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SR24•4-VLZ PRO &

SR32•4-VLZ PRO

OWNER’S MANUAL

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

dB

30

20

10

O

O

40

50

5

5

U

60

10

O

O

U

O

O

+15

U

O

O

+15

O

O

U

O

O

+1

5

MAX

MAX

U

O

O

+20

U

O

O

+20

U

O

O

+20

U

O

O

+20

U

O

O

+20

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

5

+10

0

5

+10

0

5

+10

0

5

+10

0

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

LR

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

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5

U

O

O

+1

5

U

O

O

+1

5

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O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

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+1

5

U

O

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5

U

O

O

+1

5

U

O

O

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5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

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5

U

O

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5

U

O

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+1

5

U

O

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5

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O

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5

U

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5

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5

U

+1

5

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5

U

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5

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5

U

O

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5

U

O

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5

U

O

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5

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O

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5

U

O

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5

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O

O

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5

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5

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5

U

+1

5

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5

U

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5

-1

5

U

O

O

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5

U

O

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5

U

O

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U

O

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5

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O

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5

U

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5

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5

U

+1

5

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5

U

+1

5

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5

U

O

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5

U

O

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5

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5

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O

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5

U

O

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5

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O

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5

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+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

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+1

5

U

O

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5

U

O

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5

U

O

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+1

5

U

O

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+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

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+1

5

U

O

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+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

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+1

5

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O

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5

U

O

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5

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O

O

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5

U

+1

5

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5

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5

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5

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+1

5

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5

U

O

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5

U

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5

4

U

O

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5

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O

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5

U

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5

U

+1

5

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5

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5

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5

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O

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5

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5

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5

U

O

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5

U

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O

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5

U

O

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5

U

O

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5

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5

U

+1

5

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5

U

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5

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5

U

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5

U

O

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5

U

O

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5

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5

U

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5

U

O

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O

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O

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O

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5

U

+1

5

-1

5

U

O

O

+1

5

U

O

O

+1

5

LR

LR

LR

LR

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

+15

-15

U

+1

5

-1

5

U

+15

-15

U

+15

-15

U

+15

-15

U

+1

5

-1

5

U

+1

5

-1

5

U

+1

5

-1

5

U

O

O

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5

U

O

O

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5

U

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5

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5

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5

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5

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5

U

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5

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5

U

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5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

U

O

O

+1

5

-20

+20

U

-20

+20

U

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

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POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

POST

POST

POST

POST

POST

POST

+

15dB

-

4

5dB

M

IC

G

A

IN

0

U

60

-1

0

d

B

V

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

60

0

1.

5k

15

0

8k

10

0

16kHz

16kHz

16kHz

16kHz

LAMP

12

k

HI

3k

MID

HI

800Hz

MID

LOW

EQ

STEREO

AUX RETURNS

AUX SEND MASTERS

LEVEL

5

6

12

k

HI

3k

MID

HI

800Hz

MID

AIR

A

IR

AIR

A

IR

LOW

SOLO

SOLO

SOLO

SOLO

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

TRIM

1

AUX

1

MUTE

EQ

1

2

3

4

1

2

1

2

3

4

SOLO

SOLO

1

- 2

SUB

SOLO

GLOBAL

AUX RETURN

ASSIGN TO SUB

SOLO

SOLO

TAPE RETURN

TO PHONES / C

R

TAPE RETURN TO MAIN MIX

LEFT/RIGHT

MAIN MIX

AUX 1

- 2

TALKBACK

LEVEL

TAPE

RETURN

3

- 4

LEFT

RIGHT

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

SUB

S

UB

SUB

S

UB

12

3

4

PHONES / C

- R

LEVEL

MAIN MIX

SOLO

TO AUX SEND

1

- 2

(EFX TO MONITOR)

SOLO

28

CL

IP

10

7

4

2

2

0

4

7

10

20

30

40

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

3

- 4

L-

R

1

- 2

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

2

AUX

2

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

3

AUX

3

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

4

AUX

4

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

5

AUX

5

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

6

AUX

6

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

7

AUX

7

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

8

AUX

8

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

9

AUX

9

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

10

AUX

10

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

11

AUX

11

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

12

AUX

12

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

13

AUX

13

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

14

AUX

14

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

15

AUX

15

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

16

AUX

16

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

17

AUX

17

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

18

AUX

18

MUTE

EQ

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

TRIM

19

AUX

19

MUTE

EQ

-20

OL

-20

OL

-20

OL

PR

E

1

PR

E

PR

E

2

3

5

6

12

k

HI

MID

FREQ

TRIM

20

TRIM

21 22

TRIM

23 24

AUX

PR

E

1

PR

E

PR

E

2

3

5

6

AUX

PR

E

1

PR

E

PR

E

2

3

5

6

AUX

20

MUTE

EQ

21

22

MUTE

23

24

TRACK

1

•

5

TRACK

2

•

6

TRACK

3

•

7

TRACK

4

•

8

MUTE

SOLO

MODE

SUB

AUX

PRE FADER

IN PLACE AFL

LEVEL SET

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

4444444444444

4

4444444

POWER

RUDE SOLO LI

GHT

OPERATING LEVEL

0dB = 0dBu

PAN

MU

T

E

/

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L

O

MU

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PREAMPLIFIERS

SR SERIES 24

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SR

24

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1
2
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...
»

Содержание SR24-4-VLZ PRO

Страница 1: ...dB 45dB M I C G A I N 0 U 60 1 0 d B V POST POST POST POST POST POST 15dB 45dB M I C G A I N 0 U 60 1 0 d B V 600 1 5k 150 8k 100 600 1 5k 150 8k 100 600 1 5k 150 8k 100 600 1 5k 150 8k 100 600 1 5k 1...

Страница 2: ...ote that this Mackie product is not completely disconnected from the AC mains service when the power switch is in the OFF position 17 This apparatus does not exceed the Class A Class B whichever is ap...

Страница 3: ...r aux sends 4 band EQ Pan mute and 1 2 3 4 L R busing PFL or AFL solo 60mm stereo fader Comprehensive master section with 60mm subgroup mono faders Assign to main switching for each sub group Air EQ f...

Страница 4: ...O 15 U O O 15 U 15 15 U 15 15 8kHz 100 U 15 15 U O O 15 U O O 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U O O 15 U O O 15 U O O 15 U O O 15 U O O 15 U O O 15 U O O 15 U O O 15...

Страница 5: ...HI 20 MID 20 FREQ 20 HI MID 20 LOW MID 20 LOW 20 LOW CUT 20 OL LED 21 20 LED 21 PAN 21 MUTE 21 SOLO 21 1 2 3 4 21 L R 21 CHANNEL FADER 21 MASTER SECTION FEATURES LAMP CONNECTOR 22 AUX SEND MASTER AUX...

Страница 6: ...in the drawing on the next page 1 On the rear panel turn the POWER switch and the PHANTOM off and the OUTPUT LEVEL fully down 2 Disengage these switches for pushbutton switches disengaged or off refer...

Страница 7: ...OBAL AUX RETURN ASSIGN TO SUB SOLO SOLO TAPE RETURN TO PHONES C R TAPE RETURN TO MAIN MIX LEFT RIGHT MAIN MIX AUX 1 2 TALKBACK LEVEL TAPE RETURN 3 4 LEFT RIGHT L R ASSIGN L R ASSIGN L R ASSIGN L R ASS...

Страница 8: ...METERS 54 peak near the 0 label 4 Disengage that channel s MUTE 38 5 Turn up the CHANNEL FADER 42 to the unity gain U label You should now be hearing your noise in the phones or control room 70 6 If n...

Страница 9: ...o reverb L R mix 23 24 stereo delay Submix 4 PHONES MAIN OUTS MAIN OUTS AUX RETURNS SUB INSERTS TAPE IN STEREO CHANNELS TAPE OUT SUB OUTS MAIN INSERTS TALKBACK 2 L R L 1 2 3 4 L R L R 1 2 L R L R L R...

Страница 10: ...HR824 Active Monitors OL PWR HIGH RESOLUTION STUDIO MONITOR ON OFF OL PWR HIGH RESOLUTION STUDIO MONITOR ON OFF ch device input insert assignment 1 kick mic all optional submix 1 2 2 snare mic submix...

Страница 11: ...OFF ch device input insert assignment 1 kick mic gate submix 1 2 2 snare mic gate submix 1 2 3 hi hat mic submix 1 2 4 hi tom mic gate submix 1 2 5 lo tom mic gate submix 1 2 6 drum overhead mic L mic...

Страница 12: ...Compressor Limiter DAT player HR824 Active Monitors OL PWR HIGH RESOLUTION STUDIO MONITOR ON OFF OL PWR HIGH RESOLUTION STUDIO MONITOR ON OFF ch device input insert assignment 1 mic 1 mic compressor a...

Страница 13: ...DESIGN Power Amplifier CH 1 CH 2 FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Power Amplifier CH 1 CH 2 FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Power Amplifier CH 1 CH 2 FULL SYMMET...

Страница 14: ...NBAL LINE IN BAL OR UNBAL LINE IN BAL OR UNBAL LINE IN BAL OR UNBAL MIC 18 18 MIC 17 17 MIC 16 16 MIC 15 15 MIC 14 14 RIGHT MAIN OUT LEFT MAIN OUT MONO MAIN OUT OUTPUT LEVEL PHONES 2 PHONES 1 OFF POWE...

Страница 15: ...processed and returned to be mixed with the original dry signals Multiple signals via multiple mixer channels can all make use of the same parallel effects device Examples include reverb delay chorus...

Страница 16: ...the amplifiers while the subgroups feed a recorder In studio applications these outputs can be used as four separate paths to feed four or more tracks of a multi track recorder See 1 2 3 4 40 and L R...

Страница 17: ...ng extraneous noise re jection These accept 1 4 TRS balanced or 1 4 TS unbalanced plugs see page 14 for wiring details 13 MAIN INSERTS With nothing plugged into these jacks the main mix goes straight...

Страница 18: ...turn the mixer off push the switch the other way Note turning off the switch does not remove all power from the mixer To remove all power the power cord must be disconnected from the power source 21...

Страница 19: ...master section page 22 The 24 4 VLZ PRO has 20 mono channels and two stereo channels The 32 4 VLZ PRO has 28 mono channels and two stereo chan nels All of the mono channels are identical and all of t...

Страница 20: ...3 LOW This control is centered at 80Hz and below This frequency represents the punch in kick drums bass guitar and fat synth patches This graph shows various settings of the LOW control with LOW CUT n...

Страница 21: ...signal and sends it to the control room phones and meters See RUDE SOLO LIGHT 61 and MODE 63 for more information Note A muted channel can still be soloed set MODE 63 to PFL 40 1 2 3 4 Used in conjun...

Страница 22: ...ese switches will isolate the associated signal and send it to the control room phones and meters See RUDE SOLO LIGHT 61 and MODE 63 for more informa tion dB 30 20 10 O O 40 50 5 5 U 60 10 dB 30 20 10...

Страница 23: ...and meters See RUDE SOLO LIGHT 61 and MODE 63 for more information Note In PFL mode aux returns are not soloed before their master level controls but are instead summed after the controls into a mono...

Страница 24: ...k For live sound subgroups allow a group of channels to be controlled by one or two sub group faders and then sent to the main mix using this switch and its associated PAN 58 control For multi track r...

Страница 25: ...ate for the difference In AFL mode the solo signal is tapped ste reo after a circuit s associated controls trim EQ pan fader mute etc It s the equivalent of muting all the other channels AFL is popu l...

Страница 26: ...DER This fader controls the main mix levels sent to CONTROL ROOM OUT 11 MAIN OUTS 12 16 MONO MAIN OUT 14 PHONES 18 and METERS 54 The stereo main mix can be processed before this fader by patching an e...

Страница 27: ...PRO Noise 20Hz to 20kHz bandwidth Line inputs to Main L R outputs all channels assigned panned L R Master fader down Ch gains down 94 7dBu Master fader unity Ch gains down 87 4dBu Master fader unity...

Страница 28: ...YOU TALKBACK XLR INPUT LEVEL TB TO AUX 1 2 TB TO L R MIX 1 2 3 4 L R SUBS LEVEL AUX RET 4 IN AUX RET 3 IN AUX RET 1 2 IN LEVEL LEVEL SOLO SOLO LED AUX SEND 1 OF 6 AUX 1 OUTPUT L L L R R R L R PHONES O...

Страница 29: ...PRO GAIN STRUCTURE REV 1 0 3 2000 ALL LEVELS ARE IN dBu 20dB gain 20dB loss STEREO LINE INPUT INSERT EQ FADER PAN MASTERS L R CHANNEL CONTROL ROOM SUB 1 4 FADER OUTPUT INSERT MIX 0dBu 0VU METERS OUTP...

Страница 30: ...paid using three day shipping However if you rush your mixer to us by next day air we ll treat it in kind by shipping it back the same way in which it was received This paragraph does not necessarily...

Страница 31: ...ns and exclusions may not apply to you This warranty provides specific legal rights and you may have other rights which vary from state to state Please keep your sales receipt in a safe place A LOUD T...

Страница 32: ...16220 Wood Red Road NE Woodinville WA 98072 USA US and Canada 800 258 6883 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E m...

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