2
StagePass
TM
IEM
Introduction
Enjoy the exciting performance of the StagePass™ IEM for your next
gig. CAD Audio has been creating high-value product since 1931 and
prides itself on supporting and developing the live performer. Our
design criterion was straightforward: develop a high-performance
wireless In-ear Monitor System that will deliver superior audio
performance while supplying advanced frequency agility, capable
enough to cope with today’s dynamic RF environment – make it both
easy to use and exciting to operate.
The StagePass™ IEM Stereo Wireless In-ear Monitor System features
16 channel frequency agile performance for outstanding connectivity.
CADLock™ Automatic Tone Code Squelch eliminates unauthorized
interference in RF unfriendly environments. Stereo operation lends
flexibility of use – You may send discrete signals to the left or right
channel. High-performance MEB2 Monitor Earbuds are included
to make your listening experience top flight. The MEB2 TruPitch™
Balanced-armature Earbuds provide accurate audio reproduction
while the EasyFit™ silicon earmolds provide a custom fit. The metal
construction rack mountable transmitter is supplied with rack ears,
half-wave antenna, antenna-relocation kit and sturdy carry case.
The StagePass
TM
IEM Stereo Wireless In-ear Monitor System
includes the following features:
• 16 Channel UHF Agility for frequency plan flexibility
• Stereo Operation for discrete Right/Left transmission via
combination XLR-1/4" connectors
• CADLock™ Automatic Tone Encoded Squelch to eliminate
unauthorized interference.
• MEB2 TruPitch™ Balanced-armature Earbuds provide accurate
audio reproduction while the EasyFit™ Silicon molds provide
a custom fit
• AA batteries with >10hrs of battery life
• Metal Chassis Transmitter for a durable and formidable
shielded enclosure.
• Transmitters have Softtouch
TM
Switches with multicolor
LED indicators of On/Mute and Low Battery.
• 1/4" and XLR-type outputs for interfacing flexibility
• Includes carry case, rack ears and antenna-relocation kit
7
WARNING!
USE AS LOW A VOLUME AS POSSIBLE. PERMANENT HEARING
DAMAGE CAN RESULT FROM USING THIS SYSTEM AT
EXCESSIVE VOLUMES.
For safe operation of this in-ear monitor system, do not listen at exces-
sive sound pressure levels.
Most national safety and health administrations have established guide-
lines for maximum time being exposed to sound pressure levels before
hearing damage occurs.
85 dB(A) SPL at 8 hours
88 dB(A) SPL at 4 hours
91 dB(A) SPL at 2 hours
94 dB(A) SPL at 1 hour
97 dB(A) SPL at 30 minutes
100 dB(A) SPL at 15 minutes
120 dB(A) SPL — avoid or hearing damage may occur
In live settings it is difficult to make exact measurements of Sound
Pressure Levels (SPL) present at the eardrum, which is affected not only
by the In-ear Monitor volume, but by ambient sound on the stage and
other factors.
To protect your ears from hearing damage:
• Use the in-ear monitor system at the lowest volume possible;
turn up the volume only enough to hear.
• Be aware that ringing in your ears may indicate that the volume
is set too high.
• Have your ears examined regularly by an audiologist.
• If wax builds up in your ears, stop using the in-ear monitor system
until you have seen an audiologist.
• To avoid infections, use an antiseptic to wipe the earphones
before and after using the system.
• Stop using the earphones if you experience ear discomfort
or infection.
