Audient ASP2802, Руководство по эксплуатации

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Page -27- © Audient Ltd
Direct Output Routing cont.
By pressing the DAW switch (8) DOWN, the main channel path
(equivalent of the long fader) is fed by the DAW line input.
This would allow you to monitor the recorded signal from
your workstation or tape machine, making simple record and
playback (before and after) monitoring very quick and efficient.
If you are using a tape machine with a delay between record
and reproduction heads, or a workstation with noticable latency
from input to output - the benefit here is huge.
It is possible to feed your microphone preamplifier signal direct
to tape or disk from the channel input. Meanwhile, use the cue
alternative input to feed a balance of the undelayed signal to
your artist’s headphone cue mix - whilst at the same time
monitoring the main fader path fed from tape or disk so you
can hear the colouration provided by your recording medium
(see diagram on the next page).
Here are several other useful ways of setting up the console and
direct outputs for monitoring during tracking and/or stem
mixing:
• Use a post fader direct output to enable riding of input sources
or printing stems with automation data during mixdown.
• Monitor back the recorded signals (printback or live feeds)
via the channel DAW inputs and alternative cue input by
assigning the cue bus to either the main mix bus or
monitoring its output by selecting it in the monitor source
selection.
Channel Strip