Multi-pattern Condenser
Microphone
Features:
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Selectable Polar Patterns
(Omni-Directional, Cardioid & Figure-8)
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Dual Position -6dB & -12dB Pad Switches
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Dual Position -12dB/Octave 100Hz & 200Hz Low
Frequency Roll-Off Switch
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Extremely Warm, Smooth-Sounding Low Noise
Circuit Design
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Extremely Wide Dynamic Range
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Dual 32mm Low Mass Gold Sputtered
Diaphragm Capsule
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Aluminum Carrying Case & Deluxe Cradle
Shockmount Included
Designed in the USA • Made in China
Visit us at: www.artproaudio.com or email us at: [email protected]
The ART M-Three multi-pattern wide diaphragm condenser
microphone is one of the most versatile microphones available
for your studio toolkit. Three selectable polar patterns, two
position low frequency roll-off and two position pad switch on
the body of the microphone ensure the ART M-Three can easily
be applied to virtually any recording or live application.
The M-Three is the microphone of choice for recording critical
tracks including solo vocals, saxophones, flutes, brass or
woodwinds, acoustic guitars or acoustic bass. The M-Three
excels anywhere superior sound quality is required, yet subtlety
and clarity is paramount.
Due to its rugged construction and ability to handle high SPL,
the ART M-Three is an outstanding choice for live sound
reinforcement or live recording applications. It can handle the
levels you’d see on an overhead microphone for drum kits or in
front of guitar or bass cabinets.
Controls on the microphone itself include a -6 & -12dB pad
switch, allowing distortion-free reproduction of extremely loud
at-source signals, and a two position -12dB/octave low
frequency roll off at 100Hz & 200Hz that reduces unnecessary
low end 'boominess' and low frequency interference.
The included heavy-duty shock-mount suspension virtually
eliminates vibration and handling noise, while at the same time
safely securing the microphone in any position needed during
the recording process.
Multiple Polar Patterns:
A Cardioid polar pattern is the standard setting for almost all
applications. It will give you the best results on most voice and
a wide range of instruments. It offers full frequency response off
of the front of the microphone. The advantage of proximity
effect (increased low frequency response when microphone is
placed close to sound source*) and excellent noise rejection
from the sides and back, or 180° position of the microphone.
The cardioid pattern is ideal for single instrument or vocal use.
