“Use Safe Sound”
. Having properly set gains will allow you to
comfortably play the system at a much higher SPL, the fact that it is now
more comfortable to play at a higher SPL does not mean it is safer. The
functioning devices in your ear do not have very good pain receptors; even if
it does not “feel” like it hurts, excessively high SPL absolutely will damage
your hearing. So, please practice safe sound!
Cumulative Error
An issue that often is debated is at what level does distortion
become detectable to the human ear? Is there truly an audible difference
between a unit that measures .05% THD and one that measures .1% THD?
There are many who contend, with good cause, that distortion does not
become audible until the magnitude approaches 1% or more. Why do we go
to such great lengths in order to ensure the accuracy of each unit when
such minute differences are most likely inaudible?
The answer to this question underlies ZAPCO’s entire design
philosophy and is based on the simple concept of cumulative error. To
understand the point you must consider all the pieces of electronic
equipment that comprise the chain between the original performance and
your ears. From the microphone used to record the performance, to the
speakers used to reproduce it, the ultimate accuracy of the final output is
directly dependent on the accuracy of all of the pieces that comprise the
system. Given that this is not a perfect world, it is inevitable that each piece
of equipment will add some distortion or error to the original signal, and
signal degradation along this chain can be nothing but cumulative. It is the
cumulative error of the system as a whole of which we must be mindful.
From ZAPCO’s perspective, the idea that .1% THD, inaudible in and
of itself, is good enough, is unthinkable! If .002% THD is possible it is the
obligation of the manufacturer to do all that is feasible to attain that
maximum level of performance.
10
Summary of Contents for DAII-SL
Page 1: ......
Page 8: ...Non Linear Induced Distortions 7...
Page 12: ...The Zapco Processors 11...
Page 16: ...Switch Setting Layout 15...
Page 18: ...DAII SL System Diagram 17...
Page 22: ...Switch Jumper and Control Layout 21...
Page 23: ...Jumper Settings 22...
Page 24: ...EQ30 SL System Diagram 23...
Page 35: ...Basic Front Rear Bass 34...
Page 36: ...Basic Three Way 35...
Page 37: ...Dual 2 Way 18dB Front 12 dB Rear 24 dB Bass 36...
Page 38: ...3 Way with Horns 37...
Page 39: ...3 Way Bass Mid Bass and Separates 38...
Page 40: ...USACi Competition System 39...
Page 45: ...SP7 SL Diagram 44...
Page 51: ...Full Range System 50...
Page 52: ...Basic 2 Way with Sub 51...
Page 53: ...Dual Full Range Sub 52...
Page 58: ...57...
Page 65: ...SLX 4 Functional Diagram 64...
Page 68: ...Basic 2 Way System 67...
Page 69: ...Basic 3 Way System 68...
Page 70: ...3 Way with Woofer Control 69...
Page 71: ...4 Way with Subwoofer Control 70...
Page 72: ...4 Way System with F R Fader 71...
Page 73: ...4 Way with Super Tweeter 72...
Page 74: ...Dual High Pass Fader with Constant Bass 73...
Page 86: ......