New Disco 2 On Mod SW2 CC 81 Kn...

Страница 49: ...nob Mod 3 CC 20 Guitar Plucked U004 Guitar Strum 5 On Lock JS Y Knob Mod 2 CC 19 Knob Mod 4 CC 21 B043 Water Exchange On U109 Up uP UP Up uP On Mod SW1 CC 80 Filter Cutoff CC 74 Filter Resonance CC 71...

Страница 50: ...ack CC 73 Knob Mod 3 CC 20 Orchestral U028 String Melody On Lock Ribbon F A Decay CC 75 Knob Mod 4 CC 21 B061 SynMoss 01 Off U155 Drum n Bass 3 On Mod SW1 CC 80 Knob Mod 1 CC 17 Knob Mod 3 CC 20 LeadS...

Страница 51: ...ndard OSC Standard OSC F027 Ocean Calm SlowSynth Off U073 5 tone Trance 3 Organ Model Organ Model F028 Metallic Bell Bell Mallet Off U132 CrazyComputer 1 VPM OSC VPM OSC F029 Male Ahhs Vocal Airy Off...

Страница 52: ...tandard OSC Sync OSC F082 Dyna Expressive Keyboard Off U025 Piano Comp 2 Electric Piano Model Electric Piano Model F083 Deep Sync Lead LeadSynth Off P000 UP Sync OSC Standard OSC F084 U K Synth Bell F...

Страница 53: ...Hardsyn FastSynth Off U129 Speed Sequence VPM OSC Standard OSC F119 Inner Space MotionSynth On U044 TB Bass Drone Standard OSC Organ Model F120 E Syn Bass Bass Synth Bass Off U043 Trance Bass Riff Pl...

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