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15
Intervallic Offsets
When the
CTRL Button
is illuminated white, the
Fader
sets the
Intervallic
Offset
of voices 2, 3 and 4. Setting the
Fader
to its fully left position
sets all four voices to unison. Moving the
Fader
to the right introduces
combinations of intervallic unisons, octaves, perfect fourths, and perfect
fifths between each voice. The
Fader’s
LED will blink off when the
Intervallic Offset
changes.
The
Intervallic Offset
variations are divided into three groups.
•
The furthest left
Intervallic Offset
setting sets all voices to unison
(no offsets).
•
Moving the
Fader
right switches through 6
Intervallic
Offset
variants.
•
These 6 variants repeat twice more as the intervallic pattern rotates
around voices 4, 3, and 2.
•
It is important to note that the three groups of variants will sound the
same when there are no differing
1V/Oct
signals at the
1V/Oct
Inputs
of voices 2, 3, and 4.
•
When harmonàig is used, the intervallic offsets become diatonic
tensions as the three groups of variants rotate across all
Intervallic
Offset
variations at perfect intervals (4ths, 5th and octaves).
The table below shows how each voice is changed as the
Fader
is
moved from left to right.
•
8va = 1 octave above unison
•
P5+ = perfect 5th above unison
•
P4- = perfect 4th below unison
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