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Secondary Recording Tutorial

02R Getting Started Guide

Patching in a Dynamics Processor

The 02R features comprehensive dynamics processors for all the channel
inputs, tape returns, and stereo and bus outputs. These processors allow
you to compress, expand, compress/expand (compand), gate, or duck the
signals passing through the mixer.

The dynamics processors are generally used to correct or control signal
levels, giving you unparalleled sonic quality and flexibility. You can also
use them creatively to shape the volume envelope of a sound.

Compressor

A compressor provides a form of automatic level control. It attenuates high
levels, thus effectively reducing the dynamic range, making it much easier
to control signals and set appropriate fader levels. Reducing the dynamic
range also means that recording levels can be set higher, thereby improving
the signal-to-noise performance.

Limiting is an extreme form of compression, where the output signal is
sharply attenuated so that it cannot exceed a particular level.

Expander

An expander is another form of automatic level control. By attenuating the
signal below the threshold, the expander reduces low-level noise or
expands the dynamic range of the recorded material.

Compander

A compander is a compressor/expander—a combination of signal
compression and expansion. The compander attenuates the input signal
above the threshold as well as the level below the width. For very dynamic
material, this program allows you to retain the dynamic range without
having to be concerned with excessive output signal levels and clipping.

Gate and Ducking

A gate, or noise gate is an audio switch used to mute signals below a set
threshold level. It can be used to suppress background noise and hiss from
valve (tube) amps, effects pedals, and microphones.

Ducking is used to automatically reduce signal levels when the level of a
source signal exceeds a specified threshold. It is used for voice-over
applications where, for example, the level of background music is
automatically reduced, allowing an announcer to be heard clearly.

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Summary of Contents for 02R

Page 1: ...DIGITAL RECORDING CONSOLE E ...

Page 2: ...isesti asennettu Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin Hävitä käytetty paristo valmistajan ohjeiden mukaisesti FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifications not expressly approved by Yamaha may void your authority granted by the ...

Page 3: ... is damaged fire or electrical shock may result In particular it is possible that one might accidentally place a heavy object on the carpet that covers the cord or place the 02R on top of a power cord avoid these situations To allow for the efficient release of heat maintain a gap of 10 cm or more between the rear of the 02R and the wall Locate the 02R away from other equipment If the release of h...

Page 4: ...ssible If you fear a lightning hit and the 02R has been connected to an AC outlet do not touch the power plug Otherwise you may receive an electrical shock Do not attempt to modify this equipment Otherwise fire or electrical shock may result Do not remove the case of the 02R Otherwise electrical shock may result If you think the 02R needs to be checked for maintenance or repair consult your dealer...

Page 5: ...g the 02R under this condition fire or electrical shock may result Maintenance Before cleaning the 02R remove the power plug from the AC outlet for safety Otherwise an electrical shock may result An authorized dealer should clean the internal parts of the 02R on a regular basis If you do not clean them for a long period of time allowing dust to accumulate inside the equipment fire or malfunction m...

Page 6: ...registered trademarks of Alesis Corporation Dolby AC 3 and Pro Logic are trademarks of Dolby Laboratories Licensing Corporation Copyright 1992 Dolby Laboratories Inc All rights reserved Pro Tools is a registered trademark of Digidesign or Avid Technology Inc Tascam Digital Interface is a trademark and Tascam and TEAC are registered trademarks of TEAC Corporation All other trademarks and registered...

Page 7: ...Getting Started Guide DIGITAL RECORDING CONSOLE Getting Started Guide ...

Page 8: ...ns 14 Basic Setup 15 Power ON OFF 16 Setting the Synchronization 16 3 Introductory Recording Tutorial 19 Setting the Input Level 20 Applying EQ 24 Using the EQ Library 30 Panning 38 4 Secondary Recording Tutorial 41 Aux Sends 42 Setting the Aux Send Level 43 Creating a Monitor Mix 45 Applying Effects 46 Recalling and Editing Effects 49 Patching in a Dynamics Processor 54 Using the Dynamics Library...

Page 9: ...ii Contents 02R Getting Started Guide 5 Mixing and Automix 67 What is 02R Automix 68 Real time Automix 69 Editing Automix Events 76 Off line Automix Editing 81 Using the Automix Library 87 Index 90 ...

Page 10: ...Introduction to the 02R 1 02R Getting Started Guide Introduction to the 02R In this chapter 02R 2 User Guides 3 Installation 3 Top and Rear Panels 4 Features 5 Key Features 7 1 1 ...

Page 11: ...o your modular digital multitrack recorder In addition you can insert a Digital Cascade card into one of the I O slots allowing you to connect multiple 02Rs together to create a larger digital mixing system Dynamic Automix with Total and Instant Recall The 02R is a fully dynamic automated mixing console all referenced to timecode Its onboard automix system memorizes not just the faders but a myria...

Page 12: ...miliar with the 02R you should start with the Getting Started Guide Read through the section and follow the steps outlined in the tutorials Refer to the User s Guide when you are more familiar with the 02R and just need the details of how a particular function works You may also want to refer to the User s Guide for more detailed information while using the Getting Started Guide Automix System Reg...

Page 13: ... DIGITAL RECORDING CONSOLE SCENE MEMORY DIGITAL I O MIDI SETUP UTILITY AUTOMIX GROUP PAIR Ø ATT DELAY METER VIEW PAN ROUTING EQ DYNAMICS AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 EFF1 AUX 8 EFF2 AUX MIXING CONFIGURATION DISPLAY ACCESS SEND LEVEL AUX SELECTED CHANNEL ROUTING R EVEN L ODD PAN EQUALIZER Q F G EQ ON L STEREO R CONTRAST CLIP 2 4 6 12 15 24 35 48 60 72 Hz kHz dB GAIN 20dB 4 40 16 60 A B...

Page 14: ...able center frequency from 20 Hz to 20kHz and adjustable bandwidth Q Extensive EQ library Comprehensive dynamics processors on each input channel tape return and buss and stereo output Compressor Expander Gate Ducking Soft and Hard Compander Dynamics library Fully programmable channel settings phase and attenuation delay pan routing meters EQ and dynamics Channel library Two internal stereo effect...

Page 15: ...nnel pair function for stereo operation on inputs tape returns and auxiliary channels Dedicated buttons and controls of the Selected Channel module Large 320 240 pixel FL backlit user friendly graphical display RISC technology CPU SMPTE and MTC synchronization plus full MIDI implementation Options Digital I O cards ADAT CD8 AT TASCAM CD8 TDII Yamaha CD8 Y AES EBU double slot card CD8 AE AES EBU si...

Page 16: ...mixdown in real time and then edit the results either in real time or by using one of the event editors You can select single parameters of the mixer to edit for example just enable the faders for one pass as you create your mixdown Scene Memories The 02R has 96 internal scene memories each of which is a snapshot of all the digital settings of the mixer a mix scene Each can be named for easy ident...

Page 17: ...02R Use the DISPLAY ACCESS controls to modify one parameter at a time across the entire recording console Use the SELECTED CHANNEL controls to modify all of the parameters of the currently selected channel The DISPLAY ACCESS controls consist of a block of 24 function buttons divided into three groups CONFIGURATION MIXING and AUX plus the large backlit graphical display four cursor buttons a detent...

Page 18: ...s proprietary effects processor chip the 02R has a startling range of special effects available to apply to your mix Shimmering reverbs clean and precise delays flanging and chorus and a myriad of other effects are available built right into this mixer The effects are processed entirely within the digital domain ensuring the signal quality is the finest that a digital system can provide External e...

Page 19: ...digital audio but what exactly are the benefits for digital audio mixing An audio mixer has the job of combining audio signals from various sources at differing levels and impedances usually into a stereo signal It must do this without introducing any new distortions and noise Most analog mixers do a pretty good job but even with the best designs nonlinear effects caused by circuit components are ...

Page 20: ...ponse from 20 Hz to 20 kHz 1 3 dB For digital to analog conversion the 02R features 20 bit 8 times oversampling for its main stereo outputs including the control room monitor outputs and 18 bit 8 times oversampling for the studio and aux send outputs Oversampling and bitstream techniques effectively increase the internal sampling rate so side effects caused by steep low pass filters which are used...

Page 21: ...g Started 13 02R Getting Started Guide Getting Started In this chapter Basic Assumptions 14 Making the Connections 14 Basic Setup 15 Power ON OFF 16 Setting the Synchronization 16 Recall Scene Memory 0 17 2 2 ...

Page 22: ... master recorder Audio connecting cables Making the Connections 1 Connect your sound source to input channel 1 If you are using a stereo sound source connect it to input channel 2 as well Astereo source is not essential and for most of the tutorials it will probably be easier to work with just one channel If your sound source has XLR type connectors connect it to the XLR type connectors on the 02R...

Page 23: ...Started 15 02R Getting Started Guide Basic Setup The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials Amplifier Sound Source Multitrack recorder ...

Page 24: ...o Always start with the monitoring amplifiers and other downstream gear then the 02R and finally the multitrack and mastering recorders and the signal processors 1 Turn OFF the power to the 02R by pressing the POWER switch on the rear panel All mix settings mix scenes and other data are stored when the 02R is powered off Setting the Synchronization Before you use the 02R with a modular digital mul...

Page 25: ...for the system The 02R will be reset to its initial settings Note It is best to start at the beginning of each tutorial and work your way through taking breaks as required If you deviate too far from the tutorial or jump into a tutorial halfway through you may find that subsequent tutorial steps do not work as expected Also note that the tutorials do not explain all 02R functions nor do they serve...

Page 26: ...Introductory Recording Tutorial 19 02R Getting Started Guide Introductory Recording Tutorial In this chapter Setting the Input Level 20 Applying EQ 24 Using the EQ Library 30 Routing 35 Panning 38 3 3 ...

Page 27: ...mix signal is now being output to the digital and analog STEREO OUT connectors Selecting a Monitor Source Before you can hear anything through your monitor amplifier and speakers you have to select a Control Room source 1 Press the ST button of the CONTROL ROOM buttons group This selects the stereo bus for monitoring in the control room 2 Adjust the volume with the C R LEVEL control You should be ...

Page 28: ...as a guitar or bass guitar you should insert a direct box or effects processor between the guitar and the 02R or you should mike the guitar amplifier 3 Use the GAIN control for MIC LINE 1 to optimize the signal level Ideally the level should be set relatively high to obtain the best signal to noise performance It is acceptable for the PEAK indicator to occasionally illuminate but the signal levels...

Page 29: ...ttenuator function to attenuate the level 1 Press the ATT button The ATT 1 1 page shown below appears 2 Press the SEL button for MIC LINE 1 3 Use the encoder wheel to attenuate the signal On the ATT page you can attenuate signals and reverse the phase all in the digital domain Peak Hold 1 Use the METER button to locate the METER 1 3 page 2 You may find the Peak Hold function useful at this point T...

Page 30: ...aders auxiliary sends and other levels as well Channel ON OFF The channel ON buttons are used to turn channels ON or OFF This function is sometimes called MUTE When you recall Scene Memory 0 0 Initial Data all the channels are turned ON 1 Press the channel ON button for MIC LINE 1 The sound is cut and the LED inset in the ON button switches off 2 Press the ON button again to turn the channel back ...

Page 31: ...ontrols The rest of this tutorial describes the operation of the EQ 1 2 page Turning the EQ ON OFF 1 Press the SEL button for MIC LINE 1 When you press the SEL button for a channel the LED and numeric indicators of the SELECTED CHANNEL controls change to reflect the status of the channel you selected 2 Press the EQ button Note You can customize your 02R so that when you adjust a control of the EQ ...

Page 32: ...l also be illuminated 4 To turn the EQ either on or off press the ENTER button or the EQ ON button The ON icon will change to OFF The LED inset in the EQ ON button will no longer be illuminated Turn the EQ on for the remainder of this tutorial Setting the Gain 1 Select the gain G icon for the LOW band using the CURSOR buttons Alternatively press the LOW HPF button of the SELECTED CHANNEL EQUALIZER...

Page 33: ...lect the other bands as well You can also select the EQ bands using the LOW HPF L MID H MID and HIGH LPF buttons of the SELECTED CHANNEL EQUALIZER controls Note Applying a lot of EQ boost may increase the signal level sufficiently to cause distortion If this does occur reduce the amount of EQ boost or adjust the attenuation level to compensate the ATT icon You can switch back to the METER 1 3 page...

Page 34: ... to select the frequency F icon for the L MID band and adjust its position with the encoder wheel Select the other bands and adjust their frequency You can also select the EQ bands using the LOW HPF L MID H MID and HIGH LPF buttons of the SELECTED CHANNEL EQUALIZER controls Adjust the EQUALIZER F control for each band Note If your 02R is busy processing some complex data it may take a little time ...

Page 35: ...nd changes from low shelving to peaking to high pass filter as you continue to rotate the encoder wheel 3 As you rotate the encoder wheel counterclockwise it effectively increases the Q narrowing the bandwidth as shown on the EQ graph A narrow curve is useful for boosting or cutting specific frequencies 4 Use the CURSOR buttons to select the bandwidth Q icon for the L MID band and adjust its posit...

Page 36: ... and hold the LOW HPF button and then press the HIGH LPF button of the SELECTED CHANNEL EQUALIZER controls All EQ values will be reset to their initial values LOW HPF L MID H MID HIGH LPF Q LOW SHELF Peak 0 7 Peak 0 7 HIGH SHELF F 125 Hz 1 00 kHz 4 00 kHz 10 0 kHz G 0 dB 0 dB 0 dB 0 dB ...

Page 37: ... selected channel and a level meter for the channel and its adjacent pair 2 Press the SEL button for MIC LINE 1 This step is required only if you have selected another channel 3 Select the RECALL icon with the CURSOR buttons In order to scroll through the list of EQ programs the cursor must be on the STORE RECALL CLEAR COPY or PASTE icons 4 Use the encoder wheel to select an EQ program As you scro...

Page 38: ... also quickly check if the LED inset in the EQ ON button of the SELECTED CHANNEL EQUALIZER controls is illuminated or not 6 Use the EQ button to locate the EQ 1 2 page The EQ 1 2 page shows the updated EQ curve and exact settings of the EQ program recalled Undoing a Recall You can undo EQ program recalls by recalling the U EQ program which contains the previous EQ settings 1 Use the CURSOR buttons...

Page 39: ...h the list of EQ programs the cursor must be on the STORE RECALL CLEAR COPY or PASTE icons 3 Use the encoder wheel to select an EQ program If you select one of the preset programs 1 to 32 an error message appears when you attempt to store your program Select a program from the 96 user programs 33 to 128 You cannot store your settings to the U program either 4 Use the CURSOR buttons to select the T...

Page 40: ...on and press the ENTER button The 02R displays a confirmation dialog box asking if you want to store your settings in the selected EQ program The dialog box has two icons CANCEL and EXECUTE 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z Note The COPY and PASTE icons allow you to select the title from another EQ program ...

Page 41: ... settings use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The EQ program is stored YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX Note If you decide you don t like an EQ program after you have stored it it is very easy to overwrite it by creating new settings and storing them to the same location Conversely it is also very easy to accident...

Page 42: ...hannels You can insert up to four of these cards in the 02R AES EBU CD8 AE double slot card CD8 AE S single slot card These cards support an 8 channel AES EBU compatible modular digital multitrack recorder such as the Akai DD1500 series They provide eight input channels and eight output channels Analog AD DA CD8 AD This double slot card supports any 8 channel analog multitrack recorder It provides...

Page 43: ...ING 1 2 page The more convenient method is to use the buttons of the ROUTING block of the SELECTED CHANNEL controls Note You can customize the 02R so that when you press a button in the ROUTING block of the SELECTED CHANNEL controls the ROUTING 1 2 page automatically appears See Preferences on page 198 of the User s Guide for more information ROUTING 2 4 6 8 1 3 5 7 DIRECT ST ...

Page 44: ...onding icon on the ROUTING page appears highlighted You can also operate the routing using the CURSOR buttons to move to the desired routing icon and pressing the ENTER button Note When you select a route the signal from the channel will be routed to the selected bus The output from that bus will appear at the corresponding outputs of all the I O cards installed in the 02R The only exception is wh...

Page 45: ...the L ODD button will be illuminated The current pan position is indicated on the adjacent LED bargraph As an alternative you can use the CURSOR buttons to select the PAN icon for MIC LINE 1 and rotate the encoder wheel You can adjust the pan position from extreme right even R16 through the center C to extreme left odd L16 There are 33 pan positions to choose from Note You can customize your 02R s...

Page 46: ... CURSOR buttons 2 Press the ENTER button to connect the channels together You can also gang channels together by simultaneously pressing the L ODD and R EVEN buttons of the PAN block of the SELECTED CHANNEL group Ganged pan is indicated by a pair of dotted lines between the pan controls as shown below When you adjust one channel the ganged channel also moves by a corresponding amount For further d...

Page 47: ...de Secondary Recording Tutorial In this chapter Aux Sends 42 Setting the Aux Send Level 43 Creating a Monitor Mix 45 Applying Effects 46 Recalling and Editing Effects 49 Patching in a Dynamics Processor 54 Using the Dynamics Library 57 Scene Memories 62 4 4 ...

Page 48: ...ess the auxiliary send channels DISPLAY ACCESS AUX buttons The AUX 1 to AUX 6 buttons access the AUX 1 to 6 pages which display the aux send level controls and pre post icons The AUX 7 and AUX 8 buttons access the AUX 7 and 8 pages which are used with the internal effects processors Effect 1 and Effect 2 When an AUX button is pressed the faders and rotary encoders control aux send levels not chann...

Page 49: ...2R remembers the channel signal levels 2 Select MIC LINE 1 using the SEL buttons or the CURSOR buttons Turn the aux send on by pressing the AUX 1 button and then the ON button in the AUX group of the SELECTED CHANNEL controls The default is for the send to be ON therefore this step is not usually required 3 To change the aux send from post to pre fader press the ENTER button The PRE icon becomes t...

Page 50: ... by the faders The effect returns can only be adjusted with the rotary encoders You can also use the SEND LEVEL encoder in the AUX group of the SELECTED CHANNEL controls You must press the corresponding AUX 1 button to make certain you are adjusting the signal level for the correct aux send Note In order to adjust the aux send level with the SEND LEVEL encoder you must first select the send channe...

Page 51: ...ux Send Level on page 43 of the Getting Started Guide 1 Press the AUX 5 button 2 Select MIC LINE 1 using the SEL buttons or the CURSOR buttons Turn the aux send on by pressing the AUX 5 button and then the ON button in the AUX group of the SELECTED CHANNEL controls You should leave the send pre fader This will allow the musicians to continue to hear each other independently of anything you may be ...

Page 52: ...r applying effects is similar to the steps as detailed in Setting the Aux Send Level on page 43 of the Getting Started Guide The following example shows applying effects to MIC LINE 1 using AUX 7 1 Use the AUX 7 button to locate the AUX 7 1 3 page shown below The faders automatically move from the channel level positions to the aux send level positions Even though the fader has changed positions t...

Page 53: ...n one page while you can still use the dedicated buttons and controls of the SELECTED CHANNEL group 1 Use the VIEW button to locate the VIEW 1 2 page shown below and press the SEL button for EFF 1 RTN 2 If the sound is distorted or the level is constantly going up to CLIP use the CURSOR buttons to select the ATT icon Adjust the level with the encoder wheel 3 Select the PAN icon with the CURSOR but...

Page 54: ... cannot route the effect return channel to the direct outputs you can route it to the same bus that the input channel is routed to allowing you to record the effect together with the input signal Many engineers prefer to add effects only during the final mix It is very easy to apply effects but difficult to remove it once it has been recorded You may want to send the effect to the monitor mix howe...

Page 55: ...Use the AUX 7 button to locate the AUX 7 2 3 page shown below The parameters of the currently selected effects program are displayed on this page You will see the library LIB icon an effects curve or icon depending on the selected effect and a level meter for the effects return stereo pair as well as icons for adjusting the parameters 2 Use the AUX 7 button to locate the AUX 7 3 3 page shown below...

Page 56: ...e selected memory location is not available for recall Editing Effects You can edit the preset effects programs and then store them as user effects programs The 02R has 40 preset programs 1 through 40 Some are simple variations of a basic effect for example different types of reverb and delay echo are available Select the preset effects program that is closest to the effect you are trying to achie...

Page 57: ...ite obvious After you have modified the effects program to your satisfaction you are ready to store it Storing a User Effect The 02R has 88 user effects program locations 41 through 128 for you to store your own settings You can store your effects program in the Effect Library or you can just rely on the 02R scene memory to recall your settings The following instructions show you how to store your...

Page 58: ...lect the individual character positions with the CURSOR buttons Use the encoder wheel to select the characters You can create a name of up to 16 characters long It can contain any of the following characters 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z ...

Page 59: ...UTE CANCEL is the default To cancel the STORE operation either press the ENTER button or wait about 10 seconds the STORE operation will be automatically cancelled To store your settings use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The effects program is stored YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX Note The COPY and PASTE icons ...

Page 60: ...e the output signal is sharply attenuated so that it cannot exceed a particular level Expander An expander is another form of automatic level control By attenuating the signal below the threshold the expander reduces low level noise or expands the dynamic range of the recorded material Compander A compander is a compressor expander a combination of signal compression and expansion The compander at...

Page 61: ...1 Use the DYNAMICS button to locate the DYNAMICS 1 2 page shown below 2 Press the SEL button for STEREO By default assuming you are still working with Scene Memory 0 0 Initial Data the dynamics processor is set to a compression program with all parameters set to the default value as shown in the table below The processor is OFF 1 This value is obtained when the sampling frequency is 48 kHz Note If...

Page 62: ...RSOR buttons to select the compressor parameters 6 Adjust the value of each parameter by rotating the encoder wheel To compress the stereo output signal try settings similar to those in the following table The above settings provide a 2 1 compression above 10 dB This means for every 1 dB change in input signal level above 10 dB there will be a 0 5 dB change in the output level You can increase the...

Page 63: ...02R will scroll through the available dynamics programs The program that is highlighted is the program that will be recalled when you press the ENTER button 3 Press the ENTER button The dynamics program is recalled If you attempt to recall a user program that is empty the 02R displays an error message indicating that the selected memory location is not available for recall Note Unlike EQ and effec...

Page 64: ... you are trying to achieve and edit its parameters For a list of the preset programs see Preset Dynamics Programs on page 76 of the User s Guide 1 Use the DYNAMICS button to locate the DYNAMICS 1 2 page shown below Alternatively you could use the LIB icon on the DYNAMICS 2 2 page to go to the DYNAMICS 1 2 page 2 Select the various parameters with the CURSOR buttons and adjust the values with the e...

Page 65: ...am in the library 1 Use the DYNAMICS button to locate the DYNAMICS 2 2 page shown below Alternatively you could use the LIB icon on the DYNAMICS 1 2 page to go to the DYNAMICS 2 2 page 2 Use the CURSOR buttons to select the TITLE EDIT box 3 Select the individual character positions with the CURSOR buttons Use the encoder wheel to select the characters You can create a name of up to 16 characters l...

Page 66: ...Select a program from the 88 user programs 41 to 128 You cannot store your settings to program U the UNDO buffer either 5 Press the ENTER button The 02R will display a confirmation dialog box asking if you want to store your settings in the selected dynamics program The dialog box has two icons CANCEL and EXECUTE Note The COPY and PASTE icons allow you to select the title from another dynamics pro...

Page 67: ...use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The dynamics program is stored YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX Note If you decide you do not like a dynamics program after you have stored it it is very easy to overwrite it by creating new settings and storing them to the same location Conversely it is also very easy to accide...

Page 68: ...n adjusted accidentally or by someone else If you are not sure about the exact contents of the mixer and do not want to laboriously check each setting recall the initial mixer settings Scene Memory 0 0 Initial Data make the adjustments that you really want and then store 1 Use the SCENE MEMORY increment or decrement buttons to select a scene memory You cannot store your settings to either of the s...

Page 69: ...e the SCENE MEMORY button to locate the SCENE 1 5 page shown below 2 Use the SCENE MEMORY increment or decrement buttons or encoder wheel to select the scene memory When you select a different scene memory the number displayed in the SCENE MEMORY LED indicator flashes 3 Press the RECALL button to recall the scene memory 4 Use the CURSOR buttons to select the TITLE EDIT box Note If you decide you d...

Page 70: ...s used to delete the character at the cursor position 6 Press the STORE button If you respond to the confirmation dialog box by selecting EXECUTE and pressing the ENTER button the scene memory is stored with its new name 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z Note The COPY and PASTE icons allow you to copy the t...

Page 71: ...is recalled When the scene memory is recalled the number displayed in the SCENE MEMORY LED indicator stops flashing If you attempt to recall a scene memory that is empty the 02R displays an error message indicating that the selected memory location is not available for recall Note When recalling mix scenes be aware that volume levels may change suddenly as channels are switched ON and faders moved...

Page 72: ... and Automix 67 02R Getting Started Guide Mixing and Automix In this chapter What is 02R Automix 68 Real time Automix 69 Editing Automix Events 76 Off line Automix Editing 81 Using the Automix Library 87 5 5 ...

Page 73: ...nels on or off adjusts the EQ or pan positions and changes the auxiliary sends all based on timecode It can also recall scene memories and programs from the EQ library effects library dynamics library and channel library This allows you to record an entire mixing session and then edit the individual channel settings in multiple passes until you have achieved perfection You can punch in to fine tun...

Page 74: ...itrack recorder and connect the output from that track directly to the SMPTE TIME CODE INPUT jack on the rear panel of the 02R Use a MIDI sequencer to send MTC MIDI timecode or MIDI Clocks to the 02R as well as your multitrack recorder Connect a MIDI cable to the MTC TIME CODE INPUT jack on the rear panel of the 02R There is an additional option you can automate the 02R using its internal timecode...

Page 75: ... select the types of events that will be recorded Only the items selected will be recorded Choose from the following FADER channel level operations fader or encoder including auxiliary send levels CH ON ON button selections for each channel PAN pan position for each channel EQ EQ selections for each channel SURROUND surround pan events The other options on this page are also important but not for ...

Page 76: ...nels 3 Set your starting levels for the mixdown and press the STORE button to update the scene memory The 02R will display a popup confirmation request message Select the EXECUTE icon and press the ENTER button 4 Use the CURSOR buttons to select the NEW icon and press the ENTER button The 02R will display a popup confirmation request message asking if you want to make a new automix The popup has t...

Page 77: ...er press the ENTER button or wait about 10 seconds the NEW operation will be automatically cancelled To create the new automix use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The last scene memory that was stored or recalled will be inserted at timecode location 00 00 00 00 ...

Page 78: ...ating that they are armed for recording 4 Start the device that is providing the timecode It should start from a location before the music starts When timecode is received when the 02R is in AUTOMIX RECORD READY status the REC icon is highlighted and automix recording will Note Remember the scene memory you recalled has the FLIP function engaged Therefore you should be selecting the SEL buttons in...

Page 79: ...els that have not been selected Automix Recording Notes When you are recording pan or EQ changes you may find it more convenient to use the buttons and controls of the SELECTED CHANNEL block If you have selected more than one channel with the SEL buttons the SELECTED CHANNEL controls can only adjust the channel that was selected last The same applies for EQ and dynamics processor operations Becaus...

Page 80: ...can also discard the events recorded during the automix session by selecting the UNDO icon with the CURSOR buttons and pressing the ENTER button You can stop the automix recording session by selecting the ABORT icon with the CURSOR buttons and pressing the ENTER button However the events recorded during the automix session will be discarded In most cases punch in edits or using the event editors c...

Page 81: ...R button The REC icon will flash 4 Press the SEL buttons for the tape return channels you want to overwrite It is very important that you be careful when you select the type of events and channels that will be overwritten If you select the same channel and the same type of event as the last session the previously recorded events will be deleted the moment the automix recording begins 5 Start the d...

Page 82: ...iting session will be added to the current automix memory 8 Stop the device that is providing the timecode Punch in Automix Data If you made a mistake in just one portion of the automix you can replace the erroneous data with a punch in 1 Use the AUTOMIX button to locate the AUTOMIX 1 7 page 2 Use the CURSOR buttons to select the desired Overwrite items and press the ENTER button 3 Select the REC ...

Page 83: ...vice that is providing the timecode The effect is the same as if you selected the STOP function on the 02R The REC icon will change to normal and the STOP icon is highlighted 9 Stop the device that is providing the timecode Editing Fader Encoder Movements If you are replacing erroneous fader encoder data using a punch in the 02R allows you to monitor the differences on the Fader Edit page 1 Use th...

Page 84: ...will automatically return to the previously recorded level when you punch out The time it takes to return to the previous level is controlled by the Time field 5 Select the REC icon with the CURSOR buttons and press the ENTER button The REC icon will flash 6 Start the device that is providing the timecode The 02R will remain in AUTOMIX RECORD READY status 7 Monitor the recording At the punch in lo...

Page 85: ...uttons to select the STOP icon and press the ENTER button You may find it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode The effect is the same as if you selected the STOP function on the 02R 11 Stop the device that is providing the timecode If the fader is moved to a position lower than the previously recorded position If the...

Page 86: ...mecode addresses and events are resorted automatically In the Memory column event type and memory number can be edited In the Channel column the channel number for EQ dynamics effects and channel library events can be edited Mix scene events do not have a Channel value 2 Use the CURSOR buttons to move up or down the event list and the encoder wheel to edit values You can edit the following data Ti...

Page 87: ...the selected channel are listed useful for editing an automix consisting of many events 4 Use the CURSOR buttons to select the DELETE icon and press ENTER to delete the selected event When the SYNC icon is pressed events occurring around the current timecode address are displayed The timecode counter below the SYNC icon displays the incoming timecode When the CAPTURE icon below that is pressed the...

Page 88: ...n the event list and the encoder wheel to edit values 3 Use the CURSOR buttons to select the DUPLICATE icon and press the ENTER button to duplicate an event The selected event can be duplicated or deleted using the DUPLICATE and DELETE icons When the Selected CH parameter is checked only events corresponding to the selected channel are listed useful for editing an automix consisting of many events...

Page 89: ...tting Started Guide When the INSERT icon is pressed a new event is inserted at the captured timecode address The type of event depends on which of the CH ON PAN FADER check boxes is checked The new event can be edited as required ...

Page 90: ... the ENTER button to check them The Parameter check boxes are used to select parameters for editing and multiple parameters can be selected The parameters are FADER Channel input and output level events faders rotary encoders CH ON Channel on off mute events PAN pan events EQ EQ events SCENE Scene memory recall events AUX 1 8 Channel aux send events faders rotary encoders REMOTE 1 4 MIDI Remote ev...

Page 91: ...you to delete the selected parameters from the selected channels between the In Time and Out Time points 6 Use the CURSOR buttons to select the ERASE icon and press the ENTER button A confirmation dialog box appears 7 Select EXECUTE and press the ENTER button The events are deleted If you change your mind you can restore the deleted events using the Undo function You can undo only the last operati...

Page 92: ...ong and the following characters are available You can select the INS icon to insert a space at the cursor position in the TITLE EDIT box Select the icon with the CURSOR buttons and press the ENTER button The DEL icon is used to delete the character at the cursor position in the TITLE EDIT box 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p...

Page 93: ...tion will be automatically cancelled To store your settings use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The automix is stored Automix Memory Automix memory is shared between the current automix and the stored automixes This means that a Memory Full error message could appear even though there are empty automix locations A complex automix containing many events may ...

Page 94: ... asking if you want to recall selected automix program The popup has two icons CANCEL and EXECUTE CANCEL is the default To cancel the RECALL operation either press the ENTER button or wait about 10 seconds the RECALL operation will be automatically cancelled To recall the automix use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The automix program is recalled YOU SHOULD...

Page 95: ...54 gate 54 library 57 recalling programs 57 stereo output 55 storing programs 59 titling programs 59 E Editing automix events 76 dynamics programs 58 effects 50 faders and encoders 78 on off pan and fader events 83 scene and library recalls 81 Effects about 9 editing 50 recalling programs 49 returns 47 send levels 46 storing user programs 51 titling 51 using 46 EQ about 10 applying 24 bandwidth 28...

Page 96: ...ene memories about 7 editing recall events 81 indicator 23 recalling 65 recalling scene 0 17 storing 62 titling 63 Scene memory buttons 62 Scene 0 17 Setting aux send levels 43 effects send levels 46 EQ 24 fader levels 20 gain controls 21 input levels 20 monitor source 20 pan 38 SMPTE 69 Snapshots 62 Sonic performance 2 Storing automixes 87 dynamics programs 59 effects programs 51 EQ programs 32 s...

Page 97: ...User s Guide User s Guide DIGITAL RECORDING CONSOLE ...

Page 98: ...xing and Monitoring 25 4 MIXING Display Functions 31 5 Surround Pan 63 6 Dynamics 75 7 Auxiliary Channels 97 8 Internal Effects 103 9 Scene Memories 127 10 Automix 137 11 MIDI 157 12 Groups and Pairs 181 13 Digital I O Setup and Utilities 187 14 Installing Options 217 15 Specifications 239 16 Glossary 289 Index 297 ...

Page 99: ...R Button 21 SCENE MEMORY Buttons 21 Display Functions 22 SELECTED CHANNEL Controls 23 3 Mixing and Monitoring 25 Analog Inputs 26 Phantom Power 26 Pad 27 GAIN Controls 27 SEL Buttons 27 ON Buttons 28 Faders 28 Analog Outputs 29 Monitor Selector Switches 29 Monitor Level Controls 30 4 MIXING Display Functions 31 Phase and Attenuation 32 Delay 34 Pan and Balance 36 Pan Gang 37 Stereo Width 37 PAN co...

Page 100: ...nels for Surround Pan 72 CSR Center Side Ratio 73 6 Dynamics 75 Dynamics Processors 76 Preset Dynamics Programs 76 Compressor 77 Expander 79 Compander 80 Gate and Ducking 81 DYNAMICS Display Function 83 Patching in a Processor 84 Dynamics Processor Meters 85 KEY IN and LINK Indicators 86 Dynamics Library 87 Preset Dynamics Program Parameters 90 7 Auxiliary Channels 97 About the 02R Auxiliaries 98 ...

Page 101: ...l Data and UNDO Memory 129 Storing Mix Scenes 130 Naming a Scene Memory 131 Recalling Scene Memories 134 Fader Recall Safe 135 Fade Time 136 10 Automix 137 What is the Automix Function 138 What is Timecode 140 Automix Function 143 Automix Main 144 Memory Management 148 Fader Edit 151 Event Copy 153 Event Edit Scene Lib 155 Event Edit CH ON PAN FADER 156 11 MIDI 157 MIDI and the 02R 158 Setup 159 P...

Page 102: ...09 Emphasis Monitor 210 Channel Status Monitor 211 Battery Check 213 Communication Speed 214 02R System Initialization 215 14 Installing Options 217 02R Options 218 Installing 02R Options 221 Analog I O Card AD DA CD8 AD 224 Analog I O Card A D CD8 AD S 224 Digital I O Card AES EBU CD8 AE CD8 AE S 225 Digital I O Card ADAT CD8 AT 227 Digital Cascade Kit CD8 CS 229 Digital I O Card TDIF 1 CD8 TDII ...

Page 103: ...ensions 248 Options 249 Troubleshooting 250 Error Messages 251 Appendix MIDI 255 MIDI Data Format 262 Parameter Change and Request Format 265 Bulk Dump and Request Format 273 16 Glossary 289 References and Further Reading 295 Index 297 ...

Page 104: ...Controls and Connections 1 02R User s Guide Controls and Connections In this chapter Front Panel 2 Rear Panel 11 Block Diagram 15 1 1 ...

Page 105: ...ns 02R User s Guide Front Panel Analog input controls Display screen and related controls SELECTED CHANNEL controls Analog output controls Monitor controls Scene memory controls Display controls Faders DISPLAY ACCESS controls ...

Page 106: ... input controls are not controlled or stored by the 02R automix and scene memory functions To allow easy recall of the gain setting the controls are detented 5 PEAK LED This red LED illuminates when the input signal exceeds 3 dB below clipping It is acceptable if this LED illuminates occasionally However if it is continuously illuminated the input preamp is being overloaded and clipping distortion...

Page 107: ...Display function Button Description SCENE MEMORY Store and recall mix scenes DIGITAL I O Define the digital interconnections and word clock source cascade parameters and dith er characteristics SETUP Set SOLO status and preferences UTILITY Define oscillator check battery status AUTOMIX Store and recall automix programs MIDI Set the MIDI channels and tables Control bulk data transfers GROUP Set up ...

Page 108: ...outing METER Meter the levels from the individual input channels the tape and effect return chan nels the 8 main busses and the 8 auxiliary busses VIEW View and set all the parameters for the se lected channel and access the channel li brary EQ Set the equalization and access the EQ li brary DYNAMICS Set the dynamics and access the dynamics library Button Description AUX 1 to 6 Set the channel lev...

Page 109: ...lly the INPUT LED is illuminated 15 SELECTED CHANNEL indicators The 2 digit 7 segment LED shows the currently selected channel number for the SELECTED CHANNEL controls The three LEDs below indicate the status of the selected channel MIC LINE TAPE RTN or OUTPUT 16 Graphical display This is the 320 240 pixel CFL backlight graphical display It displays the system functions and their parameter values ...

Page 110: ...ly selected channel 21 PAN buttons and controls These buttons and controls set the pan position for the currently selected channel 22 EQ buttons and controls These buttons and controls set the equalization for the currently selected channel SEND LEVEL AUX SELECTED CHANNEL ROUTING R EVEN L ODD PAN EQUALIZER Q F G EQ ON Hz kHz dB AUX 2 AUX 4 AUX 6 AUX 8 EFF2 AUX 1 AUX 3 AUX 5 AUX 7 EFF1 2 4 6 8 1 3 ...

Page 111: ...tors 25 TALKBACK buttons These buttons allow the control room to talk to the studio and to SLATE control room information to the output buses 26 SOLO button This button activates the SOLO bus Use the ON buttons to select a channel to monitor 27 C R LEVEL This control sets the level of the C R MONITOR OUT connectors C R AUX 5 ST AUX 6 AUX 5 MONO AUX 6 DIM 2TR D3 ST 2TR D2 2TR A2 2TR D1 2TR A1 SLATE...

Page 112: ... the button is illuminated When you press the SOLO button engage the SOLO function these buttons are used to select the monitor channels The LEDs inset in the buttons are switched off Press the ON buttons to select channels to send to the SOLO bus When you press the SOLO button again cancel the SOLO function the prior channel status is restored and the appropriate LEDs are switched back on 10 15 2...

Page 113: ...level for the corresponding channel The faders will position themselves automatically when a scene memory snapshot is recalled a number of faders are grouped or paired or an automix is played back Scene memory controls 33 STORE button This button stores the current mixer settings into the current scene memory location 34 Increment button This button selects the next scene memory 35 Decrement butto...

Page 114: ... connectors These are unbalanced 1 4 phone jacks with a 4 dB nominal output level They output the signals from AUX buses 1 to 6 and can be used to feed external effects processors foldback amplifiers or multitrack recording equipment INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT B INSERT I O INPUT B INSERT I O INPUT B INSERT I O INPUT B INSERT I O INPUT B INSERT I O INPUT B...

Page 115: ...lanced 1 4 phone jacks with a 40 to 4 dB nominal input level You can connect the return from a stereo effects unit to these input channels The signals from 2TR IN DIGITAL 1 can be routed to channels 17 18 and the signals from2TR IN DIGITAL 2 can be routed to channels 19 20 7 Input channels 9 to 16 These are balanced phone jack connectors The nominal input level is 60 dB to 4 dB Wiring is sleeve gr...

Page 116: ...r It is used to connect the 02R to a MIDI timecode source for external synchronization 12 STEREO OUT DIGITAL connectors The COAXIAL output is an RCA phono jack It outputs the main stereo signals for recording and can be connected to DAT MD and DCC digital recorders via a 75Ω coaxial cable The output format is IEC958 Part 2 S PDIF Consumer The AES EBU output is an XLR 3 32 type connector It also ou...

Page 117: ... accept one of the optional I O cards List of Cards Use slots 1 and 2 for direct output lines to your multitrack recorder See Section 14 Installing Options on page 217 of the User s Guide for further details Note Digital signals routed through the control room selector switch do not have to be synchronized with the system word clock Note Digital signals that are routed to the stereo input channels...

Page 118: ...ital Format D A C R D A ANALOG 2TR IN De EMP Receiver Format Digital Audio Interface DIGITAL 2TR IN 3 2 AES EBU 1 OSC T B LEVEL 1 8 INPUT 9 16 HA A D ATT PHASE EQ 4BAND DELAY DELAY 4BAND EQ PHASE Same as 1 8 GAIN 20dB 20dB A D DC CUT HA DELAY NAMICS DY EQ 4BAND A D DC CUT HA DELAY NAMICS DY EQ 4BAND INPUT B INPUT A HA GAIN PAD PEAK SIGNAL A D BUS AUX ST R L 8 7 6 5 4 3 2 1 A D DELAY NAMICS DY EQ 4...

Page 119: ...Guide User Interface In this chapter About the User Interface 18 DISPLAY ACCESS Buttons 18 Display 20 CURSOR Buttons 21 Encoder Wheel 21 ENTER Button 21 SCENE MEMORY Buttons 21 Display Functions 22 SELECTED CHANNEL Controls 23 2 2 ...

Page 120: ...consist of four main blocks of controls each block corresponding to the equivalent controls on an analog mixer The ROUTING block selects the buss onto which to route the current channel signal The AUX block selects the auxiliary buss to send the channel signal to and sets the send level The PAN block sets the pan position of the channel signal The EQ block sets the equalization curve for the curre...

Page 121: ... for the gap between the record and playback heads of your multitrack recorder The PAN button is used to adjust the pan position for a group of channels The ROUTING button selects the routing page a large visual patch bay The METER button is used to meter the individual channels The VIEW button is used to adjust all the parameters for the selected channel It also accesses the Channel library The E...

Page 122: ...played graphically and signal levels are metered The following illustration shows information that is always displayed and explains what it means The page number shows how many pages are available within the selected function and which one of those pages is currently selected For example SCENE 1 3 indicates that the first page of the three SCENE pages is selected The CONTRAST control allows you to...

Page 123: ...ve feel allowing quick and accurate parameter adjustments Turning it clockwise increases the selected parameter value Turning it counterclockwise decreases the selected parameter value The faster you turn it the faster the parameter value changes The encoder wheel is also used to scroll through the automix programs mix scenes effects programs EQ programs and dynamics processor programs When naming...

Page 124: ...ta trans fers AUTOMIX Create store recall and play automix programs GROUP Set up the fader and mute groups PAIR Set up channel pairs ATT Set phase and attenuation DELAY Set the channel delay PAN Set the pan position ROUTING Set the channel routing METER Meter the levels from the individual input chan nels the tape and effect return channels the 8 main busses and the 8 auxiliary busses VIEW Set all...

Page 125: ...illuminate to indicate the status of the channel AUX controls The AUX buttons allow you to select the auxiliary buses you want to send the selected channel signal to The SEND LEVEL rotary encoder is used to set the level indicated by the adjacent LED bargraph The ON button is used to turn the send on or off This allows you to make quick A B comparisons Note You can customize your 02R so that when ...

Page 126: ...top row LOW HPF L MID H MID or HIGH LPF The three LED indicators will reflect the status of the selected band Adjust the values Q F and G with the adjacent rotary encoders Use the EQ ON button to turn the EQ on or off Note You can customize your 02R so that when you adjust any of the controls in this group the display switches to the PAN page See Preferences on page 198 of the User s Guide Note Yo...

Page 127: ...2R User s Guide Mixing and Monitoring In this chapter Analog Inputs 26 Phantom Power 26 Pad 27 GAIN Controls 27 SEL Buttons 27 ON Buttons 28 Faders 28 Analog Outputs 29 Monitor Selector Switches 29 Monitor Level Controls 30 3 3 ...

Page 128: ...he XLR type connectors INPUT A for input channels 1 through 8 The phantom power switch for each channel is used to turn it ON and OFF Phantom power is applied to each individual input Phantom power can only be applied to the XLR type connectors INPUT A for input channels 1 through 8 Select those connectors with the A B switch up for A down for B With phantom power set to ON non phantom powered mic...

Page 129: ... is set too low the signal to noise performance will suffer and if it is set too high unpleasant signal clipping and distortion may occur The SIGNAL indicator is a green LED which illuminates when the input signal exceeds 10 dB below nominal The analog input controls are not controlled or stored by the 02R automix and scene memory functions To assist in easy recall of the gain setting the GAIN con...

Page 130: ...ered ON again Rotary Encoders To adjust the levels of the tape and effect return channels the 02R provides a continuously rotary encoder for each channel The channel levels are indicated by the Tape Return Level and Effect Return Level icons at the bottom of the display FLIP Button Although the rotary encoders are reasonably accurate there will be times for example during a mixdown when you want t...

Page 131: ... monitors This allows you for example to apply reverb and equalization to the monitor signal you send to your vocalist while you record the performance dry You can select any combination of the ST AUX 5 and AUX 6 buttons including none CONTROL ROOM Buttons The buttons select the monitor signal sent to the control room monitor system This is usually a large pair of near field loudspeakers Many stud...

Page 132: ... the User s Guide for details Monitor Level Controls C R LEVEL Control This control is used to adjust the volume output through the control room monitor outputs T B LEVEL Control This control adjusts the volume of the talkback signal The talkback signal is picked up by the built in microphone right below the control STUDIO LEVEL Control This control is used to adjust the overall volume output thro...

Page 133: ...s In this chapter Phase and Attenuation 32 Delay 34 Pan and Balance 36 Pan Gang 37 Stereo Width 37 PAN controls 38 Routing 39 ROUTING buttons 40 Metering 41 View 44 Channel Library 48 EQ 51 EQ controls 53 EQ Programs 54 EQ Library 55 Preset EQ Program Parameters 58 4 4 ...

Page 134: ... control to reduce a boosted signal it s better to use the Attenuation function Although levels can be reduced using the GAIN controls this also reduces the level of the signal being fed to the A D converter which is not desired The Attenuation function comes after the A D converter so conversion performance is not affected The Attenuation functions of adjacent channels are not linked when those c...

Page 135: ... second page shown below contains the Phase and Attenuation controls for TAPE channels 1 to 16 effects returns EFF 1 and EFF 2 and the stereo output and appears when one of these channels is selected Note When a stereo channel 17 to 24 is stored to the channel library phase and attenuation parameters for both the left and right channels are stored If such a channel program is recalled to a mono ch...

Page 136: ... 02Rs together you will need to use the DELAY display function to apply delay to the machines closest to the output Set a delay value of 10 to 20 samples for each unit The digital cascade kit will automatically apply the correct amount of delay when you connect four or less 02Rs together See Cascade Configuration on page 191 of the User s Guide Delay Pages There are two pages to the DELAY 1 1 func...

Page 137: ...nt of the cursor on the selected channel For example if the cursor is positioned over the thousands digit of the samples Smpl field when you rotate the encoder wheel the values increase or decrease by thousands of samples If the cursor is positioned over the hundreds or tens digit of the samples field when you rotate the encoder wheel the values increase or decrease by hundreds or tens of samples ...

Page 138: ...returns EFF 1 and EFF 2 and the stereo output balance and appears when one of these channels is selected The number of the selected channel is highlighted Channel pan positions are indicated by marker lines just like the ones on real knobs The current pan value is displayed under the panpot icon Note When a stereo channel 17 to 24 is stored to the channel library pan settings for both the left and...

Page 139: ...g the pan controls When the pan controls are set hard left and hard right the stereo width is 100 With both pans set to center the stereo width is 0 Setting the controls to a position in between allows you to set the stereo width from 0 to 100 To maintain a central balance however you must set both controls to a corresponding left and right values For example L5 and R5 or L10 and R10 Including cen...

Page 140: ...of two channels channels are always paired for the pan function The LED is illuminated in the selected channel of the pair Use the rotary encoder to adjust the pan position The current position is indicated on the adjacent LED bargraph You can link the odd and even channel pairs by pressing and holding the L ODD button and then pressing the R EVEN button When a pair of channels are linked together...

Page 141: ...o the ROUTING 1 2 function The first page shown below contains the Routing controls for MIC LINE channels 1 to 24 and appears when one of these channels is selected Note Since routing a channel to its own input would create a feedback loop the message Would Cause Feedback appears if you attempt to route a channel to the bus selected as its input source on the SCENE 4 5 page Also if a channel libra...

Page 142: ...TING buttons in the SELECTED CHANNEL group A route is selected ON when its icon is highlighted on the display The routing buttons allow you to directly select the destination for the selected channel The LED in each the button illuminates to indicate the status of the channel Note You can customize your 02R so that when you adjust any of the buttons in this group the display switches to the ROUTIN...

Page 143: ...tains the meters for MIC LINE channels 1 to 24 and appears when one of these channels is selected The second METER page shown below contains the meters for TAPE channels 1 to 16 and effects returns EFF 1 and EFF 2 and appears when one of these channels is selected 1 Use the METER button to select the METER pages 2 Select a channel using the SEL buttons or the CURSOR buttons 3 Use the CURSOR button...

Page 144: ...lists the meter signal source points Note When the 02R reaches CLIP digital signal distortion occurs You must ensure this does not happen Digital distortion is very unpleasant sounding There are a several things you can do If CLIP is reached but the corresponding PEAK indicator is not illuminated you need to attenuate the channel slightly with the ATT display function see Phase and Attenuation on ...

Page 145: ...ing the meter source point for the input channels switches it for the tape and effect returns as well Switching it for the tape and effect return changes the input channels SELECT PEAK HOLD BUS AUX MIC LINE CLIP 3 6 9 12 15 18 24 30 36 42 48 CLIP 3 6 9 12 15 18 24 30 36 42 48 CLIP 3 6 9 12 15 18 24 30 36 42 48 CLIP 3 6 9 12 15 18 24 30 36 42 48 AUX POST FADER 1 2 3 4 5 6 7 8 9 L 10 R 11 L 12 R 13 ...

Page 146: ... each channel are linked to preserve their relative settings If the channel whose control cannot be seen reaches the minimum or maximum attenuation setting a message appears The indicators in the PAN L ODD and R EVEN buttons indicate whether the left or right channel of a pair is selected These controls duplicate the phase attenuation function See Phase and Attenuation on page 32 of the User s Gui...

Page 147: ...ction does not apply Instead the pan icon for the opposite channel will be displayed here Routing Use the CURSOR buttons to select the routing assignment Each time you press the ENTER button the selected route will alternately switch on or off You may find using the ROUTING buttons in the SELECTED CHANNEL group a more convenient way to select the routes See Routing on page 39 of the User s Guide D...

Page 148: ...TED CHANNEL group The SEND LEVEL control adjusts the signal level and the ON button turns the send on or off See The AUX Buttons on page 99 as well as AUX 7 and AUX 8 on page 106 of the User s Guide EQ When the cursor is on the ON icon pressing the ENTER button will turn the EQ on or off When the EQ is on the icon text is ON and is highlighted Use the CURSOR buttons to select the EQ curve icon and...

Page 149: ...l Use the CURSOR buttons to select the effects program name and press the ENTER button The 02R will switch to the EFFECT display function See Effects on page 108 of the User s Guide To return to the VIEW display function press the VIEW button again Library When the cursor is located on the LIB icon press the ENTER button to access the channel library You can also press the VIEW button again to ach...

Page 150: ...s the ENTER button The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program The box has two icons CANCEL and EXECUTE CANCEL is the default To cancel the STORE operation either press the ENTER button or wait about 10 seconds the STORE operation will be automatically cancelled To store your settings use the CURSOR buttons to select the EXECUTE icon...

Page 151: ...the Undo channel program U COPY This icon is used to copy the name of a library program Select the icon with the CURSOR buttons Use the encoder wheel to select a program and press the ENTER button The program name is copied into an edit buffer PASTE This icon is used to paste a program name previously selected with the COPY operation into the TITLE EDIT box Select the icon with the CURSOR buttons ...

Page 152: ...rogram and press the ENTER button The previous settings are restored Program Name Channel program names can be up to 16 characters long and can contain any of the following characters 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z ...

Page 153: ...r adjusting the parameters for the currently selected channel ATT The attenuator rotary icon is used to attenuate the channel level Operation for input channels 17 to 24 and MIC or TAPE channels configured as stereo pairs is as follows since only one attenuation control is displayed on the EQ page the attenuation functions of each channel are linked to preserve their relative settings If the chann...

Page 154: ...cy range F is 21 Hz to 15 1 kHz Note The attenuator rotary icon is adjusting the same parameter as in the ATT display function When you boost the gain of the equalization curve you may cause the overall signal level to reach CLIP Watch the level meters for the selected pair as you adjust the EQ values If CLIP is reached digital signal distortion will occur Q F G LOW HPF Peak 10 to 0 1 in 41 steps ...

Page 155: ...insert the equalization into the channel Reset the Gain You can reset the gain of each band to 0 0 dB by double clicking the corresponding LOW HPF L MID H MID or HIGH LPF buttons Reset the EQ You can reset all the values of the EQ for the selected channel Press and hold the LOW HPF button and then press the HIGH LPF button All the EQ values will be reset to their default Note You can customize you...

Page 156: ...Vocal 1 8 Percussion 28 Female Vocal 2 9 E Bass 1 29 Chorus Harmony 10 E Bass 2 30 Total EQ 1 11 Syn Bass 1 31 Total EQ 2 12 Syn Bass 2 32 Total EQ 3 13 Piano 1 33 Bass Drum 3 14 Piano 2 34 Snare Drum 3 15 E G Clean 35 Tom tom 2 16 E G Crunch 1 36 Piano 3 17 E G Crunch 2 37 Piano Low 18 E G Distortion 1 38 Piano High 19 E G Distortion 2 39 Fine EQ Cass 20 A G Stroke 1 40 Narrator Note The programs...

Page 157: ...ttons are used to select the character and the encoder wheel is used to change its value The bottom of the display contains the control button icons Use the CURSOR buttons to select from the STORE RECALL CLEAR COPY PASTE INS and DEL icons Exiting the Library Selecting the LIB icon and pressing the ENTER button switches back to the EQ 1 1 page You can also press the EQ button again Icons STORE This...

Page 158: ...ion dialog box asking if you want to clear the EQ program The box has two icons CANCEL and EXECUTE CANCEL is the default To cancel the CLEAR operation either press the ENTER button or wait about 10 seconds the CLEAR operation will be automatically cancelled To clear the EQ program use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The program is cleared If you change your...

Page 159: ...lls a program the previous settings are always preserved in the UNDO buffer If you discover you have made a mistake you can always recall the UNDO buffer displayed as U in the scrolling list of programs Use the CURSOR buttons to select the RECALL icon then rotate the encoder wheel until the UNDO buffer is the current program and press the ENTER button The previous settings are restored Program Nam...

Page 160: ... 10 0 7 0 1 F 177Hz 334Hz 2 37kHz 4 00kHz G 1 5dB 8 5dB 2 5dB 4 0dB 5 Tom tom 1 PEAKING PEAKING PEAKING PEAKING Emphasizes the attack of tom toms and creates a long leathery decay Q 1 4 10 1 2 0 28 F 210Hz 667Hz 4 49kHz 6 35kHz G 2 0dB 7 5dB 2 0dB 1 0dB 6 Cymbal L SHELF PEAKING PEAKING H SHELF Emphasizes the attack of crash cymbals extending the sparkling decay Q 8 0 9 F 105Hz 420Hz 1 05kHz 13 4kH...

Page 161: ... by using a compressor Q 5 6 10 0 7 F 223Hz 595Hz 3 17kHz 5 33kHz G 3 5dB 8 5dB 1 5dB 3 0dB 15 E G Clean PEAKING PEAKING PEAKING H SHELF Use for line recording an electric guitar or semi acoustic guitar to get a slightly hard sound Q 0 18 10 6 3 F 265Hz 397Hz 1 33kHz 4 49kHz G 2 0dB 5 5dB 0 5dB 2 5dB 16 E G Crunch 1 PEAKING PEAKING PEAKING PEAKING Adjusts the tonal quality of a slightly distorted ...

Page 162: ...cy Q 2 8 2 0 7 7 F 88Hz 841Hz 2 11kHz 4 49kHz G 2 0dB 1 0dB 1 5dB 3 0dB 25 Male Vocal 1 PEAKING PEAKING PEAKING PEAKING Use as a template for male vocal Adjust the HIGH or H MID setting according to the voice quality Q 0 11 4 5 0 56 0 11 F 187Hz 1 00kHz 2 00kHz 6 72kHz G 0 5dB 0 0dB 2 0dB 3 5dB 26 Male Vocal 2 PEAKING PEAKING PEAKING H SHELF This is a variation on program 25 Q 0 11 10 5 6 F 167Hz ...

Page 163: ...program 1 The low and mid range is removed Q 2 10 0 4 0 4 F 118Hz 315Hz 4 23kHz 20 1kHz G 3 5dB 10 0dB 3 5dB 0 0dB 34 Snare Drum 3 L SHELF PEAKING PEAKING PEAKING This is a variation on program 3 It creates rather thick sound Q 4 5 2 8 0 1 F 223Hz 561Hz 4 23kHz 4 00kHz G 0 0dB 2 0dB 3 5dB 0 0dB 35 Tom tom 2 L SHELF PEAKING PEAKING H SHELF This is a variation on program 5 Emphasizes the mid and hig...

Page 164: ... 8 F 74Hz 1 00kHz 4 00kHz 12 6kHz G 1 5dB 0 0dB 1 0dB 3 0dB 40 Narrator PEAKING PEAKING PEAKING H SHELF Use for recording a voice reading a text Q 4 7 0 63 F 105Hz 707Hz 2 52kHz 10 0kHz G 4 0dB 1 0dB 2 0dB 0 0dB Note The EQ programs were programmed for recording acoustic musical instruments If you are using them for a sampler synthesizer or rhythm machine adjust the parameters accordingly Note Pro...

Page 165: ...ser s Guide Surround Pan In this chapter About Surround Pan 64 Selecting a Surround Mode 65 Panning Sounds Freely 67 Panning Sounds Using the Trajectories 69 Linking Channels for Surround Pan 72 CSR Center Side Ratio 73 5 5 ...

Page 166: ...ments The following table shows how the surround channels are assigned to the 02R bus outs in each mode Connect the bus outs that correspond to the mode you are using to a surround sound monitoring system or recorder Use the DIGITAL I O 5 5 page to set the bus out to I O card assignments See Slot Output Select on page 194 While a surround mode is active buses 1 to 6 cannot be used for regular rout...

Page 167: ... rear right RR channels 1 Use the ROUTING button to locate the ROUTING 2 4 page 2 Use the CURSOR buttons to select the SURROUND icon and press the ENTER button A confirmation dialog box appears 3 Select EXECUTE and press the ENTER button 4 Use the CURSOR buttons to select a surround mode and press the ENTER button 5 To turn off the Surround function select the SURROUND icon and press the ENTER but...

Page 168: ...d Mode Six channel surround sound consisting of front left FL front center FC front right FR rear left RL rear right RR and subwoofer SW channels Ideal for Dolby AC 3 Surround authoring L Amps Recorder C R S Bus Out 1 Bus Out 2 Bus Out 3 Bus Out 4 DIGITAL RECORDING CONSOLE FL Amps Recorder FC FR SW RL RR Bus Out 1 Bus Out 2 Bus Out 3 Bus Out 4 Bus Out 5 Bus Out 6 DIGITAL RECORDING CONSOLE ...

Page 169: ...sional pan graph The pan position is indicated by a small circle Small speaker icons above and below the pan graph indicate the selected surround pan mode In this example two speakers at the front and two at the rear indicate that 2 2 surround mode is selected Below the pan graph are two parameters The left right parameter moves the sound from left to right The front rear parameter moves the sound...

Page 170: ...68 Surround Pan 02R User s Guide The TAPE page shown below contains surround pan controls for TAPE inputs 1 to 16 ...

Page 171: ... the rear indicate that 2 2 surround mode is selected Next to each speaker is a signal level meter indicating the master bus out level Selecting a speaker icon and then pressing the ENTER button makes the sound jump to that speaker In 3 2 1 mode a subwoofer level control is available on this page To quickly move a sound to the default position select the left right trajectory icon and double click...

Page 172: ...s show some typical front to rear trajectories Rear left to front right diagonal The sound moves on a diagonal trajectory from the rear left to the front right Width depth and offset can be set for this trajectory The following illustrations show some typical trajectories Front left to rear right diagonal The sound moves on a diagonal trajectory from the front left to the rear right Width depth an...

Page 173: ... from front to rear on a semicircular trajectory Use the width and depth parameters to set the size and shape of the semicircle The shape can be adjusted from a semicircle to a narrow oval Use the offset parameters to offset the trajectory to the left right front or rear The following illustrations show some typical trajectories Circle The sound moves on a circular trajectory Use the width and dep...

Page 174: ...her channel during subsequent automix recording Note ST LINK settings are not stored in channel library programs So when a channel program is recalled and the destination channel is using ST LINK the surround settings of the other linked channel are changed to match Also when the surround settings of a stereo channel are stored only the settings of the selected channel are stored 1 Use the ROUTING...

Page 175: ...tomate these parameters store the settings in a scene memory and use the automix to recall that When channels are linked using ST LINK the X Y pan movements of both channels are recorded regardless of which channel is selected CSR and subwoofer adjustments however are recorded only for the selected channel Of course if the channels are configured as a stereo pair CSR and subwoofer adjustments of b...

Page 176: ...sors 76 Preset Dynamics Programs 76 Compressor 77 Expander 79 Compander 80 Gate and Ducking 81 DYNAMICS Display Function 83 Patching in a Processor 84 Dynamics Processor Meters 85 KEY IN and LINK Indicators 86 Dynamics Library 87 Preset Dynamics Program Parameters 90 6 6 ...

Page 177: ...se are the preset dynamics programs No Program Name No Program Name 1 A Dr BD CMP 21 BrassSection CMP 2 A Dr BD EXP 22 Syn Pad CMP 3 A Dr BD GAT 23 SamplingPerc CPS 4 A Dr BD CPH 24 Sampling BD CMP 5 A Dr SN CMP 25 Sampling SN CMP 6 A Dr SN EXP 26 Hip Comp CPS 7 A Dr SN GAT 27 Solo Vocal1 CMP 8 A Dr SN CPS 28 Solo Vocal2 CMP 9 A Dr Tom EXP 29 Chorus CMP 10 A Dr OverTop CPS 30 Compander H CPH 11 E ...

Page 178: ...old results in a 2 dB change in output level Attack controls how soon the signal is compressed once the compressor has been triggered With a fast attack time the signal is compressed almost immediately With a slow attack time the initial transient of a sound passes through unaffected Out Gain sets the compressor s output signal level Compression tends to reduce the average signal level Out Gain ca...

Page 179: ...hes the threshold and gradually ends above the threshold Release determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold If the release time is too short the gain will recover too quickly causing level pumping noticeable gain fluctuations If it is set too long the compressor may not have time to recover before the next high level signal...

Page 180: ...w attack time the initial transient of a sound passes through unaffected Out Gain sets the expander s output signal level Knee sets the transition of the signal at the threshold With a hard knee the transition between unexpanded and expanded signal is immediate With the softest knee knee5 the transition starts before the signal reaches the threshold and gradually ends above the threshold Release d...

Page 181: ...k controls how soon the signal is companded once the compander has been triggered With a fast attack time the signal is companded almost immediately With a slow attack time the initial transient of a sound passes through unaffected Out Gain sets the compander s output signal level Width is used to determine the distance in decibels between the expander and the compressor With a width of 90 dB the ...

Page 182: ...he input signal falls below the threshold At a setting of 30 dB the gate only closes so far allowing an attenuated signal through At a setting of 0 dB the gate has no effect When signals are gated abruptly the sudden cutoff can sound odd For ducking a setting of 70 dB causes the signal to be virtually cutoff At a setting of 30 dB the signal is ducked by 30 dB At a setting of 0 dB the duck has no e...

Page 183: ...k time may sound abrupt Hold sets how long the gate stays open or the ducking remains active once the trigger signal has fallen below the threshold level Decay controls how fast the gate closes once the hold time has expired A longer decay time produces a more natural gating effect allowing the natural decay of an instrument to pass through For ducking this determines how soon the ducker returns t...

Page 184: ...r the currently selected channel pair The bottom of the page is split into two main sections The first section shows the channel KEY IN settings and LINK icons These settings can be changed using the CURSOR buttons the encoder wheel and ENTER button The second section contains the controls for adjusting the parameters for the currently selected channel There are rotary icons for the threshold rati...

Page 185: ...whether a dynamics processor is patched into just the left odd channel L right even channel R or both BOTH Prompt Value KEY IN SELF POST EQ SELF PRE EQ LEFT POST EQ LEFT PRE EQ AUX 1 AUX 2 ST LINK ON OFF IN BOTH L left odd R right even Note The DYNAMICS ON OFF KEY IN ST LINK and IN parameters are not stored in the dynamics programs These are individual channel or stereo pair parameters and are sto...

Page 186: ... has been triggered by the KEY IN signal and it shows the amount of signal level reduction For a gate the processor is active when the input signal is below the threshold So the GR meter operates when the input signal is below the threshold and also when there is no input signal Dynamics Graph The dynamics graph gives you a visual indication of how the parameters of the dynamics processor will eff...

Page 187: ...hat channel The only way you can select the output buses 1 through 8 is with this method The LINK icons duplicate the ST LINK prompt giving you a faster visual indication of the channel status Icon Meaning SELF POST EQ the trigger is taken from the current channel after the equalization SELF PRE EQ the trigger is taken from the current channel before equalization LEFT POST EQ the trigger is taken ...

Page 188: ...ital statistics such as Attack Hold Decay and so forth Beside the list of dynamics programs is the TITLE EDIT field The CURSOR buttons are used to select the character and the encoder wheel is used to change its value The bottom of the page contains several icons Use the CURSOR buttons to select from the STORE RECALL CLEAR COPY PASTE INS and DEL icons Exiting the Library Selecting the LIB icon and...

Page 189: ...o clear the contents of a dynamics program Use the CURSOR buttons to select the icon Use the encoder wheel to select a dynamics program and press the ENTER button The 02R displays a confirmation dialog box asking if you want to clear the dynamics program The dialog box has two icons CANCEL and EXECUTE CANCEL is the default To cancel the CLEAR operation either press the ENTER button or wait about 1...

Page 190: ... cursor location Select the icon with the CURSOR buttons and press the ENTER button UNDO Operation When the 02R stores or recalls a program the previous settings are always preserved in the UNDO buffer If you discover you have made a mistake you can always recall the UNDO buffer displayed as U in the scrolling list of programs Use the CURSOR buttons to select the RECALL icon then rotate the encode...

Page 191: ... purpose as program 1 Ratio 1 1 7 Attack ms 1 Outgain dB 3 5 Knee 2 Release ms 70 3 A Dr BD GAT Gate Threshold dB 11 Gate for the same purpose as program 1 Range dB 53 Attack ms 0 Hold ms 1 93 Decay ms 400 4 A Dr BD CPH CompanderH Threshold dB 11 Hard compander for the same purpose as program 1 Ratio 1 3 5 Attack ms 1 Outgain dB 1 5 Width dB 7 Release ms 192 5 A Dr SN CMP Compressor Threshold dB 1...

Page 192: ...ck and ambience of cymbals using overhead microphones It automatically reduces the volume when the cymbals are not played helping differentiate the bass and snare drums clearly Ratio 1 2 Attack ms 38 Outgain dB 3 5 Width dB 54 Release ms 842 11 E B finger CMP Compressor Threshold dB 12 Compressor to equalize the attack and volume level of a finger picked electric bass guitar Ratio 1 2 Attack ms 15...

Page 193: ...uitar CMP Compressor Threshold dB 10 A variation on program 16 intended for acoustic guitar playing rhythm chords or arpeggios Ratio 1 2 5 Attack ms 5 Outgain dB 1 5 Knee 2 Release ms 238 18 Strings1 CMP Compressor Threshold dB 11 Compressor for string instruments This program was intended for violins Ratio 1 2 Attack ms 33 Outgain dB 1 5 Knee 2 Release ms 749 19 Strings2 CMP Compressor Threshold ...

Page 194: ...1 7 Attack ms 8 Outgain dB 2 5 Width dB 18 Release ms 238 24 Sampling BD CMP Compressor Threshold dB 14 A variation on program 23 intended for sampled bass drum sounds Ratio 1 2 Attack ms 2 Outgain dB 3 5 Knee 4 Release ms 35 25 Sampling SN CMP Compressor Threshold dB 18 A variation on program 23 intended for sampled snare drum sounds Ratio 1 4 Attack ms 8 Outgain dB 8 0 Knee hard Release ms 354 2...

Page 195: ...Threshold dB 8 A template for the soft knee compander program Ratio 1 4 Attack ms 25 Outgain dB 0 0 Width dB 24 Release ms 180 32 Click Erase EXP Expander Threshold dB 33 Expander to remove click track sounds that may bleed out of the monitor headphones the musicians are using Ratio 1 2 Attack ms 1 Outgain dB 2 0 Knee 2 Release ms 284 33 Announcer CPH CompanderH Threshold dB 14 Hard compander redu...

Page 196: ...K STOP type Ratio 1 Attack ms 0 Outgain dB 0 0 Knee hard Release ms 319 38 Total Comp1 CMP Compressor Threshold dB 8 Compressor intended to reduce the overall volume level Use for the stereo out during mixdown It is also interesting on stereo input signals Ratio 1 2 5 Attack ms 60 Outgain dB 0 0 Knee 2 Release ms 1 12 S 39 Total Comp2 CMP Compressor Threshold dB 18 A variation of program 38 It has...

Page 197: ...xiliary Channels 97 02R User s Guide Auxiliary Channels In this chapter About the 02R Auxiliaries 98 The AUX Buttons 99 Stereo Input Channels 101 AUX ON Button 101 AUX Pre or Post 101 Monitor Mix 102 7 7 ...

Page 198: ...to AUX 6 buttons set the auxiliary send levels to the corresponding auxiliary bus You can also select whether to send the signal pre or post fader The AUX 7 and AUX 8 buttons also set the send levels to the corresponding auxiliary bus and can select pre or post fader However these two sends are routed to the internal effects unit Therefore the buttons also allow you to select and set the effects p...

Page 199: ...gnal level to the auxiliary bus The method of working with these controls is different than working with the DISPLAY ACCESS AUX buttons Note Avoid blocking the fader movements when the faders move to their auxiliary send positions by placing objects on the 02R It is possible to damage the faders Note When you press the FLIP button the faders will automatically move to the levels of the opposite ch...

Page 200: ...send level with the SEND LEVEL encoder AUX Pages The channel aux send level controls for each aux send are displayed on two pages The first page shown below shows aux controls for MIC LINE channels 1 to 24 Select this page using a MIC LINE SEL button The second page shows aux controls for TAPE channels 1 to 16 and effects returns 1 and 2 Select this page using a TAPE or EFF RTN SEL button SEND LEV...

Page 201: ...ontinues to show the current level setting for the channel but the text underneath the icon switches to OFF giving you a quick visual indicator of the channel send status The LED inset in the ON button is illuminated when the send for a channel is turned on AUX Pre or Post The auxiliary sends can be configured as pre fader or post fader This setting can be changed by selecting a channel with a SEL...

Page 202: ...rhythm section the bass player and the drummer may want to hear the kick drum at a much higher volume than you need in the control room To cater to this requirement the 02R allows you to create a monitor mix using either AUX 5 or AUX 6 Use the STUDIO buttons to select the monitor signal sent to the studio monitor system You can monitor the signal on the stereo bus with the ST button or select the ...

Page 203: ...rnal Effects 103 02R User s Guide Internal Effects In this chapter About Effects 104 Preset Effects Programs 105 AUX 7 and AUX 8 106 Effects 108 Effects Library 109 Preset Effects Program Parameters 112 8 8 ...

Page 204: ...console The AUX 7 and AUX 8 buttons are routed to the internal effects unit Use them to set the send levels to the corresponding effects unit and select pre or post fader These buttons also allow you to select and set the effects parameters The channel aux send level controls for each aux send are displayed on two pages The first page shows MIC LINE aux controls The second TAPE and effects returns...

Page 205: ...GE 25 CHORUS DLY LCR 6 REVERB PLATE 26 MONODLY CHORUS 7 REV AMBIENCE1 27 STEREO INI DLY ECHO 8 REV AMBIENCE2 28 ECHO 9 REV LIVE ROOM1 29 CROSS ECHO 10 REV LIVE ROOM2 30 CROSS DELAY 11 REVERB VOCAL1 31 CHORUS1 12 REVERB VOCAL2 32 CHORUS2 13 REV SN ROOM 33 BROAD CHORUS 14 REV SN PLATE 34 FLANGE 15 CHORUS REVERB 35 SYMPHONIC 16 FLANGE REVERB1 36 TREMOLO 17 FLANGE REVERB2 37 AUTO PAN 18 EARLY REF 1 38...

Page 206: ...s different than working with the DISPLAY ACCESS AUX buttons Select a channel with the SEL buttons Select the auxiliary bus with the AUX 1 through AUX 8 EFF 2 buttons Turn the send on or off with the ON button Adjust the send level with the SEND LEVEL encoder Note Avoid blocking the fader movements when the faders move to their auxiliary send positions by placing objects on the 02R It is possible ...

Page 207: ... shown below shows aux controls for MIC LINE channels 1 to 24 Select this page using a MIC LINE SEL button The second page shows aux controls for TAPE channels 1 to 16 and a single effects return To prevent a feedback loop AUX 7 cannot be sent to Effect 1 and AUX 8 cannot be sent to Effect 2 Select this page using a TAPE or EFF RTN SEL button ...

Page 208: ...ge shows the controls for adjusting the parameters for the currently selected channel These control parameters change depending on the selected effects Use the cursor buttons to select the desired icon and adjust its value with the encoder wheel Note Only one effects program can run on an effects processor This means that all the channel auxiliary sends that are set to for example AUX 7 will be pr...

Page 209: ...der wheel is used to scroll through the program list Beside the list of effects programs is the EFFECT TYPE field and below that is the TITLE EDIT field The cursor buttons are used to select the characters in the title and the encoder wheel is used to change the value The bottom of the page contains several icons Use the cursor buttons to select from the STORE RECALL CLEAR COPY PASTE INS and DEL i...

Page 210: ...ct the icon with the CURSOR buttons Use the encoder wheel to select a program and press the ENTER button The recalled program is now the current program CLEAR This icon is used to clear the contents of an effects program Use the CURSOR buttons to select the icon Use the encoder wheel to select an effects program and press the ENTER button The 02R displays a confirmation asking if you want to clear...

Page 211: ...buttons and press the ENTER button DEL This icon is used to delete characters from the TITLE EDIT box at the current cursor location Select the icon with the CURSOR buttons and press the ENTER button UNDO Operation When the 02R stores or recalls a program the previous settings are always preserved in the UNDO buffer If you discover you have made a mistake you can always recall the UNDO buffer disp...

Page 212: ... THRU THRU 8 0kHz High pass filter cutoff frequency Rev Dly 18 0ms 0 1 85 0ms Delay between early reflections and reverb Rev Bal 50 0 100 Reverb balance The amount of reverb Program 2 REVERB HALL2 This is a variation of program 1 It emphasizes longer reverberation and spaciousness Parameter Setting Range Description Rev Time 3 2s Same as program 1 Same as program 1 Hi Ratio 0 7 Diff 8 Ini Dly 38 0...

Page 213: ...l amount of this effect to an entire mix will create the feel of live acoustic environment Parameter Setting Range Description Rev Time 3 4s Same as program 1 Same as program 1 Hi Ratio 0 9 Diff 8 Ini Dly 45 0ms Density 3 LPF THRU HPF 70Hz Rev Dly 9 0ms Rev Bal 50 Program 6 REVERB PLATE This simulates an old steel plate reverb and is effective on vocals or musical instruments especially percussion...

Page 214: ...Diff 8 Ini Dly 19 0ms Density 3 LPF 9 0kHz HPF 45Hz Rev Dly 4 0ms Rev Bal 50 Program 8 REV AMBIENCE2 This is a variation on program 7 Parameter Setting Range Description Rev Time 0 8s Same as program 1 Same as program 1 Hi Ratio 0 6 Diff 8 Ini Dly 0 1ms Density 3 LPF THRU HPF 56Hz Rev Dly 0 1ms Rev Bal 50 Program 9 REV LIVE ROOM1 This simulates reverberation in much larger rooms Parameter Setting ...

Page 215: ... This is useful for vocal and chorus Parameter Setting Range Description Rev Time 1 8s Same as program 1 Same as program 1 Hi Ratio 0 4 Diff 3 Ini Dly 19 0ms Density 3 LPF 6 3kHz HPF 110Hz Rev Dly 10 0ms Rev Bal 100 Program 12 REVERB VOCAL2 This has longer reverberation than program 11 This could be suitable for ballads Parameter Setting Range Description Rev Time 2 8s Same as program 1 Same as pr...

Page 216: ...15 CHORUS REVERB Stereo chorus followed by reverb This program will change a dry sound into a warm sound with spread Use the reverb Depth parameter to adjust the amount of reverberation Parameter Setting Range Description Freq 4 5Hz 0 1 40 0Hz Modulation frequency Depth 14 0 100 Modulation depth The amount of modulation Mod Dly 7 3ms 0 0 255 0ms Modulation delay The delay time before modulation be...

Page 217: ... Reverb depth The amount of reverb Program 17 FLANGE REVERB2 This is a variation of program 16 Parameter Setting Range Description Freq 3 3Hz Same as program 16 Same as program 16 Depth 9 FB Gain 63 Mod Dly 0 4ms Rev Time 1 4s Diff 8 Ini Dly 9 1ms LPF 9 0KHz HPF 45Hz Depth 56 Program 18 EARLY REF 1 Simulates early reflections only It can create a wide range of effects from gate reverb to ambience ...

Page 218: ...veness 8 0 10 Rate at which reflected sounds fade or decay Diff 7 0 10 Reverb diffusion Ini Dly 0 1ms 0 1 200 0ms Initial delay between the direct sound and early reflections ER Num 15 1 15 Number of early reflections Hi Ratio 0 8 0 1 1 0 High frequency decay ratio FB Gain 0 99 to 99 Feedback gain The amount of signal returned to the effect LPF 12 0kHz 1 0kHz THRU Low pass filter cutoff frequency ...

Page 219: ...ay with independent delay time parameters for left right and center Parameter Setting Range Description Dly L 125 0ms 0 1 1000 0ms Left channel delay time Dly R 250 0ms 0 1 1000 0ms Right channel delay time Dly C 500 0ms 0 1 1000 0ms Centre channel delay time Level C 57 100 to 100 Centre delay volume level FB Dly 125 0ms 0 1 1000 0ms Feedback delay The delay time before feedback starts FB Gain 20 ...

Page 220: ... 0ms Delay time FB Gain 32 99 to 99 Feedback gain The amount of signal returned to the effect LPF THRU 1 0kHz THRU Low pass filter cutoff frequency HPF THRU THRU 8 0kHz High pass filter cutoff frequency Freq 0 4Hz 0 1 40 0Hz Chorus modulation frequency Mod Dly 0 1ms 0 0 255 0ms Chorus delay The delay time before modulation starts EQ F 315Hz 160Hz 8 0kHz Equalizer frequency EQ G 0dB 12 to 12dB Equa...

Page 221: ... the direct sound and early reflections L R Bal 0 0 100 Feeds left channel signal back to the right channel R L Bal 0 0 100 Feeds right channel signal back to the left channel Program 29 CROSS ECHO The echo feedback signal crosses from left to right and from right to left Parameter Setting Range Description Dly L 200 0ms Same as program 28 Same as program 28 FB G L 40 Dly R 350 0ms FB G R 40 Hi Ra...

Page 222: ... 12 to 12dB Equalizer signal gain HSF F 4 0kHz 1 0 10 0kHz High shelving filter frequency HSF G 1dB 12 to 12dB High shelving filter gain Program 32 CHORUS2 This is a variation on program 31 The modulation is much thicker and shimmering Parameter Setting Range Description Freq 0 6Hz Same as program 31 Same as program 31 AM Depth 49 PM Depth 35 LSF F 220Hz LSF G 0dB Mod Dly 12 1ms EQ F 560Hz EQ G 0d...

Page 223: ...0 6Hz 0 1 40 0Hz Modulation frequency Depth 8 0 100 Modulation depth Mod Dly 2 4ms 0 0 255 0ms Modulation delay The delay time before modulation starts LSF F 63Hz 32Hz 1 0kHz Low shelving filter frequency LSF G 0dB 12 to 12dB Low shelving filter gain EQ F 500Hz 160Hz 8 0kHz Equalizer frequency EQ G 0dB 12 to 12dB Equalizer signal gain HSF F 6 3kHz 1 0 10 0kHz High shelving filter frequency HSF G 2...

Page 224: ...nal returned to the effect Offset 32 0 100 Phase offset The amount that the signal phase is offset Stage 4 4 6 8 Stage of phase LSF F 250Hz 32Hz 1 0kHz Low shelving filter frequency LSF G 2dB 12 to 12dB Low shelving filter gain HSF F 3 6KHz 1 0 10 0kHz High shelving filter frequency HSF G 1dB 12 to 12dB High shelving filter gain Program 39 ST PITCH CHANGE Two part stereo pitch shifter This stereo ...

Page 225: ...CAL DOUBLER This is a thin harmonizing effect obtained by setting a longer delay Parameter Setting Range Description Pitch 0 Same as program 39 Same as program 39 Fine 1 5 Fine 2 10 Out 1 100 Out 2 100 Pan 1 L6 Pan 2 R6 FB G 1 10 FB G 2 10 Delay 60 0ms ...

Page 226: ...this chapter What are Scene Memories 128 What is Stored in a Scene Memory 129 What is the Edit Buffer 129 Initial Data and UNDO Memory 129 Storing Mix Scenes 130 Naming a Scene Memory 131 Recalling Scene Memories 134 Fader Recall Safe 135 Fade Time 136 9 9 ...

Page 227: ...he number and status of the scene memory is shown in the SCENE MEMORY LED beside the display When you select a new scene memory with the SCENE MEMORY increment or decrement buttons the number in the scene memory indicator flashes Use the RECALL button to load the selected scene memory into the current edit buffer When you first change a parameter in the recalled memory the Edit Indicator starts to...

Page 228: ...e SCENE MEMORY indicator on the display starts to flash This indicates that the current mix settings those in the Edit Buffer do not match those of the scene memory previously recalled Initial Data and UNDO Memory The 02R has two special scene memory locations Scene number 0 zero and scene number U are read only memory locations Scene number 0 Initial Data contains the initial mix settings for the...

Page 229: ...conds the STORE operation will be automatically cancelled A prompt indicating the operation has been cancelled will flash momentarily on the display To store your settings use the CURSOR buttons to select the EXECUTE icon and press the ENTER button The program is stored YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX Reorganizing Scene Memories By recalling a scene mem...

Page 230: ...ow the character table are four icons Use the CURSOR buttons to select from the INSERT DELETE COPY or PASTE icons Below these are the scene memory CLEAR icon and scene memory memory free indicator Scene memory memory is displayed as a percentage If these is not enough memory to store a scene memory the message Scene Memory Area Full appears At the bottom of the right side of the display is the Mem...

Page 231: ...ess the ENTER button The scene memory name is pasted from the edit buffer into the title edit box replacing any text that was there You can then edit the text to create a unique scene memory name CLEAR This icon is used to clear the contents of a scene memory Use the CURSOR buttons to select the icon Use the encoder wheel to select a scene memory and press the ENTER button The 02R displays a confi...

Page 232: ...Scene Memories 133 02R User s Guide If you change your mind the cleared mix scene can be retrieved by recalling the Undo scene memory U ...

Page 233: ...ies are recalled using the RECALL button They can also be recalled using MIDI Program Changes Note When you recall a scene memory all mix settings in the Edit Buffer current mix scene are overwritten You may want to store the Edit Buffer to an unused scene memory before recalling just in case Note When recalling mix scenes be aware that volume levels may change suddenly as channels are switched ON...

Page 234: ...cene memory see Storing Mix Scenes on page 130 of the User s Guide Restoring the Faders To restore the fader movements select the DISABLE option and press the ENTER button Reset the fader levels Then store the scene memory again see Storing Mix Scenes on page 130 of the User s Guide Note If you DISABLE the fader recall safe or switch off the individual channels and then store the scene memory be a...

Page 235: ... each You can set the fade time from 0 0 sec to 10 0 sec In order for the fade time you set to have any effect you must store the scene memory see Storing Mix Scenes on page 130 of the User s Guide Note If you double click the ENTER button on a selected channel all the channels will be set to the same fade time as that channel 1 Use the SCENE MEMORY button to locate the SCENE 3 5 page 2 Select the...

Page 236: ...n this chapter What is the Automix Function 138 What is Timecode 140 Automix Function 143 Automix Main 144 Memory Management 148 Fader Edit 151 Event Copy 153 Event Edit Scene Lib 155 Event Edit CH ON PAN FADER 156 Time Signature 156 10 10 ...

Page 237: ...nges also determined by timecode This allows you to perform an entire mixing session and then edit individual channel settings until you have achieved a perfect mix What is Stored in an AUTOMIX Memory An AUTOMIX memory starts with a scene memory and a start time As each parameter is adjusted the adjustment and the associated time is recorded in memory The following parameters can be recorded in an...

Page 238: ... You can store the current mix in any of the 16 automix memories The default memory capacity of the 02R is 480K Total size of the current mix and the 16 AUTOMIX memories should be under 480K If you find yourself running out of memory you can download unused AUTOMIX memories to a storage device such as a MIDI data filer then clear the memories You can also expand the available memory with 1 MB expa...

Page 239: ...SMPTE or MTC timecode to allow the automix to synchronize with the data on the recorder or sequencer Using SMPTE Timecode SMPTE timecode is a synchronization signal developed for the film and television industries Society of Motion Picture and Television Engineers It is normally implemented as timing pulses converted into an audio signal and recorded onto tape or film Some devices are able to tran...

Page 240: ...es seconds frames in the same fashion as SMPTE MTC is an alternate method of transferring the timecode data from one device to another Use MTC when you want to synchronize an 02R automix with MIDI sequencers or a multitrack recorder that has MTC output jacks Use a MIDI cable to plug the MTC output connector of the controlling device into the TIME CODE INPUT MTC connector on the back of the 02R The...

Page 241: ... sequencer that does not support MTC Use a MIDI cable to connect the MIDI OUT connector of the controlling device to the TIME CODE INPUT MTC connector on the back of the 02R Note When transmitting MTC to the 02R you should use a dedicated output on the connected device Otherwise the 02R has to discard MIDI playback data and other extraneous information decreasing the accuracy of the timecode data ...

Page 242: ...this page 4 7 Event Copy The Event Copy page allows you to copy move extract and trim the level of automix events 5 7 Event Edit Scene Lib The Event Edit Scene Lib page allows you to duplicate and delete mix scene and library recall events and insert new events Timecode addresses can be captured on the fly and new events inserted at the captured points 6 7 Event Edit CH ON PAN FADER The Event Edit...

Page 243: ...row contains the automix transport icons Select from the following AUTOREC recording starts when the 02R receives timecode REC places the 02R in record ready mode PLAY starts playback of the automix program when timecode is received STOP stops recording or playback ABORT stops recording and discards any data recorded 1 Use the AUTOMIX button to locate the AUTOMIX 1 7 page 2 Select the INT Start Ti...

Page 244: ...e references offset is specified in hours minutes seconds and frames For MIDI it s specified in bars beats MIDI clocks and Time Signature Timecode Type and Frame Rate Select the timecode type from the following list SMPTE timecode MTC MIDI Timecode INT internal SMPTE MIDI MIDI Clock Select the timecode frame rate from the following list 24 frames per second 25 frames per second 29 97 frames per se...

Page 245: ...been pressed If the parameter has been selected and the channel SEL button has been pressed automix playback for that parameter will be stopped and you can record new data Fader Edit Edit Out Modes Real time fader edits can be performed in either Absolute or Relative mode These modes determine how existing data interacts with real time automix edits These modes can also be combined with the END an...

Page 246: ...con when timecode is being received and the AUTOMIX is stopped will play back the automix Selecting this icon while the 02R is in record ready mode will start a punch in recording STOP Selecting this icon will stop the playback and or recording of the AUTOMIX When recording is stopped the data will be stored as the new current mix ABORT Selecting this icon will stop the playback or recording of th...

Page 247: ...real time edit Overwrite status FADER CH ON PAN EQ SURROUND The second row allows you set the Edit Out to END or RET Beside that is the timecode counter and the Free memory indicator At the end of the row are the UNDO which allows you to undo the last edit operation and NEW which creates a new automix in the current buffer icons The last row on the bottom contains the automix transport icons AUTOR...

Page 248: ...at the current cursor location Select the icon with the CURSOR buttons and press the ENTER button AUTOMIX Memory Edit Functions STORE This icon is used to store the current AUTOMIX program to the library Select the icon with the CURSOR buttons Use the encoder wheel to select an AUTOMIX program and press the ENTER button The 02R displays a confirmation dialog box asking if you want to store your se...

Page 249: ... CLEAR delete the data located in the currently selected AUTOMIX memory location You cannot undo the CLEAR function A CLR delete all the data from all AUTOMIX memory locations You cannot undo the ALL CLEAR function UNDO This operation allows you to undo the following conditions updating the automix after recording has been stopped via the STOP transport function or due to the interrupted timecode ...

Page 250: ... of an automix The fader levels will still change according to the recording but the faders will not move Fader Edit Fader Edit Out Modes Real time fader edits can be performed in either Absolute or Relative mode and can also be combined with the END and RET Edit Out options The END option works with the Overwrite parameters FADER CH ON PAN EQ SURROUND aux send level or MIDI Remote RET works only ...

Page 251: ...s to the position previously recorded at the point recording stops and remains at that position all the way to the end of the automix data i e data up to the end of the automix is rewritten to accommodate the fader position returned to when recording is stopped Using the END option in Relative mode allows you to apply a relative level change to all fader events for a channel through to the end of ...

Page 252: ...ene memory recall events AUX 1 8 Channel aux send events faders rotary encoders REMOTE 1 4 MIDI Remote events SURR Surround pan events EQLIB EQ library program recall events CHLIB Channel library program recall events DYLIB Dynamics library program recall events EFLIB Effects library program recall events With a channel icon or parameter icon selected double clicking the ENTER button display the f...

Page 253: ... only one channel is selected as a source you can specify the destination channel using the channel parameter next to Copy To The destination channel can be selected from MIC 1 to 16 TAPE 1 to 16 LINE 17 to 23 or EFF 1 or 2 Move Merge The Move function allows you to move the selected parameters from the selected channels between the In Time and Out Time points to the Copy To point When the MOVE ic...

Page 254: ...sted useful for editing an automix consisting of many events When the SYNC icon is pressed events occurring around the current timecode address are displayed The timecode counter below the SYNC icon displays the incoming timecode When the CAPTURE icon below that is pressed the current timecode address is captured and displayed in the window below Up to eight timecode addresses can be captured and ...

Page 255: ...ssed events occurring around the current timecode address are displayed The timecode counter below the SYNC icon displays the incoming timecode When the CAPTURE icon below that is pressed the current timecode address is captured and displayed in the window below Up to eight timecode addresses can be captured and they are stored when the 02R is turned off The parameter next to the CAPTURE icon is u...

Page 256: ...MIDI 157 02R User s Guide MIDI In this chapter MIDI and the 02R 158 Setup 159 Program Change Assign 160 Bulk Dump Request 161 Fader Start 163 MIDI Control Change Assign 164 MIDI Remote 165 11 11 ...

Page 257: ...p and transfer between 02Rs page 161 MTC MIDI Timecode for automix synchronization page 144 Note On Off for fader start page 163 MIDI Remote for remote device control from the 02R page 165 MIDI Machine Control MMC page 168 Bulk Dump The 02R can send or receive the following types of bulk data Scene Memories Automix Memories Effect Library Programs Dynamics Library Programs EQ Library Programs Chan...

Page 258: ... the corresponding channel Transmit Channel Use these functions to set the Transmit Channel and select whether the 02R will transmit Program Change and Parameter Change messages OMNI Use this function to select whether the 02R will receive Program Change messages regardless of the Receive Channel setting This parameter is enabled when it is highlighted Echo Use this function to select whether the ...

Page 259: ...ange Assign table back to its default mapping UNDO The UNDO command restores the Program Change Assign table to its previous state Backup You can create a Program Change Assign table and save it to a data storage device such as a MIDI data filer by executing the Program Change Assign table Bulk Dump command 1 Use the MIDI button to locate the MIDI 2 5 page 2 Select a Program Change number with the...

Page 260: ...em Setup Program Change Assign Table Number For all of the data types except the System Setup and Program Change Assign Table data you can select the number of the program or memory you want to dump or request The list shows the program number and its corresponding name Execute There are four commands you can execute 1 Use the MIDI button to locate the MIDI 3 5 page 2 Select the TYPE of data you w...

Page 261: ...mitted to the connected MIDI device REQUEST ALL the 02R will request all the programs or memories of the selected data type from the connected MIDI device When you execute one of the above commands the 02R displays its current status in the STATUS field at the bottom of the display You can abort a bulk data transmission by moving the cursor with the CURSOR buttons Important Do not turn off the 02R...

Page 262: ...is function is intended for use with stereo sound sources That s why only the odd numbered channels 9 11 13 and 15 cause a MIDI Note on message to be transmitted Paired mono input channels 9 to 16 and the stereo channels 17 to 24 provide up to eight stereo pairs for use with Fader Start MIDI Note messages are transmitted on the Transmit Channel set on the MIDI 1 5 page MIDI Note On Messages are of...

Page 263: ...t Control Change number 0 to 95 and 102 to 119 parameter type FADER ON PANPOT BALANCE SURROUND and EQ channel type CHANNEL AUX 1 8 SEND and channel number MIC 1 16 LINE 17 24 TAPE 1 16 EFF1 EFF 2 ST MASTER Parameters can be reset to the initial assignments using the 02R Initialize function In addition Control Change to parameter maps for Yamaha s Programmable Mixer 01 and 03D Digital Mixing Consol...

Page 264: ...ment can be controlled from the 02R Bus Aux Master controls bus and send levels on 02R MIDI Machine Control Digital mixers Yamaha Programmable Mixer 01 02R 03D GM tone generator XG tone generator Digital effects processors Yamaha ProR3 REV500 Pro Tools MIDI Remote Connections Remote equipment is connected to the 02R using the MIDI IN and OUT connections Two typical setups are shown below 02R MIDI ...

Page 265: ...dition 02R faders rotary encoders ON buttons MIC LINE SEL buttons 1 to 16 CURSOR buttons and encoder wheel To remind you of this the message REMOTE flashes at the bottom of the MIDI 5 5 page The various remote configurations are explained on the following pages 1 Use the MIDI button to locate the MIDI 5 5 page The FLIP button flashes To get to the MIDI 5 5 quickly hold down the FLIP button for abo...

Page 266: ...reak bus and aux pairs To make a pair press and hold the SEL buttons of both channels When the Make Pair dialog box appears select EXECUTE to pair the channels Which channel s settings are copied to the other channel depends on which SEL button you press first For example if you press the MIC 1 SEL button and then MIC 2 SEL button the settings of the bus 1 channel are copied to the bus 2 channel a...

Page 267: ...l and TAPE ON buttons 1 to 8 are used to locate the specified points These locate points are linked with the capture buffers in Automix mode and when time code is inputted press the ENTER button while the cursor is on the locate point number to capture the time code Time reference and frame rate are also linked with the Automix mode Set the Device Number DEVICE NO to match that assigned to the MMC...

Page 268: ... and Receive Channel settings on the 02R s MIDI 1 5 page On the Programmable Mixer 01 s CONTROL CHANGE ASSIGN page set the Control Change mode to REGISTER as shown below 02R Controls Parameters on the Programmable Mixer 01 Faders MIC 1 16 Channel levels 1 16 17 18 Stereo input level STEREO Stereo output level Rotary encoders TAPE 1 16 Input channel pans 1 16 EFF1 EFF2 Effects returns levels 1 2 ON...

Page 269: ...d the settings from the Programmable Mixer 01 are copied to the 02R Scene memories on the Programmable Mixer 01 can be recalled from either page To do this use the PGM parameter to select a MIDI Program Change from 0 to 127 When the RCL icon is pressed the corresponding scene memory is recalled on the Programmable Mixer 01 and the 02R controls move to their new positions The SCENE number and TITLE...

Page 270: ... shown below Set the MIDI Receive and Transmit Channels to match those of the controlling 02R 02R Controls Parameters on the 02R Digital Mixing Console Faders MIC 1 16 MIC levels 1 16 LINE 17 24 LINE levels 17 24 STEREO Stereo output level Rotary encoders TAPE 1 16 TAPE levels 1 16 EFF1 EFF2 Effects returns levels 1 2 ON buttons MIC 1 16 MIC on off 1 16 LINE 17 24 LINE on off 17 24 EFF1 EFF2 Effec...

Page 271: ...om the remote 02R are copied to the controlling 02R Scene memories on the remote 02R can be recalled from either page To do this use the PGM parameter to select a MIDI Program Change from 0 to 127 When the RCL icon is pressed the corresponding scene memory is recalled on the remote 02R and the controlling 02R controls move to their new positions The SCENE number and TITLE parameters do not change ...

Page 272: ... the MIDI Receive and Transmit Channels to match those of the 02R 02R Controls Parameters on the 03D Digital Mixing Console Faders MIC 1 16 Channel levels 1 16 17 18 Stereo input level STEREO Stereo output level Rotary encoders TAPE 1 16 Input channel pans 1 16 EFF1 EFF2 Effects returns levels 1 2 ON buttons MIC 1 16 Channel on off 1 16 EFF1 EFF2 Effects returns on off 1 2 17 18 Stereo input on of...

Page 273: ...CT function is used the settings from the 03D are copied to the 02R Scene memories on the 03D can be recalled from either page To do this use the PGM parameter to select a MIDI Program Change from 0 to 127 When the RCL icon is pressed the corresponding scene memory is recalled on the 03D and the 02R controls move to their new positions The SCENE number and TITLE parameters do not change until the ...

Page 274: ...s used the settings displayed on the 02R are transmitted to the General MIDI tone generator The Part On Off function controlled using the 02R ON buttons is not in the GM specification To turn a tone generator part off the 02R transmits a Volume message wit h a zero value To turn a tone generator part on the 02R transmits a Volume message with a value corresponding to the VOL fader displayed on the...

Page 275: ...setting is made using the PAN REV and CHO icons When the 02R or XG tone generator is first connected or turned on use the CONNECT function to update the 02R controls so that they match those of 02R Controls Parameters on the XG Tone Generator Faders MIC 1 16 Part Volumes 1 16 17 32 LINE 17 18 Part Volume AD 1 LINE 19 20 Part Volume AD 2 LINE 21 22 Part Volume Reverb return LINE 22 23 Part Volume C...

Page 276: ... CONNECT function is used the settings from the XG tone generator are copied to the 02R If you use this page to control an XG MIDI sequencer for example the Yamaha QY700 on the MIDI 1 5 page of the 02R disable the Program Change and Control Change parameters ...

Page 277: ...ceive MIDI messages in Utility mode so press the PGM button to return to Program mode Apart from the number and type of parameters the ProR3 and REV500 remote pages are essentially the same As well as remote parameter control the 02R can be used to recall reverb programs To do this use the PGM parameter to select a reverb program When the RCL icon is pressed the corresponding reverb program is rec...

Page 278: ...2R or ProR3 REV500 is first connected or turned on use the CONNECT function to update the 02R controls so that they match those of the ProR3 REV500 When the CONNECT function is used the settings from the ProR3 REV500 are copied to the 02R ...

Page 279: ...roller area of the Peripheral dialog box select CS 10 as the Device Set the Port parameter accordingly With Pro Tools version 4 0x or later up to 16 tracks can be controlled from the 02R With earlier versions only eight tracks can be controlled Use the cursor buttons to select the Rewind Fast Forward Stop Play and Record transport icons and the ENTER button execute each function Note that ON butto...

Page 280: ...Groups and Pairs 181 02R User s Guide Groups and Pairs In this chapter Grouping Faders 182 Grouping Mutes 183 Pairing Channels 184 MS Decoding 186 12 12 ...

Page 281: ...ing the ENTER button The LEDs inset in the SEL buttons of the faders in the group will flash and they will be ungrouped temporarily allowing you to adjust the individual fader levels If you try to operate multiple faders the first fader you select will have priority It is possible to upset the relative positions of the faders if you attempt to operate more than one at a time Note A fader can only ...

Page 282: ...abling the group by selecting the corresponding icon a group is enabled when its icon is highlighted and pressing the ENTER button The LEDs inset in the SEL buttons of the channels in the group will flash and they will be ungrouped temporarily allowing you to adjust the individual channel status of the group members Note A channel can only be assigned to one group If you attempt to assign a channe...

Page 283: ... and MIC LINE channels 1 to 16 The following functions are linked when TAPE or MIC LINE channels are paired Faders and encoders Aux 1 8 send levels Aux 1 8 on off Aux 1 8 pre post Delay on off Delay parameters EQ parameters Dynamics parameters Fader group and mute group Fade time Recall safe Solo on off Surround CSR and subwoofer 1 Use the PAIR button to locate the PAIR 1 2 page 2 Use the CURSOR b...

Page 284: ...ns of both channels When the Make Pair dialog box appears select EXECUTE to pair the channels Which channel s settings are copied to the other channel depends on which SEL button you press first For example if you press the MIC 1 SEL button and then MIC 2 SEL button the settings of the MIC 1 channel are copied to the MIC 2 channel and vice versa The Make Pair dialog box shown below indicates in wh...

Page 285: ...dd M channel as one program and the even S channel as another When you recall these programs make sure that the destination channels are not already configured as a stereo pair If they are the channel faders will be set the same The width of sound can be controlled by adjusting the S level The following table shows how the MS signals work with the channel controls Bus send levels are as follows L ...

Page 286: ...ct 188 Input Signal Select 190 Cascade Configuration 191 Dither 193 Slot Output Select 194 Solo 196 Preferences 198 Aux Output Select 203 24 bit Recording 204 Input Patching 206 Oscillator 209 Emphasis Monitor 210 Channel Status Monitor 211 Battery Check 213 Communication Speed 214 02R System Initialization 215 13 13 ...

Page 287: ...tal device such as a DAT mastering recorder or a modular digital multitrack recorder connected to the 02R all the digital devices in the system including the 02R should synchronize the wordclock being supplied by one master device If any device does not synchronize to the system wordclock dropout and or other noise may occur In Section 14 Installing Options on page 217 of the User s Guide there ar...

Page 288: ...D2 and the internal wordclock INT 48k and INT 44 1k To the left of the boxes are the wordclock indicators There is also an indicator inside the Fs box that shows the current wordclock frequency or status Wordclock indicators Note When a cascade card is inserted in any slot the boxes defining the connections are still displayed However you cannot select any of these items No wordclock input Wordclo...

Page 289: ...You can select CARD SLOT 4 or INT ANALOG the default If there is no digital I O card in slot 4 the selection will fail The third box is for LINE 17 18 You can select BUS 1 2 2TR IN D1 or INT ANALOG the default If there is no digital signal no wordclock present at the 2TR IN DIGITAL connector 1 the selection will fail The fourth box is for LINE 19 20 You can select BUS 3 4 2TR IN D2 or INT ANALOG t...

Page 290: ...s the DIGITAL I O 5 5 page Cascade Configuration 1 Use the DIGITAL I O button to locate the DIGITAL I O 5 5 page 2 Use the CURSOR buttons to specify which of the internal auxiliary buses the cascade AUX A and AUX B buses will be assigned to Press the ENTER button to make the selection 3 Select the ID option with the CURSOR buttons and rotate the encoder wheel to specify the cascade ID number 4 Use...

Page 291: ...ses AUX A and AUX B the stereo bus and the solo bus You can only set this item when a cascade card is inserted in the 02R and set to IN 2TR D2 to Stereo Bus This option allows you to route the 2TR D2 digital input connector to the stereo bus You also can set the attenuation level Custom Cascade The cascade system was designed to be able to connect four 02R s together but in fact you can actually a...

Page 292: ...but measurable amount of distortion By adding dither the correlation between the signal level and the quantization error is cancelled allowing the digital system to encode amplitudes smaller than the least significant bit If you change the word size as a signal passes from one digital system to another being able to add dither allows you to maintain a high quality signal Shown below is the DIGITAL...

Page 293: ...irect outputs 1 to 8 appear on the SLOT 1 page while direct outputs 9 to 16 appear on the SLOT 2 page When no I O cards are inserted or a cascade card is inserted these pages are grayed out In 24 bit Recording mode where each slot is reduced to four outputs the Slot Output Assign pages appear as follows 1 Use the DIGITAL I O button to locate the DIGITAL I O 3 5 page 2 Use the CURSOR buttons to cho...

Page 294: ...Digital I O Setup and Utilities 195 02R User s Guide ...

Page 295: ...nels that are selected ON will be added to output If you select Last Solo the channel that was last selected ON will be output If you only want to listen to one channel at a time in solo mode select Last Solo Solo Level This rotary icon controls the output level sent to the Solo bus in Recording Mode In Mixdown Mode the signal is sent to the stereo bus and this icon is grayed out Cue Dim This rota...

Page 296: ...own Mode when you select Solo This function has no effect in Recording Mode How to use Solo 1 Press the SOLO button The LEDs inset in all the ON buttons start flashing 2 Press the ON buttons for the channels you want to solo The LED inset in the ON button you select is illuminated steadily If you selected Last Solo in the Status command only the last channel you select will be soloed 3 Press the S...

Page 297: ...ars automatically Auto AUTOMIX Display With this option checked the AUTOMIX 1 7 page appears automatically when automix recording is stopped Auto SOLO Display With this option checked the SETUP 1 4 page appears automatically when you press the SOLO button Auto WORD CLOCK Display With this option checked the DIGITAL I O 1 5 page appears automatically if a DIGITAL I O error occurs Store Confirmation...

Page 298: ...option checked the level of the C R MONITOR OUT signal is displayed on the optional MB02 s stereo meters Pre Fader Direct Out With this option checked the direct output signal is sourced pre fader Normally the direct output signal is sourced post fader Pre EQ Direct Out With this option checked the direct output signal is sourced pre EQ You cannot turn on both Pre EQ Direct Out and Pre Fader Direc...

Page 299: ...annel fader is raised from infinity oo See Fader Start on page 163 Force SUB Boot With this option checked the 02R forces the SUB CPU to boot each time the 02R is turned on Check this option to prevent the 02R from booting the SUB CPU when you select MIDI Clock as the automix Time Reference or assign a MIDI Remote page Since MIDI Remote page assignments are stored in scene memories the SUB CPU may...

Page 300: ...this more convenient than using the SEL buttons to select faders Be careful however because if an Overwrite parameter other than FADER is selected because data recorded before the edit start point will be deleted Auto EQ Edit In With this option checked adjusting the EQ affects only the selected band For example adjusting the HIGH EQ does not affect the LOW EQ Restore Last Edit Ch With this option...

Page 301: ... when it s dumped back to the 02R Do not use this function when transmitting mix scene data to a Version 1 02R Show Compact Size With this option checked when a compressed automix is in memory the amount of free memory is displayed on the AUTOMIX 1 7 page Automix Store Undo With this option checked automix store and recall operations carried out on the Automix 2 7 page can be undone using the UNDO...

Page 302: ...indicates which bus is assigned to an output Option Setting Option Setting MIX Update Confirmation OFF Surround SWF Edit OFF REC Recall Safe Faders OFF Link Surround Master OFF Fader Flip Recall Safe OFF Auto Inc TC Capture OFF Touch Sense Select OFF Compact Automix Bulk OFF Touch Sense Edit OFF Compact Scene Bulk OFF Auto EQ Edit In OFF Show Compact Size OFF Restore Last Edit Ch OFF Copy Initial ...

Page 303: ...he 02R channels as shown in the following table As the table shows in 24 bit Recording mode four MIC or TAPE channels for each slot cannot be used So if all four slots are used for 24 bit recording the maximum number of slot inputs is reduced from 32 to 16 The recording mode can be set individually for each slot however and settings are stored in scene memories The following I O cards can be used ...

Page 304: ... below is the SCENE 5 5 page 24bit Recording Mode If you attempt to set 24bit MODE when the Input Patch for a slot is assigned one or more buses the confirmation dialog box shown here appears Choose EXECUTE to cancel the Input Patching and activate 24bit MODE ...

Page 305: ... On this page you can select a card input from 1 to 8 or the corresponding bus out for TAPE channels 1 to 8 Shown below is the TAPE 9 16 page of SCENE 4 5 On this page you can select a card input from 9 to 16 or the corresponding bus out for TAPE channels 9 to 16 In 24bit MODE you cannot select individual buses If you attempt to select a bus the confirmation dialog box shown here appears Choose EX...

Page 306: ...s the MIC 1 8 page of SCENE 4 5 On this page you can select internal or slot 3 inputs from 1 to 8 The Input Select parameters INT ANALOG and CARD SLOT 3 also appear on the DIGITAL I O 2 5 Input Signal Select page Shown below is the MIC 9 16 page of SCENE 4 5 On this page you can select internal or slot 4 inputs from 9 to 16 The Input Select parameters INT ANALOG and CARD SLOT 4 also appear on the ...

Page 307: ...tilities 02R User s Guide Shown below is the LINE 17 24 page of SCENE 4 5 On this page you can select internal input LINE bus or 2TR IN 17 18 19 20 only These parameters also appear on the DIGITAL I O 2 5 Input Signal Select page ...

Page 308: ...lly turned on Level This rotary icon allows you to set the oscillator output level Set the level from 96 dB to 0 dB Watch the level meters to ensure you are not driving the 02R into digital clipping Wave Form These icons allow you to select the wave form you want output The 02R can generate four different wave forms Sine 100Hz Sine 1kHz Sine 10kHz and Noise BUS Assign Select the output buses 1 thr...

Page 309: ... optional slots 1 4 and 2TR DIGITAL IN 1 3 connectors One of the following three icons will appear depending on the status of the input signal Note When the 02R receives data that has been processed with emphasis ON it will automatically process the data by applying de emphasis It will continue processing the signal internally and will subsequently out put the data with emphasis OFF Regardless of ...

Page 310: ...he table in the center of the page shows the contents of the channel status of the selected signal Each indication has the following meaning Fs This is the sampling frequency information One of 32k 44 1k 48k None unknown and UNLOCK will appear UNLOCK means that no signal is being input or the input signal is invalid In this case the Emphasis Category and Copy columns will show Emphasis This shows ...

Page 311: ...emory Solid memory device Experimental Experimental device Unknown Unknown Copy This shows the status of C bit Copyright information that has been implemented in only the IEC958 Part 2 Consumer format The following items will be shown Ok Copy allowed Prohibit Copy prohibited Note If you monitor a signal in the IEC958 Part3 AES EBU Professional format which does not have a category code bit the Cat...

Page 312: ...apacity the battery says Yes I m fine If the battery needs to be changed it says I m exhausted Replace me immediately as shown below Note If this message appears your important data in memory such as scene memories automix memories and libraries may be lost Ask your nearest Yamaha dealer or Yamaha Service Center to replace the battery as soon as possible 1 Use the UTILITY button to locate the UTIL...

Page 313: ...or Visualizer The controlling host computer automatically configures the communication speed so you don t have to worry about these settings Once communications between the 02R and host computer have been established you can change the communication speed on the computer only and the check boxes on the UTILITY 4 4 page are grayed out The 1 speed is the default at 38 4 kbps 1 Use the UTILITY button...

Page 314: ...t ports Calibrating the faders Refreshing the display The SCENE 1 1 page appears Fader Calibration This operation allows you to calibrate the faders 1 Turn off the 02R 2 Press and hold the ENTER button then turn the 02R back on The faders are calibrated Note If you just want to reset the current mix settings recall Scene Memory 0 See Initial Data and UNDO Memory on page 129 of the User s Guide Not...

Page 315: ...ptions 218 Installing 02R Options 221 Analog I O Card AD DA CD8 AD 224 Analog I O Card A D CD8 AD S 224 Digital I O Card AES EBU CD8 AE CD8 AE S 225 Digital I O Card ADAT CD8 AT 227 Digital Cascade Kit CD8 CS 229 Digital I O Card TDIF 1 CD8 TDII 234 Peak Meter Bridge MB02 236 14 14 ...

Page 316: ...f the I O slots allowing you to cascade multiple 02Rs together to create a larger digital mixing system Analog cards are also available for connecting analog multitrack recorders and providing more analog inputs 02R Options I O Cards The I O cards transmit and receive signals between your 02R and external devices such as modular digital multitrack recorders hard disk recorders analog multitrack re...

Page 317: ...ade I O Card This card allows you to connect the bus lines 1 through 8 two pairs of the auxiliary buses 1 through 8 to the cascade card s AUX A and AUX B buses the STEREO bus and the SOLO bus of two or more 02R s One 02R is the cascade master the others are slaves The following table lists the I O cards available Peak Meter Bridge The Peak Meter Bridge MB02 displays the levels for all the input ou...

Page 318: ...y from the standard 512K to either 1 5 MB or 2 5 MB Wooden Side Panels These Wooden Side Panels W02SP attach to either side of the 02R to give it an attractive appearance Note Take the 02R to your YAMAHA dealer or authorized service center for installation of the ME4M kit Doing the installation yourself invalidates the warranty ...

Page 319: ... Turn on the 02R Verify that the card has been recognized by the system software on the DIGITAL I O 1 5 page see Word Clock Select on page 188 of the User s Guide If the card was installed properly the 02R should correctly identify it in the appropriate slot Note Before you install a card in the 02R be certain to turn the power off Not only do you risk electrical shock you can also damage either t...

Page 320: ...crews that held the cover plate in place 4 Turn on the 02R Verify that the card has been recognized by the 02R on the DIGITAL I O 1 5 page see Word Clock Select on page 188 of the User s Guide If the card was installed properly the 02R should correctly identify it in the appropriate slot Note Before you install a card in the 02R be certain to turn the power off Not only do you risk electrical shoc...

Page 321: ...ry Expansion Kit Please take your 02R to your YAMAHA dealer or a YAMAHA service center to have the Memory Expansion Kit ME4M installed in the 02R Note Before you install the MB02 on the 02R be certain to turn the power off Not only do you risk electrical shock you can also damage either the 02R or the MB02 You may also invalidate any warranties for the 02R or the Peak Meter Bridge MB02 The Memory ...

Page 322: ...02R and your analog devices You should use the highest quality connecting cables you can afford to maintain the best possible signal quality Analog I O Card A D CD8 AD S The CD8 AD S card offers eight analog phone jack inputs Installing the CD8 AD S The CD8 AD S is a single slot card For installation instructions see Single Slot Cards on page 221 of the User s Guide Before you install the CD8 AD S...

Page 323: ... Use 25 pin D SUB cables that are suitable for digital audio use to connect to the CD8 AE S card 2 If your AES EBU compatible multitrack digital recorder has a dedicated wordclock output connector connect it to the WORD CLOCK IN connector on the back of the 02R and turn the 75Ω terminator switch on If there is no dedicated wordclock output you can obtain the wordclock signal required from one of t...

Page 324: ...e the DIGITAL I O 1 5 page If the card was installed properly the 02R will identify it in the appropriate slot 3 Use the CURSOR buttons to select the wordclock source If your AES EBU compatible multitrack digital recorder has a dedicated wordclock output connector use the CURSOR buttons to select the W CLK IN box and press the ENTER button If the multitrack digital recorder does not have a dedicat...

Page 325: ...If you have installed more than one CD8 AT in the 02R and have more than one ADAT recorder connect it in the same manner as the first unit The Alesis ADAT modular digital multitrack recorder does not have a dedicated wordclock output connector If you are using the BRC ADAT remote controller you can use the 48kHz OUT connector and an appropriate cable to plug it into the WORD CLOCK IN connector on ...

Page 326: ...to access the direct out lines 3 Use the CURSOR buttons to select the wordclock source If you are using the 48kHz OUT connector from the BRC ADAT remote controller plugged into the WORD CLOCK IN connector use the CURSOR buttons to select the W CLK IN box and press the ENTER button If you are just using an ADAT modular digital multitrack recorder select the TAPE 1 2 box the first box in the SLOT1 r...

Page 327: ...scade I O cards should be installed in SLOT3 or SLOT4 You should reserve SLOT1 and SLOT2 for digital I O cards For installation instructions see Single Slot Cards on page 221 of the User s Guide 1 Set the IN OUT switch of the cascade I O card installed in the first 02R to the IN position This 02R will be the cascade master 2 Set the IN OUT switch of the cascade I O card installed in the second 02R...

Page 328: ...then the 02R and finally the monitoring amplifiers and other downstream gear 2 Use the DIGITAL I O button to locate the DIGITAL I O 1 5 page If the cascade I O card was installed properly the 02R will identify it in the appropriate slot 3 Use the CURSOR buttons to select the wordclock source Select the W CLK IN box and press the ENTER button 4 On the 02R cascade master use the DIGITAL I O button t...

Page 329: ... 02Rs cascaded together the cascade master should be set to ID 3 3 On the 02R cascade slave use the DIGITAL I O button to locate the DIGITAL I O 3 5 page If the cascade slave and cascade master units are powered on and connected correctly the ID number for the cascade slave is set to the appropriate value automatically 4 Use the CURSOR buttons to select the Cascade Aux Bus Assign parameter Use the...

Page 330: ...of the MIDI Channel settings Linked Commands Scene memory recall and store including title Automix memory recall and store including title Automix New and Undo Automix transport functions Auto Rec Record Play Stop Abort Linked Parameters Meter input module patch point Meter output module patch point Meter Peak Hold Automix Enable Automix fader Return Edit Out Automix fader Return Time Edit Out Aut...

Page 331: ...h the CURSOR buttons to set the solo function status You can only set this status on the cascade master See Solo on page 196 of the User s Guide for further details 3 On the 02R cascade master press the SOLO button The LEDs inset in the ON buttons of all the cascaded 02R units will flash 4 Press the ON button of the channel or channels that you want to solo In Recording mode the channel signal is ...

Page 332: ... 88 recorder If you have installed more than one CD8 TDII in the 02R and have more than one TASCAM DA 88 recorder connect it in the same manner as the first unit The TASCAM DA 88 recorder is equipped with a WORD SYNC OUT connector Use a BNC cable to plug it into the WORD CLOCK IN connector on the back of the 02R If you are using more than one TASCAM DA 88 recorder make the first unit the wordclock...

Page 333: ...te slot The TDIF 1 digital I O card CD8 TDII can be installed in any slot You should install the first two cards in SLOT1 and SLOT2 in order to access the direct out lines 3 Use the CURSOR buttons to select the wordclock source Use the CURSOR buttons to select the W CLK IN box and press the ENTER button The current wordclock source is indicated by a highlighted icon See Word Clock Select on page 1...

Page 334: ...e the tape return levels and the meters on the right side of the panel indicate the individual input channel levels MIC LINE 1 through 16 If a digital I O card is installed in SLOT3 and or SLOT4 the MIC channels can monitor the output from the connected multitrack digital recorder allowing you to see the levels of tape return channels 17 through 32 LINE When this button is on the level meters on t...

Page 335: ...oints on page 42 of the User s Guide 6 MIC LINE TAPE Indicators These indicators show the meter source points for the channels being monitored PRE EQ When this LED is illuminated the signal before the EQ signal is being displayed POST EQ When this LED is illuminated the signal after the EQ is being displayed POST FADER When this LED is illuminated the signal after the fader is being displayed The ...

Page 336: ...pecifications 240 Input Specifications 246 Output Specifications 247 Digital Input and Output Specifications 247 Dimensions 248 Options 249 Troubleshooting 250 Error Messages 251 MIDI Data Format 262 Parameter Change and Request Format 265 Bulk Dump and Request Format 273 15 15 ...

Page 337: ... kHz 4 dB into 600Ω Dynamic range 110 dB typical D A Converter STEREO OUT 105 dB typical A D to D A MIC LINE IN to STEREO OUT Hum Noise 20 Hz to 20 kHz Rs 150Ω Input gain max Input pad 0 dB Input sensitivity 60 dBV 128 dB Equivalent input noise 88 dB residual output noise STEREO OUTPUT STEREO OUT PUT off 88 dB 92 dB S N STEREO OUTPUT Master fader at nominal lev el and all channel faders at minimum...

Page 338: ...HA level reaches 10 dB below nominal Insert MIC LINE 1 through 8 pre A D Pad switch 0 20 dB attenuation MIC LINE 1 through 16 AD converter 20 bit linear 64 times oversampling I O option ADAT TASCAM YAMAHA MIC LINE 1 through 16 Attenuator 0 to 96 dB 1 dB step Filter DC cut filter de emphasis 4 band parametric equalizer ON OFF LOW HPF L MID H MID HIGH LPF Q 10 to 0 1 Peaking 41 steps Low shelving Hi...

Page 339: ...0 points CompanderH CompanderS Threshold 54 dB to 0 dB 1 dB steps Ratio 1 1 1 1 3 1 5 1 7 2 2 5 3 3 5 4 5 6 8 10 20 15 points Out gain 18 dB to 0 dB 0 5 dB steps Width 1 dB to 90 dB 1 dB steps Attack 0 ms to 120 ms 1 ms steps Release 5 ms to 42 3 sec 48 kHz 6 ms to 46 0 sec 44 1 kHz 8 ms to 63 4 sec 32 kHz 160 points Delay 0 to 2600 samples Phase NORMAL REVERSE Channel ON OFF 1 to 20 Channel SEL 1...

Page 340: ...OFF Fader Rotary encoder INPUT AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 Aux send Parameters are the same as MIC LINE input aux send Pan 33 positions L 16 to 1 C R 16 to 1 Routing BUS 1 through 8 ST Solo ON OFF Pre fader After pan Meter Peakhold ON OFF 12 points displays of the pre EQ post EQ post fader levels of all channel input are displayed on the screen Effect Return EFF 1 through 2 Attenuator ...

Page 341: ...pling BUS OUT BUS1 through BUS8 Dynamics parameters are the same as MIC LINE input dynamics Level rotary encoder Meter 12 points displays of the pre post fader levels of all channel input are displayed on the screen I O option ANALOG ADAT TASCAM AES EBU YAMAHA AUX OUT AUX1 through AUX8 Level rotary encoder Meter 12 points displays of the pre post fader levels of all channel input are displayed on ...

Page 342: ...er library 88 Equalizer Library Number of factory presets 32 Number of user library 96 Channel Library Number of user library 64 Power Requirement USA Canada 120V 60 Hz UK 240V 50 Hz General 230V 50 Hz Power Consumption 180W Dimensions H D W 221 5 mm 685 mm 672 mm Net Weight 31kg Free air operating temperature range 10 to 35 C Options DIGITAL I O CARD ADAT CD8 AT DIGITAL I O CARD AES EBU CD8 AE CD...

Page 343: ... these specifications when dBV represents are specific voltage 0 dBV is referenced to 1 volts RMS Input connection PAD GAIN Actual load impedance For use with nominal Input level Mixer connector Sensitivity 1 Nominal Max before clip CH INPUT MIC LINE 1 through16 0 60 3kΩ XLR 4kΩ Phone jack 50 to 600Ω mics and 600Ω lines 70 dB 245µV 60 dB 775µV 40 dB 7 75mV XLR 3 31 type 2 or Phone Jack TRS 3 16 26...

Page 344: ...s 4 dB 1 23V 24 dB 12 3V Phone Jack Balanced AUX 1 2 3 4 5 6 600Ω 10kΩ lines 4 dB 1 23V 20 dB 7 75V Phone Jack Unbalanced INSERT OUT MIC LINE 1 through 8 600Ω 10kΩ lines 0 dB 0 775V 20 dB 7 75V Phone Jack Unbalanced 1 PHONES 100Ω 8Ω phones 1 mW 25 mW Stereo Phone Jack Unbalanced 40Ω phones 3 mW 110 mW Input Output Format Level Mixer connector DIGITAL IN COAXIAL 2TRK IN 2 3 IEC958 Consumer S PDIF 0...

Page 345: ...pecifications and external appearance are subject to change without notice For European Model Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 9A Conformed Environment E1 E2 E3 and E4 W 672 H 211 5 196 5 183 8 15 D 6 8 5 ...

Page 346: ...to 0 775 volts RMS In these specifications when dBV represents are specific voltage 0 dBV is referenced to 1 volts RMS Input connections GAIN Actual load impedance For use with nom inal Input level Mixer connector Sensitivity 1 Nominal Max before clip INPUT 1 through 8 4 10kΩ 600Ω lines 6 dB 388mV 4 dB 1 23mV 24 dB 12 3mV Phone Jack TRS 2 10 20 dBV 100mV 10 dBV 316mV 10 dBV 3 16V Output connection...

Page 347: ...he threshold and ratio settings for the dynamics processor set correctly Is the DIM key in the C R monitor section OFF Sound is distorted Are the PAD switch and GAIN volume control set correctly Is the input fader raised too high Is the stereo output fader raised too high Is the gain set too high in the equalizer section A pair of stereo channels does not sound in stereo Is the pan setting correct...

Page 348: ...ot syncing with the 02R or 2TR D1 has been selected in the C R mon itor section Can t assign 2TR D2 2TR D2 cannot be routed to line 19 20 The signal at 2TR D2 is not syncing with the 02R or 2TR D2 has been selected in the C R mon itor section Can t select SLOT3 SLOT3 cannot be selected for digital input The I O card is not in SLOT3 Can t select SLOT4 SLOT4 cannot be selected for digital input The ...

Page 349: ...onnection at the TO HOST connector MAIN SCI1 Party Err Check the connection at the TO HOST connector MAIN SCI1 RxBuf Full Check the connection at the TO HOST connector MAIN SCI1 TxBuf Full Check the connection at the TO HOST connector MAIN SUB Disconnected Consult the nearest YAMAHA service center Make New Mix First make a New Mix Memory Full Automix memory is full MIDI Ch Mismatch The device numb...

Page 350: ...ime code transmission is full Too Large Bulk MIDI bulk data size is too large Undo Buf is Empty The previous operation cannot be undone because no data exists in the undo buffer Undo Buf is Full The store operation cannot be done because the data exists in the undo buffer Undone Recall The recall operation was undone Undone Store The store operation was undone Wrong WORD CLOCK The device for synch...

Page 351: ...95 95 10 10 53 53 96 96 11 11 54 54 97 0 12 12 55 55 98 13 13 56 56 99 14 14 57 57 100 15 15 58 58 101 16 16 59 59 102 17 17 60 60 103 18 18 61 61 104 19 19 62 62 105 20 20 63 63 106 21 21 64 64 107 22 22 65 65 108 23 23 66 66 109 24 24 67 67 110 25 25 68 68 111 26 26 69 69 112 27 27 70 70 113 28 28 71 71 114 29 29 72 72 115 30 30 73 73 116 31 31 74 74 117 32 32 75 75 118 33 33 76 76 119 34 34 77 ...

Page 352: ... MIC 12 13 FADER CHANNEL MIC 13 14 FADER CHANNEL MIC 14 15 FADER CHANNEL MIC 15 16 FADER CHANNEL MIC 16 17 FADER CHANNEL LINE 17 18 18 FADER CHANNEL LINE 19 20 19 FADER CHANNEL LINE 21 22 20 FADER CHANNEL LINE 23 24 21 FADER CHANNEL EFF 1 22 FADER CHANNEL EFF 2 23 FADER CHANNEL ST MASTER 24 FADER CHANNEL AUX 1 25 FADER CHANNEL AUX 2 26 FADER CHANNEL AUX 3 27 FADER CHANNEL AUX 4 28 FADER CHANNEL AU...

Page 353: ...ON CHANNEL MIC 14 55 ON CHANNEL MIC 15 56 ON CHANNEL MIC 16 57 ON CHANNEL LINE 17 18 58 ON CHANNEL LINE 19 20 59 ON CHANNEL LINE 21 22 60 ON CHANNEL LINE 23 24 61 ON CHANNEL EFF 1 62 ON CHANNEL EFF 2 63 ON CHANNEL ST MASTER 64 PANPOT CHANNEL MIC 1 65 PANPOT CHANNEL MIC 2 66 PANPOT CHANNEL MIC 3 67 PANPOT CHANNEL MIC 4 68 PANPOT CHANNEL MIC 5 69 PANPOT CHANNEL MIC 6 70 PANPOT CHANNEL MIC 7 71 PANPO...

Page 354: ...F 2 Lch 91 PANPOT CHANNEL EFF 2 Rch 92 BALANCE ST MASTER 93 NO ASSIGN 94 NO ASSIGN 95 NO ASSIGN 102 FADER AUX 7 SEND MIC 1 103 FADER AUX 7 SEND MIC 2 104 FADER AUX 7 SEND MIC 3 105 FADER AUX 7 SEND MIC 4 106 FADER AUX 7 SEND MIC 5 107 FADER AUX 7 SEND MIC 6 108 FADER AUX 7 SEND MIC 7 109 FADER AUX 7 SEND MIC 8 110 FADER AUX 7 SEND MIC 9 111 FADER AUX 7 SEND MIC 10 112 FADER AUX 7 SEND MIC 11 113 F...

Page 355: ... CHANNEL MIC 14 FADER CHANNEL MIC 15 15 FADER CHANNEL MIC 15 FADER CHANNEL MIC 16 16 FADER CHANNEL MIC 16 FADER CHANNEL LINE 17 18 17 FADER CHANNEL LINE 17 18 FADER CHANNEL EFF 1 18 NO ASSIGN FADER CHANNEL EFF 2 19 FADER CHANNEL LINE 19 20 FADER CHANNEL AUX 7 20 NO ASSIGN FADER CHANNEL AUX 8 21 FADER CHANNEL LINE 21 22 FADER CHANNEL ST MASTER 22 NO ASSIGN ON CHANNEL MIC 1 23 FADER CHANNEL LINE 23 ...

Page 356: ...ANPOT CHANNEL MIC 12 56 PANPOT CHANNEL LINE 19 PANPOT CHANNEL MIC 13 57 PANPOT CHANNEL LINE 20 PANPOT CHANNEL MIC 14 58 PANPOT CHANNEL LINE 21 PANPOT CHANNEL MIC 15 59 PANPOT CHANNEL LINE 22 PANPOT CHANNEL MIC 16 60 PANPOT CHANNEL LINE 23 PANPOT CHANNEL LINE 17 61 PANPOT CHANNEL LINE 24 PANPOT CHANNEL LINE 18 62 NO ASSIGN PANPOT CHANNEL EFF 1 Lch 63 NO ASSIGN PANPOT CHANNEL EFF 1 Rch 64 ON CHANNEL...

Page 357: ...92 NO ASSIGN FADER AUX 8 SEND MIC 8 93 NO ASSIGN FADER AUX 8 SEND MIC 9 94 NO ASSIGN FADER AUX 8 SEND MIC 10 95 ON CHANNEL ST MASTER FADER AUX 8 SEND MIC 11 102 FADER AUX 7 SEND MIC 1 NO ASSIGN 103 FADER AUX 7 SEND MIC 2 NO ASSIGN 104 FADER AUX 7 SEND MIC 3 NO ASSIGN 105 FADER AUX 7 SEND MIC 4 NO ASSIGN 106 FADER AUX 7 SEND MIC 5 NO ASSIGN 107 FADER AUX 7 SEND MIC 6 NO ASSIGN 108 FADER AUX 7 SEND ...

Page 358: ... exclusive messages System exclusive messages include Bulk Dump Request and Parameter Change Request For these messages the device number will be the same as the MIDI channel Bulk Dump Request Transmission and reception is always ON Bulk Request is transmitted using the MIDI Bulk Dump Request display function see Bulk Dump Request on page 161 of the User s Guide on the specified MIDI channel Bulk ...

Page 359: ... in special circumstances such as when externally monitoring key operations Normally it should be left OFF 2 3 Active sensing MIDI reset If after receiving Active Sensing no messages are received for an interval longer than 300 ms or when MIDI Reset is received only the running status will be cleared Active Sensing is transmitted 2 4 Quarter frame messages MIDI Time Code Quarter frame messages are...

Page 360: ... MTC IN PARAM R ON CnH PROGRAM CHANGE SYSTEM EXCLUSIVE F0H 43H 1nH PARAMETER CHANGE F0H 43H 3nH PARAMETER REQUEST SYSTEM EXCLUSIVE F0H 43H 0nH BULK DUMP F0H 43H 2nH BULK REQUEST F1H H MIDI QUARTER FRAME MESSAGE PGM ECHO ON PGM OMNI ON CnH MIDI OUT PROGRAM CHANGE PGM R ON ...

Page 361: ...age ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Tx Rx Channel No 1 16 MODEL ID 00111101 3d MODEL ID 02R PARAM TYPE 0ttttttt tt type number bit6 0 byte 1 bit operation DATA 0ddddddd dd0 data 0 n 0ddddddd ddn EOX 11110111 F7 End Of Exclusive PARAMETER CHANGE REQUEST STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 00...

Page 362: ...ta 0000dddd EOX 11110111 F7 End Of Exclusive PARAMETER CHANGE bit operation for type number 0 edit buffer STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Tx Rx Channel No 1 16 MODEL ID 00111101 3d MODEL ID 02R PARAM TYPE 01tttttt tt type number bit6 1 bit operation DATA 0ddddddd dd0 address H high 7 bits of 14 bits address 0dd...

Page 363: ...28 0 35 38 39 46 bus aux 0 64 95 102 Tx only 103 110 undo bus aux Tx only 0x03 eff lib recall 0 127 library 1 128 36 37 0 100 101 Tx only 0x04 channel lib rcl 0 63 library 1 64 0 37 0 64 101 Tx only 0x10 scene store 1 96 memory 1 96 0 62 from host Tx only 0x7e undo 0 Tx only 0x11 eq lib store 32 127 library 33 128 0 38 62 Tx only 0 64 102 Tx only 0x12 dynamics lib str 40 127 library 41 128 0 35 38...

Page 364: ...its 0ddddddd dd1 key No L low 7 bits 0ddddddd dd2 key on 1 off 0 EOX 11110111 F7 End Of Exclusive PARAMETER CHANGE fader remote STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Tx Rx Channel No 1 16 MODEL ID 00111101 3d MODEL ID 02R PARAM TYPE 00011001 1A fader remote type number DATA 0ddddddd dd0 No 0 20 fader 1 21 st mas 64 8...

Page 365: ...mmm L2 bus1 00mmmmll L3 bus1 00llllll L4 bus1 00hhhhhh L1 bus2 24bit coefficient 00hhmmmm L2 bus2 00mmmmll L3 00llllll L4 bus2 00hhhhhh L1 bus3 24bit coefficient 00hhmmmm L2 bus3 00mmmmll L3 bus3 00llllll L4 bus3 00hhhhhh L1 bus4 24bit coefficient 00hhmmmm L2 bus4 00mmmmll L3 bus4 00llllll L4 bus4 00hhhhhh L1 bus5 24bit coefficient 00hhmmmm L2 bus5 00mmmmll L3 bus5 00llllll L4 bus5 00hhhhhh L1 bus...

Page 366: ...10000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Tx Rx Channel No 1 16 MODEL ID 00111101 3d MODEL ID 02R PARAM TYPE 00011011 1B multiple link type number DATA 0mmfffff mf data format mm status 0 event command 4 setup memory change fffff contents if mm 0 switch fffff case 0x00 scene memory recall case 0x01 scene memory store with title ca...

Page 367: ...mix Memory recall DATA 00010000 10 automix memory recall 0mmmmmmm mm mm 0 15 automix Memory No 1 16 Automix Memory store DATA 00010001 11 automix memory store 0mmmmmmm mm mm 0 15 automix Memory No 1 16 0ttttttt tt0 memory title 0 H 0ttttttt tt1 0 L 0ttttttt tt1 1 H 0ttttttt tt16 16 L case 0x1C automix transport ABORT else if mm 4 switch fffff case 0x00 setup memory change byte case 0x08 setup memo...

Page 368: ...x transport PLAY DATA 00011010 1A automix transport PLAY automix transport STOP DATA 00011011 1B automix transport STOP automix transport ABORT DATA 00011100 1C automix transport ABORT setup data format DATA 01000000 40 data format 0ddddddd dd0 address H high 7 bits of 14 bits address 0ddddddd dd1 address L low 7 bits of 14 bits address 0ddddddd dd2 data H high 4 bits of 8 bits data 0000dddd 0dddd...

Page 369: ...F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump BYTE COUNT HIGH LOW 00011111 1F 4074 2016x2 32 10 bytes 01101010 6A 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01001101 4D M 0mmmmmmm mm m 0 96 127 Scene Mem...

Page 370: ...11 37 7 DATA NAME 01001110 4E N 0mmmmmmm mm mm 0 96 127 Scene Memory No 0 96 Current DATA 0ddddddd dsH Scene Extended Memory 768 2 byte 0ddddddd dsL 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee INVERT L M deL 1 AND 7Fh EOX 11110111 F7 End Of Exclusive Control Change Assign Table STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 1n n...

Page 371: ...MAHA SUB STATUS 0000nnnn 1n n 0 15 Tx Rx Channel No 1 16 FORMAT NO 01111110 7E Universal Bulk Dump BYTE COUNT H 0hhhhhhh hh Total size is variable SIZE 10 BYTE COUNT L 0lllllll ll 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01101101 6D m 0mmmmmmm mm mm 0 96 127 Scene Memory No 0 96 Current DATA 0ddddddd dsH Scene Memory comp...

Page 372: ... 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01001101 4D M 0mmmmmmm mm m 0 96 127 Scene Memory No 0 96 current EOX 11110111 F7 End Of Exclusive Program Change Assignment Table Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump BYTE COUNT HI...

Page 373: ...2n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01010000 50 P 00100000 20 EOX 11110111 F7 End Of Exclusive Setup Memory Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15...

Page 374: ...End Of Exclusive Setup Memory Extended Data STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 1n n 0 15 Tx Rx Channel No 1 16 FORMAT NO 01111110 7E Universal Bulk Dump BYTE COUNT H 00000001 01 Total 138 64 2 10 BYTE COUNT L 00001010 0A 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 3...

Page 375: ...STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID YAMAHA SUB STATUS 0010nnnn 2n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01010011 53 S 00100000 20 EOX 11110111 F7 End Of Exclusive Setup Memory Extended Data ...

Page 376: ...01101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01000101 45 E 0mmmmmmm mm m 0 127 Effect Library No 1 128 DATA 0ttttttt tt title1 0ttttttt tt title16 0ddddddd dsH Effect Library Memory 23x2bytes 0ddddddd dsL 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee INVERT L M dsH deL 1 AND 7Fh EOX 11110111 F7 End Of Exclusive Effect Library Bulk Dump R...

Page 377: ...System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump BYTE COUNT HIGH LOW 00000000 00 62 18x2 16 10 bytes 00111110 3e 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01010001 51 Q 0mmmmmmm mm m 0 127 Equalizer Library N...

Page 378: ...11110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01010001 51 Q 0mmmmmmm mm m 0 127 Equalizer Library No 1 128 EOX 11110111 F7 End Of Exclusive Dynamics Library Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Tx Rx...

Page 379: ...Library Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID YAMAHA SUB STATUS 0010nnnn 2n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01011001 59 Y 0mmmmmmm mm m 0 127 Dynamics Library No 1 128 EOX 1111...

Page 380: ...48x2bytes 0ddddddd dsL 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee INVERT L M dsH deL 1 AND 7Fh EOX 11110111 F7 End Of Exclusive Channel Library Extended Data STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 1n n 0 15 Tx Rx Channel No 1 16 FORMAT NO 01111110 7E Universal Bulk Dump BYTE COUNT H 00000000 00 Total 38 14 2 10 BYTE COU...

Page 381: ...HA SUB STATUS 0010nnnn 2n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01001000 48 H 0mmmmmmm mm m 0 63 Channel Library No 1 64 EOX 11110111 F7 End Of Exclusive Automix Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufact...

Page 382: ...ttt tt title16 0ddddddd dsH Automix Memory 1024x2bytes 0ddddddd dsL 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee INVERT L M dsH deL 1 AND 7Fh EOX 11110111 F7 End Of Exclusive Automix compact STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 1n n 0 15 Tx Rx Channel No 1 16 FORMAT NO 01111110 7E Universal Bulk Dump BYTE COUNT H 000100...

Page 383: ...h EOX 11110111 F7 End Of Exclusive Automix Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID YAMAHA SUB STATUS 0010nnnn 2n n 0 15 Tx Rx Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000001 41 A 00110110 36 6 00110111 37 7 DATA NAME 01000001 41 A 0000mmmm 0m m 0 15 ...

Page 384: ...ualization or effects Some of these processes may boost the signal to digital clipping The 02R allows you to attenuate the digital signal to reduce the chances of clipping Automix system The 02R has an on board Automix system that memorizes fader positions switches individual channels on or off adjusts the equalization or pan positions and changes the auxiliary sends all based on timecode It can r...

Page 385: ...vels Reducing the dynamic range also means that recording levels can be set higher therefore improving the signal to noise performance Limiting is an extreme form of compression where the output signal is sharply attenuated so that it cannot exceed a particular level See Dynamics Processor Confidence monitoring Listening directly from a recording medium to ensure the program material is being reco...

Page 386: ...y the data resolution about 6dB per digital bit A 20 bit system has a theoretical dynamic range of 120 dB The 02R has a specified dynamic range of 105 dB Dynamics Library An area in 02R memory used to access and store dynamics settings stored as programs There are 40 preset programs 1 to 40 for you to recall and 88 user programs 41 to 128 for you to store your own dynamics settings Dynamics Proces...

Page 387: ...se optical interconnects IEC958 Part 3 AES EBU Professional A digital interface protocol that is used to transfer digital audio data between professional digital audio equipment such as PCM and DAT mastering recorders modular multitrack recorders and other equipment Two channels of digital audio are carried on a single line An XLR type connector and a shielded cable is typically used Internal Effe...

Page 388: ...entered about a specific frequency Using the bandwidth Q parameter you can widen or narrow the effect of the circuit Phase Phase is the frequency coherence of a signal If two signals are out of phase the trough of the first waveform corresponds with the peak of the second resulting in cancellation The 02R can reverse the phase of the input signals which allows you to compensate for incorrectly wir...

Page 389: ...essages See also Bulk Dump Talkback System A system that allows the engineer in the control room to talk to the musicians in the studio Timecode Timecode is a signal that contains a chronological record of the absolute time in a recording It is used for synchronizing different recorders It can be used for electronic editing Timecode was initially invented for the motion picture business as a metho...

Page 390: ...niques Bruce and Jenny Bartlett Sams 1992 Principles of Digital Audio Ken C Pohlmann Howard W Sams Co 1989 The Art of Digital Audio John Watkinson Focal Press Butterworth Group 1990 The MIDI Ins Outs Thrus Jeff Rona Hal Leonard Publishing 1992 Yamaha Sound Reinforcement Handbook Gary Davis and Ralph Jones second edition Hal Leonard Publishing Corporation 1990 ...

Page 391: ...OMIX 3 7 page 151 AUTOMIX 4 7 page 153 AUTOMIX 5 7 page 155 AUTOMIX 6 7 page 156 Automix Store Undo 202 Auto PAN Display 198 AUTO REC icon automix 147 Auto ROUTING Display 198 Auto SOLO Display 198 Auto WORD CLOCK Display 198 AUX 1 1 page 100 Aux 7 8 pages 106 AUX 7 1 3 page 107 AUX 7 2 3 page 108 AUX 7 3 3 page 109 AUX buttons 19 AUX controls 23 AUX SEND connectors 11 Aux sends about 98 cascade a...

Page 392: ...K 86 meters 85 patching 84 programs 76 90 recalling 87 storing 87 titling 87 DYNAMICS 1 2 page 83 DYNAMICS 2 2 page 87 E Echo MIDI 159 Edit buffer 129 Editing automix events 153 dynamics 83 effects 108 library recalls 155 on off pan faders 156 scene recalls 155 Effects about 104 editing 108 library 109 programs 105 112 recalling 109 sends 106 storing 109 titling 109 Emphasis monitor 210 Enable aut...

Page 393: ...IDI 1 5 page 159 MIDI 2 5 page 160 MIDI 3 5 page 161 MIDI 4 5 page 164 MIDI 5 5 page 166 MIDI Clock counter 145 using 142 MIDI remote 02R 171 03D 173 about 165 configuring 166 connections 165 GM tone generator 175 MMC 168 Programmable Mixer 01 169 ProR3 178 Pro Tools 180 REV500 178 XG tone generator 176 MIDI Warning OFF 200 MIXING buttons 19 MIX Update Confirmation 201 Mono channel inputs 12 MOTOR...

Page 394: ... 112 EQ 54 58 ProR3 MIDI remote 178 Protecting scene memories 134 Pro Tools MIDI remote 180 R Read only scene memories 129 Rear panel 11 Recall Confirmation 199 Recalling automixes 148 channel programs 48 dynamics programs 87 effects programs 109 EQ programs 55 scene memories 134 Receive channel MIDI 159 REC icon automix 147 REC Recall Safe Faders 201 Remote Talkback C3 199 Restore Last Edit Ch 20...

Page 395: ... 30 TALKBACK buttons 30 Tascam I O card installation 234 TC Drop Warning OFF 199 Timecode about 140 counter 145 offset 145 TIME CODE INPUT connectors 13 Titling automixes 148 channel programs 48 dynamics programs 87 effects programs 109 EQ programs 55 scene memories 131 TO HOST connector 13 Touch Sense Edit 201 Touch Sense Select 201 Trajectories surround pan 70 Transmit channel MIDI 159 Transmit ...

Page 396: ...es Memorized Memorized Fader Start 1 2 1 16 1 16 x x 0 37 44 x x x x x x o 0 127 o x x x x x x x o x 1 16 1 16 OMNIoff OMNIon x x x x x x x x x 0 95 102 119 o 0 127 o 0 967 o x x x x x x x x x Remarks Recognized Transmitted Default Changed Default Messages Altered True voice Note ON Note OFF Key s Ch s True Song Pos Song Sel Tune Clock Commands Local ON OFF All Notes OFF Active Sense Reset Functio...

Page 397: ...24 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 A B 20dB GAIN INST GAIN INST TRACK TRACK MIC LINE TAPE LINE AUX SEND TO RETURN TO PROJECT DATE SCENE AUTOMIX A B A B A B A B A B A B A B A B OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON User Setting Sheet ...

Page 398: ...YAMAHA CORPORATION Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan 01 02 2000 AP Printed in Japan ...

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