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Yamaha ProR3, Owner'S Manual

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Yamaha ProR3 Owner'S Manual Download Page 1

POWER

ON/ OFF

INFINITE

UTILITY

BYPASS

PROGRAM

STORE

CANCEL

RECALL/
ENTER

7

8

9

4

5

6

1

2

3

0

•

–

MAIN

FINE 

LEVEL/
BAL

OTHERS

COMPARE

ON

INC

DEC

DIGITAL REVERBERATOR

FREQ

GAIN

FREQ

GAIN

FREQ

GAIN

100

300

350

50

700 -15

+15

-15

+15

-15

+15

800

2k

5k

2k

4k

20k

10k

LOW

MID

HIGH

L

R

INPUT

PROGRAM

-00

+10

L

R

L
R

STEREO

MONO

PRESET
USER

MIDI

CLIP

-3
-6
-9

-12
-18
-24
-36

0

DATA/CURSOR

PARAMETER

EQ

  EQ ON

GATE ON

GATE

PRE EFFECT EQ

DIGITAL REVERBERATOR

Owner’s Manual
Manuel d’instructions
Bedienungsanleitung
Manual del propietario

Summary of Contents for ProR3

Page 1: ...RATOR FREQ GAIN FREQ GAIN FREQ GAIN 100 300 350 50 700 15 15 15 15 15 15 800 2k 5k 2k 4k 20k 10k LOW MID HIGH L R INPUT PROGRAM 00 10 L R L R STEREO MONO PRESET USER MIDI CLIP 3 6 9 12 18 24 36 0 DATA CURSOR PARAMETER EQ EQ ON GATE ON GATE PRE EFFECT EQ DIGITAL REVERBERATOR Owner s Manual Manuel d instructions Bedienungsanleitung Manual del propietario ...

Page 2: ... lead in is 300 ohm ribbon lead change the lead in to coaxial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA 90620 This applies only to...

Page 3: ...he internal circuitry will void the war ranty Make sure the power is off before making or removing connections Always turn the power OFF prior to connecting or disconnecting cables This is important to pre vent damage to the unit itself as well as other connected equipment Handle cables carefully Always plug and unplug cables including the AC cord by gripping the connector not the cord Clean with ...

Page 4: ...ation RoomSim 20 Reverb Echo Rev Ech 21 Reverb Early Reflections Rev ER 22 Reverb Chorus Rev Cho 23 Reverb Symphonic Rev Sym 24 Reverb Flanger Rev Flg 25 Reverb Pitch Change Rev Pit 26 Reverb Auto Pan Rev PAN 27 Common parameters 27 Program paramaters 2 Secondary effects 28 DFL 28 COMP 29 EQ 30 GATE 31 LEVEL BAL 32 Advanced uses 3 Utility functions 33 Memory protect settings 33 Input mode setting ...

Page 5: ...namic filter compressor EQ gate level and balance stages are provided In stereo input mode full stereo reverb is provided In addition to 90 preset programs for immediate use 90 user memory locations are provided for your own custom settings The stereo inputs and outputs feature both balanced XLR type and 1 4 phone jack connectors for connection to a variety of equipment The input and output level ...

Page 6: ...key to select the status When the PRESET indicator is lit preset programs are selected When the USER indicator is lit user pro grams are selected MIDI This indicator will light while MIDI data is being received from an external device connected to the MIDI IN connector 4 LCD This backlit LCD shows the name of the selected program and the program parameter values Messages related to operation will ...

Page 7: ...ator will light and you will be able to edit the EQ type frequency gain and Q for each band The EQ ON key turns the post effect equalizer on off When the equalizer is on the green indicator will light 6 D GATE GATE ON keys The GATE key accesses the gate parameters The indicator will light and you will be able to edit the level and balance etc The GATE ON key turns the gate on off When the gate is ...

Page 8: ...TORE key This key is used to store the settings of a program that you created 7 C CANCEL key This key is used to cancel a value that was entered by the numeric keys 7 D RECALL ENTER key This key is used to recall a program whose number was entered by the numeric keys or to finalize a parameter value 8 INFINITE key When this key is pressed the indicator will light and the RevTime parameter will be ...

Page 9: ... the program at the time it was recalled When the red indicator is lit you are hearing the original sound of the program 13 UTILITY key Use this key when you wish to make settings for system parameters such as memory protect input mode and MIDI parameters When you press the key the red indicator will light 14 BYPASS key When this key is pressed the input signal will be output directly without pass...

Page 10: ...r 10 dB as the nominal output level 17 INPUT jacks These are balanced input jacks which input the analog signal from your mixer or multi track recorder to the ProR3 If the source is monaural use the UTILITY key to select an appropriate input jack see page 33 A pair of XLR 3 31 connectors and a pair of 1 4 phone jacks are provided The level select switch selects either 4 dB or 10 dB as the nominal ...

Page 11: ...er on Pressing it again will turn the power off The initial display will appear for a few seconds and then the program that was being used when the power was last turned off will be selected Warning Before making connections make sure that the power is turned off for all your equipment Note You may also use a cable which converts between XLR connectors and TRS 1 4 phone jacks Note When turning on ...

Page 12: ...e PROGRAM indicator will blink If you enter the wrong number press the CANCEL key and use the numeric keys to enter the number once again If you select a number other than 1 90 the display will indicate NO PRO GRAM No Type Press the CANCEL key to return to the previous display 2 Press the RECALL ENTER key to recall the program When the program is recalled the PROGRAM indicator will change from bli...

Page 13: ...y it on percussion 17 Large Room 2 Reverb Compared to Large Room 1 a room with more naturalness and transparency 18 Mood Room Reverb Large room with slightly darker tone 19 Soft Room Reverb Large room with mellow tone 20 Attack Room Rev Pit Combines a pitch change 9 cents with a room Creates depth for vocals or solo instruments Medium Room 21 Medium Room 1 Reverb Simulates a medium sized studio wi...

Page 14: ... it on guitar and keyboards 55 String Plate Reverb Try it on strings for an even more beautiful sound 56 Home Plate Reverb Metal plate reverb from the good old days 57 LA Plate Short Reverb Simulations of the bright and crisp plate reverb preferred in studios on the US west coast 58 LA Plate Long Reverb 59 Short Perc Plate Reverb Short and bright percussion plate Set the IniDelay parameter accordi...

Page 15: ... 82 High Filter Reverb Effect reverb with a sense of definite pitch created by the dynamic filter Try it on rim shots or percussive instruments and sound effects 83 High Mid Filter Reverb 84 Low Mid Filter Reverb 85 Low Filter Reverb 86 Chorus Reverb Rev Cho This program combines a chorus effect and reverb to create spaciousness and depth 87 Symphonic Rev 1 Rev Sym A multi phase chorus combined sy...

Page 16: ...zer The green indicator will light 2 Select a band and rotate its control knobs to adjust the gain 3 Rotate the FREQ frequency control of the selected band To hear the effect of the equalizer first adjust the gain level of the selected band and then adjust the frequency The equalizer control settings are not stored in the program memory If the equalizer is turned on its settings will affect all pr...

Page 17: ...elease the INFINITE key The reverb time will be set to the maximum Press the key once again and the reverb time will return to the original value Press hold the INFINITE key The reverb time will be set to the maximum as long as you continue holding the key When you release the key the reverb time will return to the original value Note For programs whose primary effect is early reflection ER and do...

Page 18: ... reverb will be applied and then echo or echo applied and then reverb The secondary effects are supplementary and are the following five which are provided for each program DFL dynamic filter COMP compressor EQ GATE and LEVEL BAL The primary effect is the decisive factor in determining the character of the entire effect and if you know its type you will have a good idea of how the entire program w...

Page 19: ...t appears 3 Use the cursor keys to move the cursor to the parameter that you wish to edit 4 There are two ways to set the value of a parameter Press the INC or DEC key to set the value If you continue holding down a key the value will continue to change Use the numeric keys and the RECALL ENTER key to set the value 1 Use the numeric keys to enter the value and the data will blink If you make a mis...

Page 20: ...nt can be entered using the numeric keys 4 Setting MIDI control parameters You can specify parameters to be controlled via MIDI and the range of control refer page 35 1 Press the OTHERS key to access the MIDI control page 2 Use the CURSOR keys to select parameters 3 Use the INC and DEC keys to set the parameters 5 Saving a program Up to 90 programs whose parameters you have edited can be saved as ...

Page 21: ...lect the storing destination If you use the numeric keys to enter a number outside of the range of 1 90 a message of NO PROGRAM No Type will appear Press the CANCEL key to return to the previous display 3 To store the program press the STORE key To cancel press the CANCEL key A message of This Program is Stored will appear briefly and then the previous display will reappear If a number outside of ...

Page 22: ...een early reflections and reverb ER REV Delay 0 1 100 0 ms Time difference between beginning of early reflections and beginning of reverb Liveness 0 10 Decay characteristics of early reflections 0 dead 10 live Density 0 100 Density of the early reflections HPF Thru 40 Hz 1 0 kHz Cutoff frequency of the high pass filter LPF 400 Hz 20 kHz Thru Cutoff frequency of the low pass filter Rev2 Time X0 1 X...

Page 23: ...s Diffusion 0 10 Spread of the early reflections FINE ER Number 1 40 Number of early reflections FeedBack Delay 0 1 1000 0 ms Delay time of feedback FeedBack Gain 99 99 Amount of feedback inverts the phase FeedBack High 0 1 1 0 Amount of high range feedback relative to FeedBack Gain Density 0 100 Density of reflections HPF Thru 40 Hz 1 0 kHz Cutoff frequency of high pass filter LPF 400 Hz 20 kHz T...

Page 24: ...tive to Rev Time Diffusion 0 10 Spread of the reverb sound Width Fine 100 100 Fine adjustment of width simulation Height Fine 100 100 Fine adjustment of height simulation Depth Fine 100 100 Fine adjustment of depth simulation Width Decay RT X0 1 10 0 Decay time of width component of reverb relative to Rev Time Height Decay RT X0 1 10 0 Decay time of height component of reverb relative to Rev Time ...

Page 25: ...EV Balance 1 1 Only when REV Patch is parallel Reverb Echo 0 100 100 0 Level balance of echo and reverb REV Rev Mix 2 2 Only when REV Patch is serial Reverb Echo Echo Reverb 0 100 Reverb amount REV Reverb Type 3 3 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff frequency of reverb high pass filter REV LPF 400 Hz 20 kHz Thru Cutoff fre...

Page 26: ...vel balance of ER and reverb REV Rev Mix 3 3 Only when REV Patch is serial Reverb ER ER Reverb 0 100 Reverb amount REV Reverb Type 4 4 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff frequency of reverb high pass filter REV LPF 400 Hz 20 kHz Thru Cutoff frequency of reverb low pass filter REV Space Mod 0 10 Modulation level of reverb ...

Page 27: ...th FINE CHO REV Balance 1 1 Only when REV Patch is parallel Reverb Chorus 0 100 100 0 Level balance of chorus and reverb REV Rev Mix 2 2 Only when REV Patch is serial Reverb Chorus Chorus Reverb 0 100 Reverb amount REV Reverb Type 3 3 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff frequency of reverb high pass filter REV LPF 400 Hz 2...

Page 28: ... REV Patch is parallel Reverb Symphon 0 100 100 0 Level balance of reverb and symphonic REV Rev Mix 2 2 Only when REV Patch is serial Reverb Symphon Symphon Reverb 0 100 Reverb amount REV Reverb Type 3 3 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff frequency of reverb high pass filter REV LPF 400 Hz 20 kHz Thru Cutoff frequency of ...

Page 29: ...FLA FeedBack Gain 0 100 Feedback amount of the flanger FINE FLA REV Balance 1 1 Only when REV Patch is parallel Reverb Flange 0 100 100 0 Level balance of reverb and flanger REV Rev Mix 2 2 Only when REV Patch is serial Reverb Flange Flange Reverb 0 100 Reverb amount REV Reverb Type 3 3 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff ...

Page 30: ...ilter REV LPF 400 Hz 20 kHz Thru Cutoff frequency of reverb low pass filter REV Space Mod 0 10 Modulation level of reverb PIT Pitch Balance 0 100 Balance of direct sound and pitch shifted sound PIT Base Key OFF C1 C6 5 REV Patch 4 4 Reverb Pitch Pitch Reverb Reverb Pitch 5 Set this parameter when you wish to use note messages from a MIDI keyboard etc to control the pitch difference between the inp...

Page 31: ...0 Reverb amount REV Reverb Type 3 3 Hall Room Vocal Plate Type of reverb tone REV Density 0 100 Density of reverb REV HPF Thru 40 Hz 1 0 kHz Cutoff frequency of reverb high pass filter REV LPF 400 Hz 20 kHz Thru Cutoff frequency of reverb low pass filter REV Space Mod 0 10 Modulation level of reverb REV Patch 4 4 Reverb PAN PAN Reverb Reverb PAN Connection of auto pan and reverb Common parameters ...

Page 32: ...N DFL effect on off DFL Filter Type LPF HPF BPF Filter type selection DFL Frq Center 100 Hz 3 2 kHz Center frequency of the filter DFL Resonance 0 20 Filter resonance DFL Shift Up Down Direction in which center frequency will change in response to the level of the input signal DFL Sens 1 10 Sensitivity to the input signal DFL Decay 1 10 Speed at which the center frequency will return after shiftin...

Page 33: ...pressor OFF ON Compressor on off COMP Threshold Level 54 0 dB Threshold level COMP Output Level 15 15 dB Compressor output level COMP Ratio 1 1 00 1 Compression ratio COMP Knee SoftKnee Medium HardKnee Mode of change in threshold level COMP Attack Time 0 500 ms Attack time COMP Release Time 6 2400 ms Release time COMP GR Bar graph Gain reduction amount is displayed as a bar graph Return to the beg...

Page 34: ...ter Value Description EQ Low EQ Type Peaking Shelving Select EQ type for low range Low Gain 15 15 dB Set low range gain Low Freq 32 Hz 2 2 kHz Adjust low range frequency Low Q 1 1 When EQ Type is Peaking 0 1 5 0 Set Q factor of low range Mid Gain 15 15 dB Set mid range gain Mid Freq 250 Hz 5 6 kHz Adjust mid range frequency Mid Q 0 1 5 0 Set Q factor of mid range High EQ Type Peaking Shelving Sele...

Page 35: ...reshold Trigger Delay 0 1 100 ms Delay until the gate functions Hold Time 1 5759 ms Time from the hold time that the gate remains open Release time 6 24000 ms Time from the hold time until the gate closes MIDI Trigger OFF ON External MIDI control settings related to gating Detect at GATE Pre REV Point at which level is detected GATE GR Bar graph Gate open shut operation is shown by a bar graph GAT...

Page 36: ...an set the output level You can also adjust the balance between the direct sound and the effect sound Key Parameter Value Description LEVEL BAL Effect Balance 0 100 Ratio of effect sound and direct sound Output Level 50 6 dB Output level adjustment GATE BAL LEVEL GATE BAL LEVEL BYPASS ...

Page 37: ...tting The ProR3 has four input modes Stereo LR Mix R Mono and L Mono 1 Press the UTILITY key to access the input mode page 2 Press the INC or DEC key to select the input mode LR MIX The left and right input signals will be mixed and processed The effect sound will be of higher quality than for STEREO STEREO The left and right input signals will be processed separately and the stereo placement of t...

Page 38: ... settings MIDI program numbers 1 90 correspond to USER program numbers 1 90 and MIDI program numbers 91 128 correspond to PRESET program numbers 1 38 1 Repeatedly press the UTILITY key until the MIDI program change table page appears 2 Use the CURSOR keys to select a parameter 3 Press the INC or DEC key to set the parameter You can also use the numeric keys to directly enter a MIDI program number ...

Page 39: ...ontrollers The ProR3 can respond to two controllers and a separate page is provided to make settings for each controller 1 Repeatedly press the UTILITY key until one of the controller assign pages appears 2 Press the INC or DEC key to specify the control number The parameter selected in Setting MIDI control parameters of page 16 can be controlled in real time by receiving the specified control cha...

Page 40: ...CALL ENTER check once again that you really want to execute initializa tion ERROR Messages of the ProR3 Program Number Error Selected a program number greater than 90 Data Error General data error If necessary re initialize the ProR3 Store Number Error Selected a program number greater than 90 MEMORY PROTECTED Memory protection command of the UTILITY function is ON LOW BATTERY The internal battery...

Page 41: ...Memory Preset programs 1 90 User programs 1 90 MIDI Control Program change Control change Bulk dump Note ON Parameter change Power Requirements USA and Canada 120V AC 60 Hz General 230V AC 50 Hz Power Consumption 35W Dimensions W D H 480 398 5 89 mm Weight 5 5 kg Front panel Controls INPUT Level PRE EFFECT EQ FREQ 3 LOW MID HIGH PRE EFFECT EQ GAIN 3 LOW MID HIGH Buttons ON PRE EFFECT EQ 3 left CUR...

Page 42: ... Information specified in EN55103 1 and EN55103 2 Inrush Current 1A Conformed Environment E1 E2 E3 and E4 Block Diagram D 398 5 370 22 3 H 89 W 480 Unit mm 95 10 18 EQ EQ Pre Effect EQ Pre Effect EQ Selected Effect DFL DFL COMP COMP GATE GATE LEVEL BAL LEVEL BAL INPUT MODE BYPASS 10dB 4dB OUTPUT R R L L INPUT L INPUT R R R INPUT 4dB 10dB L L ...

Page 43: ...l be transmitted for the User program of the specified number Also if the program number is A11 data for User programs 1 90 will be transmitted consecu tively STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME PROGRAM No DATA CHECK SUM EOX 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000010 02H 01111000 64H 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 00111000 38H 01...

Page 44: ...eceived Also if the memory number is A11 data for banks 1 4 A through D will be transmitted con secutively STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME BANK No DATA CHECK SUM EOX 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000010 02H 00001010 0AH 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 00111000 38H 01000001 41H 00111000 38H 00110011 33H 01010100 54H 0zzzz...

Page 45: ...eceived Also if the User ER number is A11 data for patterns 1 4 A through D will be transmitted consecutively STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME PATTERN No DATA CHECK SUM EOX 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000011 03H 01010010 52H 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 01000001 41H 00111000 38H 00110011 33H 01000101 45H 0zzzzzzz 0dd...

Page 46: ...Value Request message is received STATUS ID No SUB STATUS FORMAT No BYTE COUNT BYTE COUNT DATA NAME DATA CHECK SUM EOX 11110000 F0H 01000011 43H 0000nnnn 0nH 01111110 7EH 00000000 00H 00011010 1AH 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 00111000 38H 01000001 41H 00111000 38H 00110011 33H 01010011 53H 00100000 20H 0ddddddd 0ddddddd 0eeeeeee 11110111 F7H n 0 15 L M Space Space 8 A 8 3 S ...

Page 47: ...eceived on the currently selected MIDI channel When this message is received a program will be selected as specified by the Program Change table of that bank 2 2System information 1 Program bulk dump request This message can be received on the currently selected MIDI channel When this message is selected the program of the specified User program number will be trans mitted as bulk data STATUS NOTE...

Page 48: ...tern of the specified number will transmit ted as bulk data STATUS ID No SUB STATUS FORMAT No DATA NAME BANK No EOX 11110000 F0H 01000011 43H 0010nnnn 2nH 01111110 7EH 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 00111000 38H 01000001 41H 00111000 38H 00110011 33H 01010100 54H 0zzzzzzz 11110111 F7H n 0 15 L M Space Space 8 A 8 3 T z 1 4 STATUS ID No SUB STATUS FORMAT No DATA NAME PATTERN No...

Page 49: ...ta The transmitted data is identical to User ER Pattern bulk data 9 System Setup bulk data The transmitted data is identical to System Setup bulk data 10 Parameter Change data The transmitted data is identical to Parameter Change data STATUS ID No SUB STATUS FORMAT No DATA NAME EOX 11110000 F0H 01000011 43H 0010nnnn 2nH 01111110 7EH 01001100 4CH 01001101 4DH 00100000 20H 00100000 20H 00111000 38H ...

Page 50: ... selected MIDI channel When this message is received the value of the parameter specified by the parameter number will be transmitted as Parameter Change data STATUS ID No SUB STATUS FORMAT No DEVICE CODE PARAMETER No EOX 11110000 F0H 01000011 43H 0010nnnn 2nH 00011110 1EH 00000101 05H 0ppppppp 0ppppppp 11110111 F7H n 0 15 ...

Page 51: ... x x x x x x x x o x x x x x x x x x 1 16 off 1 16 off OMNIon OMNIoff x x 0 127 x x x x x x 1 31 64 95 0 127 o x x x x x x x x x Remarks Recognized Transmitted Default Changed Default Messages Altered True voice Note ON Note OFF Key s Ch s True Song Pos Song Sel Tune Clock Commands Local ON OFF All Notes OFF Active Sense Reset Function Basic Channel Mode Note Number Velocity After Touch Pitch Bend...

Page 52: ...YAMAHA CORPORATION VT83890 R4 1 IP Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan 03 05 1000 AP Printed in Japan ...

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