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David Lewiston

Global RecordiÌ

by Curtis Seıino 2001

For forÙ years, David LewiÌon has bÕn

recording trad⁄ional music all around the

globe. He grew up in the London suburbs

playing the piano and went on to Ìudy 

at Trin⁄y College of Music in London, 

then w⁄h the Russian composer 

`omas de Hartmann in New York. 

`anks to de Hartmann, he was introduced

to music “outside the WeÌern canon” and

decided to record ⁄ at ⁄s source. 

His firÌ release, 

Music Ïom the Morning of the World

,

was the very firÌ Ìereo recording of the

gamelan music of Bali. Released in 1966 

as part of the landmark Explorer Series Ïom

Nonesuch records, these recordings launched

his carÕr as an enÿnÕr and producer.

32

/Tape Op#57/

Mr. Lewiston

Содержание RE50B

Страница 1: ... then w h the Russian composer omas de Hartmann in New York anks to de Hartmann he was introduced to music outside the WeÌern canon and decided to record at s source His firÌ release Music Ïom the Morning of the World was the very firÌ Ìereo recording of the gamelan music of Bali Released in 1966 as part of the landmark Explorer Series Ïom Nonesuch records these recordings launched his carÕr as an...

Страница 2: ...Mr Lewiston continued on page 34 Tape Op 57 33 Interview beÿns on the next page ...

Страница 3: ...By today s standards the recordings aren t that good But at that time there weren t any stereo recordings I wish the geniuses who design plug ins would find a way to eliminate distortion a flaw of many of those early recordings Their inadequate sound prompted me to return in the late 80s Nonesuch was transferring some of the old masters to digital They thought that Music from the Morning of the Wo...

Страница 4: ...her professionals and enlist their help They make really helpful intermediaries with the local musicians who are generally farmers or laborers They explain that I want the pure local music not Bollywood hits Sometimes young sprigs who like my lifestyle will write me asking questions One thing they nearly always overlook is budgeting adequate compensation for the musicians They write me saying I pl...

Страница 5: ...And it worked When we played back the first take everyone loved the result The musicians loved it my hosts loved it and I loved it r In the kecak the Balinese music drama nicknamed the Monkey Chant 100 200 men seated in concentric circles create complex rapid vocal patterns based on the syllable cak this cak chorus acts as the rhythmic motor which propels the hour long reenactment of the Ramayana ...

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