7
POWER
PHANTOM
48V
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
PHONES
FOOTSW
AUX
RETURN
2
FX
1
MON
FX
RETURN
AUX
SEND
(
MON0
)
L
R
L
R
75Hz
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
1
EQ
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
L
R
(
MONO
)
5
6
LINE
BAL
OR
UNBAL
+4
-10
EQ
L
R
(
MONO
)
7
8
LINE
BAL
OR
UNBAL
INPUT/OUTPUT
IN
OUT
L
R
CD/TAPE
0
0
0
0
+
4
-10
3
4
CONTROL RM OUT
PHANTOM
ON
MAIN OUT
POWER
ON
100 - 120 VAC /
220 - 240 VAC
50 - 60 Hz 40W
LEFT
BAL/UNBAL
BAL/UNBAL
RIGHT
RIGHT
LEFT
ALT 3/4 OUTS
TAPCO S•5 or other
Active Studio Monitors
Mono in/Stereo out Reverb
(optional)
Guitar
TAPCO DB-1A
Direct Box
Digital Audio Workstation
TAPCO Link.USB or other
Digital Audio Interface
Microphones
1 and 2
Headphones
Drum Machine
Keyboard
POWER
PHANTOM
48V
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
PHONES
FOOTSW
AUX
RETURN
2
FX
1
MON
FX
RETURN
AUX
SEND
(
MON0
)
L
R
L
R
75Hz
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
1
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
1
EQ
EQ
MIC
INPUT
1
1
LINE
BAL/UNBAL
GAIN
75Hz
L
R
(
MONO
)
5
6
LINE
BAL
OR
UNBAL
+4
-10
EQ
L
R
(
MONO
)
7
8
LINE
BAL
OR
UNBAL
INPUT/OUTPUT
IN
OUT
L
R
CD/TAPE
0
0
0
0
+
4
-10
3
4
CONTROL RM OUT
PHANTOM
ON
MAIN OUT
POWER
ON
100 - 120 VAC /
220 - 240 VAC
50 - 60 Hz 40W
LEFT
BAL/UNBAL
BAL/UNBAL
RIGHT
RIGHT
LEFT
ALT 3/4 OUTS
DAT Recorder
Mono in/Stereo out Reverb
(optional)
TAPCO Juice
Power Amplifier
Stage Monitors
Microphones
1 and 2
Headphones
CD Player
Drum Machine
Keyboard
Active Speakers (Mackie SRM450s)
Note: Push down the CD/
TAPE [21] switch in the
CONTROL ROOM section
to listen to the DAW
output in the control room
speakers and headphones.
Leave it up to listen to the
main mix. Do not press
the TAPE TO MAIN [24]
switch, or there will be
feedback.
HOOKUP DIAGRAMS
Small Club Gig
Computer set-up
