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ADOBE PREMIERE 5.0
User Guide
5
When you see the point where you want to stop recording, wait a few seconds to provide
room for editing, and then click the mouse to stop recording. The captured clip appears in
a Clip window and exists as an unsaved temporary file in the capture disk you specified.
6
Make sure the Clip window with the captured clip is active. Choose File > Save As, specify
a location and filename, and click Save.
Capturing video with device control
Device control
refers to controlling the video deck from within Premiere when capturing clips.
You can use device control to capture video from analog or digital video decks or cameras.
Using device control has the following advantages:
•
You can control the tape deck and view its source video directly from Premiere instead of
switching between Premiere and the tape deck controls.
•
You can use the Movie Capture or Batch Capture windows to create a list of
In points
(starting timecode) and
Out points
(ending timecode) for each clip, and then record all clips
in the list automatically.
•
You can capture the timecode that exists on the tape so that Premiere uses it during editing.
Use this checklist to prepare for capturing with device control:
•
Make sure you have the necessary equipment. You’ll need a frame-accurate tape deck that
supports external device control, a cable that connects the deck to your computer, a Premiere-
compatible plug-in software module that lets you control the tape deck directly from Premiere,
and source videotape recorded with timecode.
•
Set the general device control options for capturing as explained in the previous section.
•
Calibrate the timecode on your system if you intend to capture timecode with your clips
(see “Calibrating timecode” on page 110). This is especially important if you plan to create
an edit decision list (EDL) from your project, or if you will be digitizing the same clips more
than once; for example, to create both a low-quality rough-cut version and a high-quality
final version. See “Capturing video for offline and online editing” on page 92.
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