9. KITS AND SOUNDS
26
Use the [UP]
and
[DOWN] arrow keys to select the DATA ENTRY knob corresponding to the perfor-
mance macro that is edited. Press [YES] to confirm the selection. The menu where track parameters are
assigned to the selected performance macro will be displayed.
Up to five track parameters can be assigned to a performance macro. Parameters can be selected from
all six tracks. Press
DATA ENTRY
knobs
A–E
to select the track from which parameters you want to as-
sign to the macro. Select the track parameters that will be assigned by turning
DATA ENTRY
knobs
A-E
.
Confirm a selection by clicking the knob or by pressing
[YES]
.
DATA ENTRY
knobs
F-J
are then used to
set the depth of the five track parameters. The depth is an offset of the original track parameter value.
By default, the parameter macro knob spans a parameter value range of 0-127. A parameter macro value
of 0 will not introduce any changes to the sound. Press the
TRACK LEVEL
knob to make the perfor-
mance macro knob work in a bipolar fashion, meaning the parameter macro value range will go from -64
to +63.
While a pattern or Sound is playing, turn the
TRACK LEVEL
knob to preview how the performance macro
affects the sound.
Press [FUNC] + [QPER] to mute the PERFORMANCE mode. This temporarily mutes all the
changes that have been made to the track parameters by the performance macros. Press
[FUNC] + [QPER] again to unmute the PERFORMANCE mode to let the changes affect
the parameters again. The [QPER] key is green when PERFORMANCE mode is active and
turned off then PERFORMANCE mode is muted.
Use performance macros to affect the most relevant parameters when playing live. By
carefully setting up parameter macros you might find that you don’t have to leave this
mode at all during your live set.
It is not possible to parameter lock PERFORMANCE mode parameters.
9.3.3 PERFORMANCE RENAME
Allows performance macro knobs to be named. Use the
[UP]
and
[DOWN]
arrow keys to select the
DATA ENTRY
knob corresponding to the performance macro that will be named. Press
[YES]
to confirm
the selection. The NAMING menu will appear.
9.3.4 PERFORMANCE TRACK MUTE
Track muting can also be done while in PERFORMANCE mode. (You can also use standard Track Muting.
For more information, please see “9.15 TRACK MUTING” on page 36.) When in PERFORMANCE
mode,
[TRIG]
keys 1–6 mute the tracks. An outlined square in the track mute section and a full bright
[TRIG]
key means a track is audible. A minus sign and a dimmed red
[TRIG]
key indicates the track is
muted. While holding
[FUNC]
and pressing one or more of the six first
[TRIG]
keys, the mute changes
will be held until
[FUNC]
is released. A track that is currently muted, but will be unmuted when
[FUNC]
is released, is indicated by a “+” sign and a half-bright
[TRIG]
key. A track that is currently not muted, but
will be muted when
[FUNC]
is released, is indicated by an asterisk and a half-bright, blinking
[TRIG]
key.
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