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175
USING ADOBE PREMIERE PRO
Editing sequences and clips
Last updated 1/16/2012
For more information about targeting and patching tracks in Premiere Pro, see
this video
by Learn by Video and
Video2Brain by Maxim Jago.
Andrew Devis shows how to use Sync Lock and track targeting
in this video
on the Creative COW website.
Frank Rohmer
provides a video tutorial
on the Adobe website that explains mapping source tracks to target tracks.
Drag video and audio to a sequence
By default, when dropped into a sequence, the video and audio components of linked clips appear in corresponding
tracks (for example, Video 1 and Audio 1), unless the audio channel type of the clip is incompatible with the target
track. In this case, the linked audio appears in the next compatible track, or a compatible track is created automatically.
Note:
An audio clip dragged to an incompatible track automatically shifts to the next compatible track, even if the track
is occupied by another audio clip. Therefore, take care not to disturb clips already in the sequence.
However, you can alter this behavior by holding the Shift key while you drag.
Note:
For information about creating tracks that are compatible with your assets, see “
Work with tracks
” on page
138
and “
Create a custom sequence preset
” on page
147.
The Program Monitor can help you determine where to position a clip you’re adding to a sequence. During an
overwrite edit, it displays the frames in the sequence adjacent to the new clip’s head and tail. During an insert edit, it
displays the frames adjacent to the insertion point.
1
(Optional) Open a clip in the Source Monitor, and mark its In and Out points. (See “
Working with In and Out
points
” on page 183.)
If you don’t want to set In and Out points, you can drag the clip directly from a bin or the preview thumbnail in the
Project panel.
2
To make clip edges align when you drag them, make sure that the Snap button
is active in a Timeline panel.
3
Do one of the following:
•
To drag the video and audio portions of a clip to specific tracks, drag the clip from the Source Monitor or Project
panel into a Timeline. When the video portion of the clip lies above the desired video track, press and hold Shift.
Continue holding shift, and drag downward past the bar separating video and audio tracks. When the audio portion
of the clip lies above the desired audio track, release the mouse and release Shift.
•
To drag the video portion of a clip to the Video 1 track and the audio to any audio track, drag the clip from the
Source Monitor or Project panel past the line that separates the video tracks from the audio tracks. Drop the clip
above the audio track where you want the audio portion to land. The video portion of the clip will remain in the
Video 1 track, and the audio portion lands in the desired audio track.
•
To perform an overwrite edit, drag the clip from the Source Monitor or Project panel to an appropriate track in a
Timeline panel at the point you want the clip to start. The destination area is highlighted, and the pointer appears
with the Overwrite icon
.
•
To perform an insert edit, Ctrl-drag (Windows) or Command-drag (Mac OS) the clip from the Source Monitor or
Project panel to an appropriate track in a Timeline panel at the point you want the clip to start. The destination area
is highlighted, and the pointer appears with the Insert icon
. Arrows appear at the insertion point in all tracks.
•
To perform an insert edit and shift only target tracks, Ctrl+Alt-drag (Windows) or Option-drag (Mac
OS) the clip from the Source Monitor or Project panel to an appropriate track in a Timeline panel at the point you
want the clip to start. The destination area is highlighted, and the pointer appears with the Insert icon
. Arrows
appear at the insertion point only in the tracks to which the clip is added.
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