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EUROPORT EPA900 User Manual

6.  Effects Table

EFFECT PRESETS

No.

EFFECT

Description

No.

EFFECT

Description

HALL 00-09

DELAY 50-59

00

SMALL HALL 1

approx. 1.0s reverb decay

50

SHORT DELAY 1

Like a short shattering

01

SMALL HALL 2

approx. 1.2s reverb decay

51

SHORT DELAY 2

1-2 short impulse(s)

02

SMALL HALL 3

approx. 1.5s reverb decay

52

SHORT DELAY 3

1-2 short impulse(s)

03

MID HALL 1

approx. 1.8s reverb decay

53

MID DELAY 1

Classical Delay for up-tempo music (115-125 BPM)

04

MID HALL 2

approx. 2.0s reverb decay

54

MID DELAY 2

Classical Delay for mid-tempo music (105-115 BPM)

05

MID HALL 3

approx. 2.5s reverb decay

55

MID DELAY 3

Classical Delay for slow-tempo music (95-105 BPM)

06

BIG HALL 1

approx. 2.8s reverb decay

56

LONG DELAY 1

Classical Delay for reggae-tempo music (85-95 BPM)

07

BIG HALL 2

approx. 3.2s reverb decay

57

LONG DELAY 2

Classical Delay for dub-tempo music (75-85 BPM)

08

BIG HALL 3

approx. 4s reverb decay

58

LONG DELAY 3

Extra long (nearly infinite) delay effect

09

CHURCH

approx. 7s reverb decay

59

LONG ECHO

Extra long canyon echo effect

ROOM 10-19

CHORUS 60-69

10

SMALL ROOM 1

approx. 0.5s reverb decay

60

SOFT CHORUS 1

Unobtrusive effect

11

SMALL ROOM 2

approx. 0.8s reverb decay

61

SOFT CHORUS 2

Unobtrusive effect with different color

12

SMALL ROOM 3

approx. 1.0s reverb decay

62

WARM CHORUS 1

Analog sounding

13

MID ROOM 1

approx. 1.2s reverb decay

63

WARM CHORUS 2

Analog sounding with different color

14

MID ROOM 2

approx. 1.5s reverb decay

64

PHAT CHORUS 1

Pronounced chorus effect

15

MID ROOM 3

approx. 1.8s reverb decay

65

PHAT CHORUS 2

Pronounced chorus effect with different color

16

BIG ROOM 1

approx. 2.0s reverb decay

66

CLASSIC FLANGER

Standard flanger effect

17

BIG ROOM 2

approx. 2.2s reverb decay

67

WARM FLANGER

More analog touch

18

BIG ROOM 3

approx. 2.5s reverb decay

68

DEEP FLANGER

Deep modulation impression

19

CHAPEL

approx. 3s reverb decay

69

HEAVY FLANGER

Extremely pronounced effect

PLATE 20-29

PHASE/PITCH 70-79

20

SHORT PLATE

approx. 1.0s reverb decay

70

CLASSIC PHASER

Standard phaser effect

21

MID PLATE

approx. 1.5s reverb decay

71

WARM PHASER

More analog touch

22

LONG PLATE

approx. 2.2s reverb decay

72

DEEP PHASER

Deep modulation impression

23

VOCAL PLATE

approx. 1.2s reverb decay

73

HEAVY PHASER

Extreme strong effect

24

DRUMS PLATE

approx. 1.0s reverb decay

74

PITCH SHIFT DETUNE

2-3-times detune for a wider solo voice sound

25

GOLD PLATE 1

approx. 1.2s reverb decay

75

PITCH SHIFT +3

Minor third added voice

26

GOLD PLATE 2

approx. 2.0s reverb decay

76

PITCH SHIFT +4

Major third added voice

27

SHORT SPRING

approx. 1.0s reverb decay

77

PITCH SHIFT +7

Quint above added voice

28

MID SPRING

approx. 2.0s reverb decay

78

PITCH SHIFT -5

Fourth down added voice

29

LONG SPRING

approx. 2.5s reverb decay

79

PITCH SHIFT -12

1 octave down added voice

GATED/REVERSE 30-39

MULTI 1 80-89

30

GATED REV SHORT

approx. 0.8s gate time

80

REVERB 1

Soft medium-short reverb

31

GATED REV MID

approx. 1.2s gate time

81

REVERB 2

Deep  medium-long reverb

32

GATED REV LONG

approx. 2.0s gate time

82

F REVERB 1

Soft f medium-short reverb

33

GATED REV XXL

approx. 3.0s gate time

83

F REVERB 2

Deep f medium-long reverb

34

GATED REV DRUMS 1

approx. 0.8s gate time

84

REVERB 1

Soft medium-short reverb

35

GATED REV DRUMS 2

approx. 1.2s gate time

85

REVERB 2

Deep  medium-long reverb

36

REVERSE SHORT

approx. 0.8s reverb raise

86

PITCH + REVERB 1

Soft voice de medium-short reverb

37

REVERSE MID

approx. 1.2s reverb raise

87

PITCH + REVERB 2

Fourth above in medium-long reverb

38

REVERSE LONG

approx. 2.0s reverb raise

88

DELAY + REVERB 1

Short delay + medium-short reverb

39

REVERSE XXL

approx. 3.0s reverb raise

89

DELAY + REVERB 2

Medium-long delay + medium-long reverb

EARLY REFLECTIONS 40-49

MULTI 2 90-99

40

EARLY REFLECTION 1

Short

90

DELAY + GATED REV

Short delay + medium-long gated reverb

41

EARLY REFLECTION 2

Medium-short

91

DELAY + REVERSE

medium-short delay + medium-long reverse reverb

42

EARLY REFLECTION 3

Medium-long

92

DELAY + CHORUS 1

Short delay + soft chorus

43

EARLY REFLECTION 4

Long

93

DELAY + CHORUS 2

Medium-long delay + deep chorus 

44

SHORT AMBIENCE

Short

94

DELAY + FLANGER 1

Short delay + soft flanger

45

MID AMBIENCE

Medium-short

95

DELAY + FLANGER 2

Medium-long delay + deep flanger

46

LIVE AMBIENCE

Medium-short

96

DELAY + PHASER 1

Short delay + soft phaser

47

BIG AMBIENCE

Medium-long

97

DELAY + PHASER 2

Medium-long delay + deep phaser

48

STADIUM

Long

98

DELAY + PITCH 1

Short delay + fourth down interval

49

GHOST AMBIENCE

Extra-long special FX

99

DELAY + PITCH 2

Medium-long delay + minor third above interval

Содержание EPA900

Страница 1: ...User Manual EUROPORT EPA900 Ultra Compact 900 Watt 8 Channel Portable PA System with Digital Effects and FBQ Feedback Detection ...

Страница 2: ...pplied loudspeakers a microphone including cable you can get going right away With the EPA900 you can quickly and easily master any sound situation We at BEHRINGER hope you enjoy your new acquisition Table of Contents Thank you 2 Important Safety Instructions 3 Legal Disclaimer 3 Limited warranty 3 1 Before You Get Started 4 1 1 Shipment 4 1 2 Initial operation 4 1 3 Online registration 4 2 Instal...

Страница 3: ...ularlyatplugs conveniencereceptacles andthepointwheretheyexitfromtheapparatus 11 Useonlyattachments accessoriesspecifiedby themanufacturer 12 Useonlywiththe cart stand tripod bracket ortablespecifiedbythe manufacturer orsoldwith theapparatus Whenacart isused usecautionwhen movingthecart apparatus combinationtoavoid injuryfromtip over 13 Unplugthisapparatusduringlightningstormsor whenunusedforlongp...

Страница 4: ...ient electrical contact to earth otherwise electrostatic discharges might affect the operation of the unit The sound quality may diminish within the range of powerful broadcasting stations and high frequency sources Increase the distance between the transmitter and the device and use shielded cables for all connections 1 3 Online registration Please register your new BEHRINGER equipment right afte...

Страница 5: ...use its channels separately mono such as when used for FOH PA and stage Depending on the requirements one stereo or two independent mono sounds can be run An internal effect can be used as an AUX effect from each channel The 7 band graphic equalizer is used to process the stereo bus or the two mono paths 3 1 Mono Channels 1 4 Channels 1 4 are designed as mono channels and are used to connect micro...

Страница 6: ...e signal only on the right side that is the RIGHT MAIN path Positions between these settings will result in a proportionate signal allocation between LEFT MAIN and RIGHT MAIN The BAL control determines the levels of a stereo source s left and right input signals in relation to each other Turn the control completely to the left to hear only the left signal component of the stereo source on the LEFT...

Страница 7: ...It is permanently integrated into the mixer as a Send Return effect i e an adjustable signal portion can be routed to the effects unit from every input channel The selected effect is applied to the signal portions of the channels and the signals are then mixed with the direct signals via the stereo bus Fig 3 7 Internal 24 bit multieffects unit CLIP SIG The CLIP and SIG LEDs provide information on ...

Страница 8: ...hould unplug the power cord if the unit is not going to be used for a long period of time VOLTAGE SELECTOR The VOLTAGE SELECTOR switch lets you set the correct operating voltage Before connecting the unit to the mains please check that it is set to the correct supply voltage You have to use another fuse if you set the unit to another supply voltage The correct value is specified in Chapter Specifi...

Страница 9: ...Channel separation 70 dB Sub Out Type 1 x stereo jack unbalanced Impedance approx 1 kΩ Max output level 21 dBu unbalanced Channel EQ BASS 15 dB 80 Hz TREBLE 15 dB 27 kHz Effects Converter 24 bit delta sigma Sampling frequency 40 kHz Display 2 digit 7 segment EQ Type 7 band Loudspeaker Outputs Type 2 x TS jack Load impedance 8 Ω Output Power RMS 1 THD sine signal 8 Ω 2 x 360 W 4 Ω 2 x 400 W Peak po...

Страница 10: ...E approx 1 2s reverb decay 73 HEAVY PHASER Extreme strong effect 24 DRUMS PLATE approx 1 0s reverb decay 74 PITCH SHIFT DETUNE 2 3 times detune for a wider solo voice sound 25 GOLD PLATE 1 approx 1 2s reverb decay 75 PITCH SHIFT 3 Minor third added voice 26 GOLD PLATE 2 approx 2 0s reverb decay 76 PITCH SHIFT 4 Major third added voice 27 SHORT SPRING approx 1 0s reverb decay 77 PITCH SHIFT 7 Quint...

Страница 11: ... that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and re...

Страница 12: ...We Hear You ...

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