76
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
• Compose each frame so that it overlaps 30 to 50 % of
the adjoining image. Try to keep the vertical misalign-
ment to within 10 % of the image height.
• Do not include moving items in the overlap.
• Do not try to stitch images that include both distant and
close items. Objects may appear warped or doubled up.
• Make the brightness in each image consistent. The final
image will appear unnatural if the difference in bright-
ness is too great.
• For good results, pan (swivel) the camera to take
successive shots.
• To shoot close-ups, slide the camera over the subject,
keeping it parallel as you move.
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Shooting
1
Turn the shooting mode dial to
.
The LCD monitor will turn on.