Yamaha Sound Editor ver. 2.10, Effect List

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32
Bass Preamp
Pre-amplifier designed for use with bass guitars.
Parameter Display Range Description
Sound Type TYPE
FLAT, TUBE, SOLID, R&B,
VINTAGE, MODERN, CLASSIC,
HEAVY, DRIVE, DIST, FUZZ
Basic pre-amplifier sound types
Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion
Master MSTR 0.0 to 10.0 Adjusts the volume
Bass BASS -15.0 to 15.0 dB Adjusts level of low frequencies
Low Middle LMID -15.0 to 15.0 dB Adjusts level of lower mid frequencies
Middle MID -15.0 to 15.0 dB Adjusts level of mid frequencies
High Middle HMID -15.0 to 15.0 dB Adjusts level of upper mid frequencies
Treble TRE -15.0 to 15.0 dB Adjusts level of high range frequencies
Bass Freq. BASF 20.0 Hz to 320 Hz Bass EQ (peaking type) frequency
Low Mid Freq. LMDF 80.0 Hz to 1.28 kHz Low Mid EQ (peaking type) frequency
Middle Freq. MIDF 250 Hz to 4.00 kHz Middle EQ (peaking type) frequency
High Mid Freq. HMDF 500 Hz to 8.00 kHz High Mid EQ (peaking type) frequency
Treble Freq. TREF 1.25 kHz to 20.0 kHz Treble EQ cutoff frequency
Parametric EQ
Freq.
PEQF 20.0 Hz to 20.0 kHz Parametric EQ frequency
Parametric EQ Q PEQQ 0.100 to 20.0 Parametric EQ bandwidth
Parametric EQ
Gain
PEQG -15.0 to 15.0 dB Parametric EQ gain
Gate NGAT OFF, -53.0 to 0 dB
Level at which the noise gate activates
SP SIM SW SPSW Off, R On, LR On
Speaker Simulator ON/OFF. (OFF: Inactive. R On: Only activated on the
right channel. LR On: Active on both channels.)
Output Limiter OLIM OFF, ON Output Limiter ON/OFF
Comp. Ratio CRAT 1:1 to ∞ :1
Compression ratio. Automatically adjusts the output level according to
the Comp. Gain setting.
Comp. Threshold CTHR -54 to 0 dB Level at which compressor activates
Comp. Attack CATT 0 to 120 ms Time required for compressor to peak after exceeding threshold
Comp. Release CREL 6 to 11500 ms Time required for compressor to terminate after going below threshold
Comp. Gain CGAI 0.0 to 18.0 dB
Compressor’s output gain when the COMP. Ratio is set to ∞ :1.
If set so that the volume level stays the same when the Comp. Ratio is
1:1 and
∞ :1, it is possible to adjust the amount of compression and
keep the volume level stable.
This parameter is not effective when the Comp. Ratio is set to 1:1.
Comp. Knee CKNE Hard, 1 to 5 Adjusts the width of the gain curve just above the threshold