Cosmotronic VPRTEX Скачать руководство пользователя страница 14

RING MODULATION

Ring modulation happens when there’s two bipolar signals that are multiplied in a four-quadrant
multiplier. A four-quadrant multiplier could be referred to as a biplolar VCA. Where a regular two
quadrant multiplier or VCA (picture 11) attenuates the bipolar input completely when the modulator
is in the negative part of its range (resulting in amplitude modulation) a four-quadrant multiplier
(picture 12) actually inverts the incoming signal when the ‘modulator’ has a negative voltage.

The resulting sound is an interesting mixture of both sources and as the frequencies of the two VCOs
get multiplied sidebands are created. The term sidebands refers to the emergent frequencies of the
ring modulated sound. When using two clean sinewaves to ringmodulate each other (in RM there is no
distinction between carrier and modulator) the frequency of the sidebands can be easily calculated*.

The SINE of VCO1 (normalized) is added to the ringmodulator by the RING MOD slider. At the bottom
position there is no ringmodulation. You can instead use an external VCO (or LFO) by patching it into
the MOD input, breaking the normalization. The slider controls the DEPTH of the ring modulation. With
the slider in the most upper position full range ringmodulation (without amplitude loss or gain) is
achieved with signals from -5V to 5V. You can however send -10V to 10V signals into the MOD input
and this actually amplifies the wave, resulting in some saturation or rounding of the shape.

It’s possible to modulate the DEPTH, increasing the sonic options of VORTEX even more. The SINE of
VCO1 is normalized to the DEPTH modulation and the knob is an attenuator for this modulation. You
can break the normalization by patching a signal into the DEPTH input. This input accepts bipolar
signals. The knob is an attenuator for this external modulation. The maximum range of the DEPTH
modulation is achieved with signals from -5V to 5V.

* The frequencies of the sidebands are calculated by adding and subtracting the

frequencies of the oscillations that are being multiplied in the four quadrant multiplier.

When combining a 100Hz and a 300Hz pure sinewave the resulting sidebands will have a

frequency of 400Hz (300hz + 100Hz) and 200Hz (300Hz-100Hz). The base frequencies

of the original oscillations are lost (unless you ringmodulate two frequencies that are

exactly one octave apart from each other).

VORTEX / Complex Oscillator

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CARRIER

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OSCILLATOR

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picture 11: two quadrant multiplier

picture 12: four quadrant multiplier

Содержание VPRTEX

Страница 1: ......

Страница 2: ...lot of timbral shaping options useful normalizations CV inputs for every parameter and attenuators to control the amounts of both internal and external modulation Contents of the box width 26HP VORTEX...

Страница 3: ...odule In doubt do not connect the module to your system MAKE SURE YOU TURN OFF THE POWER TO YOUR SYSTEM BEFORE CONNECTING VORTEX The white line on the back of VORTEX next to the 10 pin header indicate...

Страница 4: ...ts bipolar signals and the knob is an attenuator for this signal You can use any signal as the modulator by patching it into the MOD input This input is also normalized to the SINE of VCO2 SHAPE VCO1...

Страница 5: ...ing ring modulated You can patch any signal into the MOD input jack it s normalized to the SINE of VCO1 You can further modulate the amount of ring modulation using a signal patched into the DEPTH inp...

Страница 6: ...UARE OUTPUT This output is affected by the sync settings and FM VCO2 SQUARE OUTPUT This output is affected by the sync settings and FM VCO2 SINE OUTPUT This output is affected by the waveshaper ring m...

Страница 7: ...he internal normalization V OCT inputs By patching a CV signal into either V OCT input it s possible to control the pitch of VCO1 and VCO2 seperately offsetted by the positions of the coarse and fine...

Страница 8: ...is normalized to the FM inputs FM INPUTS You can patch any bipolar signal into the FM INDEX inputs The left input controls de global amount of FM for VCO1 the right input controls the global amount of...

Страница 9: ...t s possible to modulate the SHAPE parameter using the SINE of VCO2 normalized The knob is an attenuator for this modulation You can override the normalization by patching a signal into the SHAPE inpu...

Страница 10: ...You can override this normalization by patching a signal into the FOLD input This input accepts bipolar signals and the knob is an attenuator for this external modulation Maximum modulation is achieve...

Страница 11: ...k the normalization by patching a signal into the MOD input This input accepts bipolar signals It s also possible to modulate the DEPTH with the SINE from VCO2 normalized The knob is an attenuator for...

Страница 12: ...ll be capable of opening and closing the filter completely Although this filter has a really basic feature set it provides for plenty of additional timbral shaping of whatever is coming out of the MAI...

Страница 13: ...e clean waveshapes are available at the dedicated SINE output next to the MAIN output as this output bypasses both the WAVEFOLDER and the LOW PASS FILTER It s possible to modulate the SHAPE parameter...

Страница 14: ...ring modulation With the slider in the most upper position full range ringmodulation without amplitude loss or gain is achieved with signals from 5V to 5V You can however send 10V to 10V signals into...

Страница 15: ...into the FOLD input This input accepts biploar signals The knob is an attenuator for this external modulation With the slider in the down position the maximum wavefolding is achieved with 5V Sending...

Страница 16: ...e 20 Soft sync has a different sonic quality and is able to produce some octave switching effects when changing the relative pitch of the master and slave oscillators Using SYNC can be a method to mak...

Страница 17: ...C indicated by the soft synced triangle icon This switch also works when using external SYNC signals SYNC INPUTS The SYNC inputs for VCO1 and VCO2 make it possible to SYNC either or both oscillators t...

Страница 18: ...INDEX the resulting sound will lose it s clear pitch though Both VCO1 and VCO2 have a knob for setting the maximum amount of TZFM labeled THRU ZERO The big knob in the center labeled FM INDEX controls...

Страница 19: ...ly 3 o clock This can be used to act as a quick and dirty way to transpose any pitch sequence patched into the regular V Oct inputs FM INDEX The big knob in the center of VORTEX controls the global am...

Страница 20: ...itude modulation greatly resembles ring modulation but on top of the sidebands the pitch of the carrier is also present at the output This is the main difference between AM and RM PULSE WIDTH ANIMATIO...

Страница 21: ...O1 or vice versa Don t forget to audition all the outputs to hear what the effects are There s really no limit to this Experimentation is the key to unlocking many exotic waveforms and interesting tim...

Страница 22: ...ADDENDUM VCO1 FLOWCHART VCO2 FLOWCHART FM BUS FLOWCHART VORTEX Complex Oscillator 21...

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