DigiDesign Pro Tools, Справочное руководство

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Pro Tools Reference Guide 442
3
From the Matches submenu, select the name
of the alternate region that you want to use to
replace the original region.
4
Repeat this procedure for every region you
want to replace on each track.
Conditions for Alternate Channel
Availability
An alternate channel is available to replace the
original channel (represented by the region or
portion of a region selected on the Timeline) if
all of the following are true:
• Both channels are part of a multichannel
part of a recording made simultaneously
on one or more field recorders.
• Certain metadata matches between the
original channel and the alternate channel.
• The metadata embedded during shooting
and recording has been preserved prior to
import into Pro Tools.
With multichannel recordings from one or
more field recorders, both channels must over-
lap at least once between their start time code
and end time code positions, and must also
meet one of the following conditions:
• Matching Scene and Take
• Matching Shoot Date (applies only if Scene
and Take contain any information for both
channels)
• Matching Tape name
• Matching Sound Roll name
• Alternate channel Sound Roll name
matches current channel Tape name
• Alternate channel Tape name matches cur-
rent channel Sound Roll name
Expanding Alternate Channels to
New Tracks
(Pro Tools HD and Pro Tools LE with
DV Toolkit 2 Only)
When working with a mono region that is part
of a multichannel recording, you can expand
that region (or a selected portion of it) to new
tracks that reflect its matching alternate chan-
nels while preserving any edits or fades.
For example, you can use this feature to easily
create different versions of an edited dialogue
track corresponding to multiple channel inputs
(microphones) that were recorded simulta-
neously.
Selecting an alternate channel from a channel group to
replace a region
Matching alternate channels are mono
channels that were recorded simultaneously
with the original region (such as multichan-
nel recordings made by one or more field re-
corders). For detailed criteria that alternate
matching channels must meet, see the Field
Recorder Workflow Guide.