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same value for that parameter. They are not
adjusted proportionately.
That can be used to your advantage, though.
Here’s another example: Let’s say you’re
creating a Multi and you want the Upper
and Lower patches to have identical reverb
settings. Simply press [UPPER] and [LOWER] to
select Both, then press [REVERB] to access that
module. Now make the desired changes, and
both the Upper and Lower patches will inherit
those changes. This technique will work on
every module: [OSC 1-3], [LFO 1-5], [PRE-FX],
etc.
Remember: If you want independent values
for a parameter, edit the Upper and Lower
patches separately.
Multi mode & the Arpeggiator
The Arp parameter on
decides if the Arp settings are shared by the
Upper and Lower parts or completely independent. There are two settings, and your choice is
saved with each Multi.
Arp mode: Single
The Upper and Lower parts share a single
arpeggiator pattern and all of its settings. The
Upper patch settings are used by default, but
you can change them any way you like. The
arpeggio can cross over the KeySplit / VelSplit
boundaries, and the crossfade settings are
applied.
The controls in the Arpeggiator section affect
the pattern whether Upper, Lower, or Both
are selected. For example, when Arp = On, it’s
enabled for both parts; when Arp = Off, it’s
disabled for both parts.
Dual mode
When VelSplit is On and one of the parts is
triggered by the note velocity, that part is
heard when the arpeggiator plays that note in
each octave. When VelSplit is Off, both parts
play all the notes.
KeySplit mode
The arpeggio crosses the KeySplit point
and uses both parts as it follows the various
settings such as Mode, Octave, etc. For
example, you might hear a few notes from
the Lower part in the first octave, a mixture of
notes from both parts in the second octave,
and only notes from the Upper part in the
third octave.
Arp mode: Separate
The Upper and Lower parts have independent
arpeggiator settings, but they can sync (See
). The arpeggio can
cross over the KeySplit / VelSplit boundaries
within the crossfade range, but the crossfade
gain effect is not applied. Disable the
arpeggiator and the crossfade gain effect is
restored.
The controls in the Arpeggiator section affect
the Upper and Lower patterns when Both
are selected. But you can also select one part
and adjust its arpeggiator settings without
affecting the other part. In other words, the
arpeggiator can be started, modified, and
stopped independently per part.
Dual mode (VelSplit = Off)
The parts can each play their independent Arp
patterns throughout the entire MIDI velocity
range. Their settings do not affect each other;
the notes used to trigger the Arps are the only
thing they share.
Dual mode (VelSplit = On)
When the arpeggiator is active for both parts,
notes played within the lower velocity range
will trigger the lower arpeggiator or be added
to it; notes played within the upper velocity
range will trigger the upper arpeggiator or be
added to it.
For example, if VelSplit = 80, notes played
within the velocity range 1-80 become part of
the lower arpeggio. Notes that are played with
a velocity value of 81-127 become part of the
upper arpeggio.
KeySplit mode: Separate
The Upper/Lower arpeggiators can only be
triggered by keys within the defined split
zone. It might seem like the patterns are
