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USING ADOBE PREMIERE PRO
What's new
Last updated 1/16/2012
Search, which turns spoken dialogue into searchable text for faster editing. For more information, see “
Cross-
application workflows
” on page 28.
Editing and production efficiencies from metadata features
Add intelligence to your assets using innovative metadata
features. Turn spoken dialogue into searchable text faster and with higher accuracy. Synchronize content with your
Adobe Story script, or by using reference scripts that are optimized for your content. Accelerate editing by marking In
and Out points in the speech analysis text. Use face detection technology to locate clips containing human faces. Plus,
metadata stays with the assets you create, making your content more discoverable online. For more information, see
Understanding the script-to-screen workflow
and “
Analyze speech for text XMP metadata
” on page 194.
Client and team reviews made simple with CS Review
CS Review is a new online service that allows you to share dailies
and works in progress for review. CS Review eliminates the need for burning discs or swapping large files back and
forth. Encode sequences and automatically upload them in the background for review and collaboration. Clients and
teammates can comment on your video using just a web browser, and their frame-accurate comments automatically
appear in the Premiere Pro sequence. Upgrading to Premiere Pro CS5 gives you a complimentary one year
subscription to CS Review. The CS Review video workflows for Premiere Pro will not be available when Premiere Pro
CS5 initially ships. Premiere Pro CS5 customers will automatically receive access to the CS5 Review video workflows
when they become available.
Simplify everyday tasks with small changes that make large differences
Take advantage of the most requested editing
enhancements. See large productivity gains and smoother day-to-day workflows. Use automatic scene detection to
create separate clips from HDV tapes. Import assets from DVDs. Use new extend edit and find gaps keyboard
shortcuts. Control keyframes with greater precision. Clean up your sequences quickly with new commands for finding
and removing gaps. For more information, see “
Log clips with automatic scene detection
” on page 86, “
Make rolling
edits with the current-time indicator
” on page 189, and “
Find gaps in sequences and tracks
” on page 203.
Streamlined encoding with revamped Adobe Media Encoder
Efficiently deliver your content in virtually any format
with Adobe Media Encoder, now with a more intuitive user interface. Adobe Media Encoder saves you time by batch
encoding multiple versions of your source files and Premiere Pro sequences. Set up multiple items for encoding,
manage priorities, and control advanced settings for each item individually. Use any combination of sequences and
clips as sources. Encode to a wide variety of video formats. DPX joins FLV, F4V, Windows Media (Windows only),
QuickTime, MPEG-2, MPEG-4, and H.264 codecs. For more information, see the help document for Adobe Media
Encoder: Using Adobe Media Encoder.
Log footage from virtually any camera with Adobe OnLocation CS5
Use the powerful logging options in Adobe
OnLocation when working with tapeless cameras. tell Adobe OnLocation which shot is currently recording. Then
enter notes, comments, and additional metadata. When you copy clips from the tapeless camera, Adobe OnLocation
automatically merges the information. For more information see help for Adobe OnLocation: Using Adobe
OnLocation.
Ultra Key for fast, accurate keying—even on challenging footage
Key HD footage in real time with the new Ultra Key
chroma keyer in Premiere Pro. Ultra Key is optimized for footage that includes uneven lighting, wrinkled
backgrounds, and frizzy hair. Ultra Key preserves shadows and can achieve complex keys on smoke, liquids, and
transparent objects. For more information, see “
Chromakey with the Ultra Key effect
” on page 380.
Native support for DSLR cameras
Edit video from the latest DSLR cameras. New native support means that you never
waste valuable production time transcoding or rewrapping, and always have access to the original file’s pristine quality.
Premiere Pro supports video shot on the following DSLR cameras:
•
Canon EOS-1D Mark IV,
•
Canon EOS-5D Mark II,
•
Canon EOS 7D,
•
Nikon D90,
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