Yamaha DTXTREME III, Owner'S Manual

Page: 70 / 160

Basic Structure of the DTXTREME III
Reference
70 DTXTREME III Owner’s Manual
Ref
erence
Dr
um Kit mode
Song mode
Clic
k mode
T
rigger mode
File mode
Utility mode
Chain mode
Sampling mode
The DTXTREME III provides such a wide and extensive
variety of Effect types that it may be difficult to find the
desired Effect type out of the great number that are avail-
able. This is why all the Effect types are divided into con-
venient Effect categories.
This section explains the Effect categories and their types.
The Effect Type list described below for each category con-
tains the columns: REV (Reverb), CHO (Chorus), VAR
(Variation), INS (Insertion) and MEF (Master Effect). The
checkmarks indicated in these columns means the Effect
Type is available for each block. These Effect types (with
the checkmarks indicated in each list) can be selected from
the panel controls.
■
COMPRESSOR & EQ
Compressor is an effect commonly used to limit and com-
press the dynamics (softness/loudness) of an audio signal.
For signals that vary widely in dynamics, such as
vocals and guitar parts, it “squeezes” the dynamic range,
effectively making soft sounds louder and loud sounds
softer. When used with gain to boost the overall level, this
creates a more powerful, more consistently high-level
sound. Compression can be used to increase sustain for
electric guitar, smooth out the volume of a vocal, or bring a
drum kit or rhythm pattern further up-front in the mix.
■
LO-FI
This effect intentionally degrades the audio quality of the
input signal via several methods, including lowering of the
sampling frequency.
■
FLANGER & PHASER
The flanger creates a swirling, metallic sound. The phaser
modulates cyclically to add movement and animation to the
sound.
■
DISTORTION
This effect type is used mainly for guitar, adding distortion
with an edge to the sound.
■
WAH
This effect cyclically modulates the tone brightness (cutoff
frequency of a filter). Auto Wah modulates the tone via
LFO, Touch Wah modulates the tone via volume (note-on
velocity) and Pedal Wah modulates the tone the pedal con-
trol.
Effect Types and Effect Categories
Effect Type VAR INS MEF Description
COMPRES-
SOR
✔ ✔ ✔
Vintage sounding compres-
sion.
CLASSIC
COMPRES-
SOR
✔ ✔
–
Conventional type of com-
pressor.
MULTI BAND
COMP
✔ ✔ ✔
3-band type compressor.
EQ
✔ ✔
–
Vintage 5-band parametric
EQ.
HARMONIC
ENHANCER
✔ ✔
–
Adds new harmonics to the
input signal to make the
sound stand out.
Effect Type VAR INS MEF Description
LO-FI
✔ ✔ ✔
Degrades the audio quality of
the input signal for a lo-fi
sound.
NOISY
✔ ✔
–
Adds noise to the current
sound.
DIGITAL
TURNTABLE
✔ ✔
–
Simulates the noise,
scratches and pops of a vinyl
record.
Effect Type VAR INS CHO Description
FLANGER
✔ ✔ ✔
Vintage sounding flanger.
CLASSIC
FLANGER
✔ ✔ ✔
Conventional type of flanger.
TEMPO
FLANGER
✔ ✔ ✔
Tempo-synchronized flanger.
DYNAMIC
FLANGER
✔ ✔
–
Dynamically controlled
flanger.
PHASER
MONO
✔ ✔ ✔
Vintage sounding mono
phaser.
PHASER
STEREO
✔ ✔ ✔
Vintage sounding stereo
phaser.
TEMPO
PHASER
✔ ✔ ✔
Tempo-synchronized phaser.
DYNAMIC
PHASER
✔ ✔
–
Dynamically controlled phase
shifter.
Effect Type VAR INS Description
AMP
SIMULATOR 1
✔ ✔
Simulation of a guitar amp.
AMP
SIMULATOR 2
✔ ✔
Simulation of a guitar amp.
COMP
DISTORTION
✔ ✔
Since compression is included in
the first stage, steady distortion can
be produced regardless of changes
in input level.
COMP
DISTORTION
DELAY
✔ ✔
Compressor, Distortion and Delay
effects are connected in series.
Effect Type VAR INS Description
AUTO WAH
✔ ✔
Modulates the tone via LFO.
TOUCH WAH
✔ ✔
Modulates the tone via volume
(note-on velocity).