background image

 

2

 

Precautions

 

AVOID EXCESSIVE HEAT, HUMIDITY, DUST 
AND VIBRATION

 

When choosing a location for your speakers, avoid the 
following:

• Direct sunlight, high temperatures (such as near heat-

ers), or excessively low temperatures.

• High humidity.

• Areas subject to excessive dust accumulation and 

vibration.

• Non-level or unstable surfaces.

 

HOW TO POWER UP YOUR SOUND SYSTEM

 

To avoid damage to your speakers and other parts of 
your system, when you turn on your system, ALWAYS 
turn the power amp on last!  This will avoid loud, dam-
aging pops that will annoy your audience, and blow 
your speakers. When you power down, the amplifier 
should ALWAYS be turned off first to avoid the same 
problems.

 

MAKE SURE THE POWER IS OFF BEFORE 
MAKING OR REMOVING CONNECTIONS

 

Always turn the power switches of system components 
OFF prior to connecting or disconnecting cables. Fail-
ure to do so may result in damage to speakers as well as 
to connected equipment.

 

DISCONNECT CABLES BEFORE MOVING 
THE SYSTEM

 

To prevent short circuits or breakage of cables, always 
disconnect cables prior to moving system equipment.

 

MATCH CONNECTOR POLARITY

 

When using two or more speaker systems, be sure 
match the polarity (+/–) of the speaker system connec-
tors to those at the amplifier. If the polarities do not 
match, the sounds produced by the speakers will inter-
fere with each other, making it impossible to achieve a 
well-balanced sound field.

 

KEEP THIS OWNER’S MANUAL IN A SAFE 
PLACE FOR FUTURE REFERENCE

SPEAKER HANDLES

 

The handles on your speakers are for transportation. 
The F12M/F25/F28 models are not designed for sus-
pension or hanging. Only the F12/F15 models are 
designed for suspension. Please consult a qualified 
engineer for proper hanging techniques.

 

Fly-Ware

 

Hang correctly according to the instructions on page 4.

 

 

To protect your speakers

 

When choosing a power amplifier to use with your 
speakers, make sure that its power output matches the 
speakers’ power capacity (refer to the “Specifica-
tions” on page 5). Ev
en if the amplifier’s power out-
put is lower than the speakers’ PGM (program) power 
capacity, the speakers may be damaged when clipping 
of a high input signal occurs.

The following may cause damage to speakers:

• Feedback caused when using a microphone.

• Continuous high sound pressure level produced by 

electronic instruments.

• Continuous high-power output distorted signals.

• Popping noises caused by turning on equipment, or 

by connecting or disconnecting system components 
while the amplifier is turned on.

This product, when used in combination 
with amplification and/or additional 
loudspeakers, may be capable of produc-
ing sound levels that could cause perma-
nent hearing loss.

DO NOT operate at high volume levels or 
at a level that is uncomfortable. If you 
experience any discomfort or ringing in 
the ears, or suspect an hearing loss, you 
should consult an audiologist.

Summary of Contents for F12

Page 1: ...k you for purchasing a YAMAHA product To obtain maximum performance from your YAMAHA speaker sys tem and ensure many years of trouble free operation we recommend that you read this Owner s Manual thor...

Page 2: ...each other making it impossible to achieve a well balanced sound field KEEP THIS OWNER S MANUAL IN A SAFE PLACE FOR FUTURE REFERENCE SPEAKER HANDLES The handles on your speakers are for transportatio...

Page 3: ...r Full range position F12 F12M F15 F25 Mixer Crossover 1 4 kHz 24 dB oct Gc 3 dB Bi amp position F12 F12M F15 F25 HF LF Power amp Polarity Reversed Normal Power amp Power amp Crossover 80 Hz 18 dB oct...

Page 4: ...ing the speakers eye bolts wires etc 3 Use with a hanging angle of no greater than 45 Figure 2 4 When hanging in a vertical array use no more than 4 levels of F12s or 3 levels of F15s 5 Verify the str...

Page 5: ...kHz Input Connectors NEUTRIK NL4MPR 2 Mode Switch Full Range Bi Amp Components LF 12 cone JAY5130 15 cone JAY6150 15 cone 2 JAY6150 HF 3 Titanium diaphragm driver JAY2120 Enclosure Bass Reflex Type Di...

Page 6: ...50 50 6 0 3 0 40 40 30 20 10 0 30 20 10 0 500Hz 1kHz 2kHz 0 3 3 0 300 270 240 2 1 0 180 1 5 0 1 2 0 90 50 50 6 0 3 0 40 40 30 20 10 0 30 20 10 0 4kHz 8kHz 16kHz F12 Vertical Directivity F12M Horizont...

Page 7: ...50 6 0 3 0 40 40 30 20 10 0 30 20 10 0 500Hz 1kHz 2kHz 0 3 3 0 300 270 240 2 1 0 180 1 5 0 1 2 0 90 50 50 6 0 3 0 40 40 30 20 10 0 30 20 10 0 4kHz 8kHz 16kHz Vertical Directivity 0 3 3 0 300 270 240 2...

Page 8: ...0 3 0 40 40 30 20 10 0 30 20 10 0 500Hz 1kHz 2kHz 0 3 3 0 300 270 240 2 1 0 180 1 5 0 1 2 0 90 50 50 6 0 3 0 40 40 30 20 10 0 30 20 10 0 4kHz 8kHz 16kHz Vertical Directivity 0 3 3 0 300 270 240 2 1 0...

Page 9: ...35 Additions F28 Frequency Response Impedance 10k 1k 100 20 2 4 8 FREQUENCY Hz RESPONSE dB 60 70 80 90 100 110 16...

Page 10: ...36 Dimensions F12 7 5 354 7 242 59 210 106 D 375 H 714 W 500 F12M D 447 5 0 0 471 30 6 0 W 705 H 465...

Page 11: ...37 Additions F15 H 855 D 435 W 575 105 85 245 428 297 7 5 F25 D 550 287 7 5 H 1225 W 575...

Page 12: ...38 F28 W 1225 H 585 D 655 Unit mm...

Page 13: ...CJY0328 R1 1 AP 40 Pro Audio Division 18 3 P O Box 3 Hamamatsu 430 8651 Japan Printed in U S A...

Reviews: