îÛÌ͈ËË
PSR-E403/YPT-400 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
83
●
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ÙÛÌ͈ËÈ
ç‡ÒÚÓÈ͇
ç‡Á‚‡ÌËÂ
˝ÎÂÏÂÌÚ‡
ÑˇԇÁÓÌ/ÛÒÚ‡ÌÓ‚ÍË
éÔËÒ‡ÌËÂ
ÉÓÏÍÓÒÚ¸ ÒÚËÎfl
StyleVol
000–127
éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÒÚËÎfl.
ÉÓÏÍÓÒÚ¸ ÔÂÒÌË
SongVol
000–127
éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÔÂÒÌË.
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
Transpos
-12–12
éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ Ó‰ËÌ ÔÓÎÛÚÓÌ.
ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
Tuning
-100–100
ìÒڇ̇‚ÎË‚‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ 1 ÔÓˆÂÌÚ.
ÑˇԇÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇
PBRange
01–12
ìÒڇ̇‚ÎË‚‡ÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇.
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
SplitPnt
000–127
(C-2–G8)
éÔ‰ÂÎflÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ Í·‚Ë¯Û ‰Îfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
Ë Á‡‰‡ÂÚ «ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl», ÚÓ ÂÒÚ¸ Í·‚˯Û, ÓÚ‰ÂÎfl˛˘Û˛ ÌËÊÌËÈ
ÚÂÏ· (Split voice) ÓÚ ‚ÂıÌÂ„Ó (Main voice). íӘ͇ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
(Split Point) Ë ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(Accompaniment Split Point) ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ Ó‰ÌÓ
Á̇˜ÂÌËÂ.
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ Í ÒËÎÂ
̇ʇÚËfl
TouchSns
1 (ÌËÁ͇fl),
2 (Ò‰Ìflfl),
3 (‚˚ÒÓ͇fl)
éÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Touch
Response.
ÉÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Volume
000–127
éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
éÍÚ‡‚‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Octave
-2–+2
éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
è‡ÌӇχ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛
‚΂Ó; Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚·‡ˆËË ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡
M.Reverb
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ Â‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Chorus
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
ÇÂÏfl ‡Ú‡ÍË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Attack
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ‚ÂÏfl ‡Ú‡ÍË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
ÇÂÏfl Á‡ÚÛı‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Releas
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ‚ÂÏfl Á‡ÚÛı‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
ëÂÁ ÙËθڇ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Cutoff
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ˜‡ÒÚÓÚÛ ÒÂÁ‡ ÙËθڇ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
êÂÁÓ̇ÌÒ ÙËθڇ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Reso.
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ÂÁÓ̇ÌÒ ÙËθڇ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
êÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Voice
001–504
Ç˚·Ë‡ÂÚ ÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
ÉÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Volume
000–127
éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
éÍÚ‡‚‡ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Octave
-2–+2
éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
è‡ÌӇχ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛
‚΂Ó; Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚·‡ˆËË ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Reverb
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ Â‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Chorus
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
ÇÂÏfl ‡Ú‡ÍË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Attack
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ‚ÂÏfl ‡Ú‡ÍË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
ÇÂÏfl Á‡ÚÛı‡ÌËfl ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Releas
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ‚ÂÏfl Á‡ÚÛı‡ÌËfl ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
ëÂÁ ÙËθڇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Cutoff
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ˜‡ÒÚÓÚÛ ÒÂÁ‡ ÙËθڇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
êÂÁÓ̇ÌÒ ÙËθڇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Reso.
000–127
ìÒڇ̇‚ÎË‚‡ÂÚ ÂÁÓ̇ÌÒ ÙËθڇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
êÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Voice
001–504
Ç˚·Ë‡ÂÚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
ÉÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚
S.Volume
000–127
éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
éÍÚ‡‚‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Octave
-2–+2
éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
è‡ÌӇχ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚
S.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛
‚΂Ó; Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚·‡ˆËË ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Reverb
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ Â‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚
S.Chorus
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
Summary of Contents for Portatone PSR-E403
Page 1: ......
Page 4: ...4 PSR E403 YPT 400 PA 3C Yamaha Yamaha Yamaha 4 10 1 2...
Page 5: ...PSR E403 YPT 400 5 Yamaha 80 STANDBY Windows Microsoft Yamaha 4 10 2 2...
Page 7: ...PSR E403 YPT 400 7 Yamaha PSR E403 YPT 400 PortaTone PSR E403 YPT 400...
Page 15: ...PSR E403 YPT 400 15 2 ARPEGGIO ON OFF 6 113 3 80 52 j j 4 ARPEGGIO ON OFF 02 DownOct1 ARP Type...
Page 19: ...PSR E403 YPT 400 19 z Filter j j 22 5 A 5 B x Effect Reverb 5 Chorus Z 5 A B Chorus Chorus...
Page 27: ...PSR E403 YPT 400 27 Performance Assistant TEMPO TAP 011 280 0 9 z 090 Tempo...
Page 35: ...PSR E403 YPT 400 35 4 9 6 5 6 START STOP z 70 36...
Page 36: ...36 PSR E403 YPT 400 6 34 6 6 1 3 34 INTRO ENDING rit 031 Euro Trance F C G Am INTRO ENDING rit...
Page 39: ...PSR E403 YPT 400 39 30 Performance Assistant 30 1 SONG 2 41 011 Nocturne 012 ForElise...
Page 48: ...48 PSR E403 YPT 400 REPEAT LEARN REPEAT LEARN 9 REPEAT LEARN 1 9 e q w...
Page 57: ...PSR E403 YPT 400 57 PSR E403 YPT 400 1 1 2 3 001 001 GrandPno 59 3 2 1 0 Press Hold...
Page 73: ...PSR E403 YPT 400 73 ACMP ON 38 STYLE ACMP ON OFF 092 PopBossa...
Page 92: ...92 PSR E403 YPT 400 AccessoryCD ROM Yamaha Yamaha Corp 9 6 Yamaha 9 94 6 Windows...
Page 100: ...100 PSR E403 YPT 400 Easy Song Arranger Hallelujah Chorus 9 q q q q 123 Easy Song Arranger...
Page 101: ...PSR E403 YPT 400 101...
Page 103: ...PSR E403 YPT 400 103...
Page 105: ...PSR E403 YPT 400 105...
Page 118: ...118 PSR E403 YPT 400 MIDI...
Page 124: ...124 PSR E403 YPT 400...
Page 126: ......
