12. Alignment menu
Image 12-31
When selecting a
fi
xed color space, the values of this selected color space overwrite the custom selected
color space.
12.10 White peaking
About white peak and brilliant color
In video centric applications true color reproduction is generally a priority over brightness. To achieve this a typical design will not
utilize a white segment of the color wheel. This has the side effect of reducing the amount of light allowed through the color wheel,
which reduces the overall brightness. To compensate for this a technique can applied called Spoke Light Capture (SLR). The spokes
are de
fi
ned to be the time between colors. If the light is passed through the spokes, the average over time across them is made up
of a mixture of the two adjacent colors. This will result in a secondary color. Color processing can take advantage of this situation.
Combining red with green yields yellow light. Similarly, combining red with blue yields magenta while combining blue with green
yields cyan. The BrilliantColor™ technology is con
fi
gured to process the spoke regions as a secondary color which improves the
brightness of the display and gives the viewer a truly life-like image.
If after all, the viewer is still not satis
fi
ed with the color reproduction, this can further be improved by diminishing the white peaking.
With the white peaking on 10 the full white segment is used in projecting the image. At the other end when the white peaking is
on 0, the white segment is cancelled out from the projected image. This makes the colors look more pronounced as with full white
peaking on.
How to change the white peaking value
1. Press
MENU
to activate the menus.
2. Use the
▲
or
▼
key to select
Alignment
and press
ENTER
.
3. Use the
▲
or
▼
key to select
White peaking
and press
ENTER
.
4. Use
◄
or
►
key to change the white peaking setting and press
EXIT
.
White peaking can be set between 0 and 10.
The default value is 10.
With 0, no white peaking, spokes not used to enhance the secondary colors and 10, full white peaking, spokes are fully used to
enhance the secondary colors to show a truly life-like image.
Image 12-32
Image 12-33
Image 12-34
R59770057 CLM HD8 15/03/2010
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Содержание CLM HD8
Страница 1: ...CLM HD8 User guide R9050130 R90501301 R90501305 R59770057 08 15 03 2010 ...
Страница 14: ...1 Safety 10 R59770057 CLM HD8 15 03 2010 ...
Страница 22: ...2 General 18 R59770057 CLM HD8 15 03 2010 ...
Страница 34: ...3 Physical installation 30 R59770057 CLM HD8 15 03 2010 ...
Страница 62: ...7 Start up of the adjustment mode 58 R59770057 CLM HD8 15 03 2010 ...
Страница 72: ...8 Input menu 68 R59770057 CLM HD8 15 03 2010 ...
Страница 113: ...10 Layout menu Image 10 61 Image 10 62 Image 10 63 Image 10 64 R59770057 CLM HD8 15 03 2010 109 ...
Страница 114: ...10 Layout menu 110 R59770057 CLM HD8 15 03 2010 ...
Страница 156: ...13 Projector control 152 R59770057 CLM HD8 15 03 2010 ...
Страница 170: ...14 Service menu 166 R59770057 CLM HD8 15 03 2010 ...
Страница 184: ...16 Servicing 180 R59770057 CLM HD8 15 03 2010 ...
Страница 193: ...17 Projector covers removal and installation Image 17 18 Secure the lamp door R59770057 CLM HD8 15 03 2010 189 ...
Страница 194: ...17 Projector covers removal and installation 190 R59770057 CLM HD8 15 03 2010 ...
Страница 202: ...C DMX Chart 198 R59770057 CLM HD8 15 03 2010 ...
Страница 208: ...D Specifications 204 R59770057 CLM HD8 15 03 2010 ...
Страница 214: ...E Troubleshooting 210 R59770057 CLM HD8 15 03 2010 ...
Страница 220: ...F Mounting optional Carry handle 216 R59770057 CLM HD8 15 03 2010 ...
Страница 222: ...G Order info 218 R59770057 CLM HD8 15 03 2010 ...
Страница 230: ...Index 226 R59770057 CLM HD8 15 03 2010 ...