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10

EMX5 Owner’s Manual

Controls and Functions

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Equalizer controls [HIGH]/[MID]/[LOW]

For adjusting the [HIGH], [MID], and [LOW] audio frequencies. Turn-
ing the control to the right amplifies (boosts) the corresponding fre-
quency band, while turning to the left attenuates (cuts) the band. 
Setting the control to the [

t

] position produces a flat response in the 

corresponding band.

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[AUX1] send controls (Channels 1 – 11/12)
[AUX2/FX] send controls (Channels 1 – 11/12)

For adjusting the levels of each signal sent to the AUX1 and AUX2/
FX (built-in effects) buses from each channel independently. On ste-
reo input channels, the Line L (odd) and Line R (even) input signals 
are mixed before moving into the AUX1 and AUX2/FX buses. Adjust 
the controls so that they are near the [

t

] (nominal) position.

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[LEVEL] controls (Channels 1 – 11/12)

For adjusting the volume for each channel. Set all [LEVEL] controls 
on unused channels to the minimum in order to reduce noise.

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[COMP] controls

For adjusting the amount of compression applied to the correspond-
ing channel. As the [COMP] control is turned to the right, the thresh-
old, ratio, and output gain are adjusted simultaneously.

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[

MIC/

LINE] switches (Channels 1 – 4)

For channels with low-level input signal devices such as micro-
phones, set the switches to the “

MIC” position. For channels with 

high-level input signals such as electronic instruments and audio 
devices, set the switch to the “

LINE” position.

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[HPF] (High Pass Filter) switches (Channels 1 – 3)

Turning this switch on (

) applies a high-pass filter that attenuates 

frequencies below 80 Hz in the signal by a slope of 12 dB/octave. 
This function should be kept on when using vocals in order to reduce 
noise from vibration or wind picked up by the microphone.

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[Hi-Z] switch (Channel 4)

Turn this switch on (

) when you wish to connect instruments with 

passive pickups such as acoustic-electric guitars or electric bass 
guitars that do not have internal batteries. It enables such devices to 
be directly connected to the mixer without the need for a DI (direct 
injection box). This function affects only the phone jack input.

Front Panel

NOTE

The same signal level is sent to the AUX2/FX buses connected to the 
[AUX2/FX] send controls.

NOTE

Avoid raising the level of the [COMP] control too high, as the higher aver-
age output level that results may lead to feedback.

i

[MIC/LINE] input jacks (Channels 1 – 4)

For connecting microphones, guitars, electronic musical instruments 
or audio devices. These are compatible with both XLR and phone 
plugs.

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[MIC] input jacks (Channels 5/6, 7/8, 9/10, 11/12)

These are balanced XLR microphone input jacks.

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[LINE] input jacks (Channels 5/6, 7/8, 9/10, 11/12)

For connecting line-level devices such as electronic instruments, 
acoustic-electric guitars, CD players, and portable audio players. 
These are compatible with TS phone, RCA-pin, and stereo mini 
plugs. Using only the [L/MONO] jacks results in the stereo left and 
right channels outputting the same signal.

Channels 5/6, 7/8:

 TS phone

Channel 9/10:

 RCA-pin

Channel 11/12:

 RCA-pin, stereo mini

!1

FX RTN (Effect Return) [AUX1] send control

For adjusting the level of the signal sent from the built-in effects to 
the AUX1 bus.

!2

FX RTN [LEVEL] control

For adjusting the level of the effect sent from the built-in effects to the 
STEREO L/R bus.

!3

FX RTN [FX ON] switch

For turning the corresponding built-in effects on or off. It lights up 
when it is switched on (

).

!4

FX RTN [FOOT SW] (Foot Switch) jack

For connecting an unlatched-type foot switch such as the Yamaha 
FC5. It is useful for solo performers, since it allows you to mute the 
effects with your foot.

NOTE

If desired, a single channel’s [MIC] and [LINE] jacks can be used together 
at the same time. But note that the levels cannot be adjusted indepen-
dently. The stereo mini jack has priority for channel 11/12 [LINE] input jack.

NOTE

The FX RTN [LEVEL] control does not affect the level of the signal sent to 
the AUX1 bus.

NOTE

If this switch is on and the foot switch (see “

!4

 FX RTN [FOOT SW] jack”) 

is used to mute the built-in effects, the switch flashes.

XLR

Phone

RCA-pin

Stereo mini

!5

Effect program list 

This is a convenient on-panel list of the built-in effect programs. For 
details about these programs, see the “Effect Programs” on page 17.

!6

Display

Shows the currently used program and settings screens for each 
function.

!7

[PROGRAM] rotary encoder

For selecting one of the 24 built-in effects. Turn the rotary encoder to 
select the desired effect, and then press the encoder to enable it.

!8

[PARAMETER] control

For adjusting parameters (depth, speed, etc.) for the selected effect 
program. The last value used with each effect program is saved.

NOTE

You can also select the desired effect by turning the rotary encoder while 
holding it down.

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Summary of Contents for EMX5

Page 1: ...Owner s Manual EN If you wish to get started right away If you encounter a problem pages 6 to 9 Quick Start Guide page 13 Troubleshooting ...

Page 2: ...n unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is dam aged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped UL60065_03 PRÉCAUTIONS CONCERNANT ...

Page 3: ... the speakers Do not use speakers for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician When turning on the AC power in your audio system always turn on the device LAST to avoid hearing loss and speaker damage When turning the power off the device should be turned o...

Page 4: ...d or heat such as in direct sunlight near a heater or in a car during the day in order to prevent the possibility of panel disfiguration unstable operation or damage to the internal components Do not place vinyl plastic or rubber objects on the device since this might discolor the panel Place input cables for devices such as microphones and microphone amplifier circuits with high sensitivity in a ...

Page 5: ... is equipped with the popular 1 knob COMP function used in MGP and MG series models By simply operating a single control it is possible to get optimal compression for vocals and instruments Comprehensive Professional Effects and Signal Processing This product is equipped with a powerful comprehensive DSP section that provides the following effects and proces sors A total of 24 different effects th...

Page 6: ...t in malfunction Make sure to insert the speaker cables all the way inside until secure Use speaker cables that have insulated connector handles housing For details about speaker connection see page 14 3 Connect the included power cord Connection order Mixer AC IN jack Power outlet 4 Turn all LEVEL controls and MASTER LEVEL controls to 0 and set the equal izer controls to the position 5 Set the MI...

Page 7: ...O MASTER LEVEL control to adjust the overall sound level 10 If necessary adjust the balance of the connected devices using the LEVEL controls for channels 1 to 11 12 WARNING When turning off the power a loud and unpleasant noise may be generated by the speakers To prevent this first turn off the Mixer Power switch then turn off the instrument or audio device t Optimizing the volume settings When t...

Page 8: ...etter understand the performer s singing 1 Adjust the COMP controls until you get the desired sound for channels you wish to add compression Turn the control to the right to increase the level of compression Avoid setting the value too high as too much compression may lead to feedback Common Compressor Applications In addition to vocals the compressor can be used to enhance the sound of instrument...

Page 9: ...ack which lets you conveniently bypass enable the built in effects 3 Set the FX RTN LEVEL control to the position 4 Use the AUX2 FX send controls to adjust the effect depth for each channel you wish to apply the effect 5 Use the FX RTN LEVEL control to adjust the overall effect depth If you wish to change effect parameters such as reverb time or delay time adjust the PARAMETER control See section ...

Page 10: ...ge output level that results may lead to feedback i MIC LINE input jacks Channels 1 4 For connecting microphones guitars electronic musical instruments or audio devices These are compatible with both XLR and phone plugs o MIC input jacks Channels 5 6 7 8 9 10 11 12 These are balanced XLR microphone input jacks 0 LINE input jacks Channels 5 6 7 8 9 10 11 12 For connecting line level devices such as...

Page 11: ... PHANTOM 48V switch Turn this switch on to supply all the XLR input jacks channels 1 to 11 12 with DC 48 V phantom power Turning on the switch supplies power to condenser microphones or a DI direct injection box When it is on the switch lights up NOTICE Follow the important precautions below in order to prevent noise and possible damage to external devices and the mixer when you operate this switc...

Page 12: ...signal to be output is determined accord ing to the setting of the AMPLIFIER MODE switch 8 5 AC IN jack For connecting the included power cord here First connect the included power cord to the mixer and then plug it into an outlet 6 USB terminal This is used only for performing maintenance It is not used during normal operation Rear Panel 4 5 6 AMPLIFIER MODE switch setting SPEAKERS A Jack SPEAKER...

Page 13: ...opriate levels For channel 11 12 are both RCA and stereo mini jacks connected at the same time If both are connected the stereo mini jack will take priority Check that the speaker cables are not shorted The sound is low distorted or noisy Are all the input channel LEVEL controls and the AUX1 AUX2 and STEREO MASTER LEVEL controls set to appropriate levels Check that the MIC LINE switches on channel...

Page 14: ...peakers CAUTION When connecting each device only use appropriately rated cables and plugs Only use proper speaker cable when connecting speakers Make sure to insert the speaker cables all the way inside until secure Use speaker cables with an insulated housing connector 2 channel Connection When connecting using the following configuration use speak ers with impedance from 4 ohms to 8 ohms 4Ω to 8...

Page 15: ...l Orientation This is convenient when operating from a seated position with the mixer placed on the floor CAUTION Do not push too forcefully when tilting the mixer Excess force may cause the mixer to topple or turn potentially resulting in equipment damage or in injury to bystanders Installation This mixer has vents located on the sides Please install it so that these vents are well clear of walls...

Page 16: ...ter cool ing effect Refer to the rack and or fan kit manual for more details Rack Mounting CAUTION This mixer is heavy and should be lifted by two people when mounting onto a rack Assembly of the Rack mount Brack ets 1 Use a screwdriver to loosen and remove the 12 screws on the mixer side pads 2 Use six of the screws you removed in Step 1 to securely install the RK EMX7 separately sold rack mount ...

Page 17: ...lay Time An effect which repeats the same sound only once Shortening the delay time produces a doubling effect 12 DELAY Delay Time Feedback delay adding multiple delayed signals 13 VOCAL ECHO Delay Time Echo designed for conventional vocals 14 KARAOKE Delay Time Echo designed for karaoke sing along applications 15 PHASER LFO Freq Cyclically changes the phase to add modulation to the sound 16 FLANG...

Page 18: ...uced noise Jack and Plug List Jack Input Output Polarity Balanced Unbalanced Configuration MIC LINE MIC Pin 1 Ground Pin 2 Hot Pin 3 Cold Balanced XLR jack MIC LINE 1 Tip Hot Ring Cold Sleeve Ground Balanced TRS phone plug AUX1 SEND 1 AUX2 SEND 1 STEREO OUT 1 Tip Hot Ring Cold Sleeve Ground Impedance balanced 2 LINE 5 6 7 8 FOOT SW Tip Signal Sleeve Ground Unbalanced TS phone plug SPEAKERS A B Tip...

Page 19: ...Appendix 19 EMX5 Owner s Manual Dimensions 275 3 1 3 1 5 5 308 325 465 400 60 60 Unit mm ...

Page 20: ...ultaneously with a single control Threshold 22 dBu to 8 dBu Ratio 1 1 to 4 1 Output level 0 dB to 7 dB Attack time approx 25 ms Release time approx 300 ms Equalizer HIGH 10 kHz 15 dB Shelving MID 2 5 kHz 15 dB Peaking LOW 100 Hz 15 dB Shelving Level Meter 2 7 points LED meter 20 10 6 0 6 10 PEAK Phantom Power Voltage 48 V Built in Effect SPX Algorithm 24 programs FOOT SW Effect mute on off DSP Pro...

Page 21: ...FOOT SW Foot Switch jack 10 FX RTN Effect Return FX ON switch 10 FX RTN Effect Return LEVEL control 10 H Hi Z switch 6 10 HPF High Pass Filter switches 10 L LEVEL controls 10 Level meter 11 LINE input jacks 10 M MASTER EQ control 11 MIC input jacks 10 MIC LINE input jacks 10 MIC LINE switches 7 10 Mixer accessory Rack mount brackets 5 16 MONITOR EQ switches 11 P Parallel connection 14 PARAMETER co...

Page 22: ...he Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the fol lowing code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN and Y...

Page 23: ...23 EMX5 Owner s Manual ...

Page 24: ...borg Sweden Tel 46 31 89 34 00 DENMARK Yamaha Music Denmark Fillial of Yamaha Music Europe GmbH Tyskland Generatorvej 8C ST TH 2860 Søborg Denmark Tel 45 44 92 49 00 NORWAY Yamaha Music Europe GmbH Germany Norwegian Branch Grini Næringspark 1 1332 Østerås Norway Tel 47 6716 7800 RUSSIA Yamaha Music Russia LLC Room 37 entrance 7 bld 7 Kievskaya street Moscow 121059 Russia Tel 7 495 626 5005 OTHER E...

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