Arturia CZ V, Руководство пользователя

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4.2.6.1. Envelope ruler bar
You can zoom in and out, and forwards and backwards in time, on an envelope window
by clicking and dragging on the ruler bar. The ruler bar is the medium–gray bar above the
envelope image and below the Pitch, DCW, and AMP tabs.
• Dragging horizontally moves the display backwards and forwards in time.
• Dragging vertically zooms in and out.
• Double-click on the ruler bar to see the entire envelope.

♪
: If you’re making a very complicated envelope, you should click on the ENVELOPES tab where the
entire window width represents a single envelope (for example, “LINE 1 DCW”) and you can edit in more
detail.
The CZ V features three different types of envelopes (CZ, DADSR, and MSEG), but you can’t
select the envelope type from the Synthesis tab, only from the ENVELOPES tab. See Chapter
5 [p.39] .
4.2.6.2. Copy envelopes
Between the Line 1 and Line 2 envelope graphics on the Synthesis window is a
Copy
function. Click on the upper arrow to copy the currently-displayed Line 1 envelope is showing
to currently-displayed envelope to the right (Line 2 or Line 1'). Click on the lower arrow to
copy in the other direction.

♪ : It doesn't matter what type or function of envelope is on either side; it will copy the shape and
type from DCW to Amp, for example.
4.2.7. AMP envelope
The amplitude envelope is the final gatekeeper of the Synthesis section. It determines how
loud the signal is at any particular stage of time. A sound can fade in, attack and decay,
sustain at a different level, and either stop immediately or fade away slowly when the key
is released.
In the original analog synthesizers, this would be called a VCA (voltage controlled amplifier),
and in digital synthesizers, a DCA, with a permanently-assigned envelope input. But unlike
some of those instruments, in the CZ there is no way for the sound to bypass the AMP
envelope. If the levels of all points on your Amp envelope somehow get set to zero, you
won’t hear anything from that Line. The default Amp envelope has a very fast attack time
with a sustain level set to maximum (1.00) and a fast release, so usually this isn’t a problem.
Remember, however, that if you are designing something in the Pitch or DCW envelopes
after the sustain point, that is, a sound change after the key is released, you need to add
segments to the Amp envelope after the sustain point, or make a long release time, so you
can hear the effect of those other envelopes.
Arturia - User Manual CZ V - SYNTHESIS SECTION / TAB 34