Yamaha PLG100-XG Owner'S Manual Download Page 27

MIDI Data Format

 

27

 

1.2.12  Harmonic Content

 

This message adjusts the resonance of the filter that is specified for the sound.

Control#

Parameter

Data Range

71

Harmonic Content

0...64...127 (-64...0...+63)

Since this is a relative change parameter, it specifies a boost or cut relative to 
64.
Higher values will produce a more distinctive sound.
For some sounds, the effective range may be less than the possible range of 
settings.

 

1.2.13  Release Time

 

This message adjusts the EG release time that was specified by the sound data.

Control#

Parameter

Data Range

72

Release Time

0...64...127 (-64...0...+63)

Since this is a relative change parameter, it specifies an increase or decrease 
relative to 64.
Increasing this value will lengthen the release that follows a note-off.

 

1.2.14  Attack Time

 

This message adjusts the EG attack time that was specified by the sound data.

Control#

Parameter

Data Range

73

Attack Time

0...64...127 (-64...0...+63)

Since this a relative change parameter, it specifies an increase or decrease rela-
tive to 64.
Increasing this value will make the attack more gradual, and decreasing this 
value will make the attack sharper.

 

1.2.15  Brightness

 

This message adjusts the cutoff frequency of the low pass filter specified by the 
sound data.

Control#

Parameter

Data Range

74

Brightness

0...64...127 (-64...0...+63)

Since this is a relative change parameter, it specifies an increase or decrease 
relative to 64.
Lower values will produce a more mellow sound.
For some sounds, the effective range may be less than the possible range of 
settings.

 

1.2.16  Portamento Control

 

This message specifies the portamento source key number (the key number at 
which portamento will begin).
Data of 0...127 specifies the portamento source key.
When Portamento Control is received, the currently-sounding pitch will 
change at a Portamento Time of 0 to the key of the next-received note-on of the 
same channel.

Control#

Parameter

Data Range

84

Portamento Control

0...127 (C-2...G8)

This is received even if Rcv PORTAMENTO = OFF.

 

1.2.17  Effect1 Depth(Reverb Send Level)

 

This message specifies the send level for the reverb effect.

Control#

Parameter

Data Range

91

Effect1 Depth

0...127

Increasing this value will produce a richer reverb. The effect of the value will 
depend on the state of the reverb effect.

 

1.2.18  Effect3 Depth(Chorus Send Level)

This message specifies the send level for the chorus effect.

Control#

Parameter

Data Range

93

Effect3 Depth

0...127

Raising this value will increase the modulation or spaciousness. The effect of 
the value will depend on the state of the chorus effect.

1.2.19  Effect4 Depth (Variation Effect Send Level)

This message specifies the send level for the variation effect.

Control#

Parameter

Data Range

94

Effect4 Depth

0...127

However, this is not received if the Variation Effect parameter Variation Con-
nection = 0 (Insertion).

1.2.20  Data Increment/Decrement (for RPN)

This message increases or decreases the parameter value specified for RPN 
(see 1.2.22), by increments of 1.

Control#

Parameter

Data Range

96

RPN Increment

--

97

RPN Decrement

--

The data byte is ignored.

1.2.21  NRPN (Non-registered parameter number)

This message is used to specify a sound parameter (such as vibrato, filter, EG, 
drum setup etc.) as an offset value.
Use NRPN MSB and NRPN LSB to specify the parameter that you wish to 
modify, and then use Data Entry (see 1.2.4) to set the value for the specified 
parameter.

Control#

Parameter

Data Range

98

NRPN LSB

0...127

99

NRPN MSB

0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

MSB 20-31 (for drums) is received when Multi Part parameter PART MODE = 
DRUMS1, 2.

*1 Refer to 1.2.4
*2 '--' indicates that the setting value is ignored.

NRPN

MSB   LSB

Data Entry 

*1

MSB   LSB

Parameter name and value range

01

08

mm

-- *2

Vibrato rate

mm: 00 - 64 - 127 (-64...0...+63)

01

09 mm

--

Vibrato 

depth

mm: 00 - 64 - 127 (-64...0...+63)

01

10

mm

--

Vibrato delay

mm: 00 - 64 - 127 (-64...0...+63)

01

32

mm

--

Low pass filter cutoff frequency

mm: 00 - 64 - 127 (-64...0...+63)

01

33

mm

--

Low pass filter resonance

mm : 00 - 64 - 127 (-64...0...+63)

01

99

mm

--

EG attack time

mm: 00 - 64 - 127 (-64...0...+63)

01

100

mm

--

EG decay time

mm: 00 - 64 - 127 (-64...0...+63)

01

102

mm

--

EG release time

mm: 00 - 64 - 127 (-64...0...+63)

20

rr

mm

--

Drum low pass filter cutoff frequency

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)

21

rr

mm

--

Drum low pass filter resonance

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)

22

rr

mm

--

Drum EG attack rate

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)

23

rr

mm

--

Drum EG decay rate

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
The effect will apply both to Decay 1 and 2.

24

rr

mm

--

Drum instrument pitch coarse

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)

25

rr

mm

--

Drum instrument pitch fine

rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)

26

rr

mm

--

Drum instrument level

rr: drum instrument note number
mm: 00 - 127(0...maximum)

28

rr

mm

--

Drum instrument panpot

rr: drum instrument note number
mm: 00, 01-64-127(RND, L63...C...R63)

29

rr

mm

--

Drum instrument reverb send level

rr: drum instrument note number
mm: 00 - 127(0...maximum)

30

rr

mm

--

Drum instrument chorus send level

rr: drum instrument note number
mm: 00 - 127(0...maximum)

31

rr

mm

--

Drum instrument variation send level

rr: drum instrument note number
mm: 00 - 127(0...maximum)

(when Variation Connection = SYSTEM)

mm: 00, 01-127 (OFF,ON) 

(when Variation Connection = INSERTION)

Summary of Contents for PLG100-XG

Page 1: ......

Page 2: ...be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA 3 NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reasonable level of assurance that your use of this product in a resident...

Page 3: ...dular Synthesis Plug in System MSPS TheYamaha Modular Synthesis Plug in System offers powerful expansion and upgrade capabil ities for MSPS compatible synthesizers tone generators and sound cards This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology allowing you to keep pace with the rapid and multi faceted advances in mod...

Page 4: ...isk 6 Installing the Software 8 Playing XG Song Data Editing XG Voices Port Settings 8 Selecting XG Voices Modular Synthesis Plug in System 11 Editing the XG Part Parameters Modular Synthesis Plug in System 12 Parameters 13 Appendix 14 XG Voice List Normal voice 14 XG Drum Map Drum voice 18 Effect Parameter List 20 Effect Data Assign Table 23 XG Parameter List 25 MIDI Data Format 26 MIDI Implement...

Page 5: ...ith the XG accompaniment The PLG100 XG can also supplement even XG compatible instruments such as the MU2000 providing an additional tone generator with 16 Parts and 32 note polyphony The PLG100 XG also lets you conveniently and easily edit all parameters from your computer by using the included XGworks lite Windows or XG Editor Macintosh Installing the PLG100 XG To install your PLG100 XG board re...

Page 6: ...ide convenient tools for taking full advantage of the PLG100 XG letting you create and edit song data for automatically selecting and playing back the XG voices XGworks lite version 3 0 is provided in the included CD ROM Specifications Tone Generation System AWM2 Advanced Wave Memory 2 Polyphony 32 when using one element voices Voices 480 normal voices 12 drum voices Interface Plug in connector Ef...

Page 7: ...c sounding brass parts while control change numbers 74 Brightness and 11 Expression are applied many of the parts for a highly expressive natural sound Even though the trumpet section is layered the first trumpet stands out and high notes are appropriately shifted in pitch just as would be played by real horn players Also notice how the effects have been applied to the sound and how they make it s...

Page 8: ...e device you ll need to make a few settings as described below The instruction steps below assume that you are using XGworks V3 0 and the Yamaha CBX Driver software If you are using another sequence software and driver refer to the owner s manuals or online help of those programs 1 Set the Yamaha CBX Driver to Multiport operation Double click on the Yamaha CBX Driver icon in the Windows Control Pa...

Page 9: ...priate number for use with the PLG100 XG This will differ depending on your particular instrument For Modular Synthesis Plug in System instruments such as the CS6x CS6R S80 etc select the Port corresponding to Yamaha CBX A Driver For 64 Part XG tone generators such as the MU128 or MU2000 select the Port correspond ing to Yamaha CBX E Driver For 32 Part XG tone generators such as the MU100R or SW10...

Page 10: ...ort for use with the PLG100 XG This will differ depending on your particular instrument For Modular Synthesis Plug in System instruments such as the CS6x CS6R S80 etc select the Port corresponding to Yamaha CBX A Driver For 64 Part XG tone generators such as the MU100 or MU128 select the Port correspond ing to Yamaha CBX E Driver For 32 Part XG tone generators such as the MU100R or SW1000XG select...

Page 11: ...t of the available banks and their MSB LSB values refer to the XG Voice List on page 14 When using MU series instruments such as the MU100 or MU128 keep in mind that the PLG100 XG voices can only be selected remotely from the connected computer and not from the front panel of the instrument itself When playing back song data of any format with the CS6X CS6R S80 you may find that even though the vo...

Page 12: ...diting by using the PAGE knob 3 Change the value setting of the selected XG Part parameter by using the appropriate knob below the corresponding parameter or by using the DEC INC buttons when the cursor is at the corresponding parameter The actual parameter names may differ depending on whether the instrument you are using is XG Plug in System compatible or Modular Synthesis Plug in System compati...

Page 13: ...the sound to decrease in level to silence after the note is released MW Filter Control 64 63 Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency low pass filter MW Amplitude Control 64 63 Determines the degree to which the modulation wheel affects the volume amplitude MW LFO Pitch Modulation Depth 0 127 Determines the degree to which the modulation wheel affects...

Page 14: ...rings 2 Syn Str2 2 53 Choir Aahs ChoirAah 1 S Choir 2 Ch Aahs2 2 54 Voice Oohs VoiceOoh 1 55 Synth Voice SynVoice 1 56 Orchestra Hit Orch Hit 2 Brass 57 Trumpet Trumpet 1 Trumpet2 1 BriteTrp 2 58 Trombone Trombone 1 Trmbone2 2 59 Tuba Tuba 1 Tuba 2 1 60 Muted Trumpet Mute Trp 1 61 French Horn Fr Horn 2 FrHrSolo 1 62 Brass Section 1 BrasSect 1 63 Synth Brass 1 SynBrss1 2 Quack Br 2 RezSynBr 2 PolyB...

Page 15: ...YangChin 2 48 Timpani Timpani 1 Ensemble 49 String Ensemble 1 Strings1 1 60sStrng 2 Orchestr 2 50 String Ensemble 2 Strings2 1 Warm Str 2 51 Synth Strings 1 Syn Str1 2 Reso Str 2 52 Synth Strings 2 Syn Str2 2 53 Choir Aahs ChoirAah 1 MelChoir 2 ChoirStr 2 54 Voice Oohs VoiceOoh 1 55 Synth Voice SynVoice 1 SyVoice2 2 56 Orchestra Hit Orch Hit 2 OrchHit2 2 Brass 57 Trumpet Trumpet 1 Warm Trp 2 58 Tr...

Page 16: ...mpet 1 58 Trombone Trombone 1 59 Tuba Tuba 1 60 Muted Trumpet Mute Trp 1 61 French Horn Fr Horn 2 62 Brass Section 1 BrasSect 1 Hi Brass 2 MelloBrs 2 63 Synth Brass 1 SynBrss1 2 AnVelBr1 2 AnaBrss1 2 64 Synth Brass 2 SynBrss2 1 ChoirBrs 2 AnVelBr2 2 AnaBrss2 2 Reed 65 Soprano Sax SprnoSax 1 66 Alto Sax Alto Sax 1 HyprAlto 2 67 Tenor Sax TenorSax 1 SoftTenr 2 TnrSax 2 1 68 Baritone Sax Bari Sax 1 6...

Page 17: ...corder 1 76 Pan Flute PanFlute 1 77 Blown Bottle Bottle 2 78 Shakuhachi Shakhchi 2 79 Whistle Whistle 1 80 Ocarina Ocarina 1 Synth Lead 81 Lead 1 square SquareLd 2 82 Lead 2 sawtooth Saw Ld 2 Seq Ana 2 83 Lead 3 calliope CaliopLd 2 84 Lead 4 chiff Chiff Ld 2 85 Lead 5 charang CharanLd 2 86 Lead 6 voice Voice Ld 2 87 Lead 7 fifths Fifth Ld 2 88 Lead 8 bass lead Bass Ld 2 Synth Pad 89 Pad 1 new age ...

Page 18: ...Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 42 F 1 1 Hi HatClosed HatCloseAnlg 43 G 1 Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2 44 G 1 1 Hi Hat Pedal HatCloseAn 2 45 A 1 Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3 46 A 1 1 Hi Hat Open HatOpen Anlg 47 B 1 Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4 48 C 2 Mid Tom H Tom Room 5 Tom Rock 5 TomElect...

Page 19: ... 1 Hi Hat Pedal HatCloseAn 2 45 A 1 Low Tom Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 46 A 1 1 Hi Hat Open Hi Hat Open 3 47 B 1 Mid Tom L Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4 48 C 2 Mid Tom H Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5 49 C 2 CrashCymbal1 Clash Analog Hand Cymbal 50 D 2 High Tom Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6 51 D 2 RideCymbal 1 HandCymShort 52 E ...

Page 20: ... 7150 2 Rch Delay 0 1 715 0ms variation block 1 7150 3 Feedback Delay 1 0 1 715 0ms variation block 1 7150 4 Feedback Delay 2 0 1 715 0ms variation block 1 7150 5 Feedback Level 63 63 1 127 6 High Damp 0 1 1 0 1 10 7 8 9 10 Dry Wet D63 W D W D W63 1 127 11 12 13 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 14 EQ Low Gain 12 12dB 52 76 15 EQ High Frequency 500Hz 16 0kHz 28 58 table 3 16 EQ High Gain 1...

Page 21: ...t 0 0 50 0 127 table 2 4 5 6 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 7 EQ Low Gain 12 12dB 52 76 8 EQ High Frequency 500Hz 16 0kHz 28 58 table 3 9 EQ High Gain 12 12dB 52 76 10 Dry Wet D63 W D W D W63 1 127 11 12 13 14 15 16 No Parameter Display Value See Table Control 1 LFO Frequency 0 00Hz 39 7Hz 0 127 table 1 2 LFO Depth 0 127 0 127 3 4 5 6 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 7 EQ Low G...

Page 22: ...27 mild sharp 12 13 14 15 16 No Parameter Display Value See Table Control 1 Drive 0 127 0 127 2 AMP Type Off Stack Combo Tube 0 3 3 LPF Cutoff 1 0k Thru 34 60 table 3 4 Output Level 0 127 0 127 5 6 7 8 9 10 Dry Wet D63 W D W D W63 1 127 11 Edge Clip Curve 0 127 0 127 mild sharp 12 13 14 15 16 No Parameter Display Value See Table Control 1 EQ Low Gain 12 12dB 52 76 2 EQ Mid Frequency 500Hz 10 0kHz ...

Page 23: ...9 123 43 7 60 6 0 124 45 3 61 6 1 125 46 9 62 6 2 126 48 4 63 6 3 127 50 0 table 3 EQ Frequency Data Value 0 THRU 20 1 22 2 25 3 28 4 32 5 36 6 40 7 45 8 50 9 56 10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1 0k 35 1 1k 36 1 2k 37 1 4k 38 1 6k 39 1 8k 40 2 0k 41 2 2k 42 2 5k 43...

Page 24: ...104 327 6 41 129 2 105 330 7 42 132 4 106 333 9 43 135 5 107 337 0 44 138 6 108 340 2 45 141 8 109 343 3 46 144 9 110 346 5 47 148 1 111 349 6 48 151 2 112 352 8 49 154 4 113 355 9 50 157 5 114 359 1 51 160 7 115 362 2 52 163 8 116 365 4 53 167 0 117 368 5 54 170 1 118 371 7 55 173 3 119 374 8 56 176 4 120 378 0 57 179 6 121 381 1 58 182 7 122 384 3 59 185 9 123 387 4 60 189 0 124 390 6 61 192 2 1...

Page 25: ... Portamento Time AEG Attack Time EG Attack Time EG ATTACK TIME TON EG Attack AEG Decay2 Time EG Decay Time EG DECAY TIME TON EG Decay AEG Release Time EG Release Time EG RELEASE TIME TON EG Release MW Filter Control MW LOW PASS FILTER CONTROL CTL MW Control Filter MW Amplitude Control MW AMPLITUDE CONTROL CTL MW Control Amp MW LFO Pitch Modulation Depth MW LFO PMOD DEPTH CTL MW Modulation PMod MW ...

Page 26: ... Data Entry This message sets the value of the parameter which was specified by RPN MSB LSB see 1 2 22 and NRPN MSB LSB see 1 2 21 Control Parameter Data Range 6 Data Entry MSB 0 127 38 Data Entry LSB 0 127 1 2 5 Main Volume This message controls the volume of each part This is used to adjust the volume balance between parts Control Parameter Data Range 7 Main Volume 0 127 When the Multi Part para...

Page 27: ... 1 2 19 Effect4 Depth Variation Effect Send Level This message specifies the send level for the variation effect Control Parameter Data Range 94 Effect4 Depth 0 127 However this is not received if the Variation Effect parameter Variation Con nection 0 Insertion 1 2 20 Data Increment Decrement for RPN This message increases or decreases the parameter value specified for RPN see 1 2 22 by increments...

Page 28: ...tly on for the corresponding part However if Hold 1 or Sostenuto are on notes will continue to sound until these are turned off Control Parameter Data Range 123 All Note Off 0 1 3 4 Omni Off Perform the same processing as when All Note Off is received Control Parameter Data Range 124 Omni Off 0 1 3 5 Omni On Perform the same processing as when All Note Off is received Control Parameter Data Range ...

Page 29: ...parameter settings that part will not receive Polyphonic Aftertouch Rcv CHANNEL AFTER TOUCH OFF PART MODE DRUM DRUMS1 4 2 System exclusive messages 2 1 Parameter changes This devices uses the following parameter changes UNIVERSAL REALTIME MESSAGE 1 Master Volume UNIVERSAL NON REALTIME MESSAGE 1 General MIDI System On XG PARAMETER CHANGE 1 XG System on 2 XG System parameter change 3 Multi Effect1 p...

Page 30: ...7H End of Exclusive Normally the XG SYSTEM message MASTER TUNE should be used refer to table 1 2 2 2 Bulk dump This device uses the following bulk dump messages XG BULK DUMP 1 XG System bulk dump 2 Multi Effect1 bulk dump 3 Multi Part bulk dump 4 Drums Setup bulk dump 2 2 1 XG bulk dump This message sets XG related parameters Unlike parameter change messages a single message can modify multiple pa...

Page 31: ...erb type 11 1 00 7F REVERB PARAMETER 12 refer to Effect Parameter List 04 depends on reverb type 12 1 00 7F REVERB PARAMETER 13 refer to Effect Parameter List 32 depends on reverb type 13 1 00 7F REVERB PARAMETER 14 refer to Effect Parameter List 08 depends on reverb type 14 1 00 7F REVERB PARAMETER 15 refer to Effect Parameter List 40 depends on reverb type 15 1 00 7F REVERB PARAMETER 16 refer to...

Page 32: ...rogram List 00 depends on variation type 54 2 00 7F VARIATION PARAMETER 10 MSB refer to Effect Program List 00 depends on variation type 00 7F VARIATION PARAMETER 10 LSB refer to Effect Program List 20 depends on variation type 56 1 00 7F VARIATION RETURN dB 0dB 6dB 0 96 127 40 57 1 01 7F VARIATION PAN L63 C R63 1 64 127 40 58 1 00 7F SEND VARIATION TO REVERB dB 0dB 6dB 0 96 127 0 59 1 00 7F SEND ...

Page 33: ...40 nn 45 1 00 7F SCALE TUNING E 64 0 63 cent 40 nn 46 1 00 7F SCALE TUNING F 64 0 63 cent 40 nn 47 1 00 7F SCALE TUNING F 64 0 63 cent 40 nn 48 1 00 7F SCALE TUNING G 64 0 63 cent 40 nn 49 1 00 7F SCALE TUNING G 64 0 63 cent 40 nn 4A 1 00 7F SCALE TUNING A 64 0 63 cent 40 nn 4B 1 00 7F SCALE TUNING A 64 0 63 cent 40 nn 4C 1 00 7F SCALE TUNING B 64 0 63 cent 40 nn 4D 1 28 58 CAT PITCH CONTROL 24 0 ...

Page 34: ...127 7F 08 1 00 01 KEY ASSIGN SINGLE MULTI 00 09 1 00 01 Rcv NOTE OFF OFF ON depend on the note 0A 1 00 01 Rcv NOTE ON OFF ON 01 0B 1 00 7F LOW PASS FILTER CUTOFF FREQUENCY 64 0 63 40 0C 1 00 7F LOW PASS FILTER RESONANCE 64 0 63 40 0D 1 00 7F EG ATTACK RATE 64 0 63 40 0E 1 00 7F EG DECAY1 RATE 64 0 63 40 0F 1 00 7F EG DECAY2 RATE 64 0 63 40 TOTAL SIZE 10 n Drum Setup Number 0 1 rr note number 0D 5B...

Page 35: ...MIDI Data Format 35 ...

Page 36: ...e Messages x 3 4 m 1 2 Altered x Note x 0 127 Number True voice 0 127 Velocity Note ON x o 9nH v 1 127 Note OFF x x After Key s x o 1 Touch Ch s x o 1 Pitch Bend x o 0 24 semi 1 0 32 x o 1 Bank Select 1 5 7 10 11 x o 1 6 38 x o 1 Data Entry 64 67 x o 1 Control 71 74 x o 1 Sound Controller Change 84 x o 1 Portamento Cntrl 91 93 94 x o 1 Effect Depth 96 97 x o 1 RPN Inc Dec 98 99 x o 1 NRPN LSB MSB ...

Page 37: ...Real Time Commands x x Aux All Sound OFF x o 120 126 127 Reset All Cntrls x o 121 Local ON OFF x x All Notes OFF x o 123 125 Mes Active Sense x o sages Reset x x Notes 1 receive if switch is on 2 m is always treated as 1 regardless of its value Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO o Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO x No ...

Page 38: ...ermanent basis pro vided that you retain no copies and the recipient agrees to the terms of the licensing agreement 3 TERMINATION The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE If any one of the copyright laws or clauses of the licensing conditions is violated the licensing agreement shall be termi nated automatically without notice from ...

Page 39: ...auf unbefristeter Basis unter den Voraussetzungen übertragen daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedin gungen der Lizenzvereinbarung einverstanden erklärt 3 BEENDIGUNG Die Lizenzbedingung des Softwareprogramms wird am Tag an dem Sie die SOFTWARE erhalten wirksam Falls ein Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird wird automatisch und oh...

Page 40: ... qui l accompagne sous réserve que vous n en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat 3 RESILIATION Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis Si l une quelconque des dispositions relatives au droit d auteur ou des clauses du contrat ne sont pas respectées le contrat de li...

Page 41: ...cho Gu Seoul Korea Tel 02 3486 0011 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling Jaya Selangor Malaysia Tel 3 703 0900 PHILIPPINES Yupangco Music Corporation 339 Gil J Puyat Avenue P O Box 885 MCPO Makati Metro Manila Philippines Tel 819 7551 SINGAPORE Yamaha Music Asia Pte Ltd 11 Ubi Road 06 00 Meiban Industrial Building Singapore Tel 65 747 4374 TAIWA...

Page 42: ...amaha Corporation 1999 Yamaha Corporation V513900 912POCP5 2 01A0 Printed in Japan This document is printed on chlorine free ECF paper Auf Umweltpapier gedruckt Ce document a été imprimé sur du papier non blanchi au chlore ...

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