Mixer Basics
Quick Guide
MW8CX/MW10C Owner’s Manual
9
Level Adjustment
1
The first step is to set the level controls on
all instruments and other sources appro-
priately.
2
Adjust the channel GAIN controls so that
the corresponding PEAK indicators flash
briefly on the highest peak levels. (GAIN
controls are not provided on the stereo
channels—7/8 (MW8CX), or 7/8 and 9/10
(MW10C)).
3
Raise the STEREO Master control to the
“
▼
” position.
4
Adjust the LEVEL control to create the
desired initial balance while monitoring via
headphones or monitor speakers. The
overall headphone level is adjusted by the
MONITOR/PHONES control.
Tone Adjustment
The MW mixer’s compressors and 3-band equalizers make
it easy to shape the tone of independent channels to
achieve the best possible mix.
Step
4
Adjusting Level and Tone
PEAK indicator
GAIN control
LEVEL controls
STEREO Master control
MONITOR/PHONES control
Use the High-pass Filter for Microphone Input
As the name implies, a “high-pass filter” allows only signals
above a certain frequency to pass. Conversely, signals below
that “cutoff frequency” are attenuated. When an MW high-
pass filter is turned on, signals below 80 Hz are attenuated.
This can be useful for minimizing low-frequency breath noise
from a vocalist, as well as handling noise, or rumble transmit-
ted via the microphone stand. It is generally a good idea to
turn the high-pass filter on for microphone channels.
Compression
One form of compression known as “limiting” can, when
properly used, produce a smooth, unified sound with no
excessive peaks or distortion. A common example of the use
of compression is to “tame” a vocal that has a wide dynamic
range in order to tighten up the mix. Compression can also
be applied to guitar tracks to add extra sustain. Too much
compression can be a cause of feedback, however, so use it
sparingly.
Equalizer Tips
The best advice that can be given regarding equalization
while recording is simply to use as little equalization as possi-
ble. If you want a little more presence you can turn the HIGH
end up a bit. Or you can boost the bass a little if you feel the
low end is lacking. During recording it’s better to use EQ
sparingly for compensation only.
(Min)
(Max)
INPUT
OUTPUT
