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2
Styles – P
laying Rhythm and A
ccompaniment –
Tyros3 Reference Manual •
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NTT (Note Transposition Table)
When the NTR is set to ROOT TRANS or ROOT FIXED
When the NTR is set to GUITAR
BYPASS
When NTR is set to ROOT FIXED, the transposition table used does
not do any note conversion. When NTR is set to ROOT TRANS, the
table used only converts the notes by maintaining the pitch relation-
ship between notes.
MELODY
Suitable for melody line transposition. Use this for melody channels
such as Phrase 1 and Phrase 2.
CHORD
Suitable for chordal parts transposition. Use this for the Chord 1 and
Chord 2 channels, especially when they contain piano or guitar-like
chordal parts.
MELODIC MINOR
When the played chord changes from a major to a minor chord, this
table lowers the third interval in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third inter-
val is raised by a semitone. Other notes are not changed. Use this for
melody channels of Sections which respond only to major/minor
chords, such as Intros and Endings
MELODIC MINOR 5th
In addition to the Melodic Minor transposition above, augmented
and diminished chords affect the 5th note of the Source Pattern.
HARMONIC MINOR
When the played chord changes from a major to a minor chord, this
table lowers the third and sixth intervals in the scale by a semitone.
When the chord changes from a minor to a major chord, the minor
third and flatted sixth intervals are raised by a semitone. Other notes
are not changed. Use this for chord channels of Sections which
respond only to major/minor chords, such as Intros and Endings.
HARMONIC MINOR 5th
In addition to the Harmonic Minor transposition above, augmented
and diminished chords affect the 5th note of the Source pattern.
NATURAL MINOR
When the played chord changes from a major to a minor chord, this
table lowers the third, sixth and seventh intervals in the scale by a
semitone. When the chord changes from a minor to a major chord,
the minor third, flatted sixth and flatted seventh intervals are raised
by a semitone. Other notes are not changed. Use this for chord
channels of Sections which respond only to a Major/minor chord
such as Intros and Endings.
NATURAL MINOR 5th
In addition to the Natural Minor transposition above, augmented
and diminished chords affect the 5th note of the Source pattern.
DORIAN
When the played chord changes from a major to a minor chord, this
table lowers the third and seventh intervals in the scale by a
semitone. When the chord changes from a minor to a major chord,
the minor third and flatted seventh intervals are raised by a
semitone. Other notes are not changed. Use this for chord channels
of Sections which respond only to a Major/minor chord such as
Intros and Endings.
DORIAN 5th
In addition to the Dorian transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
ALL-PURPOSE
This table covers both strummed- and arpeggio-played sound.
STROKE
Suitable for stroke-played sound of the guitar. Some notes may
sound as if it is muted—this is normal condition when the chord is
played on guitar by stroke.
ARPEGGIO
Suitable for arpeggio-played sound of the guitar. Using this table,
four notes arpeggio sounds most beautiful.
Summary of Contents for Tyros3
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