38
Chord Template List
C h o r d T e m p l a t e L i s t
#
Name
Chord Progression Type
Chord Progression (when the key is C)
00
USR
User
Pops type
01
POPS-M01
C | Am | Dm | G7 |
02
POPS*M01
(Double time feel)
C/Am | Dm/G7 | C/Am | Dm/G7 |
03
POPS-M02
C | F | C | G7 |
04
POPS-m02
(Double time feel) (Minor)
Cm | Fm | Cm | G7 |
05
POPS*M02
(Double time feel)
C/F | C/G7 | C/F | C/G7 |
06
POPS*m02
(Minor) (Double time feel)
Cm/Fm | Cm/G7 | Cm/Fm | Cm/G7 |
07
POPS-M03
C | Em | F | G7 |
08
POPS*M03
(Double time feel)
C/Em | F/G7 | C/Em | F/G7 |
09
POPS-M04
C | Am | F | G | Em | Am | Dm | G7 |
10
POPS*M04
(Double time feel)
C/Am | F/G | Em/Am | Dm/G7 |
11
POPS-M05
Starts with 4th
F | Em | Dm | C |
12
POPS*M05
Starts with 4th (Double time feel)
F/Em | Dm/C | F/Em | Dm/C |
13
POPS-M06
Starts with minor 6th
Am | D | G7 | C |
14
POPS*M06
Starts with minor 6th (Double time feel)
Am/D | G7/C | Am/D | G7/C |
15
POPS-m07
Progresses in 4ths
Cm | Fm | B
b
| E
b
| A
b
| Dm7(
b
5) | G | G7 |
16
POPS*m07
Progresses in 4ths (Double time feel)
Cm/Fm | B
b
/E
b
| A
b
/Dm7(
b
5) | G/G7 |
17
POPS-M08
J-Techno
C | A
b
| B
b
| G7 |
18
POPS*M08
J-Techno (Double time feel)
C/A
b
| B
b
/G7 | C/A
b
| B
b
/G7 |
19
POPS-M09
C | C | Am | Am | F | G | C | G7 |
20
POPS*M09
(Double time feel)
C | Am | F/G | C/G7 |
21
POPS-M10
C | G | Am | F | C | G | F | C |
22
POPS*M10
(Double time feel)
C/G | Am/F | C/G | F/C |
23
POPS-M11
C | Dm | Em | F |
24
POPS*M11
(Double time feel)
C/Dm | Em/F | C/Dm | Em/F |
Ballad type
25
BALAD-M1
CM7 | CM7 | FM7 | FM7 |
26
BALAD-m1
(Minor)
Cm7 | Cm7 | Fm7 | Fm7 |
27
BALAD*M1
(Double time feel)
CM7 | FM7 | CM7 | FM7 |
28
BALAD*m1
(Minor) (Double time feel)
Cm7 | Fm7 | Cm7 | Fm7 |
29
BALAD-M2
FM7 | Em7 | Dm7 | CM7 |
30
BALAD*M2
(Double time feel)
FM7/Em7 | Dm7/CM7 | FM7/Em7 | Dm7/CM7 |
31
BALAD-M3
CM7 | Em7 | FM7 | G7 |
32
BALAD*M3
(Double time feel)
CM7/Em7 | FM7/G7 | CM7/Em7 | FM7/G7 |
33
BALAD-M4
CM7 | Cm6 | Bm7 | Em7 | Am7 | D7 | GM7 | G7 |
34
BALAD*M4
(Double time feel)
CM7/Cm6 | Bm7/Em7 | Am7/D7 | GM7/G7 |
35
BALAD-M5
CM7 | FM7 | Bm7(
b
5) | E7 | Am7 | D7 | F onG | G7 |
36
BALAD*M5
(Double time feel)
CM7/FM7 | Bm7(
b
5)/E7 | Am7/D7 | F onG/G7 |
37
BALAD-m6
Progresses in 4ths
Cm7 | Fm7 | B
b
7 | E
b
M7 | A
b
M7 | Dm7(
b
5) | G7 | Cm7 |
38
BALAD*m6
Progresses in 4ths (Double time feel)
Cm7/Fm7 | B
b
7/E
b
M7 | A
b
M7/Dm7(
b
5) | G7/Cm7 |
Blues
39
BLUES-M1
for Rock and Blues
C7 | C7 | C7 | C7 | F7 | F7 | C7 | C7 | G7 | F7 | C7 | G7 |
40
BLUES-m1
for Rock and Blues
Cm7 | Cm7 | Cm7 | Cm7 | Fm7 | Fm7 | Cm7 | Cm7 |
(Minor)
G7 | Fm7 | Cm7 | G7 |
41
BLUES*M1
for Rock and Blues (Double time feel)
C7 | C7 | F7 | C7 | G7/F7 | C7/G7 | C7 | C7 | F7 | C7 | G7/F7 | C7/G7 |
42
BLUES*m1
for Rock and Blues
Cm7 | Cm7 | Fm7 | Cm7 | G7/Fm7 | Cm7/G7 | Cm7 | Cm7 |
(Minor) (Double time feel)
Fm7 | Cm7 | G7/Fm7 | Cm7/G7 |
43
BLUES-M2
for Jazz
C7(9) | F7(9) | C7(9) | C7(9) | F7(9) | F7(9) | C7(9) | A7(
b
13) |
D7(9) | G7(9) | C7(9)/E
b
7(9) | D7(9)/C7
#
(9) |
44
BLUES*M2
for Jazz (Double time feel)
C7(9)/F7(9) | C7(9) | F7(9) | C7(9)/A7(
b
13) | D7(9)/G7(9) |
C7(9)/E
b
7(9)/D7(9)/C
#
7(9) | C7(9)/F7(9) | C7(9) | F7(9) |
C7(9)/A7(
b
13) | D7(9)/G7(9) | C7(9)/E
b
7(9)/D7(9)/C
#
7(9) |
45
BLUES-m3
for Jazz
Cm7(9) | Fm7(9) | Cm7(9) | Cm7(9) | Fm7(9) | Fm7(9) | Cm7(9) | Cm7(9) |
G7 | Fm7(9) | Cm7(9)/Fm7(9) | Cm7(9)/G7 |
46
BLUES*m3
for Jazz (Double time feel)
Cm7(9)/Fm7(9) | Cm7(9) | Fm7(9) | Cm7(9) |
G7/Fm7(9) | Cm7(9)/G7 | Cm7(9)/Fm7(9) | Cm7(9) |
Fm7(9) | Cm7(9) | G7/Fm7(9) | Cm7(9)/G7 |
47
BLUES-M4
for Blues
C7 | F7 | C7/C
#
7 | C7 | F7 | F7 | C7/Dm7 | Em7/E
b
m7 |
Dm7 | E
b
m7/D7 | C7/F7 | C7/G aug |
48
BLUES*M4
for Blues (Double time feel)
C7/F7 | C7/C
#
7/C7 | F7 | C7/Dm7/Em7/E
b
m7 |
Dm7/E
b
m7/D7 | C7/F7/C7/G aug | C7/F7 | C7/C
#
7/C7 |
F7 | C7/Dm7/Em7/E
b
m7 | Dm7/E
b
m7/D7 | C7/F7/C7/G aug |
Summary of Contents for QY100 Data Filer
Page 67: ...M I D I D a t a F o r m a t 67...
