ADOBE PREMIERE PRO 2.0
User Guide
263
6
(Optional) Use the Tonal Range Definition control to define the shadow, midtone, and highlight areas in the clip.
You can choose Tonal Range from the Output menu to view the tonal ranges you defined. Once defined, choose from
the Tonal Range menu to restrict the color corrections to a specific tonal range. See also “To define the tonal ranges
in a clip” on page 271.
Note:
Only the Luma Corrector, RGB Corrector, and Three-Way Color Corrector effects let you apply adjustments to a
specific tonal range.
7
(Optional) Click the triangle to expand the Secondary Color Correction controls if you want to correct the
exposure for a specific color or range of colors. Use the Eyedropper tool or the other Secondary Color Correction
controls to specify the colors to correct. See also “To specify a color or range of colors to adjust” on page 272.
Note:
All Color Correction effects have Secondary Color Correction controls except the Fast Color Corrector effect and
Video Limiter effect.
8
Do any of the following:
•
To adjust color balance and saturation using color wheels, adjust the Hue Balance and Angle wheels or numeric
controls in the Fast Color Corrector or Three-Way Color Corrector effect. See also “Color balance, angle, and
saturation controls” on page 265.
•
To adjust luminance or color using a curve control, use the curve adjustments in the Luma Curve or RGB Curves
effect. See also “To adjust color and luminance using curves” on page 267.
•
To adjust luminance by setting the black, gray, and white levels, use the levels controls in the Fast Color Corrector
or the Three-Way Color Corrector effect. See also “To adjust luminance using levels” on page 268.
•
To adjust luminance or color using numeric controls, use the controls in the Luma Corrector or RGB Color
Corrector effect. See “Luma Corrector effect” on page 298 and “RGB Color Corrector effect” on page 300.
Use keyframing to animate your color correction adjustment. This is especially useful when the lighting changes in
a clip. See also “About keyframes” on page 230.
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(Optional) Apply the Video Limiter effect after you’ve made your color corrections to make the video signal
conform to broadcast standards while preserving as much of the image quality as possible. It’s recommended to use
the YC Waveform scope to make sure the video signal is within the 7.5 to 100 IRE levels. See “Video Limiter effect”
on page 305.
See also
“About the vectorscope and waveform monitors” on page 279
To quickly remove a color cast
The Fast Color Corrector and the Three-Way Color Corrector effects have controls to quickly balance colors so the
white, grays, and black are neutral. The adjustment that neutralizes the color cast in a sampled area is applied to the
entire image. This can remove the color cast in all colors. For example, if an image has an undesirable bluish cast,
when you sample an area that should be white, the White Balance control adds yellow to neutralize the bluish cast.
This yellow adjustment is added to all the colors in the scene, which should remove the color cast in the entire scene.
1
Select the clip in the Timeline panel and apply either the Fast Color Corrector or the Three-Way Color Corrector
effect. See also “To apply an effect to a clip” on page 253
2
In the Effect Controls panel, click the triangle to expand the Fast Color Corrector or the Three-Way Color
Corrector controls.
Содержание PREMIERE PRO 2
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