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User Manual

Stereo Mastering Dynamics Processor U796M2 - 3-Slot / Triple-Wide Version

V700 Mastering Modules

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The Stereo Mastering Dynamics Processor is available in different versions, which have different control ranges and configurations of particular functions. In

addition, the color of the faceplate and the control knobs can be determined by the customer. Therefore, the appearacne can be different from the the graphics

below. The feature set is identical with all these versions. The modules are available in balanced, grounded (eletronically balanced), and balanced, floating

(transformer balanced) versions. Both versions can be selected for inputs and outputs independently.

The U796 Mastering Dynamics Processor is available in 3 versions, U796M1, U796M2 and the 3-slot version of the U796M2. This page refers to the standard, 2

slot versions U796M2. The 3-slot version is almost identical; however, some additional functions are exisiting. The 

2-slot version is here

. The 

U796M is here

.

For a general desciption of the module, please change over to the 

Stereo Mastering Prozessor Homepage

Initial Settings

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Quickstart

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Options

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FAQ's

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 PDF Version

Control Elements

Notes and

Pecularities

1

Limiter Threshold

sets the threshold of the limiter section between - 6 and

+ 18 dB

The Limiter
is an
independent
section. The
limiter input
is driven
from the
compressor
output. It is
located
directly pre
the output
drivers of
the dynamics
processor.

2

Limiter Release

modifies the limiter release time from 50 ms to 2.5 sec

3

Limiter Attack

Attack time variation from 20 µsec to 6 ms. With the

minimum attack time the second half wave of a 20 kHz

signal is regulated down to threshold. The longer

settings are only important when using the limiter as

additional compressor section.

4

Limiter Ratio

If an external limiter, like the 

Mastering Peak Limiter with

Delay U795

 is used, the limiter section of the U796 can

be used as additional, independent compressor stage.

The ratio control is only meaningful, if the limiter is used

as compressor.

With 

Limiter

Operation

the 

Ratio

contol 

has

to be set all
to the right!

5

Output Gain

The output gain control only affects the output level but

not the limiter and/or compressor settings. It has a

control range of +/- 10 dB. Output gain is usually

switched on and off together with the limiter.

5a

The GAIN Switch

 activates the Output Gain Control,

independent of the Limiter. If GAIN is not pressed, it will

be activated if the Limiter is switched on (6)

6

The LIM Switch

 activates the Limiter

7

Compressor Threshold Control

Controls the threshold level of the compressor section in

the range from -32 dBr to + 15 dBr (0 dBr = + 6 dBu ~ +

4 dBV)

8

Crest Switch

The Crest Switch changes the operation mode of the

ac/dc converter from peak (PK) to RMS in 6 steps. Peak

causes a fast and hard regulation with high density,

while RMS results in a soft, loudness related regulation.

The other positions select carefully choosen values

between the two extremes.

The position
of the Crest
switch
determines
the basic
character of
the
compressor.

9

Knee Control

changes the transition from the unregulated range below

threshold to the regulated range above threshold from

hard (0 dB) to soft (20 dB). With the 20 dB setting the

law that is determined by the ratio setting is reached 20

The lower
the ratio
setting is,
the lower is
the incluence
of the soft

Содержание U796M

Страница 1: ...ack Attack time variation from 20 µsec to 6 ms With the minimum attack time the second half wave of a 20 kHz signal is regulated down to threshold The longer settings are only important when using the limiter as additional compressor section 4 Limiter Ratio If an external limiter like the Mastering Peak Limiter with Delay U795 is used the limiter section of the U796 can be used as additional indep...

Страница 2: ...irst phase of the setup process to avoid confusion 12 Release determines the compressor release time between 30 ms and 2 5 sec 12a Release Law determines the compressor release characteristics EXP is the standard characteristic the first part of the release phase ist fast but it slows down the closer the level gets to the steady value LIN is the alternate characteristics the entire release time th...

Страница 3: ...at is controlled by Autogain to this value 6 dBu 0 dBr 4 dBV setting of the Autogain Ref Control any input level below this level causes Autogain to compensate the gain 19 Dynamic Color adds 2nd harmonics triode distortion to the output signal The addition is proportional to the compression rate no gain reduction no distortion high gain reduction high distortion In addition distortion depends on t...

Страница 4: ... dBr This section regulates only below threshold 24 Release Control of the Expander Pump Up Compressor determines the fade down speed of this section in the range from 1 sec to 2 5 sec The terms attack and release for this section are not quite clear for the different mode 25 Attack Control of the Expander Pump Up Compressors this control determines the fade in time in the range from 2 ms to 10 ms...

Страница 5: ...the left 11 Set the Envelope Control 10 all to the left 12 Set the Fill Control 11 all to the left IMPORTANT SETTING 13 Set the Release Control 12 to 0 3 sec 14 Set the Release Law Control 12a to EXP 15 Set the Attack Control 13 to 8 msec 16 Set the Ratio Control 14 to 2 17 Set the Dyn Color Control 19 all to the left IMPORTANT SETTING 18 Set the GR Limit Control 20 all to the right IMPORTANT SETT...

Страница 6: ...ng results in a natural sounding compression that causes high loudness gain but maintains the transients It is based on the initial settings listed above The text leads you thru the process of adjustment and will make yourself familiar with the special functions After going thru this process you ll have many own ideas how to use the special features differently Compressor a With common input level...

Страница 7: ...n problem will be the demolition of the signal structure due to the high gain reduction Use the Fill control 11 and add the uncompressed input signal to cover the demolition Focus on the fine structures of the signal and find a setting that restores the original without affecting the compression too much If the Fill control 11 is wide open you will loose loudness gain Fill is a powerfull tool to a...

Страница 8: ... level below the peaks is also possible however the pump up compressot see Expander section is better suited for this purpose n Regulation Reverse 30 The compressor section is feedforward controled The Reverse switch 30 selects feedback control instead The behavior of the compressor changes with this setting however Threshold and Ratio settings are affected and the Gain and Autogain will now also ...

Страница 9: ...time should be as short as possible but long enough to avoid distortion If no distortion comes up set the control all to the left Otherwise find the shortest possible setting free from distortion s The Attack control is of minor importance with this mode since it determines the time constant of reducing the gain when the level increases Check in both directions if a different setting is of advanta...

Страница 10: ...ease setting 2 If no pumping is aubdilbe move the release control to the right until you here pumping Then turn to the left in small steps and find the longest possible setting without audible pumping IX Check for low frequency distortion now If there is any distortion the only way out is to reduce the gain reduction Readjust the Threshold control 1 until the distortion is not audible anymore X us...

Страница 11: ...r the entire range When using longer attack times the peak output level depends on the transients that pass thru the compressor without causing regulation It is not possible to calculate the output level with longer attack times precisely since the influence of the structur of the audio signal is an unknown factor Measuring the real voltage would be possible but result not in a static compensation...

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