Adobe PREMIERE 5, Руководство пользователя, Страница: 326 / 404

CHAPTER 11 318
Producing Final Video
Exporting an EDL
When you create an EDL in Premiere, the editing decisions you make in the Timeline are
recorded in the EDL in text format. You can export the editing decisions to any of the EDL
formats and view and print the EDL by opening it in Premiere or in any word processor. You
can also export the EDL in a format that an editing system can read directly. If the clips in the
Timeline do not have a timecode (either assigned at the time they were captured or entered
by using the Timecode command in the Clip menu), Premiere assumes a starting time of
00:00:00:00. For information on setting timecode, see “Understanding timecode and time
display options” on page 339.
Work closely with your post-production facility to achieve the best possible results.
Premiere provides many special effects that are unavailable on most traditional editing
systems (see “Transitions, special effects, and superimposed clips in the EDL” on page 321).
Your post-production editor can suggest alternate effects to use before assembling the final
video file.
Note: To avoid confusion when working with NTSC EDLs, use a timebase of 29.97 fps. If you set
a timebase of 30 fps, Premiere counts video frames in true 1/30ths of a second. Because all NTSC
video is 29.97 fps, the timecode displayed in the Source view or Clip window will not match
exactly with the actual timecode on the source tape. This is not an issue for PAL or SECAM video,
which are counted in whole frames at 1/25th of a second.
To export a generic EDL:
1
Choose File > Export > Generic EDL.
2
Specify a location and filename, and click Save.
c11.fm Page 318 Wednesday, April 1, 1998 10:08 AM