m908 User Manual, Rev. G
The SUB speakers will have 6 bands of eq per speaker (up to 3 subs can be used). The
remaining speaker channels have 3 bands.
Each band of eq can be set for high pass, low pass, high shelf, low shelf, and peak response.
All room correction equalizers can be bypassed from the
screen.
section of this manual for details.
5.13 CUE
The m908 can be configured to have up to 8 stereo cue paths. These cue paths can be assigned
to any hardware input and output connector except UNBAL, BAL, and ADC1 1-2 in, CR1,CR2,
and CR3 out. They are intended for allowing cue mixes to be sent to the studio while allowing for
Talkback to be mixed in for communication with studio musicians/talent. The cue routing system
is designed for very low latency for monitoring while recording.
Pushing the MON>CUE switch routes the current Control Room monitor source to the Cue
output. The MON>CUE output select setup parameter allows each Cue output to send the
Left/Right CR Output, downmix, or nothing when MON>CUE is active. See the
section of this manual for details.
If a Cue output is set to receive a downmix of the Control Room Monitor source the type of
downmixer used is determined by the
phones/cue downmix mode
. The available downmix templates are identical to the downmix templates for the
Control Room outputs but are stereo output only.
The Cue input and output connector routing is configured in
. Note that both left
and right channels of a cue
input
path must be assigned to the same connector.
The Headphone amplifier can be set to output any one of the Cue outputs. This is convenient
if an external headphone amplifier is not available. See the
section of this
manual for details.
There are two ways that a Cue signal can be routed to the Headphone amplifier:
•
Assign the Cue output to CUE/CR EXT. channels 7-8. In this mode the Cue output signal
will be sent to the CUE/CR EXT channels 7 and 8 as well as the Headphone amplifier
Left and Right channels. Level control is done in the
. For this to work the
Headphones must be
disabled
in the Workflow. This mode provides headphone
monitoring of the cue signals with minimum latency (<1ms) but headphone processing
for MONO, MUTE, DIM, and L-R are not available.
•
Assign the Headphone Amplifier signal source to the desired Cue path with the
headphone source
. It is not necessary to assign
routes to the Cue output. Level control is done using the main Volume control encoder on
the RCU. For this mode Headphones must be enabled in the Workflow. This mode
provides headphone monitoring of the cue signal and maintains RCU VOLUME control,
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