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Yamaha CS6R, Owner'S Manual, Page: 179 / 196

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Yamaha CS6R Owner'S Manual Download Page 179

179

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Removing the Plug-in board from the keyboard

1

Remove the cable from the hook-shaped bundle tie.

2

Press down the hooks 2 in the direction as shown in the
illustration and take the board out from the hooks 2 by
lifting up the one side.

3

Pull out the other side of the board from the hooks 1.

4

Pull out the cable connector from the Plug-in board
connector.

5

Fix the connector cable to the hook-shaped bundle tie.

Installation in CS6R

n

For information on how to handle the CS6x, go to page 177.

1

Turn the keyboard power off, and disconnect the power
cord. Also, if the keyboard is connected with other
external device(s), disconnect the device(s). 

2

Move to a position facing the front panel of the device,
and remove the screws (six flat-head screws) from the
Plug-in board cover at the top panel with a coin or a
Phillips screwdriver. 

n

Keep the removed (6) screws in a safe place. They will be used
when attaching the Plug-in board cover to the device again.

3

Remove the Plug-in board cover.
Plug-in board plate appears. Two Plug-in boards can be
accommodated: PLG1 at the right and PLG2 at the left.

Available slot (PLG1, PLG2) differs depending on the type
of the Plug-in boards. See 177 for more information.

When installing the optional Plug-in board (from when you
remove the cover to when the cover is replaced securely)
all operations must be done with the AC power cord
disconnected. 

4

Remove the tape which is used to fasten the cable to the
plate.

tape

PL

G2

PL

G1

PLG2

PLG1

PL

G2

PL

G1

Summary of Contents for CS6R

Page 1: ...M D G EMI Division Yamaha Corporation 1999 Yamaha Corporation V484950 910MWCP3 3 01A0 Printed in Japan This document is printed on chlorine free ECF Paper OWNER S MANUAL OWNER S MANUAL OWNER S MANUAL ...

Page 2: ... goals In keeping with both the letter and the spirit of the law we want you to be aware of the following CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Battery Notice This product MAY contain a small non rechargable battery which if applicable is sol...

Page 3: ...or off for all components set all volume levels to minimum Also be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level Do not expose the instrument to excessive dust or vibrations or extreme cold or heat such as in direct sunlight near a heater or in a car during the day to prevent...

Page 4: ... future reference About This Manual This manual is basically divided into two sections Basics Section Page 6 Explains how to get started with the synthesizer its overall structure and how to use its main features and functions Reference Section Page 74 Explains the parameters in the synthesizer s various Modes Package Contents Owner s Manual this book Data List AC Power cord Memory Card SmartMedia...

Page 5: ...eful Features 59 Voice Edit 60 Effects 65 Using as a Master Keyboard Performance Mode 67 Using as a Multitimbral Tone Generator Performance Mode 72 Reference Section Voice Mode 74 Voice Play 74 Voice Edit 78 Voice Job Mode 115 Voice Store 116 Performance Mode 117 Performance Play 117 Performance Edit 121 Performance Job Mode 140 Performance Store 141 Phrase Clip Mode 142 Phrase Clip Play 142 Phras...

Page 6: ...surface to continuously change a specific parameter s value You can also assign various functions to this controller 6 1 FILTER knobs Page 40 These two knobs offer dynamic and real time tonal changes to a sound 6 6 PAN knob Page 59 Use this knob to adjust the stereo pan position of the current sound i e the sound s position in the stereo image 6 2 EFFECT knobs Page 40 These knobs respectively cont...

Page 7: ... record a Phrase Clip waveform data using an external microphone then treat the sound as a musical instrument The PITCH knob changes the Phrase Clip s pitch or its tempo if the Phrase Clip is rhythmic With the CS6R you can play back audition the sound by pressing the PHRASE CLIP key in Phrase Clip Mode at note C3 and with a velocity of 127 6 9 SEQ controls Pages 26 161 Press the SEQ key to enter S...

Page 8: ...ss the key its LED will light to bypass the effects used with the current Voice or Performance The bypassed effects Reverb Chorus or Insertion are specified in Utility Mode Page 164 MASTER KEYBOARD key pages 67 121 CS6x only The S80 keyboard can work as MIDI master keyboard in Performance mode When the key is pressed and switched on the LED will light the keyboard can play and control multiple MID...

Page 9: ...oned Also use it to execute a Job or a Store operation MEMORY keys Pages 27 29 75 119 Using one of these keys you can select a Voice or Performance Memory Press the ENTER key to select the Memory In Performance Mode the INT EXT PLG1 and PLG2 keys can be used to select the Phrase Clip Part A D Part Plug in 1 Part and Plug in 2 Part The PRE1 and PRE2 keys select Common for all Parts º BANK A to H ke...

Page 10: ...one jacks 1 4 mono phone plug The output is separated from that at the OUTPUT L MONO and R jacks In Performance Mode you can specify which Parts can be output from these separate outputs 2 AC INLET terminal Page 12 Plug the female end of the supplied AC power cord in here before plugging it into an AC wall outlet 3 CARD slot Page 171 Insert a Memory Card here to transfer various data to from the i...

Page 11: ... L MONO jack GAIN knob Pages 73 144 Use this to adjust the input gain of the audio signals at the A D INPUT jacks You may need to adjust this depending on the type of device microphone other instrument output etc connected when using a A D Input part A D INPUT jacks Page 14 External audio signals can be input via these phone jacks Use these when recording Phrase Clips by connecting a microphone or...

Page 12: ...isted on the rear panel Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard Use only the AC power cord supplied with the CS6x CS6R If the supplied cord is lost or damaged and needs to be replaced contact your Yamaha dealer The use of an inappropriate replacement can pose a fire and shock hazard The type of AC power cord pro...

Page 13: ...s can accurately produce the instrument s rich sounds with their own pan and effect settings Connect your powered speakers to the OUTPUT L MONO and R jacks on the rear panel When using just one powered speaker connect it to the OUTPUT L MONO jack on the rear panel Connecting to a Mixer There are extra audio outputs in addition to the OUTPUT L MONO and R jacks These four outputs can connect to a mi...

Page 14: ...N knob Details about Phrase Clips including how to adjust the input gain are given on Page 142 If you choose the wrong type of input source Pages 130 144 you may possibly damage your hearing and or any connected audio equipment Make sure you set this parameter correctly Before connecting a device to the A D INPUT jack always turn the GAIN knob all the way down Do not use both LINE1 and MIC LINE2 a...

Page 15: ...MIDI information will not be transmitted from the synthesizer s MIDI OUT connector Controlling from an External MIDI Keyboard The CS6R has no built in keyboard so the above MIDI connection lets you play it in realtime Controlling an External MIDI Keyboard Recording and Playback using an External MIDI Sequencer MIDI IN MIDI OUT MIDI IN MIDI OUT External MIDI sequencer CS6x CS6R C HOST SELECT PC 2 P...

Page 16: ...uded Voice Editor program for instance you can edit the synthesizer s Voices Using another program Card Filer you can transfer files between the computer and the Memory Card inserted in the synthesizer s CARD slot There are two ways to connect your synthesizer to a computer 1 Serial connection the computer s serial port to the synthesizer s TO HOST terminal 2 MIDI connection the computer s MIDI in...

Page 17: ... appropriate MIDI application sequencer editor etc for your computer platform MIDI Interface MIDI OUT MIDI IN MIDI IN MIDI OUT HOST SELECT PC 2 PC 1 MIDI Mac CS6x CS6R C Computer Computer with MIDI interface Serial cable HOST SELECT PC 2 PC 1 MIDI Mac MIDI OUT MIDI OUT MIDI IN MIDI IN CS6x CS6R C IB M Personal System V PS V Personal System V ...

Page 18: ... front panel but other controls equivalent to the CS6x may be available using external MIDI controllers Details about how to these controllers are given on Page 47 CS6x CARD 3 3V VOICE PERFORM PHRASE CLIP UTILITY CARD REC JOB STORE EDIT COMPARE SEQ PLAY EF BYPASS PLAY STOP GAIN VOLUME BREATH PHONES LINE 1 MIC LINE 2 A D INPUT HOST SELECT Mac PC 1 PC 2 MIDI TO HOST BREATH SUSTAIN FOOT SWITCH FOOT C...

Page 19: ...olume for each audio devices then switch off each device in the reverse order first audio devices then MIDI When the CS6x CS6R as MIDI receiver Switching the CS6x CS6R On Before you switch your synthesizer on or off first turn down the volume of any audio equipment connected to it 1Press the POWER switch 2A splash screen is displayed briefly 3The Voice or Performance Play Mode screen appears next ...

Page 20: ...Performance Phrase Clip Plug in Sequence Chain and so on onto Memory Card The built in CARD slot can accept 3 3 volt Memory Cards SmartMedia and there is a Memory Card supplied with this synthesizer Before using a Memory Card read through precautions on how to handle it Page 171 Formatting a Memory Card You cannot use a new Memory Card to save files immediately The card must be formatted in Card M...

Page 21: ...ORM UTILITY CARD EDIT COMPARE JOB STORE MODE PLAY STOP REC PHRASE CLIP SEQ PLAY PITCH TEMPO 1 6 4 3 8 2 7 5 9 Play Modes 1 Voice Play Mode Page 74 Press the VOICE key its LED will light to enter Voice Play Mode To exit to another Mode simply press the respective key for that Mode 2 Performance Play Mode Page 117 Press the PERFORM key its LED will light to enter Performance Mode To exit to another ...

Page 22: ...e key for that Mode or press the EXIT key to return to Utility Mode Other Modes 6 Utility Mode Page 163 Press the UTILITY key its LED will light to enter Utility Mode To exit to another Mode simply press the respective key for that Mode 7 Card Mode Page 171 Press the CARD key its LED will light to enter Card Mode To exit to another Mode simply press the respective key for that Mode Save Type File ...

Page 23: ...en Some Modes have more screens In this case you can use the PAGE knob while holding down the SHIFT key to switch to a specific screen For example if you use the PAGE knob while holding down the SHIFT key in Voice Edit Mode the following screen is shown Select a specific item using the cursor then release the SHIFT key to switch to the parameter screen for that item The SHIFT key also has other fu...

Page 24: ...clockwise to decrease it SHIFT PAGE PART ELEMENT DATA A B C 1 2 OSCíOut Level Delay InsEF EL1234 96 0 ins2 EFFíEF1 Ctgry Type ENTER C 1234 MOD Tremolo to Edit DEC NO INC YES EXIT ENTER EF BYPASS MASTER KEYBOARD Moving the Cursor By using a knob A B C 1 or 2 while holding down the SHIFT key you can move the cursor to the respective parameter on the screen without affecting its value INC YES and DEC...

Page 25: ...c characters With others you can choose from a number of available settings Furthermore some types of parameters are absolute whereas others are relative For example the absolute parameter in the following illustration can be set to either mono or poly For other absolute parameters such as Volume the setting can be any value between zero and 127 The Volume setting has a linear one to one relations...

Page 26: ... page 162 for details 1Press the SEQ PLAY key to enter Sequence Play Mode You will see the following screen There are two screens in Sequence Play Mode Use the PAGE knob to switch to the screen shown above 2Press the INC YES key to enter the SEQ Demo screen To cancel demo playback press the DEC NO key 3Press the PLAY STOP key to start playback of the song 4Press the PLAY STOP key again to stop pla...

Page 27: ... 1 2 1 VOICE key 2 MEMORY key 3 DEC NO and INC YES keys 3 DATA knob 1 Press the VOICE key The VOICE key LED will light showing that you are now in Voice Play Mode The following appears in the display At this point you can play the Voice named on the screen via keyboard VCE Play PRE1 001 A01 Sq Generation EQLow G EQMid G EQHi G FLT Rez HPF VOICE PERFORM UTILITY CARD EDIT COMPARE JOB STORE MODE 2 Pr...

Page 28: ... UP and DOWN keys may not function if these parameters also have been set to shift the range You can also use the OCTAVE UP and DOWN keys in Performance Play Mode Oct 3 PRE1 001 A01 Sq Generation EQLow G EQMid G EQHi G FLT Rez HPF OCTAVE DOWN UP 28 Basics Section The Drum Voices are held in separate areas of each Memory and are accessed as follows To access the Preset Drum Memories PRE DR1 DR8 Pre...

Page 29: ...PFM Play INT 128 H16 Pf Init Perf EQ Low EQ Mid EQ Hi Cutoff RevTime CURSOR SHIFT PAGE PART ELEMENT DATA SYSTEM A B C 1 2 1 PERFORM key 2 MEMORY key 3 DEC NO and INC YES keys 3 DATA knob 1 Press the PERFORM key The PERFORM key LED will light showing that you are now in Performance Play Mode The following appears in the display At this point you can play the Performance named on the screen via keyb...

Page 30: ...be play in unison Now try selecting other Performances Details about selecting Performances using the DATA knob or the DEC NO and INC YES keys are given on Page 76 You can also select Performances using a combination of BANK and PROGRAM PART keys CS6x or using the Category Search feature Details about selecting Performances are given on Page 119 On selection a Performance may take a few seconds to...

Page 31: ... transmitted to other external MIDI devices through the MIDI OUT connector The CS6R has no keyboard Pitch Bend or Modulation Wheels Ribbon Controller or Sound Control Knobs Sequencer Section This section can be used to play back Standard MIDI Files held on Memory Card The contents of Tracks 1 to 16 correspond to MIDI channels and Parts in a Performance as shown in the following illustration The se...

Page 32: ...a source of more Voices they are also tone generators in their own right and extend the system level specifications such as maximum polyphony You can play Plug in Voices just like ordinary internal Voices and use them as Parts in a Performance Page 108 This synthesizer is compatible with the Modular Synthesis Plug in System see next page There are three types of Modular Synthesis Plug in System co...

Page 33: ...use the synthesizer like a vocoder by connecting and using a microphone while playing the keyboard Multi Part Plug in Board XG Plug in Board PLG100 XG This Plug in Board is a 16 part XG sound generator You can play back XG GM song files using the rich variety of sounds and effects on this board More Plug in Boards will be available in future About MODULAR SYNTHESIS PLUG IN SYSTEM The Yamaha Modula...

Page 34: ...ically the Insertion Effects can be set on a per Element basis After being passed through the Insertion Effects the signals from all individual Elements are mixed and sent to the Reverb and Chorus Units These Reverb and Chorus Units apply effects to the sound as a whole before it is sent to the outputs and are therefore known as System Effects In Performance Mode the Insertion Effects can be set f...

Page 35: ...se Clip and Plug in Parts as well as AWM2 based Voices Performance Edit Mode In this Mode you can edit and create Performances You can save up to 128 Performances to internal memory or up to 64 to external memory Memory Card Performance Job Mode In this Mode you can copy and initialize Performances and perform other such operations Jobs on them Phrase Clip Mode Page 142 Phrase Clip Play Mode In th...

Page 36: ... Preset Voices Banks A H Preset2 128 Preset Voices Banks A H Internal 128 User Voice Banks A H External 128 User Voice Banks A H 2 User Drum Voices 2 User Drum Voices 256 Normal 8 Drum Voice Preset Controllers Controllers Sequencer Song play Tone Generator Voice Tone Generator Performance Playing a Voice Playing a Performance Clip Kits 1 4 Clip Key C0 C6 Plug in1 64 Plug in Voice Banks A D 1 16 Vo...

Page 37: ...or you to choose from These Voices are known as Plug in Voices and will vary depending on the Plug in Board you have installed Page 32 The Note Limit settings Page 90 will also affect the allocation of sounds But basically Normal Voices of up to four Elements are playable across the whole keyboard range whereas with Drum Voices any of 73 different Waves can be assigned to each Drum Key on the keyb...

Page 38: ...are known as Phrase Clips You can record Waves through the microphone or line level jacks and you can load Waves saved on Memory Card The Waves can then be processed in Phrase Clip Edit Mode and assigned to notes Clip Keys on the keyboard to form a Clip Kit Up to four Clip Kits can be held in memory You can play these Clip Kits via the keyboard or you can assign them as Parts in a Performance The ...

Page 39: ...o different areas of the keyboard If you assign a different MIDI channel number to each Part each track of a sequencer can play back a different Part In Performance Mode several different Voices Parts can be layered to create rich textures However this can cause note response to become slower under some circumstances Multiple Layered Voices Sequencer Song MIDI CH 1 16 Part 1 16 Phrase Clip A D INP...

Page 40: ...ne the transitions in sound level from the moment you press a note on the keyboard to the moment the sound level fades out after you release the note All instruments have their own definitive and varied envelopes which can be simulated using these four parameters ATTACK Knob Use this knob to extend shorten the Attack time which is the time taken for the sound to reach its peak level from the momen...

Page 41: ...ont panel or even a Foot Controller Page 46 3 Using the Controllers Page 47 The Pitch Bend Wheel Modulation Wheel can be freely assigned to control various sound parameters in real time By connecting an optional Foot Controller or Foot Switch you can also use your feet to control parameters to change Program Number and so on Page 52 Also you can assign parameters to Knobs A B C 1 and 2 on the fron...

Page 42: ...Mode the currently selected Clip Kit the Phrase Clips assigned to the notes you play will be arpeggiated ARPEGGIO GATE TIME ON OFF HOLD Only notes within the Note Limit range will be arpeggiated Therefore if the notes you play are not arpeggiated they may be outside this range Details about the Note Limit settings are given later The Pitch Bend and Modulation Wheels can be used while the arpeggiat...

Page 43: ... pressing more than one note on the keyboard Now try assigning different Arpeggio Type and Drum Voice settings There are many different drum patterns available Arpeggio Types are divided into the five following categories and applications are not just limited to drum patterns You can also select Arpeggio Types for backing chords basslines and so on Next why not try out Arpeggio Types with Normal V...

Page 44: ... Switch Hold C_ 1234 BigBeat2 Ct 127 on off Outside the Note Limit range you can play the keyboard normally without the notes being arpeggiated Therefore you can use your left hand to play block chords used by the Arpeggiator and your right hand to play melody lines in the upper part of the keyboard Combined with the OSC Limit parameter of the Element Edit screen the sound used in the lower part o...

Page 45: ...h Scenes When you recall a Scene the knob position settings for that Scene will be recalled regardless of the current physical positions of the knobs 2 Scene Controls CS6x Scenes are used to memorize the positions of the FILTER CUTOFF RESONANCE knobs EG ATTACK DECAY knobs and Assignable Knobs 1 2 and can be recalled later at the touch of a button You can use the knobs to edit the sounds in real ti...

Page 46: ...NE CONTROL knob at its fully anti clockwise position turn the knob clockwise to create a smooth transition from the Scene 1 settings to those of Scene 2 For example the Resonance can be increased and LFO speed can become faster between Scenes Multiple changes to the sound can be applied in one go using just the one knob making this feature ideal for live performances Turn the SCENE CONTROL fully a...

Page 47: ...llers The CS6x is equipped with Pitch Bend and Modulation Wheels plus a Ribbon Controller Either of the CS6x and CS6R is equipped with front panel Knobs A B C 1 and 2 with which you can control many different parameters Pitch Bend Wheel This wheel s prime function is to control pitch Roll the wheel upward downward to bend the pitch upward downward The effect can also be reversed Pitch Bend Range c...

Page 48: ...ct an optional Breath Controller BC3 to the BREATH jack Page 18 on the rear panel or the front panel of the CS6R Then use it to control a large number of the synthesizer s parameters particularly those controlled by a wind player s breath dynamics timbre pitch and so on The Breath Controller is ideally suited for realistic expression with wind instrument type Voices Breath Controller parameters ca...

Page 49: ... 00 to 33 Dest Destination Control Parameters Depth Depth of control Src Source Voice Control Sets Controller RB MW etc 1 ON OFF ON OFF ON OFF ON OFF Elements 2 3 4 1 6 By creating Control Sets you can change sounds in a variety of ways For example set the Src Source parameter of Control Set 1 to MW Modulation Wheel and the Dest Destination parameter to ELFO PM Element LFO Pitch Modulation Depth T...

Page 50: ... CTRL Assign2 screen of Utility Mode you could assign Control Change Number 1 Modulation to the same knob Now when you turn the knob resonance will be applied to the sound of the internal tone generator but at the same time modulation information will be sent to the external MIDI device connected to the MIDI Out This aspect of the synthesizer makes it ideal for use as a master controller for contr...

Page 51: ...TLíSet1 Src Dest EL Sw Depth C 1234 KN1 16 FLT Rez 34 14 SHIFT PAGE PART ELEMENT DATA A B C 1 2 CTL Set1 Src Dest EL Sw Depth C 1234 MW 01 FLT Rez 34 14 VOICE PERFORM UTILITY CARD EDIT COMPARE JOB STORE MODE 5 Use Knob C to assign PCH Crs Pitch Coarse to the Dest Destination parameter 6 Use Knob 1 and the DATA knob to specify the Element to be controlled Knob 1 moves the cursor blinking and the DA...

Page 52: ...t Voice has a Control Set with a source Src assigned to Modulation Wheel MW and receives a Control Change message of Modulation Wheel a destination Dest parameter for the source MW will be affected with that message The above procedure explains how to set up the Foot Control to control Modulation in Voice Mode To create such a setup for Performance Mode the appropriate settings are found at the CT...

Page 53: ... overview of Phrase Clips is given here Phrase Clips Overview As shown in the following illustration on the rear panel or the front panel of the CS6R there is an A D INPUT jack for inputting analog sources to the A D converter The A D converter then converts the signals from these analog sources into digital binary signals through a process known as sampling Within the synthesizer these sampled si...

Page 54: ...loop playback A section of the Phrase Clip is continuously looped during playback This is often used for creating drum pattern loops from breakbeats When you play a note on the keyboard the Phrase Clip plays from the start point to the end point It then returns to the loop point and plays to the end point again and keeps doing this until you release the note With musical instruments in general the...

Page 55: ...hat was created earlier using the Arpeggiator and Drum Voice 1Before entering Phrase Clip Mode first enter Voice Play Mode and press the MEMORY PRE1 and PRE2 keys simultaneously Then use the DATA knob the DEC NO and INC YES keys or the PROGRAM keys CS6x to select the Preset Drum Voices DR1 Clip C0 C6 2Now press the PHRASE CLIP key its LED will light to enter Phrase Clip Mode 3Hold down the PHRASE ...

Page 56: ...ber Variation ENTER Key C 1 1 Clip 001 1 to Edit SHIFT PAGE PART ELEMENT DATA A B C 1 2 OSCíAsgn Number Variation ENTER Key C 2 1 Clip 001 1 to Edit SHIFT PAGE PART ELEMENT DATA A B C 1 2 OSCíAsgn Number Variation ENTER Key C 1 1 Clip 001 1 to Edit 7Press the ENTER key and the Recording Standby state is entered You will see the Waiting for trigger message 8Recording will begin when you press the r...

Page 57: ...ASTER KEYBOARD Next select Variation 2 but set the Play parameter to loop this time When you press note D1 at this point the Phrase Clip is simply played back as a loop between the Start and End points of the recording If you only want one part of the Phrase Clip to be played back as a loop you need to set the Start Loop End points As an example we will set a loop exactly one bar in length Use Kno...

Page 58: ...ied Combined with the Vari parameter it is possible to create a variety of loop patterns using Loop Remix There are five Types in total and we will use Type 2 here Use Knob 2 to set the Vari Variation parameter which specifies the amount by which the loop will be modified The four available Variations A to D apply increasing amounts of modification Let s select D here in order to create the larges...

Page 59: ...itched on and ready for use the PORTAMENTO ON OFF key LED will light when you select the Voice In Performance Mode you can apply portamento to Voices of Parts that have their Layer Switch Page 133 and Portamento switch set to on Page 131 Depending on the method of storage Pages 116 141 the portamento state on off can be saved with the Voice or Performance You can set the portamento state in the Po...

Page 60: ...28 of these new edited Normal Voices and up to 2 new edited Drum Voices to internal user memory or external Memory Card The following procedure gives a basic idea about how to go about creating editing Voices Of course this is just one example you are free to set any parameters in any way you like Details about each parameter are given in the Reference section of this manual All parameter settings...

Page 61: ...fter selecting a Common Edit screen or a edit screen for an Element 1 to 4 use the PAGE knob to switch to other screens There are many parameters available within a screen To make editing easier the knobs below the LCD are assigned to each of the parameters in the screen Menu Screen If you use the PAGE knob while holding down the SHIFT key the settings menu will be displayed Use the PAGE knob to m...

Page 62: ...n QEDíLevel Vol Pan RevSend ChoSend C 1234 127 C 127 127 4 OSC Oscillator Screens In these screens you can mainly set the parameters controlling the waveforms on which the Voice is based You can select the Wave used for the Element the volume and note range of each Element and so on OSC Wave Select the waveform Wave used for each Element OSC Out OSC Pan Set the volume output level and stereo pan p...

Page 63: ...ts basic idea is similar As illustrated below the filter is used to pass overtones at specific frequencies and cut off does not pass others to alter the harmonic factor of an original waveform You can determine such frequencies by specifying a pointing or center frequency cutoff frequency With some filters you can adjust signal levels at several frequency bands You can also set the Filter Envelope...

Page 64: ... Time Release Time Decay1 Level Sustain Level Key off Time Level AEGíTime Attack Decay1 Decay2 EL1234 127 127 127 Effect AMP FILT PICTH OSC Element 1 4 PEG FEG LFO AEG 8 LFO Low Frequency Oscillator Screens As its name suggests the LFO creates waveforms of a low frequency These waveforms can be used to vary the pitch filter or amplitude of each Element to create effects such as vibrato wah and tre...

Page 65: ...ug in Voices will also be available Details about each Effect Type are given in the Effect Type List in the separate Data List Effects in Voice Mode In Voice Mode you can set up the effect type and its value for each Effect Unit Reverb Chorus and Insertion Effects and store them with each Voice Furthermore you can determine that each Element connects or bypasses the Insertion Effect Units When you...

Page 66: ... can also specify more than one effect When you press the EF BYPASS key its LED will light and all Effects assigned to the currently selected Voice Performance will be bypassed The Effect Bypass will also apply to Effects on Plug in Boards other than the PLG100 series DEC NO INC YES EXIT ENTER EF BYPASS MASTER KEYBOARD Part 1 16 Mixer Chorus Reverb System Effects Insertion Effect 1 2 3 4 5 6 16 1 ...

Page 67: ...de Lower Upper Point Common split ch01 ch02 C 3 As previously explained your Synthesizer provides several convenient features that you can make use of in a live show or the like Here we introduce some examples to combine those features to meet your specific purposes The CS6x has special settings in Performance Mode so that you can use the instrument as MIDI master keyboard You can activate the fun...

Page 68: ...ther sections The following example is to set Zone 1 for playing a rhythm loop created previously in Phrase Clip Mode page 55 Zone 2 for performance by Arpeggiator Zone 3 for manual solo performance and Zone 4 for playing an external MIDI tone generator Also in this settings Zones 3 and 4 overlap in the same range and entire performance in four all zones is output from the MIDI OUT connector so th...

Page 69: ...e 3 For detailed settings of a Zone refer to Page 137 MKBíNote Octave Transpose Note Limit Zone01 1 11 C 2 G 8 Turn the Knob A and select a Part for a Zone In this example we select Phrase Clip Part for Zone 1 Part 2 and Part 3 respectively for Zone 2 and Zone 3 We don t select any internal Part for Zone 4 since Zone 4 is set only to output performance information via the MIDI OUT connector First ...

Page 70: ...e Master Keyboard Mode its LED will light Layer Upper Layer Lower Part 1 Voice Plug in 1 Part Plug in Voice 2Select Common using the Knob A then open the GEN M Kbd General Master Keyboard screen using the PAGE knob Turning the PAGE knob while holding down the SHIFT key enables you to scroll though parameters in the Menu screens Page 121 3Select layer for the Mode parameter using the Knob B If Mast...

Page 71: ... you made above Besides the Layer Zone configuration in Master Keyboard Modes you can use the Layer Layer Switch for each Part to make a Layer configuration that consists of up to four Parts Page 133 About Note Limit Key Range Note Limit setups are provided for setting Master Keyboard Mode Part and Voice They are associated to one another as follows While using in Master Keyboard Mode you can cont...

Page 72: ...f 2 Performance Mode lets you use your synthesizer as a multitimbral tone generator for use with computer based music software or external sequencers If each track in a song file uses a different MIDI channel then the Parts in a Performance can be each assigned to those MIDI channels correspondingly Therefore you can play back a song file on an external sequencer and have different Voices playing ...

Page 73: ...garding settings the important points are as follows Switch to the PartAD A D Input Part parameters and set the external input source and template at the MIX Template screen There are 13 templates available already with a variety of gain and effects settings for you to select from according to the input source Here we will be using the A D Input Part for vocals so let s set the Src Source paramete...

Page 74: ...ice Program Numbers within each memory fall in the range 001 to 128 Drum Voices are DR1 to DR8 Details about Voice Memories are given on Page 36 Bank Program Number Voice Program Numbers 001 to 128 correspond with Banks A to H and Program Numbers 01 to 16 Therefore you can cycle through Voice Program Numbers 001 to 128 sequentially or you can select them randomly using a combination of BANK and PR...

Page 75: ...ansmit Channel can also be set in the MIDI Ch screen of Utility Mode Page 166 SHIFT PAGE PART ELEMENT DATA A B C 1 2 Oct 3 PRE1 128 H16 Pf GrandPiano Tch 1 Octave MIDI Transmit Channel SHIFT PAGE PART ELEMENT DATA A B C 1 2 VCE Play PRE1 128 H16 Pf GrandPiano 63 EQ Mid EQ Hi Cutoff RevTime Voice Program Selection There are four ways in which you can choose a Voice Using the BANK PROGRAM keys CS6x ...

Page 76: ...OGRAM PART 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 GENERAL QED ARPEGGIO CONTROL COM LFO EFFECT OSC PITCH FILTER AMPLITUDE LFO EQ PLG Selecting Drum Voices The procedure for selecting a Drum Voice is different to that for selecting a Normal Voice Selecting Preset Drums PRE DR1 DR8 Press the MEMORY PRE2 key while holding down the MEMORY PRE1 key or vice versa to select the Preset PRE Memory of the Dr...

Page 77: ... OSC PITCH FILTER AMPLITUDE LFO EQ PLG Using the Voice Category Search With the Voice Category Search you can quickly find Voices within a specified Voice Category For example if you specify the Pf piano Voice Category and use the Voice Category Search you can select from all the voices which fall into the Pf Voice Category To start the Voice Category Search first turn the PAGE knob to switch to t...

Page 78: ... on Page 36 The following is displayed when you enter Voice Edit Mode The displayed screens will vary according to the type of Voice being edited but basically the PAGE knob is used to switch between screens and the parameters on each screen are altered using Knobs A B C 1 and 2 The DATA knob and the INC YES and DEC NO keys can be used to alter parameters in small increments While holding down the...

Page 79: ...osing important data you should always use Voice Store to store your edited Voice Details about the Voice Store procedure are given earlier Page 116 When creating a new Voice from scratch it can be useful prior to editing to clear the settings for the current Voice using the Initialize Voice function in Voice Job Mode Page 115 Normal Voice When editing Normal Voices there are 12 settings consistin...

Page 80: ...N Name General Name You can set a Voice Name consisting of up to 10 characters You can also select the Category Name to the left of the Voice Name Setting the Voice Name 1Use Knob 2 to move the cursor to the position of the first character The selected character will blink 2Use Knob C to enter an alphabetic character or Knob 1 to enter a numeric character symbol 3Use Knob 2 to move the cursor to t...

Page 81: ...me amount Johan Philipp Kirnberber was also concerned with tempering the scale to allow performances in any key 13 24 This tuning is designed so that most of the intervals especially the major third and perfect fifth in the major scale are pure This means that other intervals will be correspondingly out of tune You need to specify the key C B you will be playing in 1 4 tone Ñ 29 Forty eight equall...

Page 82: ...3 63 63 QEDíFilter Cutoff Reso C 1234 63 63 Sustain Set the level of the Voice maintained while the note on the keyboard is being held down You can also adjust this parameter using the SUSTAIN knob on the front panel of the CS6x Settings 64 0 63 Release Set the transition time from the point at which the note on the keyboard is released to the point at which the level of the Voice reaches zero You...

Page 83: ... Vel Mode C 1234 sort thru ARPíLimit Note Limit C 1234 C 2 G 8 Vel Mode Velocity Mode Set the playback velocity of the Arpeggio There are 2 modes Settings original Preset velocities are used in the Arpeggio sequence thru Velocities of the notes you play are used in the Arpeggio sequence ARP PlayEF Arpeggio Play Effects You can set Play Effects for the Arpeggio Play Effects can be used to temporari...

Page 84: ...tamento is applied to multiple notes CTLíPortamento Switch Time Mode C 1234 on 127 fulltime CTL Bend Pitch Bend You can set the amount by which the Pitch Bend Wheel changes the pitch of the Voice Lower Set the amount in semitones by which the Voice pitch changes when the Pitch Bend Wheel is moved downwards For example a value of 12 means that the pitch of the Voice drops by up to an octave when th...

Page 85: ...ingle Src controller to control multiple Dest parameters Ex 2 Use multiple Src controllers to control a single Dest parameter Details about Control Set Assignments are given in the Basics Section of this manual Page 49 SET1 KN1 Assignable Knob 1 Src PAN Dest SET2 KN2 Assignable Knob 2 Src PAN Dest Use either Assignable Knob 1 or 2 to change the pan parameter SET1 Src PAN Dest SET2 Src LFO Speed De...

Page 86: ...gs are available Settings off each on 1st on off The LFO is self running no synchronization and starts a waveform at any phase when you play on the keyboard each on The LFO resets with each note you play and starts a waveform at the phase specified by the Phase parameter see below 1st on The LFO resets with every note you play and starts the waveform at the phase specified by the Phase parameter S...

Page 87: ...et the length of time during which the LFO is held at its maximum level A higher value means a longer Hold time Settings 0 127 FadeOut Fade Out Set the time taken for the LFO effect to be faded out after the Hold time has elapsed A higher value means a slower fade out Settings 0 127 Low FadeOut value Faster fade out High FadeOut value Slower fade out LFO Dest1 LFO Destination 1 LFO Dest2 LFO Desti...

Page 88: ...layLCR D W63 to Edit Effect Type selection screen Parameter settings screen EFFíEF2 Ctgry Type Dry Wet ENTER C 123 DLY DelayLCR D W63 to Edit Dest Destination Set the parameters which will be controlled modulated by the LFO Wave Settings AMD PMD FMD RESO Resonance PAN ELFOSpd Element LFO Speed ElemSw Element Switch Select whether to allow variations in the LFO Wave for each Element Move the cursor...

Page 89: ...creens are available for each OSC Wave Oscillator Wave OSC Out Oscillator Out OSC Pan Oscillator Pan OSC Limit Oscillator Limit OSC Wave Oscillator Wave You can use Knob A to select each Element and Knob C to assign a Wave to it Number Wave Number Select the Wave Number The Category and Wave Name are displayed to the right of the selected Wave Number You can assign a different Wave Number to each ...

Page 90: ... for notes played within its specified range Settings C 2 G8 for the lowest and highest notes If you specify the highest note first and the lowest note second for example C5 to C4 then the note range covered will be C 2 to C4 and C5 to G8 You can set the lowest and highest notes in the range by pressing notes on the keyboard while holding down the SHIFT key Vel Limit Velocity Limit Set the minimum...

Page 91: ...234 127 128 127 0 Coarse Adjust the pitch of each Element in semitones Settings 48 0 48 Fine Fine tune the pitch of each Element Settings 64 0 63 Random Set the amount by which the pitch of each Element is varied at random for each note you press A setting of zero means the original pitch is not changed Settings 0 127 PEG VelSens PEG Velocity Sensitivity You can determine how the Pitch Envelope Ge...

Page 92: ...Set the Release Level Settings 128 0 127 4800 cents 0 4800 cents Pitch Envelope Generator Settings There are five Time settings controlling the speed of changes to the sound and five Level settings controlling the pitch The pitch of a note is held at the Hold Level for the length of time defined by the Hold Time After the Hold Time has elapsed the pitch changes in accordance with the Attack Time L...

Page 93: ...r an LPF Low Pass Filter an HPF High Pass Filter a BPF Band Pass Filter and a BEF Band Elimination Filter Each available filter has a different frequency response There are also combinations of LPF and HPF LPF Low Pass Filter This only passes signals below the Cutoff frequency You can then use the Reso Resonance parameter to add further character to the sound Six types of LPF are available Frequen...

Page 94: ...ilter 6dB oct The combination of a 6dB oct HPF and LPF BPF12D Band Pass Filter 12dB oct Digital The combination of a 12dB oct HPF and LPF BPFW Band Pass Filter Wide Also the combination of a 12dB oct HPF and LPF but can have a wider frequency band than the BPF12D filter BEF Band Elimination Filter This attenuates a band of signals around the Cutoff frequency but passes everything else BEF6 Band El...

Page 95: ...Settings 200 0 200 FLT Sens Filter Sensitivity You can set Filter Sensitivity parameters for each Element FLTíSens EGDepth VelCutoff VelReso EL1234 63 7 7 FLTíHPF Cutoff KeyFlw EL1234 255 200 EGDepth Set the sensitivity of the Filter to note velocity A positive setting will produce large filter changes for notes played harder and a setting of zero will produce no filter changes at all With a negat...

Page 96: ...LTíKeyFlw Cutoff Center EGTime Center EL1234 200 C 3 63 C 3 0 Release Level Attack Level Hold Level Attack Time Hold Time Decay1 Time Decay2 Time Release Time Decay1 Level Sustain Level Key off Time Level FEGíRelease Time Level EL1234 127 127 FEG Time You can set various Time parameters for the Filter Envelope Generator FEG Combined with the FEG Level and FEG Release settings these can be used con...

Page 97: ... of 0 and 127 respectively cannot be exceeded A note set below the BP1 will become the BP1 Level A note set above BP4 will become the BP4 Level FLTíScale BP1 BP2 BP3 BP4 EL1234 E 1 B 2 G 4 A 5 FLTíScale Ofst1 Ofst2 Ofst3 Ofst4 EL1234 4 10 17 4 FLTíScale Ofst1 Ofst2 Ofst3 Ofst4 EL1234 0 127 128 0 FLTíScale BP1 BP2 BP3 BP4 EL1234 C 2 C 3 C 5 G 8 Cutoff Set the Filter Key Follow ratio the amount by w...

Page 98: ...ameters to affect the output level of each Element The following seven screens are available AEG VelSens AEG Velocity Sensitivity AEG Time AEG Level AEG Release AMP KeyFlw AMP Key Follow AMP Scale AMP Scale Break Point AMP Scale AMP Scale Offset AEG VelSens AEG Velocity Sensitivity You can set the sensitivity of the Amplitude Envelope Generator AEG to note velocity Level Set the sensitivity of the...

Page 99: ...s 200 0 200 AMPíKeyFlw Level Center EGTime Center EL1234 200 C 3 63 C 3 0 Release Level Attack Level Init Level Attack Time Decay1 Time Decay2 Time Release Time Decay1 Level Sustain Level Key off Time Level 99 Voice Mode Center Center Key This shows that the basic Level is at note C3 At this note the output level remains unchanged For other notes the output levels vary according to the Level setti...

Page 100: ...nd 4 at BP4 set to A5 That is the amplitudes at each Break Point are 76 90 97 and 84 respectively For other notes the amplitudes will be on the straight line connecting the two adjacent Break Points The Break Points are automatically arranged in ascending order across the keyboard For example BP2 cannot be set to a lower note than that of BP1 AMPíScale BP1 BP2 BP3 BP4 EL1234 E 1 B 2 G 4 A 5 AMPíSc...

Page 101: ...nd Low Frequency Band to adjust the signal Level If you select this Filter the EQ Parameter screen will be available with the following parameters Frequency 0 Low Freq High Freq EQíParam LoFreq LoGain HiFreq HiGain EL1 3 257 OHz 32 6 25kHz 32 EQíType Type EL1 3 EQ L H Speed Set the speed of the LFO waveform A larger setting means a faster speed Settings 0 63 Speed Fast Speed Slow KeySync Switch Ke...

Page 102: ...elect this the equalizers are bypassed and the entire signal is unaffected Drum Voices With Drum Voices different drum and percussion Waves or Normal Voices are assigned to notes across the keyboard from C0 to C6 forming an entire drum kit For editing Drum Voices there are five Common Edit screens affecting all the Drum Voices together and the five Drum Key screens When you select a Drum Voice and...

Page 103: ...ter Cutoff 106 Drum Key Amplitude 106 AMP AEG Amplitude Envelope Generator 107 AMP VelSens Amplitude Velocity Sensitivity 107 Drum Key EQ Equalizer 101 EQ Type EQ Type 101 EQ Param EQ Parameter 101 Drum Common General For Drum Voices there is only the one type of Common General parameter shown below The parameter settings is the same as for Normal Voices Details are given on Page 80 GEN Name Gener...

Page 104: ...ge 88 EFF InsEF Insertion Effect EFF EF1 Insertion Effect 1 EFF EF2 Insertion Effect 2 EFF Rev Reverb EFF Cho Chorus Drum Key OSC Oscillator You can change your Drum Voice waveform settings Each Drum Voice can consist of up to 73 Drum Keys Page 37 assigned to notes spread across the keyboard C0 to C6 You can assign waveforms to Drum Keys and set their parameters The following four screens are avai...

Page 105: ...ChoSend Key C 3 127 thru 64 127 Pan Set the Pan position for each sound in a Drum Voice Drum Kit This will also be used as the basic Pan position for the Alternate and Random settings Settings L63 Left C Center R63 Right Alter Alternate Set the amount by which the sound is panned alternately left and right for each note you press The Pan setting is used as the basic Pan position Settings L64 Left ...

Page 106: ...ettings 64 0 63 This parameter is only available if the Type parameter in the OSC Wave screen is set to wave PCHíTune Coarse Fine VelSens Key C 3 0 0 63 Drum Key Filter You can apply filter settings to the Drum Voice A Low Pass Filter and High Pass Filter can be applied per Wave to change its tonal characteristics This parameter is only available if the Type parameter in the OSC Wave screen is set...

Page 107: ...ay the keyboard and conversely negative values will cause it to fall Settings 64 0 63 AMPíVelSens Level Key C 3 63 AMPíAEG Attack Decay1 Level Decay2 Key C 3 127 127 127 126 Amplitude Envelope Generator Settings The Amplitude Envelope Generator has three Time parameters and one Level parameter These govern the transitions between output levels for the duration of a note The Attack Time is the time...

Page 108: ...2 ARP Limit Arpeggio Note Limit 83 ARP Mode Arpeggio Mode 83 ARP PlayEF Arpeggio Play Effect 83 Plug in Common Controller 110 CTL Pitch Pitch Bend 110 CTL Set1 Control Set 1 110 CTL Set2 Control Set 2 110 CTL MW Control MW Control Depth 110 CTL MW Modulation MW Modulation Depth 110 CTL AT Control AT Control Depth 110 CTL AT Modulation AT Modulation Depth 111 CTL AC Control AC Control Depth 111 Plu...

Page 109: ...d settings are the same as for Normal Voices Details are given on Page 81 GENíOther Mode Assign Common poly single QED Filter Quick Edit Filter The parameters and settings are the same as for Normal Voices Details are given on Page 82 QED EG Quick Edit Envelope Generator The EG Envelope Generator can be used to control the change in Plug in Voice volume over time There are three parameters for thi...

Page 110: ... the same as for Normal Voices Details are given on Page 84 The Elem SW parameter is only available for Normal Voices CTLíPitch Pitch Bend Portamento Time Common 24 on 127 CTL MW Control MW Control Depth Here you can set the depth of control the Modulation Wheel has over the filter Filter Set the depth of control of the Modulation Wheel over the filter cutoff frequency Settings 64 0 63 CTL MW Modu...

Page 111: ...the Control Change messages Assignable Control have over the pitch filter and amplitude of the Plug in Voice CTLíAC Modulation PMod FMod AMod Common 127 127 127 CTLíAC Control Source Filter Common 04 FootCtrl 64 CTLíAT Modulation PMod FMod AMod Common 127 127 127 PMod Pitch Modulation Depth Set the depth of control the Control Change messages selected in the Source parameter have over the pitch mo...

Page 112: ...rs for the Board Voice The Pitch Envelope Generator controls the change in pitch from the moment a note is pressed on the keyboard to the moment it is released OSCíVelocity Depth Offset NoteSft Elem 127 0 24 OSCíAssign Bank Number Elem NORM 001 128 GndPiano Delay Set the delay time between the moment you press a note on the keyboard and the moment the LFO comes into effect As shown in the illustra...

Page 113: ...er LoFreq Low Frequency Set the shelving point for the low frequencies The levels of signals below this frequency will be boosted attenuated by the amount set in the LoGain parameter Settings 32Hz 2 0kHz LoGain Low Gain Set the amount by which signals below the LoFreq frequency will be boosted attenuated Settings 64 0 63 HiFreq High Frequency Set the shelving point for the high frequencies The lev...

Page 114: ...lug in Board Once you have transmitted the edited Board Voice data to the synthesizer and saved it to Memory Card as a plugin file type you can load the file without having to connect the computer Computer Editor Bulk Dump Edit Save IBM PS V Board Voice Plug in Voice Custom Bank Plug in Board CS6x CS6R Plug in Memory PLG 1 2 If a Board Voice in the Custom Bank has been edited in Voice Edit Mode yo...

Page 115: ...ndPiano Current Job PRE1 128 H16 EL1 EL1 1 2 3 4 VCE Edit Recall Job VCE Initialize Job Current Voice Voice Job Mode You can perform various operations Jobs in Voice Job Mode For example you can Initialize Voices including those currently being edited or Recall previous edits When you enter Voice Job Mode you will first see the Initialize screen The following four screens are available for each Vo...

Page 116: ... MIDI device using Bulk Dump You must set the correct MIDI Device Number in order to perform a Bulk Dump Details are given on Page 166 VCE Bulk Dump Job Current Voice Voice Store You can store save the parameter settings for up to 128 Voices to each of your synthesizer s Memories INT Internal or to its Memory Card EXT External The procedure is as follows Up to 64 plug in vioces can be stored in Ba...

Page 117: ...de multiple Voices up to four Parts can be layered to create thick sounds which you can play in real time or using a sequencer In Performance Mode up to 20 Parts can be combined in a single Performance including Voices for the 16 Parts plus Phrase Clip A D Input and Plug in 1 2 Parts Depending on the Performance Edit settings Page 121 you can assign a Normal Voice or Drum Voice Drum Kit to each Pa...

Page 118: ... 14 126 H 14 063 D 15 127 H 15 064 D 16 128 H 16 4 Knob Parameter Display This shows the function Parameter value assigned to each knob A to C and 1 2 Setting Viewing Knob Parameters In Performance Play Mode you can use Knobs A to C and Knob 1 2 to adjust parameters assigned to them When you use each knob the value of its assigned parameter is displayed briefly knob A to C Details about assigning ...

Page 119: ...29 3Press a PROGRAM key 1 to 16 to select a Program Number Performances can be selected by setting the Memory Bank and Program Number as explained in the three steps given above The display also shows the selected Performance Multi Edit Volume Pan Reverb Chorus Send Note Shift You can set the output level volume stereo pan and other parameters for each Part using the graphic editors on screens 3 t...

Page 120: ...e right of the bar graph indicating that there are more Parts available If you select Part17 to Part32 the bar graph shows the settings for those Parts PFM Mlt Volume L Part01 127 PFM Mlt Volume Part17 127 Part17 Part32 PFM Mlt NoteSft L Part01 0 __ _ _______________ PFM Mlt ChoSend L Part01 127 __ _ _______________ PFM Mlt RevSend L Part01 127 __ _ _______________ PFM Mlt Pan L Part01 L63 __ _ __...

Page 121: ...ip Part an A D Input Part or a Plug in Part 1 2 Page 39 The parameters common to all Parts are known as a Common Edit The Performance Edit Mode screens can be divided into SHIFT PAGE PART ELEMENT DATA A B C 1 2 MIX Level Com GEN QED ARP CTL MEQ EFF Part01 Part MIX TON LYR RCV MKB Cursor SHIFT PAGE PART ELEMENT DATA A B C 1 2 Select Common Part Zone Switch between screens Enter setting GEN Name Ctg...

Page 122: ...screen will change to the î indicator and the EDIT COMPARE key LED will blink The Performance settings prior to editing will temporarily be reinstated for comparison purposes Editing will not be possible while the Compare function is enabled 2Press the EDIT key again to disable the Compare function and restore the settings for your edited Performance Performance Store The edited settings for the c...

Page 123: ...d splits and layers when using a Performance in Master Keyboard Mode Mode Set the keyboard Mode The following three Modes are available If the MASTER KEYBOARD key LED on the front panel is off these Modes are not available and brackets are shown in the display Settings split 4zone layer split Splits the keyboard into a left hand lower section and a right hand upper section assigning a different MI...

Page 124: ... 0 C 2 G8 on on on on on on on on on on on on off off 100 C 0 0 0 7 Zone1 ch on on 0 0 C 2 G8 on on on on on on on on on on on on off off 100 C 0 0 0 7 Zone2 ch 1 on on 0 0 C 2 G8 on on on on on on on on on on on on off off 100 C 0 0 0 7 Zone3 ch off off 0 0 C 2 G8 on on on on on on on on on on on on off off 100 C 0 0 0 7 Zone4 ch off off 0 0 C 2 G8 on on on on on on on on on on on on off off 100 ...

Page 125: ... point at which the output level of the Layer Part reaches its peak You can also adjust this parameter using the ATTACK knob on the front panel of the CS6x Settings 64 0 63 Decay Set the transition time from the point at which the output level of the Layer Part reaches its peak to the point at which it levels off You can also adjust this parameter using the DECAY knob on the front panel of the CS6...

Page 126: ...FT PAGE PART ELEMENT DATA A B C 1 2 CTLíAssign2 FC RB Mode Common FootCtrl 04 PB reset Control Change Name Control Change Number Mode SHIFT PAGE PART ELEMENT DATA A B C 1 2 CTLíAssign1 BC Knob1 Knob2 Common FootCtrl 02 16 17 Control Change Name Control Change Numbers Mode Set the behavior of the Ribbon Controller If you select hold the parameter controlled by the Ribbon Controller will hold its va...

Page 127: ...Hz 10 0kHz Q Frequency Characteristic This varies the signal level at the Frequency setting to create various frequency curve characteristics Settings 0 1 12 0 EQ High This Equalizer covers high frequencies You can adjust the signal level at the specified frequency You can also select different Equalizer types Shapes Shape Select either a Shelving or Peaking equalizer The Peaking type attenuates b...

Page 128: ...TER Common Chorus1 127 127 to Edit EFFíRev Type Return ENTER Common Basement 127 to Edit Type Chorus Effect Type Set the Chorus Effect Type Settings Details are given in the Effect Types list of the separate Data List toRev To Reverb Set the Send level of the signal sent from the Chorus Effect to the Reverb Effect Settings 0 127 Return Set the Return level of the Chorus Effect Settings 0 127 If an...

Page 129: ... Use Knob B to select PLG1 2INT internal memory and the MSB LSB Plug in Board s Bank and use Knob C to select the Program Number Bank Settings PartP1 P2 Plug in 1 2 PLG1 2 INT Plug in 1 2 Internal MSB LSB Plug in Bank For details about Plug in Banks Bank Select MSB LSB refer to the Owner s Manual that came with your Plug in Board Number Program Number Settings PLG1 2 INT Plug in 1 2 Internal 1 64 ...

Page 130: ...Gtr mic Flanger1 WahClavi line TouchWah1 Audio line 8 Echo mic Echo CleanGtr mic Celeste3 RotaryOrg line RotarySp Audio line 9 Vocal mic Stage1 FuncGtr mic TouchWah2 SynthStr line Symphonic Audio line 10 Studio mic Exciter Tremolo mic Tremolo SynthPad line Flanger2 Audio line 11 OctUp mic PitChange1 Phaser mic Phaser1 SynthLead line DelayLCR Audio line 12 OctDown mic PitChange1 5thGuitar mic PitCh...

Page 131: ...um Voice Parts Settings 64 0 63 TONíEG Attack Decay PartCL 0 0 TONíEG Attack Decay Release PartP1 0 0 0 TONíEG Attack Decay Sustain Release Part01 0 0 0 0 Release Set the transition time from the point at which the note on the keyboard is released to the point at which the output level of the Part reaches zero A positive value will lengthen the transition time and a negative value will shorten it ...

Page 132: ...hanges to velocity curve according to VelDepth with offset set to 64 Offset 64 Received Velocity Velocity at tone generator Depth 64 Offset 64 Depth 32 Offset 64 Depth 0 Offset 64 Depth 127 Offset 64 TONíOther Pitch Bend VelDepth Offset PartP1 12 127 64 TONíOther Pitch Bend VelDepth Offset Part01 12 12 127 64 Offset Velocity Offset As illustrated below the velocity will be increased by the specifi...

Page 133: ... note range covered will be C 2 to C4 and C5 to G8 You can set the lowest and highest notes in the range by pressing notes on the keyboard while holding down the SHIFT key LYRíLimit Note Limit Vel Limit Part01 C 2 G 8 1 127 Vel Limit Set the minimum and maximum values of the velocity range within which each Part will respond Each Part will only sound for notes played within its specified velocity ...

Page 134: ...will receive messages from Knob 1 2 plus Breath Controller Foot Controller and Control Change messages This screen is only available for Parts 1 to 16 including Drum Voice Parts and the Phrase Clip Part RCVíSw1 PB MW AT PartP1 on off off RCVíSw1 PB MW RB AT Part01 on off on off Parts 1 to 16 Drum Voice Part Phrase Clip Part Settings Knob1 Knob 1 off on Knob2 Knob 2 off on BC Breath Controller off ...

Page 135: ...tch Bend Wheel MW Modulation Wheel AT Aftertouch FC Foot Controller FS Foot Switch RB Ribbon Controller BC Breath Controller KN1 2 Knob 1 2 RevSend Dest ChoSend Dest SET 1 A D Input SET 2 Src MW Modulation Wheel Src KN1 Knob 1 CTLíSet1 Src Dest Depth PartAD FC 04 off 63 Dest Destination Set the parameter to be controlled by the Controller specified in Src Settings see the separate Control List Dep...

Page 136: ...Modulation PMod FMod AMod Part17 127 127 127 CTLíAT Control Pitch Filter Amp Part17 24 63 63 FMod Filter Modulation Depth Set the amount by which the filter Cutoff frequency changes when aftertouch is used Settings 0 127 AMod Amplitude Modulation Depth Set the amount by which the amplitude modulation changes when aftertouch is used Settings 0 127 CTL AC Control AC Control Depth Multi Plug in Parts...

Page 137: ... the Effects Unit and the dry signal which has not been passed through the Effects Unit This may be unavailable depending on the selected Effect Type Settings D63 W D W D W63 EFFíEF1 Ctgry Type Dry Wet ENTER PartAD DLY DelayLCR D W63 to Edit Effect Parameter Settings These parameters are available when you press the ENTER key for certain Effect Types Use the PAGE knob to switch between screens and...

Page 138: ...on MKB TxSw1 Master Keyboard Transmit Switch 1 For each zone you can enable disable the transmission of messages for the Pitch Bend Wheel Modulation Wheel Knobs A to C and Knob 1 2 Settings PB Pitch Bend Wheel off on MW Modulation Wheel off on KnobA C Knobs A to C off on Knob1 2 Knob 1 2 off on MKB TxSw2 Master Keyboard Transmit Switch 2 For each zone you can enable disable the transmission of mes...

Page 139: ...nk Select LSB Set the Bank Select LSB transmitted when changing Bank Program Settings 0 127 Bank Select is a type of MIDI message transmitted when changing Voice Bank Control Change MSB and LSB messages are combined to form Bank Select messages which are used to specify the Voice Bank These message values will vary according to synthesizer For more details refer to the documentation that came with...

Page 140: ...nce Job Mode and return to Performance Play Mode PFM Bulk Dump Are you sure YES NO PFM Initialize Job Current Perform PFM Initialize You can reset initialize all parameters of a Performance to their default settings You can also selectively initialize certain parameters such as Common settings settings for each Part and so on Note that this is not the same as editing an existing Performance Instea...

Page 141: ...arameter settings for the current Performance to your computer or some other external MIDI device using Bulk Dump You must set the correct MIDI Device Number in order to execute a Bulk Dump Details are given on Page 166 PRF Bulk Dump Job Current Perform Performance Store You can store the parameter settings for up to 128 Performances to each of your synthesizer s Memories INT Internal or up to 64 ...

Page 142: ... PCLP Play 1 Wv Init Clip EQ Low EQ Mid 0 Cutoff RevTime Phrase Clip Play In Phrase Clip Play Mode you can select one of four Clip Kits A Clip Kit is a collection of Phrase Clips external sounds recorded via microphone from audio equipment or from other sources assigned to notes across the keyboard for playback A Clip Kit can consist of Drum loops or phrases and can be assigned to a Part in a Perf...

Page 143: ...it consisting of different Phrase Clips spread out across the range of the keyboard and play the sounds just as you would a normal instrument sound Furthermore you can resample Voice Performance sounds played via the keyboard or the Playback Sequencer You can store a maximum of 256 Clips in total of 4 megabytes in the instrument s internal memory You can also store them onto an external Memory Car...

Page 144: ...s 0 127 If the input signal level is too large The indicator is displayed to the left of the ï indicator The Level Screen When you are recording from a mic or line level source in Phrase Clip Record Mode use the PAGE knob to turn to the following screen You will see the Input Level pointer and the Trigger Level pointer Here you can use the Input Level pointer and Trigger Level pointer to check the...

Page 145: ...wn the REC key use Knob C or press a note on the keyboard to set the Clip Key When you release the REC key you will see the Recording screen 3Select a recording source by specifying the value pclip voice or perform for the Source parameter in the Recording screen Also select a method to start recording in the Trigger parameter key for recording a Voice or Performance played by the keyboard or manu...

Page 146: ...which differ are explained here Those parameters which do not differ are explained in the Voice Edit Mode section Page 78 SHIFT PAGE PART ELEMENT DATA A B C 1 2 GEN Name Ctgry a Z 0 Cursor Common Init Voice Select Common Clip Key Switch between screens Enter settings Clip Common Edit and Clip Key Edit A Clip Kit consists of Phrase Clips waves assigned to notes C0 to C6 on the keyboard Page 55 Para...

Page 147: ...he settings for your edited Phrase Clip GENîName Ctgry Compare indicator GEN Name Ctgry Edit indicator OSC Out Com GEN QED ARP CTL EFF Key C 3 Key OSC PCH FLT AMP EQ SHIFT PAGE PART ELEMENT DATA A B C 1 2 Cursor Clip Common General GEN Name General Name You can set a Clip Kit Name consisting of up to 10 characters You can also select the Category Name to the left of the Clip Kit Name The Clip Kit ...

Page 148: ... Cutoff frequency Frequency Cutoff range QEDíFilter Cutoff Reso Common 63 63 QEDíEffectControl Chorus Common 63 QED EG Quick Edit Envelope Generator These two parameters control the change in the output level of a Clip Kit over the time that a note is played Attack Set the transition time from the moment a note on the keyboard is pressed to the point at which the level of the Phrase Clip reaches i...

Page 149: ...n Effect You can set two types of Insertion Effects plus two System Effects Reverb and Chorus The following five screens are available The parameters are the same as those used in Voice Edit Mode Details are given on Page 88 EFF InsEF Insertion Effect EFF EF1 Effect1 EFF EF2 Effect2 EFF Rev Reverb EFF Cho Chorus Clip Key OSC Oscillator You can set the parameters for the Phrase Clips which make up ...

Page 150: ...back repetitively until you release the note oneshot When you press a note on the keyboard the Phrase Clip is played just once from its Start Point to its End Point not looped reverse When you press a note on the keyboard the Phrase Clip is played in reverse just once from its End Point to its Start Point not looped Start Start Point Set the Start Point from which the Phrase Clip will be played ba...

Page 151: ...ect Settings 0 127 Details about Effects are given on Page 65 OSC Pan Oscillator Pan You can set the following Pan parameters for each Clip Key in the Clip Kit Pan Set the stereo Pan position for each Clip Key This will also be used as the basic Pan position for the Alternate Random and Scale settings Settings L63 Left C Center R63 Right Alter Alternate Set the amount by which the sound is panned ...

Page 152: ...ings will cause it to become lowered Settings 64 0 63 PCHíTune Coarse Fine VelSens Key C 3 0 0 63 Clip Key Filter You can apply filter settings to Clip Keys A Low Pass Filter and High Pass Filter can be applied per Phrase Clip to change its tonal characteristics FLT Cutoff Filter Cutoff LPF Low Pass Filter Set the Cutoff frequency of the Low Pass Filter Only frequencies below this point are passed...

Page 153: ...ime Decay1 Level Time Pitch Key on AMP AEG Amplitude Envelope Generator The Amplitude Envelope Generator controls the change in amplitude from the moment a note in pressed on the keyboard to the moment it is released By setting the Attack Time Decay 1 2 Time and the Decay 1 Level you can determine how fast the sound reaches its peak amplitude and how it fades out Parameters can be set for each Cli...

Page 154: ...t Mode Page 146 You will not need to follow the next two steps at the 1st screen PCLP Status PCLP LoopRemix Type Vari JOB C 2 001 SmplName 1 A 5When you press the ENTER key you will see a confirmation message 6Press the INC YES key to execute each Job The message Completed will be displayed after the job has executed and you will be returned to the previous screen The Job will be canceled if you p...

Page 155: ... to perform the Job Settings 1 256 Mode Select the Variation Mode There are four Modes available explained later Settings loop divide auto realtime manual The following Jobs are available only when the Phrase Clip has been recorded in 16 bit format PCLP VariationSet Mode Job C 2 001 SmplName loop divide Clip Key Phrase Clip Number PCLP Rename a Z 0 Cursor JOB C 2 001 ClipName Clip Key Phrase Clip ...

Page 156: ...e Clip The procedure is as follows PCLP VarRealTime Hit C3 C4 EXIT Job C 2 001 SmplName toVar1 8 toStop PCLP VarAuto Threshold Adjust Job C 2 001 SmplName 255 255 1At this screen you can play back the currently selected Phrase Clip as a loop 2Set the Start Points for Variations 1 to 8 by pressing notes C3 to C4 on the keyboard By pressing the white notes C3 to C4 on the keyboard corresponding to V...

Page 157: ...plied to the Loop Four Variations A to D are available each offering increasing degrees of change PCLP LoopRemix Type Vari JOB C 2 001 SmplName 1 A 4When you press the ENTER key you will see a confirmation message Press the INC YES key to execute the Loop Remix Job The Job will be canceled if you press the DEC NO key 5After executing the Loop Remix Job you will see the following Retry message At t...

Page 158: ...uld always be backed up or saved to a separate Phrase Clip Number before performing this operation PCLP Extract TargetVari Job C 2 001 SmplName all PCLP FreqConvert Job C 2 001 SmplName TargetVari Target Variation Set the areas to be removed by PCLP Extract Settings all Unused areas of all eight Variations are removed 1 8 Unused areas of the Variation specified here are removed When set to all the...

Page 159: ... in 16 bit linear format Key Clip Key Select the Clip Key to which the sample will be assigned Settings C0 C6 PCLP SampleRcv ReqSmpl Key InitSmpl Job 16383 C 3 001 PCLP Copy Job C 2 001 SmplName 050 NewSampl PCLP AutoKeyMap Auto Key Map is used to automatically assign Variations of a Phrase Clip to notes on the keyboard starting at the Clip Key note To select the Phrase Clip of the Variations use ...

Page 160: ...to internal memory as follows Existing Clip Kit data will be overwritten with the new data when stored You should save important data to Memory Card beforehand Clip Kit data stored in internal memory will be lost when you switch the synthesizer off You should save important Clip Kit and Phrase Clip data to Memory Card before switching the power off This operation is performed in Card Mode Details ...

Page 161: ...100 Song File Performance 1 1 2 3 16 Sequence Track 1 2 3 16 Plug in Part 1 Plug in Part 2 Phrase Clip Part A D Input Part Part MIDI CH 2 3 16 1 MIDI CH 2 16 5 3 4 10 6 In this Mode you can play back the built in demo songs and Song files stored on Memory Card Up to 100 Song files can be played back end to end by using the Chain Step feature This Chain Step data can also be saved to Memory Card A ...

Page 162: ...The Voices of each Part in the selected Performance will be used when playing back the Song file Use Knob 2 the MEMORY INT EXT keys BANK keys A to H and PROGRAM keys 1 to 16 to select the Memory Bank and Program Number of the Performance Settings not set INT EXT Bank 1 128 Program Number If no Performance changes are contained within a Song file is displayed as the Bank Number when the Song File i...

Page 163: ...meter is not available in the CS6R MSTR Kbd Oct Trnspose Vel Sys 3 11 fixed 127 MSTR TG Vol NoteShift Tune Sys 127 24 102 3c The parameters in Utility Mode are explained here Utility Mode can roughly be divided into a screen for settings common to the entire system a screen for Voice Mode settings and a screen for Plug in Board settings You will first see the following screen when you enter Utilit...

Page 164: ...is pressed its LED is lit various effects can be bypassed Settings off on for Insert Insertion Reverb and Chorus effects Plug in Board Variations Variation Effects will be bypassed according to the Insert setting MSTR Other Other Setup Set other parameters common throughout the system PowerOnMode Select the Mode entered when you switch the synthesizer on Settings Performance Performance Play Mode ...

Page 165: ... C Settings see the separate Data List for details The positions of Knobs A B C can be memorized for each Voice Performance and Phrase Clip If a Master Equalizer parameter is selected as the destination the M EQ settings of vce in Utility Mode are increased decreased Using Knobs A B C CTRL Scene Controller Scene CS6x Set the SCENE CONTROL knob parameters Scene Control Scene Control Number Assign a...

Page 166: ...ber used to control the ARPEGGIO ON OFF key Settings 000 095 000 032 off Hold Select the Control Change Number used to control the ARPEGGIO HOLD key Settings 000 095 000 032 off Out Vce Enable disable the output or Arpeggiator data to external MIDI devices through the MIDI Out Settings off disabled on enabled Ch Vce Arpeggio Transmit Channel Select the MIDI channel through which Arpeggio data will...

Page 167: ...Ctrl Sequencer Control Select whether or not to transmit receive Song Start Stop and Continue messages via MIDI This also switches the transmission of MIDI Clock messages on and off Settings off on MIDI Other In ThruPort Sync SeqCtrl Sys MIDI 1 int on MIDI GM XG Receive if a Multi Part Plug in Board has been installed Set GM On and XG Reset Receive parameters This screen is only available if a Mul...

Page 168: ...d the Frequency setting Settings 12dB 0dB 12dB Freq Frequency Set the center frequency Frequencies around this point are attenuated boosted by the Gain setting Settings 100Hz 10kHz Q Frequency Characteristic This varies the signal level at the Frequency setting to create various frequency curve characteristics Settings 0 1 12 0 M EQ High Master EQ High This Equalizer covers high frequencies You ca...

Page 169: ...ntrol Change Number to the Ribbon Controller on the front panel The Ribbon Controller s behavior depends on the Mode parameter setting Settings 00 95 see the separate Data List for details Details about the Ribbon Controller are given on Page 48 Mode CS6x only Set the behavior of the Ribbon Controller If you select hold the parameter controlled by the Ribbon Controller will hold its value even aft...

Page 170: ...e screen 4Use the PAGE knob to select the name of the Plug in Board as shown at the bottom left of the screen Then enter the Plug in native part parameter screen 5Use the PAGE knob to select the Plug in native part parameter for the tempo Then use the appropriate knob to select MIDI midi PLG2 System Vel Curve Mrph CtrlNo PLG150 AN norm off Now the tempo of the Plug in Board is synchronized with th...

Page 171: ...attempt to remove the Memory Card or turn the power off during accessing Doing so can damage the data on the instrument Memory Card and possibly the Memory Card itself Formatting Memory Cards Before using a Memory Card with your instrument it must first be formatted Once it is formatted all data on it will be erased Be sure to check if the data is unnecessary for you or not beforehand The Memory C...

Page 172: ...aved Extension MID The SMF is a standardized sequence file format used by musical instrument manufacturers computer software companies and other parties An SMF can easily be exchanged between SMF compatible sequencers regardless of the manufacturer The following two types of SMF exist though this synthesizer will only play back Format 0 SMFs Format 0 Data for multiple MIDI channels is contained wi...

Page 173: ... be damaged The steps in the procedure may vary slightly depending on the operation being performed Refer to the explanation of each operation for details Load Type File VOICEDIR SUBDIR 1 Are you sure YES NO SHIFT PAGE PART ELEMENT DATA A B C 1 2 Save Type File A Cursor Card all NEWFILE S2A Status You can view the amount of free and used on the Memory Card There are no settings Used Shows the amou...

Page 174: ...t linear stereo Converted to 16 bit 2Phrase Clips created Load Type File VOICEDIR SUBDIR 1 Card all voice 001 NEWFILE S2V File Number of file to be loaded Data to be loaded File Type 1Use Knob B to select the File Type of the data to be loaded 2Use Knob C to select the File Number 3When you press the ENTER key the following will be displayed depending on the selected File Type If you have selected...

Page 175: ... to the previous screen The load operation will be canceled if you press the DEC NO key during execution The synthesizer can automatically load files when you switch it on You will need to insert the card into the CARD slot before switching the synthesizer on Details are given in the section Automatically Loading Files Page 172 If there is already data in the synthesizer it will be completely lost...

Page 176: ...es is basically the same as for renaming Voices However you cannot use symbols or lower case characters Details about renaming Voices are given on Page 80 Directory names can only be up to 8 characters long MkDir VOICEDIR SUBDIR 1 A Cursor Card Dir NEWDIR 3 Directory Name Delete Type File VOICEDIR SUBDIR 1 Card all 001 NEWFILE S2A File Type File Name File Number 3Press the ENTER key to create the ...

Page 177: ...strument PLG150 AN PLG150 PF PLG100 XG PLG150 VL PLG150 DX PLG100 VH n See page 32 for detailed explanations for each board Available slot PLG1 PLG2 differs depending on the type of the Plug in boards Please take it into consideration before installation n Although the PLG100 VL and PLG100 DX can also be installed some of the functions are not available Precautions When Installing the Optional Boa...

Page 178: ... connector until the two notches on the cable connector lock into the sockets on the board as shown in the illustration 8 Mount the Plug in board onto the plate as detailed in the following steps 8 1 Insert one side of the Plug in board the connector side into the hooks 1 as shown in the illustration 8 2 Press down the other side until it is securely settled on the hooks 2 9 Fix the connector cabl...

Page 179: ...ice s 2 Move to a position facing the front panel of the device and remove the screws six flat head screws from the Plug in board cover at the top panel with a coin or a Phillips screwdriver n Keep the removed 6 screws in a safe place They will be used when attaching the Plug in board cover to the device again 3 Remove the Plug in board cover Plug in board plate appears Two Plug in boards can be a...

Page 180: ... Plug in board the connector side into the hooks 1 as shown in the illustration 7 2 Press down the other side until it is securely settled on the hooks 2 P L G 2 Hooks 1 Hooks 1 P L G 2 8 Replace the Plug in board cover by fastening the six flat head screws you removed in the step 2 above Removing the Plug in board from the keyboard 1 Press down the hooks 2 in the direction as shown in the illustr...

Page 181: ...ot 2 When used with a PLG100 series Plug in Board a data file of which File Type is ÒpluginÓ cannot be stored on a Memory Card Format of the sample file or sample dump data is unsupported Operation is being executed Memory Card operation is being executed File is being loaded from Memory Card File is being saved to Memory Card Plug in Board s is are being checked after powering up the synthesizer ...

Page 182: ...appropriately When playing performances using the internal sequencer or an external MIDI device have the transmit channels for each sequencer track and the receive channels for each Part in the Performance been set correctly Page 133 For Performances is the volume of each Part sufficiently high Page 130 For Performances has the output for each Part been set correctly Page 133 Is the selected Phras...

Page 183: ...re applied Has the EF BYPASS key been set to OFF Page 66 Has the Insertion Effect Element Switch parameter in the EFF screen of Voice Edit been set to ON Also in this Mode has the effect type been set to something other than thru or off Page 88 For Performances have the Insertion Effect Parts been specified Page 127 For Reverb and Chorus have the effect types in the Common Edit screens been set to...

Page 184: ...FT key while using Knobs A to C Knob 1 2 and the DATA knob or the INC YES and DEC NO keys Page 24 Cannot receive bulk data When using the CS6x CS6R Voice Editor have you set a sufficient Dump Interval The Dump Interval in the Voice Editor Setup dialog must be set to 10ms or greater Macintosh users Card Filer for Macintosh does not work correctly Are you using MIDI Time Piece Card Filer is not comp...

Page 185: ...6 Memory Keys 8 Bank Keys CS6x 16 Program Part Keys CS6x Power Card Slot Gain Host Select MIDI In Out Thru To Host Breath Footswitch CS6x Sustain CS6x Foot Controller CS6x Foot Volume CS6x Individual Output 1 2 Output L Mono R Phones A D Input LINE 1 MIC LINE 2 AC Inlet 2 Connectors for Plug in Boards 40 x 2 Backlit Owner s Manual Data List Memory Card CD ROM AC Power Cord PLG150 Plug in Boards Se...

Page 186: ...lizer 126 Common General 80 123 Common LFO Low Frequency Oscillator 85 Common Quick Edit 81 124 Common Part Zone Edit 121 Connecting a Microphone or Other Audio Equipment 14 Connecting External MIDI Equipment 15 Connecting Stereo Powered Speakers 13 Connecting to a Mixer 13 Connecting to a Personal Computer 16 Connecting to External Audio Equipment 13 Connecting Various Controllers 18 Connections ...

Page 187: ...tch CS6x 48 FOOT SWITCH jack CS6x only 11 Foot Volume CS6x 48 FOOT VOLUME jack CS6x only 10 Format 20 176 G GAIN knob 11 GEN M Kbd General Master Keyboard 123 GEN MIDI General MIDI 123 GEN Name General Name 80 123 147 109 GEN Other General Other 81 109 H HOST SELECT switch 11 I INC YES key 9 24 76 143 INDIVIDUAL OUTPUT 1 and 2 jacks 10 Insertion Effects 65 88 127 J Job Modes 22 K Knob Parameter 14...

Page 188: ... Variation Manual 156 PCLP VarAuto Variation Auto set 156 PCLP VariationSet 155 PCLP VarRealTime Variation Real time 156 PEG Level 91 PEG Release 91 PEG Time 91 PEG VelSens PEG Velocity Sensitivity 91 Performance Category 118 Performance Edit 21 121 Performance Job Mode 22 140 Performance Memory Number Bank Number 117 Performance Mode 35 117 Performance Name 118 Performance Play Mode Display 117 P...

Page 189: ...ring Scenes 45 Sustain CS6x 48 SUSTAIN jack CS6x only 11 Switching Between Programs by Foot Switch CS6x 52 Switching Elements On Off CS6x 61 Switching the Arpeggiator On Off 42 T The Compare Function 79 122 147 The í Indicator 79 122 147 The Level Screen 144 TO HOST connector 11 16 TON EG Tone Envelope Generator 131 TON Filter Tone Filter 130 TON Other Tone Other 132 TON Portamento Tone Portamento...

Page 190: ...190 MEMO ...

Page 191: ...191 MEMO ...

Page 192: ...ia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK 2730 Herlev Denmark Tel 44 92 49 00 FINLAND F Musiikki Oy Kluuvikatu 6 P O Box 260 SF 00101 Helsinki Finland Tel 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N 1345 Østerås Norway Tel 67 16 77 70 ICELAND Skifan HF Skeifan 17 P O Box ...

Page 193: ...lations are not provided it must be assumed that unobstructed ventilation is required 7 Temperature considerations Electronic products should be installed in locations that do not seriously contribute to their operating temperature Placement of this product close to heat sources such as radiators heat registers etc should be avoided 8 This product was NOT designed for use in wet damp locations and...

Page 194: ...ts subsidiaries class B This applies only to products distributed by YAMAHA CORPORATION OF AMERICA IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this ap...

Page 195: ...the same 6 operator 16 note polyphonic FM tone generation system that took the synthesizer industry by storm This board is a must have for performing keyboard players and producers of contemporary music CS6x 6R Tone Generator Type Polyphony Voices Effects Interface Accessories Dimensions W x D x H Weight AN Analog Physical Modeling Synthesis 5 notes 256 Preset 128 User Guitar Amp Simulator Distort...

Page 196: ...M D G EMI Division Yamaha Corporation 1999 Yamaha Corporation V484950 910MWCP3 3 01A0 Printed in Japan This document is printed on chlorine free ECF Paper OWNER S MANUAL OWNER S MANUAL OWNER S MANUAL ...

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