Cosmotronic VPRTEX Скачать руководство пользователя страница 19

EXPONENTIAL FREQUENCY MODULATION

The main difference between linear frequency modulation and exponential frequency modulation is
how it reacts to incoming voltages. In exponential FM every volt you add to the FM input causes the
frequency of the oscillator to be multiplied by a certain integer. V/Oct tracking is exponential in nature
and every volt added will result in a pitch one octave higher or twice the original frequency. Adding 2V
will cause the pitch to go up 2 octaves (four times the original frequency).

Using exponential FM provides a wide range of timbres when using a VCO as a modulator. It’s also
ideal for patching in an LFO as a modulator to create a gentle (or extreme) vibrato.

Both VCO1 and VCO2 have a knob labeled EXPONENTIAL for setting the maximum amount of
exponential FM. The knob labeled FM INDEX controls the global amount of frequency modulation (this
setting also applies to the linear FM of both VCO 1 and VCO 2). The modulator for VCO1 is normalized
to the SINE from VCO2 and vice versa. It is possible to use a different signal as a modulator by
patching any VCO into the input jacks labeled EXPO. These inputs accept bipolar signals and accept
both DC (static or slow moving CV) signals and AC (fast alternating CV) signals.

It’s possible to get a decent (but not perfect) pitch tracking on the EXPO inputs by maxing out the FM
INDEX knob and settings the EXPONENTIAL knob to approximately 3 o’clock. This can be used to act
as a ‘quick and dirty’ way to transpose any pitch sequence patched into the regular V/Oct inputs.

FM INDEX

The big knob in the center of VORTEX controls the global amount of FM for VCO1 and VCO2 for both
linear and exponential frequency modulation. Turning it to the right increases the amounts of FM and
this is indicated by the LED light surrounding the knob shifting from blue to orange.

It’s possible to modulate the global amount of FM by connecting a signal to the FM INDEX inputs.
These inputs accept bipolar signals. The left FM INDEX input is normalized to the right one (indicated
by the arrow) so when a modulator is connected to the FM INDEX input of VCO1 this will also modulate
the FM INDEX of the right VCO. Of course it’s also possible to connect different modulators to either
input. The FM INDEX knob acts as an offset for both inputs (meaning that any signal you send into the
inputs will be added or subtracted from the DC voltage generated by the position of the knob which
opens the VCA for the FM bus).

TUNING TRIMPOT

If you remove VORTEX from your rack you’ll notice two little trimmers. These are trimpots for

changing the root frequency of VCO1 and VCO2 seperately.

You could for example tune VORTEX to C0 (with the
COARSE knobs completely CCW) to be able to
return to a stable pitch quickly whenever you knock
either VCO out of tune by accident. This could be
useful when performing for an audience or in any
kind of live situation.

Take care when adjusting this trimpot. Stop turning
it immediately when there’s a ‘clicking’ sound.

VORTEX / Complex Oscillator

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Содержание VPRTEX

Страница 1: ......

Страница 2: ...lot of timbral shaping options useful normalizations CV inputs for every parameter and attenuators to control the amounts of both internal and external modulation Contents of the box width 26HP VORTEX...

Страница 3: ...odule In doubt do not connect the module to your system MAKE SURE YOU TURN OFF THE POWER TO YOUR SYSTEM BEFORE CONNECTING VORTEX The white line on the back of VORTEX next to the 10 pin header indicate...

Страница 4: ...ts bipolar signals and the knob is an attenuator for this signal You can use any signal as the modulator by patching it into the MOD input This input is also normalized to the SINE of VCO2 SHAPE VCO1...

Страница 5: ...ing ring modulated You can patch any signal into the MOD input jack it s normalized to the SINE of VCO1 You can further modulate the amount of ring modulation using a signal patched into the DEPTH inp...

Страница 6: ...UARE OUTPUT This output is affected by the sync settings and FM VCO2 SQUARE OUTPUT This output is affected by the sync settings and FM VCO2 SINE OUTPUT This output is affected by the waveshaper ring m...

Страница 7: ...he internal normalization V OCT inputs By patching a CV signal into either V OCT input it s possible to control the pitch of VCO1 and VCO2 seperately offsetted by the positions of the coarse and fine...

Страница 8: ...is normalized to the FM inputs FM INPUTS You can patch any bipolar signal into the FM INDEX inputs The left input controls de global amount of FM for VCO1 the right input controls the global amount of...

Страница 9: ...t s possible to modulate the SHAPE parameter using the SINE of VCO2 normalized The knob is an attenuator for this modulation You can override the normalization by patching a signal into the SHAPE inpu...

Страница 10: ...You can override this normalization by patching a signal into the FOLD input This input accepts bipolar signals and the knob is an attenuator for this external modulation Maximum modulation is achieve...

Страница 11: ...k the normalization by patching a signal into the MOD input This input accepts bipolar signals It s also possible to modulate the DEPTH with the SINE from VCO2 normalized The knob is an attenuator for...

Страница 12: ...ll be capable of opening and closing the filter completely Although this filter has a really basic feature set it provides for plenty of additional timbral shaping of whatever is coming out of the MAI...

Страница 13: ...e clean waveshapes are available at the dedicated SINE output next to the MAIN output as this output bypasses both the WAVEFOLDER and the LOW PASS FILTER It s possible to modulate the SHAPE parameter...

Страница 14: ...ring modulation With the slider in the most upper position full range ringmodulation without amplitude loss or gain is achieved with signals from 5V to 5V You can however send 10V to 10V signals into...

Страница 15: ...into the FOLD input This input accepts biploar signals The knob is an attenuator for this external modulation With the slider in the down position the maximum wavefolding is achieved with 5V Sending...

Страница 16: ...e 20 Soft sync has a different sonic quality and is able to produce some octave switching effects when changing the relative pitch of the master and slave oscillators Using SYNC can be a method to mak...

Страница 17: ...C indicated by the soft synced triangle icon This switch also works when using external SYNC signals SYNC INPUTS The SYNC inputs for VCO1 and VCO2 make it possible to SYNC either or both oscillators t...

Страница 18: ...INDEX the resulting sound will lose it s clear pitch though Both VCO1 and VCO2 have a knob for setting the maximum amount of TZFM labeled THRU ZERO The big knob in the center labeled FM INDEX controls...

Страница 19: ...ly 3 o clock This can be used to act as a quick and dirty way to transpose any pitch sequence patched into the regular V Oct inputs FM INDEX The big knob in the center of VORTEX controls the global am...

Страница 20: ...itude modulation greatly resembles ring modulation but on top of the sidebands the pitch of the carrier is also present at the output This is the main difference between AM and RM PULSE WIDTH ANIMATIO...

Страница 21: ...O1 or vice versa Don t forget to audition all the outputs to hear what the effects are There s really no limit to this Experimentation is the key to unlocking many exotic waveforms and interesting tim...

Страница 22: ...ADDENDUM VCO1 FLOWCHART VCO2 FLOWCHART FM BUS FLOWCHART VORTEX Complex Oscillator 21...

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