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325 ADOBE PREMIERE 5.0
User Guide
Audio Separately
Interleaves the audio and video tracks as separate edits within the EDL.
For these options, the following rules govern the way that Premiere translates sound edits into
a format that the EDL can interpret:
•
If a clip on track Video 1A completely overlaps a clip on track Video 1B (that is, if it has the
same or an earlier In point and the same or a later Out point), only the clip on track Video 1A
is considered.
Note: A fade point of 0 in any clip effectively splits the clip at that point so that the clip is treated
as two clips by the EDL.
•
If a clip on track Video 1A and a clip on track Video 1B overlap, a transition is created in the
overlapping area so that the starting clip fades in to the ending clip.
•
Clips on superimpose tracks are considered only when neither track Video 1A nor track
Video 1B contains clips; otherwise, they are ignored.
Once this single “track” has been created, the EDL interprets fade points in the following way:
•
A fade point of 0 in any non-transition area creates a fade between 0 at that point and 100 at
the next nearest point specified in the clip, regardless of the actual value that was specified for
the nonzero point. All other nonzero fade points are ignored.
•
Fade points in any transition areas (that is, areas of clips on tracks Video 1A and Video 1B that
overlap) are ignored.
Audio at End
The Audio at End option lists all the sound edits together at the end of the EDL,
using the same audio translation rules as the Audio Separately option.
Creating a sequence of still images
You can export a clip or program as a sequence of still images, with each frame in a separate
still-image file. This can be useful to move a clip to animation and 3D applications that do not
import video file formats, or for use in animation programs that require a still-image sequence.
When you export a still-image sequence, Premiere numbers the files automatically.
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