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Chapter 15—Other Functions

01V—Owner’s Manual

Assigning Faders & On Buttons

The faders and [ON] buttons of input channels 1 though 16 and the stereo output
(master) can be assigned functions other than their regular functions. Input channel
faders 1 through 4, for example, can be used to control bus out master levels, which do
not have their own dedicated faders. These assignments are active only when REMOTE
page 1 is displayed. Select another page and the [ON] buttons and faders perform their
regular functions. Four assignment sets can be stored in banks 1 through 4.

1. Use the [REMOTE] button to locate REMOTE page 1, as shown below.

While this page is displayed, faders and [ON] buttons perform the functions assigned
to them here, not their regular functions.

2. Use [SEL] buttons 1 through 16 and MASTER to select the channels whose

[ON] buttons and faders you want to reassign.

3. Use the cursor buttons to select the parameters boxes, and the PARAM-

ETER wheel or [–1/DEC] and [+1/INC] buttons to set them.

Available functions for the faders and [ON] buttons are listed in the subsequent tables.

4. Use the cursor buttons to select the BANK switches, and then press the

[ENTER] button to activate the selected bank.

The switch of the active bank appears highlighted.

Custom assignments are stored in their respective banks when other banks are selected,
and banks can be stored using MIDI Bulk Dump. See “Bulk Dump” on page 232 for
more information.

To reset a bank back to its initial assignments, make it the active bank, select the INI-
TIALIZE switch, and then press the [ENTER] button. A confirmation dialog box
appears. Select OK, and then press the [ENTER] button to confirm your action. The
selected bank is reset to its initial assignments.

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Summary of Contents for 01V

Page 1: ... 1 RETURN 2 HI MID LO MID LOW PAN F G PAN F G SEL SEL MASTER STEREO SEL SOLO SO ON ON 15 16 SEL SOLO 13 14 SEL SOLO 12 SEL 11 SEL 10 EL 9 26dB 26dB 26dB 26dB 10 34 60 16 20 10 10 0 10 0 GAIN 20 10 GAIN 10 60 16 GAIN OFF ON 10dBV UNBAL 34 10 60 16 GAIN 10 60 16 GAIN 10 60 16 GAIN 34 60 GAIN 34 34 34 E Owner s Manual Owner s Manual interstage Phistersvej 31 2900 Hellerup Danmark Telefon 3946 0000 fa...

Page 2: ...isesti asennettu Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin Hävitä käytetty paristo valmistajan ohjeiden mukaisesti FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifications not expressly approved by Yamaha may void your authority granted by the ...

Page 3: ...de the 01V are a fire and electrical shock hazard Do not block the 01V ventilation slots The 01V has ventilation slots on the top and rear to prevent the internal temperature from rising Blocked ventilation slots are a fire hazard Do not try to modify the 01V This could be a fire and electrical shock hazard The 01V operating temperature is between 5 C and 35 C 41 F and 95 F Cautions Turn off all a...

Page 4: ...is a trademark and ADAT and Alesis are registered trademarks of Alesis Corporation Macintosh is a registered trademark of Apple Computer Inc Pro Tools is a registered trademark of Digidesign or Avid Tech nology Inc Tascam Digital Interface is a trademark and Tascam and TEAC are regis tered trademarks of TEAC Corporation Windows is a trademark of Microsoft Corporation All other trademarks are the p...

Page 5: ...bout the User Interface 28 Display 28 Display Elements 30 Cursor Buttons 31 PARAMETER Wheel 31 1 DEC 1 INC Buttons 31 ENTER Button 31 Fader Modes 32 Title Edit Dialog Box 37 5 Input Channels 39 Input Channel Overview 40 Phantom Powering 41 Pad Switches 41 Setting Input Channel Gain 41 Metering Input Channels 41 Changing the Input Phase 42 Attenuating Input Channel Signals 43 Applying EQ to Input C...

Page 6: ...iting EQ Program Titles 70 Preset EQ Program Parameters 71 7 Solo Monitors Meters 75 About Monitor Solo 76 Monitor Outputs 77 Phones 77 Two track Input 2TR IN 77 Monitor Setup 78 Using Monitor 78 Monitor Block Diagram 79 Solo Setup 80 Using Solo 81 Solo Block Diagram 82 Metering Signal Levels 83 Main Stereo Meters 84 Peak Hold 84 Setting the Metering Point 85 Option I O Meters input channels 17 24...

Page 7: ...er Post fader Aux Sends 97 Viewing Aux Send Settings 98 Setting Aux Send Master Levels 99 Muting Aux Sends 100 Applying EQ to Aux Sends 100 Aux Send Dynamics Processors 100 Pairing Aux Sends 101 Aux Send Block Diagram 104 Stereo Pair Aux Send Block Diagram 105 10 Bus Outs 107 About the Bus Outs 108 Option I O the Bus Outs 108 Omni Outs the Bus Outs 108 Monitoring Bus Outs 108 Metering Bus Outs 108...

Page 8: ...s Programs 134 Editing Effects Program Titles 135 Editing Effects 136 Setting Delay Freq Note Tempo Parameters 137 Effects Parameters 138 Effects Block Diagram 159 13 Dynamics Processors 161 About the Dynamics Processors 162 Preset Dynamics Programs 163 Using the Dynamics Processors 164 Editing the Dynamics Processors 166 Processor Types 167 Dynamics Library 173 Storing Dynamics Programs 174 Recal...

Page 9: ...ards 216 Installing Option I O Cards 218 Assigning Option I O Digital Outputs 219 Option I O Block Diagram 220 17 MIDI 221 MIDI the 01V 222 MIDI Ports 222 MIDI Receive Indicators 224 MIDI Setup 224 Program Change Scene Recall 227 Control Change Parameter Control 229 System Exclusive Parameter Control 231 Bulk Dump 232 Local Control 234 MIDI Machine Control 236 User Defined MIDI Controllers 238 Lin...

Page 10: ... Solo 266 Digital Stereo Out 266 Option I O Output need optional card 266 Memories Libraries 266 EQ 267 Analog Inputs 268 Analog Outputs 268 Digital Audio Inputs 269 Digital Audio Outputs 269 Option I O Cards 269 Control I O 270 01V Dimensions 271 Appendix C MIDI 273 Scene Memory to Program Change Table 273 01V Parameter to Control Change Table 274 03D Programmable Mixer 01 Parameter to Control Ch...

Page 11: ...Welcome to the 01V 1 01V Owner s Manual Welcome to the 01V 1 In this chapter Welcome to the 01V 2 About this Owner s Manual 2 01V Installation 2 01V Features 3 Key Feature Discussion 4 ...

Page 12: ...te specific items A glossary of 01V related jargon is provided on page 293 Each chapter covers a specific section of the 01V The Input Channels Chapter for example explains all about input channels while the Scene Memories Chapter deals with scene memories The content of each chapter should be fairly obvious from its title Items such as EQ and dynamics which are available on input channels aux sen...

Page 13: ...card Tascam ADAT AES EBU Coaxial type digital input and output Versatile solo modes for comprehensive monitoring 3 fader groups for multiple fader control 3 mute groups for multiple mute control 250 ms input delay 1 16 and 300 ms output delay STEREO OUT OMNI OUTs Channel Copy function Stereo pair operation for input channels aux sends and bus outs 100 scene memories for storing mix snapshots Four ...

Page 14: ...tputs can be configured as bus outs aux sends input channel direct outs or stereo outs So although the 01V is a four bus mixer assigning the four buses and four aux sends or the channel direct outs to the Option I O eight outputs allows eight track simultaneous recording Benefits of a Digital Mixer You re probably already familiar with the many benefits offered by digital audio but what exactly ar...

Page 15: ...y consists of 40 preset programs and 40 user programs User pro grams allow you to store frequently used EQ settings which can be titled for easy iden tification The unique collection of preset EQ programs are designed for specific applications and instruments and provide a good reference and starting point when making EQ adjustments See EQ Library on page 67 for more information Motorized Faders T...

Page 16: ...x settings in mix scenes The dynamics library consists of 40 preset programs and 40 user programs User programs allow you to store your own dynamics programs which can be titled for easy identification See Dynamics Library on page 173 for more informa tion Option I O Digital I O The 01V features a single slot for an optional Option I O card providing eight digital inputs input channels 17 through ...

Page 17: ...le sound changes between scenes MIDI In addition to regular MIDI ports the 01V features a TO HOST port that allows the 01V to be connected directly to a personal computer without a MIDI interface MIDI Program Change messages can be used to recall mix scenes and mix parameters can be assigned to MIDI Control Change messages for real time remote control Mix parameters that can be stored in mix scene...

Page 18: ...8 Chapter 1 Welcome to the 01V 01V Owner s Manual ...

Page 19: ...Getting Started 9 01V Owner s Manual Getting Started 2 In this chapter 01V System Example 10 Important Wordclock Information 11 Connecting the Power Cord 11 Turning On the 01V 11 Turning Off the 01V 11 ...

Page 20: ... 11 11 SEL SOLO ON 6 0 5 10 20 40 60 10 10 SEL SOLO ON 6 0 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 ...

Page 21: ...ety of digital audio equipment Connecting the Power Cord Connect the 01V power cord to a suitable AC wall outlet one that conforms to the power supply requirements stated on the rear panel of the 01V Turning On the 01V Always turn on your audio equipment in the following order 1 Sound sources 2 01V 3 Monitor amplifier To turn on the 01V press the 01V POWER switch located on the rear panel When tur...

Page 22: ...12 Chapter 2 Getting Started 01V Owner s Manual ...

Page 23: ...Touring the 01V 13 01V Owner s Manual Touring the 01V 3 In this chapter Top Panel Controls 14 Inputs Outputs 20 Block Diagram 24 ...

Page 24: ...EREO STEREO MASTER SEL SOLO SOLO MEMORY ON 1 DEC ENTER 1 INC CURSOR ON ON 0 5 10 15 20 30 40 50 70 15 16 15 16 SEL SOLO ON 6 0 5 10 20 40 60 13 14 13 14 SEL SOLO ON 6 0 5 10 20 40 60 12 12 SEL SOLO ON 6 0 5 10 20 40 60 11 11 SEL SOLO ON 6 0 5 10 20 40 60 10 10 SEL SOLO ON 6 0 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL...

Page 25: ...D GAIN controls These controls are used to adjust the gain of the input preamps See Setting Input Channel Gain on page 41 for more information E MONITOR OUT LEVEL control This control is used to adjust the monitor out level F PHONES LEVEL control This control is used to adjust the phones level 1 2 3 4 5 6 LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT MONITOR 2TR IN 15 16 2TR IN 26dB 1 26dB 2 26d...

Page 26: ... is turned on and an EQ control is adjusted the EQ page appears automatically Likewise for the PANPOT AUTO SCREEN option and PAN control See Setting 01V Preferences on page 203 for more information C Contrast This control is used to adjust the display contrast Adjust it so that the display is clear and easy to read from your viewing position You may need to readjust it when viewing the display fro...

Page 27: ...l SETUP Word Clock Select Monitor Solo Setup Group Pair Dither VIEW Channel View Fader View CH Copy DYNAMICS Dynamics Edit Dynamics Library EQ ATT EQ Edit EQ Library ø DELAY Phase Input Delay 1 8 Input Delay 9 16 Output Delay PAN ROUTING Panpot Routing Bus Master Omni Out Select MEMORY Memory Fade Time Memory Sort Recall Safe Button Pages EFFECT 1 Effect1 Edit Effect1 Library Effect1 Pre Post EFFE...

Page 28: ...d mute groups Grouping Faders on page 55 and Grouping Mutes on page 56 B SOLO buttons The SOLO buttons are used to solo channels input channels 1 through 16 and effects returns 1 and 2 Normally SOLO buttons 1 through 8 select channels 1 through 8 When the OPTION I O button is pressed however they select input channels 17 through 24 which are only available when an Option I O card is installed See ...

Page 29: ...e used to control channel levels aux send levels or effects sends levels Normally faders 1 through 8 control channels 1 through 8 When the OPTION I O button is pressed however they control input channels 17 through 24 which are only available when an Option I O card is installed See Faders plus Return Rotary Controls on page 35 for more information Faders 1 through 16 and master can be assigned to...

Page 30: ...erted the XLR type connector is disconnected With their high sensitivity and 26 dB PAD switches these inputs can handle a wide range of signals from condenser micro phones to hot line levels B INPUT BAL 13 16 Input channels 13 through 16 feature bal anced phone jack connectors with a nominalinputrangeof 20 dBto 10 dB These inputs are designed for use with line level sources and can also be used wi...

Page 31: ...be fed to input channels 15 and 16 for mixing with other signals D 2TR OUT These are phono jacks with a 10 dBV nominal output level The 2TR OUT signal is the same as the stereo out signal A cassette deck DAT or MiniDisc deck connected here can be used to record the stereo mix E PHONES This is a stereo TRS phone jack to which a pair of stereo headphones can be connected for monitoring The phones si...

Page 32: ...rough 6 and 7 through 12 respectively C OMNI OUTs These are balanced 1 4 inch phone jacks with a 4 dB nominal output level Bal anced or unbalanced phone plugs can be connected These outputs can be config ured individually as analog bus outs aux sends stereo outs or direct outs for input channels 1 through 16 Bus outputs are typ ically connected to multitrack recorders while aux sends are typically...

Page 33: ...d 14 G MIDI IN OUT THRU These are standard MIDI IN OUT and THRU ports and are used to connect the 01V to other MIDI equipment for remote control and data backup The MIDI IN port receives MIDI messages while the MIDI OUT port transmits them The MIDI THRU port transmits all MIDI messages received at the MIDI IN port H TO HOST This 8 pin mini DIN port is used to connect the 01V to a personal computer...

Page 34: ...T CASCADE IN ON OFF FLIP ON ON ON ON CH Fader CH Fader AUX1 AUX1 EFF1 EFF2 AUX2 AUX3 AUX4 EFF1 EFF2 AUX EFF PRE POST AUX EFF PRE POST Meter Meter Meter Meter BALANCE to INTERNAL EFFECT 1 2 48V DIGITAL STEREO IN DIGITAL STEREO IN L R R L Dither R L ST DA Dynamics Delay Dynamics Dynamics Delay DA 4 Band PEQ 4 Band PEQ 4 Band PEQ Meter PAN from 2TR IN EFF De emphasis 4 Band PEQ 4 Band PEQ 4 Band PEQ ...

Page 35: ... AUX3 AUX4 EFF2 EFF1 AUX2 EFF1 EFF2 AUX EFF PRE POST AUX EFF PRE POST OUT MONITOR 2TR IN to INPUT 15 16 2TR IN R L DA DA LEVEL from EFF2 from EFF1 Internal Effect 1 Internal Effect 2 Meter Meter 4 Band PEQ 4 Band PEQ PHONES R L R L ST EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 10kHz 1kHz 100Hz BURST PINK Option I O OUT Option I O IN Option I O Dither Meter Meter Meter Option I O Output Select Meter 1 8 PAN 2...

Page 36: ...26 Chapter 3 Touring the 01V 01V Owner s Manual ...

Page 37: ... Owner s Manual Getting Around the User Interface 4 In this chapter About the User Interface 28 Display 28 Display Elements 30 Cursor Buttons 31 PARAMETER Wheel 31 1 DEC 1 INC Buttons 31 ENTER Button 31 Fader Modes 32 Title Edit Dialog Box 37 ...

Page 38: ...hich is detented for precise and accurate editing Display The 320 x 80 dot LCD display provides clear indication of mix settings and operating status As well as showing parameter values numerically faders and rotary controls are represented graphically so you can actually see pan and fader positions The display also shows EQ curves and signal level meters The various sections of the display are ex...

Page 39: ... control icons Pan EQ frequency F and EQ gain G which indicate the pan EQ fre quency and EQ gain of the selected channel Below these is the selected channel indicator showing which channel is currently selected The fol lowing channels can be selected CH1 through CH24 Input channels 1 through 24 ST Stereo output RTN1 RTN2 Effects returns 1 and 2 AUX1 through AUX4 Aux sends 1 through 4 EFF1 EFF2 Eff...

Page 40: ...n or 1 DEC and 1 INC buttons to turn it on or off Rotary Controls Some parameters appear as rotary controls as this example from the PANPOT page shows To adjust a rotary control use the cursor buttons to select it and use the PARAMETER wheel or 1 DEC and 1 INC buttons to adjust it Parameter Boxes Some parameters appear in parameter boxes i e dotted line boxes as this example from the EFFECT1 EDIT ...

Page 41: ...C Buttons Like the PARAMETER wheel the 1 DEC and 1 INC buttons are used to adjust parameter values scroll through scene memory and library programs and position the cur sor when titling scene memories effects programs and so on The 1 DEC button is used to decrement values while the 1 INC button is used to increment them Holding down the 1 DEC or 1 INC button sweeps through a parameter s adjustable...

Page 42: ...ToselecttheEQfunctionforinputchannel3 pressthe HOME button andthenpress SEL button 3 CH3 appears in the bottom right corner of the display Use the SELECTED CHANNEL F and G controls to adjust the EQ If a fader mode other than Option I O or Remote is selected it s not necessary to press the HOME button To select the Pan function for input channel 13 press the HOME button and then press SEL button 13...

Page 43: ...buttons are used to solo channels for monitoring See Solo Setup on page 80 for more information The following channels can be soloed CH1 through CH24 Input channels 1 through 24 RTN1 RTN2 Effects returns 1 and 2 The SOLO buttons 1 through 16 can be used as MIDI controllers on REMOTE page 3 See User Defined MIDI Controllers on page 238 for more information Usage Examples To solo input channel 3 pre...

Page 44: ...de other than Option I O or Remote is selected it s not necessary to press the HOME button To turn on or off input channels 13 14 press the HOME button and then press ON button 13 14 If a fader mode other than Option I O or Remote is selected it s not nec essary to press the HOME button To turn on or off input channel 20 press the OPTION I O button and then press ON button 20 Master ON Button Exam...

Page 45: ...nnel Aux Send Examples To adjust the aux 1 send level of input channel 3 press the AUX 1 button and then operate fader 3 1 Effects return 1 cannot be fed to effect send 1 2 Effects return 2 cannot be fed to effect send 2 3 CH17 20 with four input Option I O cards Fader Mode Fader Rotary Control 1 8 17 24 9 12 13 14 15 16 STEREO MASTER RETURN 1 2 HOME CH 1 16 level STEREO master level RETURN 1 2 le...

Page 46: ... 2 press SEL button 20 use the cursor buttons to select the EFFECT 1 fader and then adjust it using the PARAMETER wheel or 1 DEC and 1 INC buttons Master Level Examples To adjust the level of stereo out press the HOME button and then operate the MAS TER fader To adjust the AUX 1 master send level press the AUX 1 button and then operate the MASTER fader To adjust the EFFECT 1 master send level pres...

Page 47: ...s 3 Use the cursor buttons to select the following switches and press the ENTER button to execute their functions INS Insert a space at the cursor position and moves subsequent characters to the right Characters moved beyond the right edge of the title window are lost DEL Delete the character at the cursor position and move subsequent characters to the left 4 Use the 1 INC button to enter a space ...

Page 48: ...38 Chapter 4 Getting Around the User Interface 01V Owner s Manual ...

Page 49: ...ut Channels Dynamics Processors 44 Delaying Channel Signals 45 Muting Input Channels 46 Setting Input Channel Levels 46 Panning Input Channels 47 Routing Input Channels 49 Monitoring Input Channels 50 Input Channels Aux Sends 50 Input Channels the Omni Outs 50 Input Channels the Option I O Outs 50 Swapping Inputs 1 8 17 24 51 Pairing Input Channels 52 Grouping Faders 55 Grouping Mutes 56 Viewing I...

Page 50: ...s 13 and 14 By using the CH13 14 FLIP function on PAN ROUT page 4 however the DIGITAL STEREO IN signals can be fed to input chan nels 13 and 14 See Digital Stereo In on page 213 for more information Similarly the input signals for input channels 15 and 16 are normally derived from phone jack inputs 15 and 16 By using the 15 16 2TR IN switch however the 2TR IN signals can be fed to input channels 1...

Page 51: ... level is relatively high and it s okay for it to reach CLIP occa sionally If CLIP is reached often however back off the GAIN control a little otherwise signal distortion may occur The GAIN control should be set with care If it s set too low the signal to noise performance will suffer If it s set too high unpleasant signal clip ping and distortion may occur The GAIN controls on input channels 1 th...

Page 52: ...ion 1 Use the DELAY button to locate DELAY page 1 as shown below 2 Use SEL buttons 1 through 16 to select channels Phase switches can also be selected using the cursor buttons 3 Use the ENTER button or the 1 DEC and 1 INC buttons to set the phase of the selected channel to normal or reversed Normal phase Reversed phase ThePhaseswitchesoninputchannels13and14 likewise15and16 arenotlinked and can be ...

Page 53: ...g Input Chan nels on page 52 their attenuators are linked so adjustments can be made with either channel selected The Attenuation function can be used to compensate for signal level increases caused by EQ boosting or dynamics processing Although such signals can be reduced using the GAIN controls doing so would adversely affect the performance of the A D con verters which need a reasonable signal ...

Page 54: ...turned on or off and the EQ curve viewed on the EQ page and VIEW page See Viewing Input Channel Settings on page 57 for more information Input Channels Dynamics Processors Input channels 1 through 16 feature a dynamics processor See Dynamics Processors on page 161 for more information The dynamics can be turned on or off and the dynamics curve viewed on the Dynamics page and VIEW page See Viewing ...

Page 55: ...Input Channels on page 52 their Channel Delays are linked so adjustments can be made with either channel selected Parameter Range Description ON OFF ON OFF These switches are used to turn on and off the delays DELAY 0 250 ms Delay can be specified in milliseconds meters or samples Setting 01V Preferences on page 203 The maximum delay in samples is fixed at 11025 The maximum delay in milliseconds a...

Page 56: ... See Grouping Mutes on page 56 for more information Setting Input Channel Levels Input channel levels are controlled using the motorized 60 mm faders To adjust the level of an input channel from 1 through 16 press the HOME button and then operate a fader from 1 through 16 To adjust the level of an input channel from 17 through 24 press the OPTION I O button and then operate a fader from 17 through...

Page 57: ...atedly As these channels are selected the letter R or L appears on the display next to the panpot icon 2 Use the PAN control to pan the selected channel If the PANPOT AUTO SCREEN option is turned on in the preferences Setting 01V Preferences on page 203 the PAN ROUT page shown below appears and the Home fader mode is selected This page can also be located using the PAN ROUTING but ton Panpots can ...

Page 58: ...eo signal is 100 With both controls set at CENTER as shown here the width of the stereo signal is zero i e mono Setting the controls to positions in between these two extremes allows you to set the width of the stereo signal To maintain a central balance however you must set both controls to corresponding values For example L8 and R8 or L10 and R10 Pan Modes The three Pan modes INDIVIDUAL GANG and...

Page 59: ...ton to set them A highlighted Routing switch indicates that a channel has been routed Input channels 1 through 12 have four bus out routing switches 1 2 3 4 a stereo out routing switch ST and a direct out routing switch D The latter switch is turned on automatically when an input channel is selected as the source for an Option I O out on OPTION page 4 Likewise when an input channel is selected as ...

Page 60: ...or post fader sends When aux sends are paired aux send panpots become available on each input channel See Aux Sends on page 93 for more information Input Channels the Omni Outs Direct signals from input channels 1 through 16 can be selected for the omni outs See Omni Outs on page 115 for more information Note that OMNI OUTs are not affected by the D switches on the PAN ROUT page 2 Input Channels t...

Page 61: ...channels 1 through 8 1 Use the OPTION I O button to locate OPTION page 5 as shown below 2 Use the cursor buttons to select the GLOBAL or individual SWAP switches and the ENTER button PARAMETER wheel or 1 DEC and 1 INC buttons to set them Swap switches appear highlighted when channels are swapped When channels are swapped their meter numbers appear highlighted on HOME page 1 and OPTION page 1 as sh...

Page 62: ...pends on the selected Pan mode See Pan Modes on page 48 for more information Making Input Channel Pairs 1 Press the SEL button of both input channels simultaneously OR Use the SETUP button to locate SETUP page 4 as shown below and use the cursor buttons to select channel pairs and then press the ENTER button The following dialog box appears CH 1 2 Copy the settings of input channel 1 to input chan...

Page 63: ...n of both input channels simultaneously OR On SETUP page 4 use the cursor buttons to select the paired channel switch and then press the ENTER button The following dialog box appears 2 Select OK and then press the ENTER button The stereo pair is broken and both input channels operate independently ...

Page 64: ...am Delay Meter Delay Meter CH INPUT 2 4 12 even channels CH INPUT 1 3 11 odd channels ATT PAN INDIVIDUAL GANG INV GANG PAN ON Unchanged Unchanged 1 2 3 4 BUS 4 3 2 1 2 1 AUX EFF ST L R Dynamics 4 Band PEQ Dynamics 4 Band PEQ CH Fader CH Fader AUX1 AUX2 EFF1 EFF2 AUX EFF PRE POST ...

Page 65: ...15 16 and paired input channels 1 through 12 Pairing Input Channels on page 52 are added and removed together Operate only one fader in a group at a time If you attempt to adjust two or more faders in the same group the fader motors may malfunction due to the increased load Enabling Disabling Fader Groups Fader groups can be enabled and disabled using the ENABLE switches Disabling a group allows y...

Page 66: ...o select the mute groups and the SEL buttons to add and remove channels to and from that group Channels cannot be in more than one group at a time Input channels 13 14 15 16 and paired input channels 1 through 12 Pairing Input Channels on page 52 are added and removed together Enabling Disabling Mute Groups Mute groups can be enabled and disabled using the ENABLE switches Disabling a group allows ...

Page 67: ...nels 17 through 24 can be viewed and adjusted on OPTION page 2 Input Channels 1 16 1 Use the VIEW button to locate VIEW page 1 or 2 VIEW pages for input channels 1 through 12 appear as below VIEW pages for input channels 13 14 and 15 16 appear as below 2 Use SEL buttons 1 through 16 to select channels 3 Use the cursor buttons to select the parameters and the PARAMETER wheel 1 DEC 1 INC and ENTER b...

Page 68: ...n to locate OPTION page 2 as shown below 2 Use SEL buttons 17 through 24 to select channels 3 Use the cursor buttons to select the parameters and the PARAMETER wheel 1 DEC 1 INC and ENTER buttons to set them Most of the parameters for input channels 17 through 24 can be set only on OPTION page 2 ...

Page 69: ...nd Swap can be used with input channels 1 through 16 1 Use the VIEW button to locate the VIEW page shown below 2 Use the cursor buttons and PARAMETER wheel to select the SOURCE and DESTINATION channels 3 Use the cursor buttons and ENTER button to select a CATEGORY ALL All input channel settings EQ EQ settings DELAY Delay settings DYNAMICS Dynamics settings FADER Fader settings 4 Use the cursor but...

Page 70: ... EFF1 EFF2 AUX EFF PRE POST AUX EFF PRE POST Meter Meter 48V DIGITAL STEREO IN R L ST from 2TR IN EFF De emphasis 4 Band PEQ 4 Band PEQ 4 Band PEQ 4 Band PEQ HA AD GAIN HA AD AUX 1 2 1 2 3 4 BUS Dynamics PEQ 4 Band Delay Dynamics Delay Dynamics Delay AD 26dB Pad PHANTOM 4 3 2 1 PAN HA GAIN 15 16 2TR IN ATT Meter to MONI to MONI CH Fader AUX1 AUX2 EFF1 EFF2 AUX EFF PRE POST Option I O IN PAN 2 Band...

Page 71: ...ter About the 01V EQ 62 Adjusting the EQ 63 EQ Specs 66 Bypassing the EQ 66 Resetting the EQ 66 EQ Library 67 Preset EQ Program List 67 Storing EQ Programs 68 Recalling EQ Programs 69 Editing EQ Program Titles 70 Preset EQ Program Parameters 71 ...

Page 72: ...ich can be titled for easy iden tification The unique collection of preset EQ programs are designed for specific applications and instruments and provide a good reference and starting point when making EQ adjustments The EQ library cannot be used with the 2 band EQs on input channels 17 through 24 See EQ Library on page 67 for more information The EQs on input channels 13 and 14 likewise 15 and 16...

Page 73: ...d the Home fader mode is selected This page can also be located using the EQ ATT button The EQ can also be adjusted on this page by using the cursor buttons to select param eters and the PARAMETER wheel or 1 DEC and 1 INC buttons to set them For Input Channels 17 24 1 Press the OPTION I O button 2 Use SEL buttons 17 through 24 to select channels 3 Use the HIGH and LOW buttons to select EQ bands an...

Page 74: ...The EQ can also be adjusted on this page by using the cursor buttons to select param eters and the PARAMETER wheel or 1 DEC and 1 INC buttons to set them For Aux Sends 1 4 1 Use the Fader Mode AUX buttons to select an aux send 2 Press the MASTER SEL button 3 Use the HIGH HI MID LO MID and LOW buttons to select EQ bands and the F and G controls to adjust the frequency and gain respec tively If the ...

Page 75: ...trols to adjust the frequency and gain respec tively If the EQ AUTO SCREEN option is turned on in the preferences Setting 01V Prefer ences on page 203 the EQ page shown below appears and the Home fader mode is selected This page can also be located using the EQ ATT button The EQ can also be adjusted on this page by using the cursor buttons to select param eters and the PARAMETER wheel or 1 DEC and...

Page 76: ...ons simultaneously The following table contains the initial EQ values 1 Four band EQs only low and high bands only on input channels 17 through 24 2 When the low and high EQ bands are configured as HPF and LPF their gain controls function as filter on and off switches 1 Four band EQs only low and high bands only on input channels 17 through 24 Low Lo Mid1 Hi Mid1 High Gain G 18 0 dB to 18 0 dB 0 5...

Page 77: ...ist of the preset EQ programs The EQ library is controlled from the EQ Library page shown below Use the EQ ATT button to locate this page As each program is selected its EQ curve appears in the EQ CURVE window Above this are signal level meters for the selected channel Preset EQ Program List Title Title 01 Bass Drum 1 21 A G Stroke 2 02 Bass Drum 2 22 A G Arpeg 1 03 Snare Drum 1 23 A G Arpeg 2 04 ...

Page 78: ...ls 17 through 24 3 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select programs The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 4 Use the cursor buttons to select STORE and then press the ENTER but ton The Title Edit dialog box appears If the STORE CONFIRMATION option is turned off in the preferences Setting 01V Pre...

Page 79: ...not select input channels 17 through 24 3 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select programs As each program is selected its EQ curve is displayed in the EQ CURVE window The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 4 Use the cursor buttons to select RECALL and then press the ENTER but ton The EQ program...

Page 80: ...locate the EQ Library page shown below 2 Use the PARAMETER wheel to select programs 3 Use the cursor buttons to select TITLE EDIT and then press the ENTER button The Title Edit dialog box appears 4 Edit the program title See Title Edit Dialog Box on page 37 for more information 5 When you ve finished select OK and then press the ENTER button The new title is stored ...

Page 81: ...mphasizes the attack of tom toms and creates a long leathery decay G 2 0 dB 7 5 dB 2 0 dB 1 0 dB F 210 Hz 667 Hz 4 49 kHz 6 35 kHz Q 1 4 10 1 2 0 28 06 Cymbal L SHELF PEAKING PEAKING H SHELF Emphasizes the attack of crash cymbals extend ing the sparkling decay G 2 0 dB 0 0 dB 0 0 dB 3 0 dB F 105 Hz 420 Hz 1 05 kHz 13 4 kHz Q 8 0 9 07 High Hat L SHELF PEAKING PEAKING H SHELF Use on a tight high hat...

Page 82: ...an electric guitar or semi acoustic guitar to get a slightly hard sound G 2 0 dB 5 5 dB 0 5 dB 2 5 dB F 265 Hz 397 Hz 1 33 kHz 4 49 kHz Q 0 18 10 6 3 16 E G Crunch 1 PEAKING PEAKING PEAKING PEAKING Adjusts the tonal qual ity of a slightly distorted guitar sound G 4 5 dB 0 0 dB 4 0 dB 2 0 dB F 140 Hz 1 00 kHz 1 88 kHz 5 65 kHz Q 8 4 5 0 63 9 17 E G Crunch 2 PEAKING PEAKING PEAKING H SHELF A variati...

Page 83: ...ccording to the voice quality G 0 5 dB 0 0 dB 2 0 dB 3 5 dB F 187 Hz 1 00 kHz 2 00 kHz 6 72 kHz Q 0 11 4 5 0 56 0 11 26 Male Vocal 2 PEAKING PEAKING PEAKING H SHELF A variation on program 25 G 2 0 dB 5 0 dB 2 5 dB 4 0 dB F 167 Hz 236 Hz 2 67 kHz 6 72 kHz Q 0 11 10 5 6 27 Female Vo 1 PEAKING PEAKING PEAKING PEAKING Use as a template for female vocal Adjust the HIGH or H MID setting according to the...

Page 84: ...rogram 5 Emphasizes the mid and high range G 9 0 dB 1 5 dB 2 0 dB 0 0 dB F 88 Hz 210 Hz 5 33 kHz 16 9 kHz Q 4 5 1 2 36 Piano 3 PEAKING PEAKING PEAKING H SHELF A variation on program 13 G 4 5 dB 13 0 dB 4 5 dB 2 5 dB F 99 Hz 472 Hz 2 37 kHz 10 0 kHz Q 8 10 9 37 Piano Low PEAKING PEAKING PEAKING H SHELF Use for the low range of a piano sound recorded in stereo G 5 5 dB 1 5 dB 6 0 dB 0 0 dB F 187 Hz ...

Page 85: ... Outputs 77 Phones 77 Two track Input 2TR IN 77 Monitor Setup 78 Using Monitor 78 Monitor Block Diagram 79 Solo Setup 80 Using Solo 81 Solo Block Diagram 82 Metering Signal Levels 83 Main Stereo Meters 84 Peak Hold 84 Setting the Metering Point 85 Option I O Meters input channels 17 24 85 Effects Send Meters 86 ...

Page 86: ...ectable sources are the stereo output stereo cascade in aux sends 1 through 4 or bus outs 1 through 4 Signals can be sourced pre fader PFL or post fader AFL Other parame ters include monitor trim and a mono stereo switch See Monitor Setup on page 78 for more information The SOLO SETUP parameters in the bottom half of this page are used to configure the Solo function Input channels 1 through 24 and...

Page 87: ...as the monitor out signal The PHONES LEVEL control is used to adjust the level of the phones signal Two track Input 2TR IN Signals connected via the 2TR IN jacks can be monitored via the MONITOR OUT and PHONES when the MONITOR 2TR IN switch is set to 2TR IN The stereo outputs of a master recorder can be connected here for confidence monitoring and master playback The 2TR IN uses phono jacks with a...

Page 88: ...imultaneously LISTEN This switch sets the monitor signal source to pre fader PFL or post fader AFL It affects the stereo out aux send and bus out monitor sources For example when set to PFL the stereo out can be monitored regardless of the position of the stereo master fader When set to AFL however this fader must be raised in order to monitor the stereo out MONI TRIM This parameter is used to adj...

Page 89: ...er Meter ON 1 4 to SELECT OUTPUT OUTPUT DIGITAL STEREO IN SELECT to Meter ST CASCADE IN ON ON Meter Meter BALANCE L R R L ST Dither R L ST DA Dynamics Delay Dynamics Dynamics Delay DA 4 Band PEQ 4 Band PEQ 4 Band PEQ Meter PAN EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 OUT OUT STEREO STEREO DIGITAL Meter MONITOR LEVEL MONI TRIM MONO OUT MONITOR 2TR IN to INPUT 15 16 2TR IN R L DA DA LEVEL PHONES R L Monitor ...

Page 90: ...ut to the monitor out and phones No other outputs are affected Input channels that are turned off can also be soloed If LISTEN is set to AFL off channels are moni tored PFL This mode is typically used to monitor individual input signals in recording and sound reinforcement applications and is useful for checking whether signals are clipping or making EQ adjustments in isolation In Mixdown Solo mod...

Page 91: ...4 Use the SETUP button to locate SETUP page 2 explained previously and configure as necessary For Input Channels 1 16 5 Use SOLO buttons 1 through 16 to solo channels For Input Channels 17 24 6 Press the OPTION I O button 7 Use SOLO buttons 17 through 24 to solo channels For Effects Returns 1 2 8 Use the effects returns SOLO buttons to solo effects returns 1 and 2 When a channel is soloed its SOLO...

Page 92: ...put aux sends bus outs and stereo cascade input can be monitored when Solo is off 13 14 15 16 EFF1 2 1 12 17 24 13 14 15 16 EFF1 2 1 12 17 24 MONI RECORDING SOLO LISTEN SOLO MIX SOLO Unchanged PAN Unchanged ON MONO PHONES Unchanged MONITOR OUT SOLO TRIM SOLO TRIM ON ON OUT MONITOR Unchanged Unchanged Unchanged Unchanged LISTEN PAN Unchanged 1 2 3 4 PHONES BUS 4 3 2 1 2 1 AUX EFF L R ST L R MONI 1 ...

Page 93: ...following HOME pages Input channels 1 16 HOME page 1 displays signal level meters for input channels 1 through 16 The decibel value below each meter indicates the position of the corresponding channel fader The highlighted numbers 1 2 and 3 indicate that input channels 1 2 and 3 have been swapped with input channels 17 18 and 19 See Swapping Inputs 1 8 17 24 on page 51 for more information Meters ...

Page 94: ... Stereo Meters In addition to the meters on HOME page 4 stereo output levels are displayed on the dedicated 12 segment main stereo meters with Peak Hold The meters range from 48 dB to CLIP If a CLIP LED does light reduce the stereo output level to prevent signal distor tion The main stereo meters are not affected by the metering points on HOME page 5 Peak Hold The Peak Hold function works with the...

Page 95: ... for the stereo output aux send and bus out meters to either POST EQ or POST ON Option I O Meters input channels 17 24 Signal level meters for input channels 17 through 24 and the Option I O outputs are displayed on the OPTION pages 1 Use the OPTION I O button to locate the OPTION pages Signal level meters for inputs 17 through 24 are displayed on OPTION page 1 as shown below The decibel value bel...

Page 96: ... to select an effects send and then press the MASTER SEL button EFF1 or EFF2 appears on the display indicating that an effects send is selected 2 Use the VIEW button to locate VIEW pages 1 and 2 as shown below Signal level meters for effects send 1 are displayed on VIEW pages 1 and 2 as shown below Signal level meters for effects send 2 are displayed on VIEW pages 1 and 2 as shown below ...

Page 97: ...t 88 Omni Outs the Stereo Output 88 Solo the Stereo Output 88 Monitoring the Stereo Output 88 Metering the Stereo Output 89 Routing Signals to the Stereo Output 89 Viewing Stereo Output Settings 89 Setting the Stereo Output Level 90 Muting the Stereo Output 90 Balancing the Stereo Output 90 Applying EQ to the Stereo Output 90 Stereo Output Dynamics Processors 90 Stereo Output Delay 91 Stereo Outpu...

Page 98: ...reo cassette deck DAT or MiniDisc deck for stereo mix recording Coaxial Digital Out the Stereo Output The stereo output signal is output digitally in Coaxial format from the digital stereo out connector Typically this is connected to the digital input on a DAT or MiniDisc deck for stereo mix recording See Digital Stereo Out on page 211 for more infor mation Option I O the Stereo Output The stereo ...

Page 99: ...ut See Routing Input Channels on page 49 for more information Viewing Stereo Output Settings Settings for the stereo output can be viewed and certain parameters adjusted onVIEW pages 1 and 2 1 Press the HOME button and then the MASTER SEL button ST appears on the display indicating that the stereo output is selected 2 Use the VIEW button to locate VIEW pages 1 and 2 as shown below 3 Use the cursor...

Page 100: ...nnels of the stereo output signal can be balanced as follows 1 Press the HOME button and then the STEREO SEL button ST appears on the display indicating that the stereo output is selected 2 Use the PAN control to adjust the balance The balance can also be adjusted on the VIEW page See Viewing Stereo Output Set tings on page 89 for more information Applying EQ to the Stereo Output The stereo output...

Page 101: ... cursor buttons to select the delay parameters and the ENTER button PARAMETER wheel or 1 DEC and 1 INC buttons to set them Parameter Range Description ON OFF ON OFF These switches are used to turn on and off the delays DELAY 0 300 ms Delay can be specified in milliseconds meters or samples Setting 01V Preferences on page 203 The maximum delay in samples is fixed at 13229 The maximum delay in milli...

Page 102: ...Stereo Output Block Diagram L R MONI STEREO OUT LISTEN OUTPUT SELECT to 2TR OUT ON Meter BALANCE L R R L ST Dither R L ST DA Dynamics Delay Dynamics Delay DA 4 Band PEQ 4 Band PEQ EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 OUT OUT STEREO STEREO DIGITAL Meter ...

Page 103: ...ing Aux Sends 94 Metering Aux Sends 94 Sending Channel Signals to Aux Sends 95 Pre fader Post fader Aux Sends 97 Viewing Aux Send Settings 98 Setting Aux Send Master Levels 99 Muting Aux Sends 100 Applying EQ to Aux Sends 100 Aux Send Dynamics Processors 100 Pairing Aux Sends 101 Aux Send Block Diagram 104 Stereo Pair Aux Send Block Diagram 105 ...

Page 104: ...s not have dedicated aux return inputs Use the input channels to return aux signals Stereo return signals can be connected to input channels 13 14 and 15 16 The onboard effects are explained in their own chapter See Effects on page 119 for more information Option I O the Aux Sends Aux send signals can be assigned to the Option I O digital outputs See About Option I O Cards on page 216 for more inf...

Page 105: ... Sends on page 97 you ll have to raise the channel s regular fader as well To do this press the HOME button and then raise the fader The aux send controls on input channels 13 and 14 likewise 15 and 16 are perma nently linked When input channels 1 through 12 are paired Pairing Input Channels on page 52 their aux send controls are linked For Input Channels 17 24 1 Use the OPTION I O button to locat...

Page 106: ...controls for the selected aux send and an AUX page similar to the one shown below appears 2 Turn up the rotary control of the effects return you want to send to the aux send If the aux send is configured post fader Pre fader Post faderAux Sends on page 97 you ll have to raise the effects returns regular control as well To do this press the HOME button and then turn up the rotary control ...

Page 107: ...ates the position of the aux send fader The position of the corresponding aux send master fader is displayed at the top of the page 2 Use the SEL buttons or cursor buttons to select the PRE POST switches and the ENTER button PARAMETER wheel or 1 DEC and 1 INC buttons to set them The PRE POST switches on input channels 13 and 14 likewise 15 and 16 are perma nently linked When input channels 1 throu...

Page 108: ...e AUX buttons to select an aux send and then press the MASTER SEL button AUX appears on the display indicating that an aux send is selected 2 Use the VIEW button to locate VIEW pages 1 and 2 as shown below 3 Use the cursor buttons to select the parameters and the PARAMETER wheel 1 DEC 1 INC and ENTER buttons to set them Parameters are explained in the following sections ...

Page 109: ... similar to the one shown below appears The MASTER fader now functions as aux send master level control for the selected aux send 2 Use the MASTER fader to set the aux send master level The position of the aux send master fader is displayed at the top of theAUX PRE POST page When aux sends are paired Pairing Aux Sends on page 101 their master faders are linked The aux send master levels can be vie...

Page 110: ...s are paired Pairing Aux Sends on page 101 their on switches are linked The aux send master switches can be viewed and set on the VIEW pages See Viewing Aux Send Settings on page 98 for more information Applying EQ to Aux Sends Each aux send features a four band parametric EQ See EQ on page 61 for more information The EQ can be turned on or off and the EQ curve viewed on the VIEW page See Viewing ...

Page 111: ...e SETUP page 4 as shown below 2 Use the cursor buttons to select aux pair 1 2 or 3 4 and then press the ENTER button The following dialog box appears AUX 1 2 Copy the settings of aux send 1 to aux send 2 AUX 2 1 Copy the settings of aux send 2 to aux send 1 RESET BOTH Reset both aux sends to their initial settings 3 Use the cursor buttons to select a pairing mode and then press the ENTER button Th...

Page 112: ...npots to their corresponding channel panpots When this option is on pan settings made on theAUX PAN pages are reflected on PAN ROUT page 1 and vice versa Also the aux panpots are affected by the INDIVIDUAL GANG and INV GANG pan modes on PAN ROUT page 1 Including center there are 33 pan positions Input channels 1 through 12 feature a single panpot as shown here Input channels 13 14 and 15 16 and th...

Page 113: ...l Setting the controls to positions in between these two extremes allows you to set the width of the stereo signal To maintain a central balance however you must set both controls to corresponding values For example L8 and R8 or L10 and R10 ...

Page 114: ...er R L ST Dynamics 4 Band PEQ Meter LISTEN AUX 2 AUX 2 AUX 2 master fader OUTPUT SELECT to Meter ON Meter Dynamics 4 Band PEQ Meter LISTEN AUX 3 AUX 3 AUX 3 master fader OUTPUT SELECT to Meter ON Meter Dynamics 4 Band PEQ Meter LISTEN AUX 4 AUX 4 AUX 4 master fader OUTPUT SELECT to Meter ON Meter Dynamics 4 Band PEQ Meter EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 ...

Page 115: ... Unchanged 4 Band PEQ Dynamics Meter Meter Meter Dynamics PEQ 4 Band CH Fader CH Fader AUX1 2 AUX1 2 AUX1 2 AUX3 AUX3 AUX3 AUX4 EFF1 EFF2 AUX EFF PRE POST PAN AUX1 2 PAN AUX1 2 PAN AUX1 2 PAN PAN INDIVIDUAL GANG INV GANG EFF RTN Rotary AUX 1 2 master fader AUX 4 AUX 3 AUX 4 AUX 3 Meter ON ON LISTEN LISTEN Meter Unchanged Unchanged 4 Band PEQ Dynamics Meter Meter Meter Dynamics PEQ 4 Band AUX 3 mas...

Page 116: ...106 Chapter 9 Aux Sends 01V Owner s Manual ...

Page 117: ...us Outs 108 Omni Outs the Bus Outs 108 Monitoring Bus Outs 108 Metering Bus Outs 108 Routing Signals to the Bus Outs 108 Setting Bus Out Master Levels 109 Muting Bus Outs 109 Routing Bus Signals to the Stereo Bus 110 Pairing Bus Outs 111 Bus Out Block Diagram 112 Stereo Pair Bus Out Block Diagram 113 ...

Page 118: ... digital outputs See About Option I O Cards on page 216 for more information Omni Outs the Bus Outs Bus out signals can be assigned to the omni outs See Assigning Omni Outs on page 116 for more information Monitoring Bus Outs Bus outs can be monitored using the monitor out or phones See Monitor Setup on page 78 for more information Metering Bus Outs Bus out signal levels can be metered on the HOME...

Page 119: ... Bus out master levels can be controlled using regular faders on REMOTE page 1 See Assigning Faders On Buttons on page 194 for more information Muting Bus Outs Bus outs are muted using the virtual ON switches on PAN ROUT page 3 1 Use the PAN ROUTING button to locate PAN ROUT page 3 a shown below 2 Use the cursor buttons to select the bus out ON switches and the ENTER button PARAMETER wheel or 1 DE...

Page 120: ... to right 1 Use the PAN ROUTING button to locate PAN ROUT page 3 a shown below 2 Use the cursor buttons to select the TO ST switches and the ENTER but ton PARAMETER wheel or 1 DEC and 1 INC buttons to turn them on 3 Use the cursor buttons to select the panpots and the PARAMETER wheel or 1 DEC and 1 INC buttons to set them Including center there are 33 pan positions L16 L3 L2 L1 CENTER R1 R2 R3 R16...

Page 121: ...x appears BUS 1 2 Copy the settings of bus out 1 to bus out 2 BUS 2 1 Copy the settings of bus out 2 to bus out 1 RESET BOTH Reset both bus outs to their initial settings 3 Use the cursor buttons to select a pairing mode and then press the ENTER button The highlighted switch and STEREO label show that the bus outs are now configured as a stereo pair Releasing Bus Out Pairs 1 On SETUP page 4 use th...

Page 122: ...ST to SELECT OUTPUT R L ST PAN LISTEN BUS 2 Meter BUS 2 master fader Meter ON BUS 2 TO ST to SELECT OUTPUT PAN LISTEN BUS 3 Meter BUS 3 master fader Meter ON BUS 3 TO ST to SELECT OUTPUT PAN LISTEN BUS 4 Meter BUS 4 master fader Meter ON BUS 4 TO ST to SELECT OUTPUT PAN EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 to MONITOR L R MONI ...

Page 123: ...O ST BUS 2 BUS 1 Meter Meter Meter BUS 1 Unchanged BUS 2 Unchanged 1 2 3 4 BUS 4 3 2 1 2 1 AUX EFF ST L R BUS 1 master fader BUS 2 master fader Meter PAN PAN TO ST ON LISTEN LISTEN TO ST BUS 4 BUS 3 Meter Meter Meter BUS 3 Unchanged BUS 4 Unchanged BUS 3 master fader BUS 4 master fader In this diagram bus outs 1 and 2 are paired ...

Page 124: ...114 Chapter 10 Bus Outs 01V Owner s Manual ...

Page 125: ...Omni Outs 115 01V Owner s Manual Omni Outs 11 In this chapter About the Omni Outs 116 Omni Outs 116 Assigning Omni Outs 116 Omni Out Delay 117 Omni Out Block Diagram 118 ...

Page 126: ... via balanced 1 4 inch phone jacks with a 4 dB nominal output level Assigning Omni Outs Omni outs are initially assigned to aux sends 1 through 4 They can also be assigned to the bus outs the left and right channels of the stereo output or post fader direct out puts of input channels 1 through 16 1 Use the PAN ROUTING button to locate PAN ROUT page 4 a shown below 2 Use the cursor buttons to selec...

Page 127: ...ect the delay parameters and the ENTER button PARAMETER wheel or 1 DEC and 1 INC buttons to set them Parameter Range Description ON OFF ON OFF These switches are used to turn on and off the delays DELAY 0 300 ms Delay can be specified in milliseconds meters or samples Setting 01V Preferences on page 203 The maximum delay in samples is fixed at 13229 The maximum delay in milliseconds and meters dep...

Page 128: ...118 Chapter 11 Omni Outs 01V Owner s Manual Omni Out Block Diagram from OMNI 1 4 OUT DA Delay BUS 1 BUS 4 AUX 1 AUX 4 CH 1 CH 2 CH 15 STEREO L STEREO R CH 16 OMNI OUT Select ...

Page 129: ...ewing Effects Returns Settings 130 Metering Effects Returns 130 Applying EQ to Effects Returns 130 Muting Effects Returns 130 Setting Effects Returns Levels 131 Panning Effects Returns 131 Routing Effects Returns 131 Monitoring Effects Returns 131 Effects Returns Aux Sends 131 Effects Library 132 Storing Effects Programs 133 Recalling Effects Programs 134 Editing Effects Program Titles 135 Editing...

Page 130: ...re information Effects processors are edited on EFFECT1 page 1 as shown below and EFFECT2 page 2 Use the EFFECT 1 button to locate the EFFECT1 pages and the EFFECT 2 button to locate the EFFECT2 pages When EFFECT1 pages are selected the effects return 1 level icon is highlighted as shown below When EFFECT2 pages are selected the effects return 2 level icon is highlighted The title of the selected ...

Page 131: ... reverb 07 Reverse Gate REVERSE GATE A reverse playback type ER Title Type Description 08 Mono Delay MONO DELAY Mono delay with simple operation Use when you don t need to use complex parameter settings 09 Stereo Delay STEREO DELAY Stereo delay with independent left and right 10 Mod delay MOD DELAY Mono delay with modulation 11 Delay LCR DELAY LCR Three tap delay L C R 12 Echo ECHO Stereo delay wi...

Page 132: ...olled phase shifter Responds to MIDI Note On velocity when SOURCE set to MIDI Title Type Description 29 Rev Chorus REV CHORUS Reverb and chorus in parallel 30 Rev Chorus REV CHORUS Reverb and chorus in series 31 Rev Flange REV FLANGE Reverb and flanger in parallel 32 Rev Flange REV FLANGE Reverb and flanger in series 33 Rev Sympho REV SYMPHO Reverb and symphonic in parallel 34 Rev Sympho REV SYMPH...

Page 133: ...s processor An EFFECT page similar to the one shown below appears and faders now function as effects send controls 3 Raise the channel s fader i e effects send level control This sends the channel signal to the selected effects processor The effects return meters display the level of the effects return signal Since each effects processor has a mono input the signals of input channels 13 and 14 lik...

Page 134: ... effects processor An EFFECT page similar to the one shown below appears and effects returns rotary controls now function as effects returns effects send controls 3 Turn up the effects return RETURN level control i e effects send level control This sends the effects return signal to the selected effects processor The effects return meters display the level of the effects return signal Returning Pr...

Page 135: ...the EFFECT 2 button to locate the PRE POST page for Effect 2 Both pages are shown below The value below each PRE POST switch indicates the position of the effects send fader Thepositionof thecorrespondingeffectssendmasterfaderisdisplayedatthetopof the page To prevent signal loops effects return 1 can be fed only to Effect 2 and effects return 2 can be fed only to Effect 1 This is why EFFECT1 page ...

Page 136: ...nnels 17 24 1 Use the OPTION I O button to locate OPTION page 2 as shown below 2 Use SEL buttons 17 through 24 to select channels 3 Use the cursor buttons to select the EFFECT PRE POST switches and the PARAMETER wheel or 1 DEC and 1 INC buttons to set them ...

Page 137: ...SEL button EFF1 or EFF2 appears on the display indicating that an effects send is selected 2 Use the VIEW button to locate VIEW pages 1 and 2 as shown below 3 Use the cursor buttons to select the parameters and the PARAMETER wheel 1 DEC 1 INC and ENTER buttons to set them Parameters are explained in the following sections Metering Effects Sends Effects sends signal levels can be metered on theVIEW...

Page 138: ...lect an effects send An EFFECT page similar to the one shown below appears The MASTER fader now functions as effects send master level control for the selected effects send 2 Use the MASTER fader to set the effects send master level The position of the effects send master fader is displayed at the top of the EFFECT PRE POST page The effects send master levels can be viewed and adjusted on the VIEW...

Page 139: ...ge 34 for more infor mation 1 Use the EFFECT 1 or EFFECT 2 button to select an effects send An EFFECT page similar to the one shown below appears The MASTER ON button now functions as effects send master on off switch for the selected effects send 2 Use the MASTER ON button to turn the effects send on or off The effects send master switches can be viewed and set on the VIEW pages See View ing Effe...

Page 140: ...nd ENTER buttons to set them Parameters are explained in the following sections Metering Effects Returns EffectsreturnssignallevelscanbemeteredontheEFFECTandVIEWpages See Using the Effects on page 123 and Viewing Effects Returns Settings on page 130 Applying EQ to Effects Returns Effects returns feature four band parametric EQ See EQ on page 61 for more infor mation The EQ can be turned on or off ...

Page 141: ...signals between the left and right channels of the stereo out and the odd and even bus outs See Panning Input Channels on page 47 for more information Routing Effects Returns Effects returns can be routed to the four buses and stereo out See Routing Input Chan nels on page 49 for more information Monitoring Effects Returns Effectsreturnscanbemonitoredusingthemonitoroutorphones See MonitorSetup on ...

Page 142: ...ng the effects processors See page 121 for a complete list of the preset effects programs The effects library is controlled from the library page shown below Use the EFFECT 1 or EFFECT 2 button to locate it Although the effects library can be accessed using either button the effects library is in fact common to both effects processors When the library page is selected using the EFFECT 1 button sto...

Page 143: ...uttons to select a user program from 43 through 99 The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 3 Use the cursor buttons to select the STORE switch and then press the ENTER button The Title Edit dialog box appears If the STORE CONFIRMATION option is turned off in the preferences Setting 01V Preferences on page 203 the Tit...

Page 144: ...fect 2 use the EFFECT 2 button 2 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select programs As each program is selected its type is displayed The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 3 Use the cursor buttons to select the RECALL switch and then press the ENTER button The effects program is recalled If the R...

Page 145: ...y page as shown below 2 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select a user program from 43 through 99 3 Use the cursor buttons to select the TITLE EDIT switch and then press the ENTER button The Title Edit dialog box appears 4 Edit the program title See Title Edit Dialog Box on page 37 for more information 5 Select OK and then press the ENTER button The program is stored with its ...

Page 146: ...1 page 1 is shown below 2 Use the cursor buttons to select the effects parameters and the PARAM ETER wheel or 1 DEC and 1 INC buttons to set them Up and down arrow icons like the down icon on this page indicate that more param eters are available and can be selected using the up and down cursor buttons Effects parameters including variable range and description are listed on page 138 To store the ...

Page 147: ...The FREQ parameter for modulation type effects can also be set either manually or automatically For example with the TEMPO set to 120 beats per minute and NOTE set to quarter note the FREQ is automatically set to 2 00 hertz as shown below With the TEMPO still at 120 beats per minute changing the FREQ to 4 00 hertz would auto matically set the NOTE parameter to eighth note Similarly changing the NO...

Page 148: ...f early reflections and reverb 0 ER 100 reverb GATE LVL OFF 60 to 0 dB Level at which gate kicks in ATTACK 0 120 ms Gate opening speed HOLD 1 Gate open time DECAY 2 Gate closing speed HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency Parameter Range Description TYPE S Hall L Hall Random Revers Plate Spring Type of early reflection sim...

Page 149: ...egins DIFF 0 10 Reverb diffusion left right reverb spread DENSITY 0 100 Reverb density HI RATIO 0 1 1 0 High frequency feedback ratio ER NUM 1 19 Number of early reflections FB GAIN 99 to 99 Feedback gain HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency Parameter Range Description DELAY 0 0 2730 0 ms Delay time NOTE 1 Used in conjunc...

Page 150: ...PO to determine right channel DELAY FB G R 99 to 99 Right channel feedback plus values for normal phase feedback minus values for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency TEMPO 2 25 300 bps Used in conjunction with NOTE L and NOTE R to determine DELAY Param...

Page 151: ...with TEMPO to determine DELAY C LEVEL C 100 to 100 Center channel delay level DELAY R 0 0 2730 0 ms Right channel delay time NOTE R 1 Used in conjunction with TEMPO to determine DELAY R LEVEL R 100 to 100 Right channel delay level FB DLY 0 0 2730 0 ms Feedback delay time NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY FB GAIN 99 to 99 Feedback gain plus values for normal phase feedbac...

Page 152: ...hase feedback FB D L 0 0 1350 0 ms Left channel feedback delay time NOTE FBL 1 Used in conjunction with TEMPO to determine FB D L L R FB G 99 to 99 Left to right channel feedback gain plus values for normal phase feedback minus values for reverse phase feedback FB D R 0 0 1350 0 ms Right channel feedback delay time NOTE FBR 1 Used in conjunction with TEMPO to determine FB D R R L FB G 99 to 99 Rig...

Page 153: ...in plus values for normal phase feedback minus values for reverse phase feedback WAVE Sine Tri Modulation waveform TEMPO 2 25 300 bps Used in conjunction with NOTE to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed NOTE 1 Used in conjunction with TEMPO to determine FREQ DEPTH 0 100 Modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation w...

Page 154: ...conjunction with TEMPO to determine FREQ DEPTH 0 100 Modulation depth DIR 2 Panning direction WAVE Sine Tri Square Modulation waveform TEMPO 3 25 300 bps Used in conjunction with NOTE to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed NOTE 1 Used in conjunction with TEMPO to determine FREQ DEPTH 0 100 Modulation depth WAVE Sine Tri Square Modulation waveform TEMPO 2 ...

Page 155: ...LAY L 0 0 1000 0 ms Left channel delay time NOTE L 1 Used in conjunction with TEMPO to determine DELAY L FB G L 99 to 99 Left channel feedback gain plus values for normal phase feedback minus values for reverse phase feedback DELAY R 0 0 1000 0 ms Right channel delay time NOTE R 1 Used in conjunction with TEMPO to determine DELAY R FB G R 99 to 99 Right channel feedback gain plus values for normal...

Page 156: ...TEMPO to determine FM FREQ FM DEPTH 0 100 Oscillator frequency modulation depth TEMPO 2 25 300 bps Used in conjunction with NOTE FM to determine FM FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed NOTE 1 Used in conjunction with TEMPO to determine FREQ DEPTH 0 100 Modulation depth TYPE LPF HPF BPF Filter type low pass high pass band pass OFFSET 0 100 Filter frequency offset RES...

Page 157: ...0 Middle tone control TREBLE 0 100 High tone control EQ F 99 8 0 kHz Parametric equalizer frequency EQ G 12 to 12 dB Parametric equalizer gain EQ Q 10 0 0 10 Parametric equalizer bandwidth Parameter Range Description SOURCE INPUT MIDI Control source input signal or MIDI note on velocity SENSE 0 100 Sensitivity TYPE LPF HPF BPF Filter type OFFSET 0 100 Filter frequency offset RESO 0 20 Filter reson...

Page 158: ...d frequency offset DIR UP DOWN Upward or downward frequency change STAGE 2 4 8 10 12 14 16 Number of phase shift stages DECAY 1 Decay speed Parameter Range Description REV TIME 0 3 99 9 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DENSITY 0 100 Reverb density FREQ 0 05 40 00 Hz Modulation speed NOTE 1 Used in conjunction wi...

Page 159: ...00 Reverb and chorused reverb balance 0 chorused reverb 100 reverb HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency TEMPO 2 25 300 bps Used in conjunction with NOTE to determine FREQ Parameter Range Description REV TIME 0 3 99 9 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reve...

Page 160: ...r normal phase feedback minus values for reverse phase feedback WAVE Sine Tri Modulation waveform REV BAL 0 100 Reverb and flanged reverb balance 0 flanged reverb 100 reverb HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency TEMPO 2 25 300 bps Used in conjunction with NOTE to determine FREQ Parameter Range Description REV TIME 0 3 99 9...

Page 161: ...odulation delay time WAVE Sine Tri Modulation waveform REV BAL 0 100 Reverb and symphonic reverb balance 0 symphonic reverb 100 reverb HPF Thru 21 Hz 8 0 kHz High pass filter cutoff frequency LPF 50 Hz 16 0 kHz Thru Low pass filter cutoff frequency TEMPO 2 25 300 bps Used in conjunction with NOTE to determine FREQ Parameter Range Description REV TIME 0 3 99 9 s Reverb time INI DLY 0 0 500 0 ms Ini...

Page 162: ...ms Right channel delay time NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R HI RATIO 0 1 1 0 High frequency feedback ratio FB DLY 0 0 1000 0 ms Feedback delay time NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY DLY ER 0 100 Delay and early reflections balance 0 early reflections 100 delay TYPE S Hall L Hall Random Revers Plate Spring Type of early reflectio...

Page 163: ...ght channel delay time NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R HI RATIO 0 1 1 0 High frequency feedback ratio FB DLY 0 0 1000 0 ms Feedback delay time NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY DLY BAL 0 100 Delay and early reflected delay balance 0 early reflected delay 100 delay TYPE S Hall L Hall Random Revers Plate Spring Type of early refle...

Page 164: ...k DELAY R 0 0 1000 0 ms Right channel delay time NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R DLY HI 0 1 1 0 Delay high frequency feedback ratio FB DLY 0 0 1000 0 ms Feedback delay time NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY DLY REV 0 100 Delay and reverb balance 0 reverb 100 delay REV TIME 0 3 99 9 s Reverb time INI DLY 0 0 500 0 ms Initial dela...

Page 165: ... 0 0 1000 0 ms Right channel delay time NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R DLY HI 0 1 1 0 Delay high frequency feedback ratio FB DLY 0 0 1000 0 ms Feedback delay time NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY DLY BAL 0 100 Delay and delayed reverb balance 0 delayed reverb 100 delay REV TIME 0 3 99 9 s Reverb time INI DLY 0 0 500 0 ms Initi...

Page 166: ...mine DELAY FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio FREQ 0 05 40 00 Hz Modulation speed MOD NOTE 2 Used in conjunction with TEMPO to determine FREQ DEPTH 0 100 Modulation depth TEMPO 3 25 300 bps Used in conjunction with NOTE parameters to determine DELAY and FREQ Parameter Range Desc...

Page 167: ...mode the sample plays for the moment that the ENTER button is pressed In CONT mode playback continues once the ENTER button has been pressed In INPUT mode playback continues once it s been triggered by an input signal The number of times the sample plays is set using the LOOP NUM parameter END 1 Playback end point in milliseconds SAMPLE 0 131070 Playback end point in samples LOOP NUM 0 100 Number ...

Page 168: ...tically when an input signal exceeds the TRG LVL 5 To play back the sample select the PLAY switch and then press the ENTER button With the PLY MODE is set to INPUT playback starts automatically when an input sig nal exceeds the TRG LVL Use the PLY MODE parameters to set the type of playback and the START END and LOOP parameters to edit the sample Be aware that samples are lost when another type of...

Page 169: ...TN 1 Rotary Effect send 1 master fader Effect send 2 master fader AUX1 AUX2 AUX3 AUX4 EFF2 AUX EFF PRE POST Internal Effect 1 Meter 4 Band PEQ 4 Band PEQ Meter PAN ON EFF RTN 2 Rotary AUX1 AUX2 AUX3 AUX4 EFF1 AUX EFF PRE POST Internal Effect 2 Meter 4 Band PEQ 4 Band PEQ R L ST EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 ON ON ...

Page 170: ...160 Chapter 12 Effects 01V Owner s Manual ...

Page 171: ...namics Processors 162 Preset Dynamics Programs 163 Using the Dynamics Processors 164 Editing the Dynamics Processors 166 Processor Types 167 Dynamics Library 173 Storing Dynamics Programs 174 Recalling Dynamics Programs 175 Editing Dynamics Program Titles 176 Preset Dynamics Program Settings 177 ...

Page 172: ...dynamics library which contains 40 preset programs and 40 user programs See Dynamics Library on page 173 for more information Dynamics settings are also stored in scene memories See Storing Mix Scenes on page 186 for more information Dynamics processors are edited on DYNAMICS page 1 as shown below Use the DYNAMICS button to locate this page The name of the type of dynamics processor appears in the...

Page 173: ...25 Strings3 COMP 06 Compander S COMPAND S 26 BrassSection COMP 07 A Dr BD COMP 27 Syn Pad COMP 08 A Dr BD GATE 28 SamplingPerc COMPAND S 09 A Dr BD COMPAND H 29 Sampling BD COMP 10 A Dr SN COMP 30 Sampling SN COMP 11 A Dr SN EXPAND 31 Hip Comp COMPAND S 12 A Dr SN GATE 32 Solo Vocal1 COMP 13 A Dr SN COMPAND S 33 Solo Vocal2 COMP 14 A Dr Tom EXPAND 34 Chorus COMP 15 A Dr OverTop COMPAND S 35 Click ...

Page 174: ... off regardless of the cursor position 4 Use the cursor buttons to select the parameters and the PARAMETER wheel or 1 DEC and 1 INC buttons to set them The dynamics processors on input channels 13 and 14 likewise 15 and 16 are perma nently linked When input channels 1 through 12 are paired Pairing Input Channels on page 52 their dynamics processors are linked so adjustments can be made with either...

Page 175: ...ASTER SEL button ST appears on the display indicating that the stereo output is selected 2 Use the DYNAMICS button to locate DYNAMICS page 1 as shown below 3 Press the ENTER button to turn on the dynamics processor The ON OFF switch appears highlighted when the dynamics processor is on While DYNAMICS page 1 is displayed the ENTER button turns the dynamics processor on or off regardless of the curs...

Page 176: ...he curve of the dynamics processor pro viding a visual indication of how it s set The horizontal axis corresponds to the input signal and the vertical axis corresponds to the output signal A straight line at 45 degrees from the bottom left corner indicates that the input signal will pass through the dynamics processor unaffected This can be seen when for example a compressor is set with a compress...

Page 177: ...d set appropriate fader levels Reducing the dynamic range also means that recording levels can be set higher therefore improving signal to noise performance The COMP processor can also be used as a limiter whichisessentiallyacompressorwith a high ratio setting Compression ratios above 10 1 are considered to limit signals rather than compress them When an input signalexceedsthespecifiedthresholdlev...

Page 178: ...s too short the gain will recover too quickly causing level pumping i e noticeable gain fluctuations If it is set too long the compressor may not have time to recover before the next high level signal appears and it will be compressed incorrectly Release times from 0 1 to 0 5 seconds are a good place to start RATIO This determines the amount of compression that is the change in output sig nal leve...

Page 179: ...ct allowing the natural decay of an instrument to pass through With a maximum decay time of between 42 and 63 sec onds you could even use this for fade outs DUCKING Ducking is commonly used for voice over applications in which the background music level is reduced automatically when an announcer speaks Ducking is achieved by triggering a compressor with a different sound source For example a ducke...

Page 180: ...vel noise effectively increasing the dynamic range and improving the sig nal to noise performance An expander set to an infinite ratio i e 1 is essentially a gate The following two graphs show typical expander curves The one on the left shows an expander with an expansion ratio of 2 1 and a hard knee setting The one on the right shows an expander with an expansion ratio of 2 1 and a soft knee sett...

Page 181: ... the expander may not have time to recover before the next low level signal appears and it will be expanded incorrectly Release times from 0 1 to 0 5 seconds are a good place to start RATIO This determines the amount of expansion That is the change in output sig nal level relative to change in input signal level For a 2 1 ratio for example a 5 dB change in input level below the threshold results i...

Page 182: ...ood place to start RELEASE This determines how soon the compressor and expander return to their normal gains once the trigger signal level drops below the threshold If the release time is too short the gain will recover too quickly causing level pumping i e noticeable gain fluctuations If it is set too long the compressor may not have time to recover before the next high level signal appears and i...

Page 183: ...cs programs is designed for specific applications and instruments and provides a good reference and starting point when using the dynamics processors See page 177 for a complete list of the preset dynamics programs The dynamics library is controlled from the library page shown below Use the DYNAMICS button to locate it The top half of the library page contains the STORE RECALL and TITLE EDIT switc...

Page 184: ...o locate the Library page as shown below 3 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select a user program from 41 through 80 The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 4 Use the cursor buttons to select the STORE switch and then press the ENTER button The Title Edit dialog box appears If the STORE CONFIRMAT...

Page 185: ... Use the DYNAMICS button to locate the Library page as shown below 3 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select programs As each program is selected its dynamics curve is displayed The program list order can be set using the LIBRARY LIST ORDER option in prefer ences Setting 01V Preferences on page 203 4 Use the cursor buttons to select the RECALL switch and then press the ENTER b...

Page 186: ... as shown below 2 Use the PARAMETER wheel or 1 DEC and 1 INC buttons to select a user program from 41 through 80 3 Use the cursor buttons to select the TITLE EDIT switch and then press the ENTER button The Title Edit dialog box appears 4 Edit the program title See Title Edit Dialog Box on page 37 for more information 5 Select OK and then press the ENTER button The program is stored with its new ti...

Page 187: ... 7 Attack ms 1 Out gain dB 3 5 Knee 2 Release ms 70 04 Ducking DUCKING Threshold dB 19 Ducking template Range dB 22 Attack ms 93 Hold ms 1 20 S Decay ms 6 32 S 05 Compander H COMPAND H Threshold dB 10 Hard knee compressor template Ratio 1 3 5 Attack ms 1 Out gain dB 0 0 Width dB 6 Release ms 250 06 Compander S COMPAND S Threshold dB 8 Soft knee compressor template Ratio 1 4 Attack ms 25 Out gain d...

Page 188: ...re drum Ratio 1 1 7 Attack ms 11 Out gain dB 0 0 Width dB 10 Release ms 128 14 A Dr Tom EXPAND Threshold dB 20 Expander program for use with acoustic kit s tom toms which automatically reduces the vol ume when the tom toms are not played helping to differentiate the bass and snare drums clearly Ratio 1 2 Attack ms 2 Out gain dB 5 0 Knee 2 Release ms 749 15 A Dr OverTop COMPAND S Threshold dB 24 So...

Page 189: ... to change the entire attack and level Ratio 1 3 5 Attack ms 7 Out gain dB 6 0 Knee 2 Release ms 174 21 E Guitar COMP Threshold dB 8 Compressor program for electric guitar cutting and arpeg gio style backing performance The sound color can be varied using different playing styles Ratio 1 3 5 Attack ms 7 Out gain dB 2 5 Knee 4 Release ms 261 22 A Guitar COMP Threshold dB 10 Compressor program for a...

Page 190: ...r program for sam pled sounds making them as powerful as real acoustic drums This program is for percussion sounds Ratio 1 1 7 Attack ms 8 Out gain dB 2 5 Width dB 18 Release ms 238 29 Sampling BD COMP Threshold dB 14 A variation on program 28 intended for sampled bass drum sounds Ratio 1 2 Attack ms 2 Out gain dB 3 5 Knee 4 Release ms 35 30 Sampling SN COMP Threshold dB 18 A variation on program ...

Page 191: ...ncer speaks making the voice clearer Ratio 1 2 5 Attack ms 1 Out gain dB 2 5 Width dB 18 Release ms 180 37 Limiter1 COMPAND S Threshold dB 9 A soft knee compander program with a slow release Ratio 1 3 Attack ms 20 Out gain dB 3 0 Width dB 90 Release ms 3 90 s 38 Limiter2 COMP Threshold dB 0 A compressor program using the peak stop style Ratio 1 Attack ms 0 Out gain dB 0 0 Knee hard Release ms 319 ...

Page 192: ...182 Chapter 13 Dynamics Processors 01V Owner s Manual ...

Page 193: ...er Indicator 185 Scene Memory 00 185 Scene Memory Display Area 185 Storing Mix Scenes 186 Recalling Mix Scenes 187 Recalling Mix Scenes Using MIDI Program Change Messages 188 Undoing Mix Scene Recalls 189 Protecting Scene Memories 189 Editing Scene Memory Titles 190 Renumbering Scene Memories 190 Setting a Fade Time 191 Recalling Scene Data Safely 192 ...

Page 194: ...witches Next to these is the scene memory list which can be scrolled using the PARAMETER wheel If the INC DEC MEMORY RECALL option is turned on in the preferences Setting 01V Preferences on page 203 the 1 DEC and 1 INC but tons can also be used to select and recall scene memories Scene memory 00 contains the initial settings and is a read only memory which means it can only be recalled As each sce...

Page 195: ...t but you can not store it To reset all mix settings to their initial values recall scene memory 00 Scene Memory Display Area The scene memory area of the display shows the number and title of the selected scene memory whether that scene memory is read only or write protected indicated by the closed padlock icon and whether or not the contents of the Edit Buffer have been edited Scene memories fro...

Page 196: ...s Setting 01V Preferences on page 203 the Title Edit dialog box does not appear and the mix scene is stored 4 Title the mix scene See Title Edit Dialog Box on page 37 for more information 5 Select OK and then press the ENTER button The mix scene is stored to the selected scene memory the scene memory number stops flashing and the EDIT indicator disappears Caution When storing mix scenes make sure ...

Page 197: ...stop flashing and the EDIT indicator disappears If the RECALL CONFIRMATION option is turned on in the preferences Setting 01V Preferences on page 203 a confirmation dialog box appears In this case select OK and then press the ENTER button to confirm the recall If the INC DEC MEMORY RECALL option is turned on in the preferences Setting 01V Preferences on page 203 the 1 DEC and 1 INC buttons can be ...

Page 198: ...ram Change messages you must 1 Connect MIDI equipment capable of transmitting Program Change mes sages to the 01V 2 Configure the 01V to receive MIDI Program Change messages See MIDI Setup on page 224 for more information 3 Assign Program Change messages to scene memories See Program Change Scene Recall on page 227 for more information If the Program Change Tx switch is turned on MIDI Setup on pag...

Page 199: ... store them to two scene memories Recall one mix scene and then the other Recall Undo will then toggle between the two mixes Protecting Scene Memories Scene memories can be protected individually against accidental overwriting by using the Protect function When a scene memory is protected mix scenes cannot be stored in it and scene memory data received via MIDI Bulk Dump is ignored 1 Use the MEMOR...

Page 200: ...n page 37 for more information 5 Select OK and then press the ENTER button The scene memory is stored with its new title Renumbering Scene Memories Scene memories can be renumbered by using the Sort function 1 Use the MEMORY button to locate MEMORY page 3 as shown below 2 Use the cursor buttons to select the list on the left and the PARAMETER wheel or 1 DEC and 1 INC buttons to select a scene memo...

Page 201: ... The Fade Time can be set from 0 to 25 seconds in 0 1 second steps 3 Use the cursor buttons to select the FADE ENABLE switches and the ENTER button to enable channels for fading FADE ENABLE switches appear highlighted when channels are enabled for fading 4 Store the current mix scene in a scene memory See Storing Mix Scenes on page 186 for more information 5 Recall the mix scene See Recalling Mix ...

Page 202: ...aders are safe All other parameters are updated when mix scenes are recalled 4 Make sure the SAFE switch is set to ENABLE 5 Use the cursor buttons to select the SAFE switch and then press the ENTER button to enable the Recall Safe function The SAFE switch works as a master Recall Safe on off so you don t have to set individ ual channels when you want a scene recall to update all channels 6 Recall ...

Page 203: ...r Functions 193 01V Owner s Manual Other Functions 15 In this chapter Assigning Faders On Buttons 194 Using the Oscillator 202 Setting 01V Preferences 203 Initializing the 01V 204 Calibrating the Faders 204 ...

Page 204: ... 2 Use SEL buttons 1 through 16 and MASTER to select the channels whose ON buttons and faders you want to reassign 3 Use the cursor buttons to select the parameters boxes and the PARAM ETER wheel or 1 DEC and 1 INC buttons to set them Available functions for the faders and ON buttons are listed in the subsequent tables 4 Use the cursor buttons to select the BANK switches and then press the ENTER b...

Page 205: ... TIME CH1 12 CH13 14 CH15 16 ST OUT L ST OUT R OMNI1 4 MIX FB GAIN EQ F G Q F LOW CH1 12 CH13 14 CH15 16 CH17 24 RETURN1 RETURN2 AUX1 4 ST OUT G LOW Q LOW F L MID CH1 12 CH13 14 CH15 16 RETURN1 RETURN2 AUX1 4 ST OUT G L MID Q L MID F H MID CH1 12 CH13 14 CH15 16 RETURN1 RETURN2 AUX1 4 ST OUT G H MID Q H MID F HIGH CH1 12 CH13 14 CH15 16 CH17 24 RETURN1 RETURN2 AUX1 4 ST OUT G HIGH Q HIGH ATT CH1 1...

Page 206: ... 4 PHASE normal reverse CHANNEL CH1 16 PRE POST pre post AUX1 SEND AUX2 SEND CH1 12 CH13 14 CH15 16 CH17 24 RETURN1 RETURN2 AUX3 SEND AUX4 SEND CH1 12 CH13 14 CH15 16 RETURN1 RETURN2 EFF1 SEND CH1 12 CH13 14 CH15 16 CH17 24 RETURN2 EFF2 SEND CH1 12 CH13 14 CH15 16 CH17 24 RETURN1 DELAY on off CHANNEL CH1 12 CH13 14 CH15 16 OUTPUT ST OUT L ST OUT R OMNI1 4 EQ on off CHANNEL CH1 12 CH13 14 CH15 16 C...

Page 207: ...er FADER MASTER BUS4 5 ON button ON MASTER AUX1 Fader FADER MASTER AUX1 6 ON button ON MASTER AUX2 Fader FADER MASTER AUX2 7 ON button ON MASTER AUX3 Fader FADER MASTER AUX3 8 ON button ON MASTER AUX4 Fader FADER MASTER AUX4 9 ON button ON MASTER EFFECT1 Fader FADER MASTER EFFECT1 10 ON button ON MASTER EFFECT2 Fader FADER MASTER EFFECT2 11 ON button NO ASSIGN Fader NO ASSIGN 12 ON button NO ASSIG...

Page 208: ...ON button DELAY CHANNEL CH5 Fader DELAY TIME CH5 6 ON button DELAY CHANNEL CH6 Fader DELAY TIME CH6 7 ON button DELAY CHANNEL CH7 Fader DELAY TIME CH7 8 ON button DELAY CHANNEL CH8 Fader DELAY TIME CH8 9 ON button DELAY CHANNEL CH9 Fader DELAY TIME CH9 10 ON button DELAY CHANNEL CH10 Fader DELAY TIME CH10 11 ON button DELAY CHANNEL CH11 Fader DELAY TIME CH11 12 ON button DELAY CHANNEL CH12 Fader D...

Page 209: ...M4 5 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM5 6 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM6 7 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM7 8 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM8 9 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM9 10 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM10 11 ON button NO ASSIGN Fader EFFECT EFFECT1 PARAM11 12 ON button NO ASSIGN Fader EFFECT EFFECT1...

Page 210: ...M4 5 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM5 6 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM6 7 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM7 8 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM8 9 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM9 10 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM10 11 ON button NO ASSIGN Fader EFFECT EFFECT2 PARAM11 12 ON button NO ASSIGN Fader EFFECT EFFECT2...

Page 211: ...ts Channel Control Parameter 1 ON button Fader 2 ON button Fader 3 ON button Fader 4 ON button Fader 5 ON button Fader 6 ON button Fader 7 ON button Fader 8 ON button Fader 9 ON button Fader 10 ON button Fader 11 ON button Fader 12 ON button Fader 13 14 ON button Fader 15 16 ON button Fader MAS ON button Fader ...

Page 212: ...urn the oscillator on or off WAVEFORM This switch is used to select the type of waveform generated by the oscillator 100 Hz 1 kHz or 10 kHz sine wave tones pink noise or burst pink noise which consists of 200 ms pulses at four second intervals LEVEL This control is used to adjust the output level of the oscillator from 0 dB to 96 dB ASSIGN These switches are used to assign the oscillator to indivi...

Page 213: ... accidentally RECALL CONFIRMATION When this option is turned on a confirmation dialog box appears whenever a mix scene or library program is recalled useful for preventing mix scenes and library programs from being recalled accidentally DIGITAL IN SYNC CAUTION When this option is turned on a warning message appears if digital signals from the Digital Stereo Coaxial In or Option I O inputs are not ...

Page 214: ... libraries are cleared the scene memories are emptied and the faders are calibrated Calibrating the Faders If the 01V is not used for a long time it s moved to a new location or fader movements have been obstructed the faders may need calibrating The calibration process calcu lates the torque required by each fader motor to drive its fader accurately and smoothly 1 Turn off the 01V 2 While holding...

Page 215: ...utputs 16 In this chapter About Wordclocks 206 Setting the Wordclock 209 Digital Stereo Out 211 Output Dither 212 Digital Stereo In 213 Cascading 01Vs 214 About Option I O Cards 216 Installing Option I O Cards 218 Assigning Option I O Digital Outputs 219 Option I O Block Diagram 220 ...

Page 216: ...ame frequency as the sampling rate The 01V gener ates its own wordclock at 44 1 kHz the industry standard sampling rate for music CDs and can be used as wordclock master Alternatively it can be used as a wordclock slave synchronized to an external wordclock of between 44 1 kHz 10 and 48 kHz 6 Converting the sampling rate of digital audio is a complicated process so it s best to use the 44 1 kHz sa...

Page 217: ...4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 20 10 10 0 10 0 GAIN 20 10 GAIN 10 34 6...

Page 218: ... 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETURN 2 FUNCTION MEMORY HI MID LO MID LOW PAN F G PAN F G UTILITY MIDI SETUP VIEW EFFECT 1 EFFECT 2 OPTION I O REMOTE AUX 1 HOME AUX 2 AUX 3 AUX 4 DYNAMICS EQ ATT Ø DELAY PAN ROUTING SEL SEL MASTER STEREO STEREO MASTER SEL SOLO SOLO MEMORY ON 1 DEC ENTER 1 INC CURSOR ON ON 0 5 10 15 20 30 40 50 70 15 16 15 16 SEL SOLO ON 6 0 5 10 20 40 60 13 14 13 14 ...

Page 219: ...utton to start digital input scanning To select the wordclock source manually use the following switches This switch selects the internal 44 1 kHz wordclock A highlighted switch like the one shown here indicates that the 01V is synchronized to the wordclock source and ready for use This switch selects the Digital Stereo In as the wordclock source A switch like the one shown here with a single diag...

Page 220: ...rdclock master When an MY8 AE Option I O card is installed the OPTION SLOT switch is replaced by four SLOT switches as shown below These switches are used to select a pair of AES EBU digital inputs as the wordclock source This window displays the status of the 01V wordclock 44 1k indicates that the 01V is locked to a sampling rate of 44 1 kHz When the word clock source is changed the word LOCK app...

Page 221: ...OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETURN 2 FUNCTION MEMORY HI MID LO MID LOW PAN F G PAN F G UTILITY MIDI SETUP VIEW EFFECT 1 EFFECT 2 OPTION I O REMOTE AUX 1 HOME AUX 2 AUX 3 A...

Page 222: ... by the receiving digital audio device For example with a 16 bit DAT recorder connected to the Digital Stereo Out the DIGITAL ST OUT should be set to a wordlength of 16 and with a 20 bit digital multitrack recorder connected via the Option I O OPTION OUT should be set to 20 1 Use the SETUP button to locate SETUP page 5 as shown below 2 Use the cursor buttons to select the WORD LENGTH switches and ...

Page 223: ...tion Note To prevent noise when using the Digital Stereo In connection the source device and the 01V must be wordclock synchronized See About Wordclocks on page 206 for more information DIGITAL STEREO COAXIAL OUT IN PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR PHONES L R IN LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB ...

Page 224: ...ER SEL SOLO SOLO MEMORY ON 1 DEC ENTER 1 INC CURSOR ON ON 0 5 10 15 20 30 40 50 70 15 16 15 16 SEL SOLO ON 6 0 5 10 20 40 60 13 14 13 14 SEL SOLO ON 6 0 5 10 20 40 60 12 12 SEL SOLO ON 6 0 5 10 20 40 60 11 11 SEL SOLO ON 6 0 5 10 20 40 60 10 10 SEL SOLO ON 6 0 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 1...

Page 225: ...akes a few hundred microseconds to process digital audio data Use the Delay function Delaying Channel Signals on page 45 on 01V B to delay all input channels by 14 samples Cascading Two or More 01Vs In this example the channel delay should be set to 14 samples on 01V C 28 samples on 01V B 01V A 01V B L STEREO DIGITAL OUT STEREO DIGITAL IN R L R Since signal L has been processed by both 01V A and 0...

Page 226: ...ADAT XT or Fostex D 90 Hard Disk Recorder MY8 TD Tascam The MY8 TD card has a Tascam Digital Audio Interface TDIF 1 25 pin D sub con nector and is used to connect 8 track digital multitrack recorders such as the Tascam DA 88 or DA 38 MY8 TD cards feature a device selector switch that should be set according to the type of recorder connected EXT 88 for use with a Tascam DA 88 INT 38 for use with a ...

Page 227: ...io signals containing emphasis are automatically deemphasized The eight Option I O digital outputs can be assigned to bus outs 1 through 4 aux sends 1 through 4 the left or right channels of the stereo output or the post fader direct out puts of input channels 1 through 16 See Assigning Option I O Digital Outputs on page 219 for more information 1 Cable not included Card Description Inputs Outputs...

Page 228: ... connector mates correctly with the internal 01V connector 4 Secure the card using the two fixing screws Do not leave the screws loose as the card will not be grounded correctly 5 Turn on the 01V The 01V checks to see what type of Option I O card is installed when it s turned on If installation is successful the type of card installed is displayed on OPTION page 1 as shown below Warning Turn off t...

Page 229: ...ding 1 Use the OPTION I O button to locate OPTION page 4 as shown below 2 Use the cursor buttons to select the switches and the ENTER button PARAMETER wheel or 1 DEC and 1 INC buttons to set them Switches appear highlighted when selected as the output source Option I O digital outputs are automatically assigned to post fader direct outputs of input channels 1 through 12 when the corresponding D sw...

Page 230: ...CH Fader AUX1 AUX2 EFF1 EFF2 AUX EFF PRE POST R L ST EFF AUX 1 2 1 2 3 4 BUS 4 3 2 1 Option I O OUT Option I O IN Option I O Dither Meter Meter Meter Option I O Output Select Meter 1 8 PAN 2 Band PEQ ATT De emphasis or DC Cut 17 24 1 8 Unchanged Meter ON Meter SWAP INPUT BAL Unchanged This section is available only when an optional Option I O card is installed ...

Page 231: ...IDI Ports 222 MIDI Receive Indicators 224 MIDI Setup 224 Program Change Scene Recall 227 Control Change Parameter Control 229 System Exclusive Parameter Control 231 Bulk Dump 232 Local Control 234 MIDI Machine Control 236 User Defined MIDI Controllers 238 Linking 01Vs 239 ...

Page 232: ... 238 MIDI Note On for Freeze effect playback and Note On velocity for the DYNA FIL TER DYNA FLANGE and DYNA PHASER effects Effects Parameters on page 138 MIDI Ports The MIDI IN port receives MIDI messages while the MIDI OUT port transmits them The MIDI THRU port transmits all MIDI messages received at the MIDI IN port In addition to regular MIDI ports the 01V features a TO HOST port for connecting...

Page 233: ... 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 20 10 10 0 10 0 GAIN 20 ...

Page 234: ...ON 6 0 5 10 20 40 60 11 11 SEL SOLO ON 6 0 5 10 20 40 60 10 10 SEL SOLO ON 6 0 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO O...

Page 235: ...am Change messages and echoes them through to the MIDI OUT port regardless of the MIDI Channel set tings CONTROL CHANGE Control Change messages are used to control 01V parameters in real time See Control Change Parameter Control on page 229 for more informa tion The four ON OFF switches in this group are as follows Tx determines whether the 01V transmits Control Change messages when mix param eter...

Page 236: ...them through to the MIDI OUT port regardless of the MIDI Channel settings BULK This switch determines whether the 01V receives MIDI Bulk requests and MIDI Bulk Dump messages When turned on the 01V transmits Bulk Dump messages in response to Bulk Dump requests Bulk Dump messages and Bulk Dump requests are never echoed Bulk Dump messages can be transmitted from the 01V regardless of this setting See...

Page 237: ...tches on MIDI page 1 must be turned on See MIDI Setup on page 224 for more information 1 Use the MIDI button to locate MIDI page 2 as shown below 2 Use the cursor buttons to select the PGM CHG column and then use the PARAMETER wheel or 1 DEC and 1 INC buttons to select a Program Change 3 Use the right cursor button to select the NO TITLE column and then use the PARAMETER wheel or 1 DEC and 1 INC b...

Page 238: ... ON 6 0 5 10 20 40 60 10 10 SEL SOLO ON 6 0 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 ...

Page 239: ...nge messages the Con trol Change Rx and Tx switches on MIDI page 1 must be turned on See MIDI Setup on page 224 for more information 1 Use the MIDI button to locate MIDI page 3 as shown below 2 Use the cursor buttons to select the CTL CHG column and then use the PARAMETER wheel or 1 DEC and 1 INC buttons to select a Control Change Since Control Changes 0 and 32 are used in conjunction with Program...

Page 240: ...3 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETURN 2 FUNCTION MEMORY HI MID LO MID LOW PAN F G PAN F G UTILITY MIDI SETUP VIEW EFFECT 1 EFFECT 2 OPTION I O R...

Page 241: ...e provided in MIDI Data Format on page 280 PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR PHONES L R IN LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHA...

Page 242: ... use the cursor buttons PARAMETER wheel and 1 DEC and 1 INC buttons to set the TYPE FROM and TO parameters 4 Use the cursor buttons to select the REQUEST or TRANSMIT switch and then press the ENTER button When REQUEST is used the 01V transmits a MIDI Bulk Dump request message The receiving device then transmits the requested Bulk Dump data to the 01V When TRANSMIT is used the 01V transmits the sel...

Page 243: ...B 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETURN 2 FUNCTION MEMORY HI MID LO MID LOW PAN F G PAN F G UTILITY MIDI SETUP VIEW EFFECT 1 EFFECT 2 OPTION I O REMOTE AUX 1 HOME AUX 2 AUX 3 AUX 4 DYNAMICS EQ ATT Ø DELAY PAN ROUTING SEL SE...

Page 244: ...nd MIDI page 5 appears as shown below While Local Control is turned off the function area of the display appears highlighted as shown here serving as a reminder that Local Control is off The TRANSMIT and REQUEST functions are used to match local and remote settings when 01Vs are first connected The TRANSMIT func tion transmits the local 01V CONTROLLER settings to the remote 01V The REQUEST functio...

Page 245: ...40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 20 10 10 0 10 0 GAIN 20 10 GAIN 10 34 60 16 GAIN OFF ON FADER MODE 24 10dBV UNBAL PHANTOM 48V OFF O...

Page 246: ...he PARAMETER wheel or 1 DEC and 1 INC buttons to select a device number The device number which can be set from 1 through 127 or ALL should be set to match that of the recorder you want to control When set to ALL all MMC compatible recorders connected can be controlled together 3 Use ON buttons 1 through 6 to transmit the following transport com mands to a recorder 4 Use the cursor buttons and PAR...

Page 247: ...IN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 20 10 10 0 10 0 GAIN 20 10 GAIN 10 34 60 16 GAIN OFF ON FADER MODE 24 10dBV UNBAL 01V TO HOST Digital audio MIDI Machine Control Serial port Personal computer with audio card OPTION I O PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR P...

Page 248: ...ttons to select the DATA parameters and the PARAM ETER wheel or 1 DEC and 1 INC buttons to set them The following hexadecimal DATA values can be set Hex 00 FF SW SOLO and ON buttons 7F for ON 00 for OFF FAD Faders 00 7F END Completes the command 4 Use the cursor buttons to select the BANK switches and then press the ENTER button to activate the selected bank The switch of the active bank appears h...

Page 249: ... OUT MIDI OUT 01V MIDI keyboard PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR PHONES L R IN LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETU...

Page 250: ...60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 20 10 10 0 10 0 GAIN 20 10 GAIN 10 34 60 16 GAIN OFF ON FADER MODE 24 10dBV UNBAL PHANTOM 48V OFF ON P...

Page 251: ...wner s Manual System Examples 18 In this chapter 01V ADAT Interface Recorder 242 Two 01Vs two ADAT Interface Recorders 244 01V Tascam Interface Recorder 246 Two 01Vs two Tascam Interface Recorders 248 01V Pro Tools AES EBU 250 ...

Page 252: ...igital Stereo Coaxial Out of the 01V The wordclock frequency which is the same as the sampling rate is set when the digital multitrack tape is formatted or first recorded For digital recording from the DAT recorder to the digital multitrack recorder the DAT recorder must be configured as wordclock master and the 01V and digital multitrack recorder as wordclock slaves In this case the 01V would der...

Page 253: ... 5 10 20 40 60 9 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN ...

Page 254: ...igital audio devices must be wordclock synchronized see About Wordclocks on page 206 In this example digital multitrack recorder A is wordclock master while digital multitrack recorder B the 01Vs and DAT recorder are wordclock slaves Digital multitrack recorder B derives its wordclock from the sync con nection with recorder A The 01Vs derive their wordclocks from their Option I O dig ital inputs a...

Page 255: ...DAT PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR PHONES L R IN LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RETURN 2 FUNCTION MEMORY HI MID ...

Page 256: ...recording from the DAT recorder to the digital multitrack recorder the DAT recorder must be configured as wordclock master and the 01V and digital multitrack recorder as wordclock slaves In this case the 01V would derive its wordclock from the Digital Stereo Coaxial In connection Since the digital multitrack recorder cannot derive a wordclock signal from its digital inputs a BNC cable is used to s...

Page 257: ... 9 SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN...

Page 258: ...audio devices must be wordclock synchronized see About Wordclocks on page 206 In this example digital multitrack recorder A is wordclock master while digital multitrack recorder B the 01Vs and DAT recorder are wordclock slaves Digital multitrack recorder B derives its wordclock from the sync con nection with recorder A The 01Vs derive their wordclocks from their Option I O dig ital inputs and the ...

Page 259: ... Power Amp 01V A wordclock slave PHANTOM 48V OFF ON PHANTOM 48V INPUT BAL 2TR PHONES L R IN LEVEL LEVEL GAIN 13 14 15 16 PHONES MONITOR OUT OUT MONITOR 2TR IN 15 16 2TR IN 13 14 15 16 26dB 1 26dB 2 26dB 3 26dB 4 26dB 5 26dB 6 26dB 7 26dB 8 26dB 9 26dB 10 26dB 11 26dB 12 PAD DIGITAL MIXING CONSOLE L STEREO R CLIP 3 6 9 12 15 18 24 30 36 42 48 EQ SOLO 1 RETURN 2 PARAMETER HIGH SELECTED CHANNEL 1 RET...

Page 260: ...rdclock synchronized see About Wordclocks on page 206 In this example Pro Tools is wordclock master and the 01V and DAT recorder are wordclock slaves The 01V derives its wordclock from the OptionI Odigitalinput TheDATderivesitswordclockfromtheDigitalStereoCoaxial Out of the 01V The wordclock frequency which is the same as the sampling rate is set by Pro Tools For digital recording from the DAT rec...

Page 261: ... SEL SOLO ON 6 0 5 10 20 40 60 8 8 SEL SOLO ON 6 0 5 10 20 40 60 7 7 SEL SOLO ON 6 0 5 10 20 40 60 6 6 SEL SOLO ON 6 0 5 10 20 40 60 5 5 SEL SOLO ON 6 0 5 10 20 40 60 4 4 SEL SOLO ON 6 0 5 10 20 40 60 3 3 SEL SOLO ON 6 0 5 10 20 40 60 2 2 SEL 23 22 21 20 19 18 SOLO ON 6 0 5 10 20 40 60 1 1 SEL 17 SOLO ON 6 0 5 10 20 40 60 17 18 19 20 21 22 23 24 10 34 60 16 GAIN 10 34 60 16 GAIN 10 34 60 16 GAIN 1...

Page 262: ...252 Chapter 18 System Examples 01V Owner s Manual ...

Page 263: ...tons don t function as expected Make sure that you have selected the correct fader mode See SEL Buttons on page 32 for more information SOLO buttons don t function as expected Make sure that you have selected the correct fader mode See Solo Buttons on page 33 for more information ON buttons don t function as expected Make sure that you have selected the correct fader mode See ON Buttons on page 34...

Page 264: ...al Stereo In on page 213 for more information The 2TR IN signal appears on input channels 15 and 16 Probably because the 15 16 2TR IN switch is set to 2TR IN See Two track Input 2TR IN on page 77 for more information Cannot hear signals connected to inputs 15 and 16 Probably because the 15 16 2TR IN switch is set to 2TR IN See Two track Input 2TR IN on page 77 for more information Cannot select th...

Page 265: ...hrough 42 Try storing to user programs 43 through 99 See Storing Effects Pro grams on page 133 for more information Cannot recall effects programs 19 and 42 to Effect 1 These effects programs use the HQ PITCH and FREEZE type effects and can only be recalled to Effect 2 See Preset Effects Programs on page 121 for more information Cannot feed effects return 1 to Effect 1 or effects return 2 to Effec...

Page 266: ...01V and transmitting device match See MIDI Setup on page 224 for more information Perhaps the Program Change being transmitted is not assigned to an 01V scene memory Check the mix scene to Program Change assign ment table See Program Change Scene Recall on page 227 for more information If the scene memory assigned to the received Program Change con tains no data it cannot be recalled MIDI Control ...

Page 267: ...0 210 PHASE EQ LEVEL PAN STEREO EQ ON OFF METER DAC DSP Noise Floor PAD GAIN ADC 20 10 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 dB 24 4 170 180 190 Analog dB Digital Analog Digital Analog DYNAMICS DYNAMICS METER Nominal Input Stereo Out Monitor Out OMNI1 4 Out 180 Nominal Input Input Max ATT MASTER LEVEL MASTER BALANCE ON OFF MASTER Clipping Level DELAY 24dB 10dB 60dB GAIN MINI PAD...

Page 268: ... data MIDI Tx Buffer Full The 01V is probably transmitting too much MIDI data NO DATA Cannot execute as no data has been stored Now Fading Fade Time Local Control cannot be turned off while a mix scene fade is in progress Fade Time OPTION IN Sync Error This warning message appears if the Option I O input dig ital signal is not wordclock synchronized with the 01V Make sure that all digital equipmen...

Page 269: ...ur fixing holes to affix a custom made cover If you fit such a cover make sure that the fix ing screws do not protrude inside the 01V by more than 10 mm The fixing holes accept M3 size machine screws and are spaced 40 0 mm vertically 414 mm horizontally Rack mounting Kit The 01V can be rack mounted using the optional RK124 Rack Mount Kit See your Yamaha dealer for details Attach the rack mount bra...

Page 270: ...260 Appendix A General 01V Owner s Manual ...

Page 271: ...ratio D A converter ST OUT 110 dB typ A D D A to ST OUT 105 dB typ Hum Noise 20 Hz 20 kHz Rs 150Ω Input gain max Input pad 0 dB Input sensitivity 60 dB Measured with a 6 dB oct filter at 12 7 kHz equivalent to a 20 kHz filter with an infinite dB oct attenuation 128 dB equivalent input noise 94 dB residual output noise ST OUT off 94 dB 98 dB S N ST OUT ST fader at nominal level and all CH IN faders...

Page 272: ...EMOTE AUX 1 AUX 2 AUX 3 AUX 4 SELECTED CHANNEL EQ buttons Encoders HIGH HI MID LO MID LOW PAN F EQ G EQ Input control buttons EQ ATT Ø DELAY DYNAMICS PAN ROUTING VIEW Setup buttons UTILITY MIDI SETUP MEMORY Data entry Encoder Buttons PARAMETER 24 detents 1 INC 1 DEC ENTER CURSOR buttons LEFT RIGHT UP DOWN Display LCD 320 80 dot Graphic LCD w backlight and contrast control LED ST OUT meters 12 elem...

Page 273: ...Input flip Normal CH 13 14 Flip DIGITAL STEREO IN Input select switch CH 15 16 2TR IN Attenuator 0 to 96 dB 1 dB steps EQ 4 band PEQ Low Lo Mid Hi Mid High Dynamics Compressor Gate Ducking Expander Compander Delay 0 250 ms fs 44 1 kHz ON OFF Fader 60 mm motorized INPUT AUX 1 AUX 2 AUX 3 AUX 4 EFFECT 1 EFFECT 2 AUX EFFECT send AUX 1 4 EFFECT 1 EFFECT 2 pre post fader Solo ON OFF AFL PFL Pan 33 posi...

Page 274: ...EFFECT 1 EFFECT 2 pre post fader Solo ON OFF AFL PFL Pan 33 positions L1 16 CENTER R1 16 Routing STEREO BUS 1 4 Metering Displayed on LCD Peak hold ON OFF De emphasis Automatic de emphasis filter 15 µs 50 µs Input select Normal CH 13 14 Flip DIGITAL STEREO IN Cascade in ON OFF to STEREO BUS EQ 4 band PEQ ON OFF Level control Rotary encoder INPUT AUX 1 AUX 2 AUX 3 AUX 4 EFFECT 1 2 AUX EFFECT send A...

Page 275: ...Fader 60 mm motorized ON OFF Monitor ON OFF AFL PFL Metering Displayed on LCD Peak hold ON OFF EQ 4 band PEQ Low Lo Mid Hi Mid High Fader 60 mm motorized Balance Dynamics Compressor Gate Ducking Expander Compander ON OFF Delay 0 300 ms fs 44 1 kHz Monitor ON OFF AFL PFL Metering 12 element 2 LED meters post fader and displayed on LCD DA converter 20 bit linear 8 times oversampling Output select CH...

Page 276: ...OUT R OPTION OUT 3 BUS 3 CH 3 CH 11 AUX 3 ST OUT L OPTION OUT 4 BUS 4 CH 4 CH 12 AUX 4 ST OUT R OPTION OUT 5 BUS 1 CH 5 CH 13 AUX 1 ST OUT L OPTION OUT 6 BUS 2 CH 6 CH 14 AUX 2 ST OUT R OPTION OUT 7 BUS 3 CH 7 CH 15 AUX 3 ST OUT L OPTION OUT 8 BUS 4 CH 8 CH 16 AUX 4 ST OUT R Output select MY4 DA OPTION OUT 1 BUS 1 CH 1 CH 5 CH 9 CH 13 AUX 1 ST OUT L OPTION OUT 2 BUS 2 CH 2 CH 6 CH 10 CH 14 AUX 2 S...

Page 277: ...low and high EQ bands are configured as HPF and LPF their gain controls function as filter on and off switches Low Lo Mid 1 Hi Mid1 High Gain G 18 0 dB to 18 0 dB 0 5 dB steps 2 Frequency F 21 Hz 20 1 kHz 1 12 octave steps 120 steps Q HPF 10 0 0 10 41 steps L SHELF 10 0 0 10 41 steps LPF 10 0 0 10 41 steps H SHELF ...

Page 278: ...referenced to 0 775 V rms STEREO OUT uses 20 bit 8 times oversampling D A converters OMNI OUT 1 4 and MONITOR OUT use 18 bit 8 times oversampling D A converters Connection PAD GAIN Actual Load Impedance For Use With Nominal Input level Connector in Console Sensitivity 1 Nominal Max Before Clip Input chan nels 1 12 0 60 3 kΩ 50 600 Ω Mics 600 Ω Lines 66 dB 388 µV 60 dB 775 µV 46 dB 3 88 mV XLR 3 31...

Page 279: ...ration 2 Dither wordlength 16 24 bit Connection Format Wordlength Level Connector DIGITAL STEREO IN 1 COAXIAL IEC 60958 24 bit 0 5 V pp 75 Ω Phono Connection Format Wordlength Level Connector DIGITAL STEREO OUT COAXIAL IEC 60958 1 Consumer Use 24 bit 2 0 5 V pp 75 Ω Phono Card Format Inputs Outputs MY8 AT ADAT 8 IN CH 17 24 8 OUT BUS AUX ST CH direct MY8 TD TASCAM 8 IN CH 17 24 8 OUT BUS AUX ST CH...

Page 280: ...270 Appendix B Specifications 01V Owner s Manual Control I O Connection Format Level Connector TO HOST RS 422 8 pin mini DIN MIDI IN MIDI 5 pin DIN MIDI THRU MIDI 5 pin DIN MIDI OUT MIDI 5 pin DIN ...

Page 281: ...01V Dimensions 271 01V Owner s Manual 01V Dimensions Specifications and external appearance are subject to change without notice W 430 H 148 D 5 2 0 ...

Page 282: ...272 Appendix B Specifications 01V Owner s Manual ...

Page 283: ...4 9 09 52 52 95 95 10 10 53 53 96 96 11 11 54 54 97 97 12 12 55 55 98 98 13 13 56 56 99 99 14 14 57 57 100 00 15 15 58 58 101 16 16 59 59 102 17 17 60 60 103 18 18 61 61 104 19 19 62 62 105 20 20 63 63 106 21 21 64 64 107 22 22 65 65 108 23 23 66 66 109 24 24 67 67 110 25 25 68 68 111 26 26 69 69 112 27 27 70 70 113 28 28 71 71 114 29 29 72 72 115 30 30 73 73 116 31 31 74 74 117 32 32 75 75 118 33...

Page 284: ...R CHANNEL CH11 12 FADER CHANNEL CH12 13 FADER CHANNEL CH13 14 14 FADER CHANNEL CH15 16 15 FADER CHANNEL RETURN1 16 FADER CHANNEL RETURN2 17 FADER MASTER AUX1 18 FADER MASTER AUX2 19 FADER MASTER AUX3 20 FADER MASTER AUX4 21 FADER MASTER BUS1 22 FADER MASTER BUS2 23 FADER MASTER BUS3 24 FADER MASTER BUS4 25 FADER MASTER EFFECT1 26 FADER MASTER EFFECT2 27 FADER MASTER ST OUT 28 ON CHANNEL CH1 29 ON ...

Page 285: ... 52 ON MASTER BUS4 53 ON MASTER EFFECT1 54 ON MASTER EFFECT2 55 ON MASTER ST OUT 56 PAN CHANNEL CH1 57 PAN CHANNEL CH2 58 PAN CHANNEL CH3 59 PAN CHANNEL CH4 60 PAN CHANNEL CH5 61 PAN CHANNEL CH6 62 PAN CHANNEL CH7 63 PAN CHANNEL CH8 64 PAN CHANNEL CH9 65 PAN CHANNEL CH10 66 PAN CHANNEL CH11 67 PAN CHANNEL CH12 68 PAN CHANNEL CH13 69 PAN CHANNEL CH14 70 PAN CHANNEL CH15 71 PAN CHANNEL CH16 72 PAN C...

Page 286: ...CH15 16 91 FADER EFF2 SEND CH1 92 FADER EFF2 SEND CH2 93 FADER EFF2 SEND CH3 94 FADER EFF2 SEND CH4 95 FADER EFF2 SEND CH5 102 FADER EFF2 SEND CH6 103 FADER EFF2 SEND CH7 104 FADER EFF2 SEND CH8 105 FADER EFF2 SEND CH9 106 FADER EFF2 SEND CH10 107 FADER EFF2 SEND CH11 108 FADER EFF2 SEND CH12 109 FADER EFF2 SEND CH13 14 110 FADER EFF2 SEND CH15 16 111 FADER CHANNEL CH17 112 FADER CHANNEL CH18 113 ...

Page 287: ...SIGN FADER CHANNEL CH18 14 NO ASSIGN FADER CHANNEL CH19 15 NO ASSIGN FADER CHANNEL CH20 16 NO ASSIGN FADER CHANNEL CH13 14 17 FADER CHANNEL CH17 FADER CHANNEL RETURN1 18 FADER CHANNEL CH18 FADER CHANNEL RETURN2 19 FADER CHANNEL CH19 FADER MASTER AUX1 20 FADER CHANNEL CH20 FADER MASTER AUX2 21 FADER CHANNEL CH21 FADER MASTER ST OUT 22 FADER CHANNEL CH22 ON CHANNEL CH1 23 FADER CHANNEL CH23 ON CHANN...

Page 288: ... CH18 PAN CHANNEL CH12 56 PAN CHANNEL CH19 PAN CHANNEL CH17 57 PAN CHANNEL CH20 PAN CHANNEL CH18 58 PAN CHANNEL CH21 PAN CHANNEL CH19 59 PAN CHANNEL CH22 PAN CHANNEL CH20 60 PAN CHANNEL CH23 PAN CHANNEL CH13 61 PAN CHANNEL CH24 PAN CHANNEL CH14 62 PAN CHANNEL CH13 PAN CHANNEL RETURN1 L 63 PAN CHANNEL CH14 PAN CHANNEL RETURN1 R 64 ON CHANNEL CH1 PAN CHANNEL RETURN2 L 65 ON CHANNEL CH2 PAN CHANNEL R...

Page 289: ...8 93 ON MASTER AUX3 FADER EFF2 SEND CH9 94 ON MASTER AUX4 FADER EFF2 SEND CH10 95 ON MASTER ST OUT FADER EFF2 SEND CH11 102 FADER EFF1 SEND CH1 FADER AUX1 SEND CH1 103 FADER EFF1 SEND CH2 FADER AUX1 SEND CH2 104 FADER EFF1 SEND CH3 FADER AUX1 SEND CH3 105 FADER EFF1 SEND CH4 FADER AUX1 SEND CH4 106 FADER EFF1 SEND CH5 FADER AUX1 SEND CH5 107 FADER EFF1 SEND CH6 FADER AUX1 SEND CH6 108 FADER EFF1 S...

Page 290: ...am Change RX is ON if the Rx CH matches However if OMNI is ON this is received regardless of the channel This is echoed if Program Change ECHO is ON A scene memory will be recalled according to the settings of the Pro gram change table Transmission If Program Change TX is ON this is transmitted on the Tx CH channel when a scene memory is recalled If two or more program numbers have been assigned t...

Page 291: ...NGE F0H 43H 2nH BULK REQUEST F0H 43H 3nH PARAMETER REQUEST SYSTEM EXCLUSIVE F0H 43H 1nH PARAMETER CHANGE SYSTEM EXCLUSIVE F0H 43H 0nH BULK DUMP MIDI OUT MIDI Rx CH MIDI IN STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0pppnnnn pn p mode 1 parameter change or response for request 3 parameter request n 0 15 Device Channel No 1 16 GROUP ID 001111...

Page 292: ...YAMAHA SUB STATUS 0001nnnn 1n parameter change n 0 15 Device Chan nel No 1 16 GROUOP ID 00111110 3e MODEL ID MODEL ID 00000100 04 Device code 01V PARAM TYPE 00010000 10 7bit operation for edit buffer type DATA 0aaaaaaa dd0 address H high 7 bits of 14 bits address 0aaaaaaa dd1 address L low 7 bits of 14 bits address 0ddddddd dd2 data 7bit EOX 11110111 F7 End Of Exclusive STATUS 11110000 F0 System E...

Page 293: ...100 04 Device code 01V PARAM TYPE 00tttttt tt 00 edit buffer 01 system memory type DATA 0aaaaaaa dd0 address H high 7 bits of 14 bits address 0aaaaaaa dd1 address L low 7 bits of 14 bits address 0ddddddd dd count EOX 11110111 F7 End Of Exclusive 0x0000 0x007F setup memory 128byte 0x0080 0x0147 backup memory 200byte 0x0200 card type 1byte STATUS 11110000 F0 System Exclusive Message ID No 01000011 4...

Page 294: ...1 03 controller type DATA 00000001 01 control No LCD Fader mode 0ddddddd dd channel select 0 30 0ddddddd dd LCD select No 0 17 0000dddd dd PAGE No 0 4 EOX 11110111 F7 End Of Exclusive STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0001nnnn 1n parameter change n 0 15 Device Chan nel No 1 16 GROUOP ID 00111110 3e MODEL ID MODEL ID 00000100 04 Dev...

Page 295: ...AL OFF MODE transmit requests at approximately one second intervals When Parameter Change ECHO is ON and the 01V itself did not receive this message the message will be echoed Table of signal levels and codes 5 SYSTEM EXCLUSIVE MESSAGE Bulk Dump REQUEST These messages input and output the contents of various types of internal memory The unique header identifies whether or not the data is for the 0...

Page 296: ... YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump BYTE COUNT HIGH 00000010 02 266 256 10 bytes BYTE COUNT LOW 00001010 0A 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000010 42 B 00110011 33 3 00110100 34 4 DATA NAME 01010011 53 S 00100000 20 DATA 0ddddddd ds Setup Memory 128 2bytes 0ddddddd de CHECK SUM 0eeeeeee ee ee INV...

Page 297: ...10 2A 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000010 42 B 00110011 33 3 00110100 34 4 DATA NAME 01010101 55 U 0bbbbbbb bb bb 0 3 bank no 1 4 DATA 0ddddddd ds Remote User Define Memory 1440bytes 0ddddddd de CHECK SUM 0eeeeeee ee ee INVERT L M ds de 1 AND 7Fh EOX 11110111 F7 End Of Exclusive STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID Y...

Page 298: ...n 2n n 0 15 Device Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000010 42 B 00110011 33 3 00110100 34 4 DATA NAME 01011001 59 Y 0mmmmmmm mm m 0 79 Dynamics Library No 1 80 96 114 ch1 12 13 14 15 16 AUX1 4 ST MAS EOX 11110111 F7 End Of Exclusive STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer...

Page 299: ...n 0 15 Device Channel No 1 16 FORMAT No 01111110 7E Universal Bulk Dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000010 42 B 00110011 33 3 00110100 34 4 DATA NAME 01010000 50 P 00100000 20 EOX 11110111 F7 End Of Exclusive STATUS 11110000 F0 System Exclusive Message ID No 01000011 43 Manufacturer s ID No YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device Channel No 1 16 FORMAT N...

Page 300: ... Touch Keys Ch s X X X X Pitch bend X X Control Change 0 95 102 119 O O Assignable Prog Change True 0 127 0 127 0 99 Assignable System Exclusive O O 1 System Common Song Pos Song Sel Tune X X X X X X System Real Time Clock Commands X X X X Aux Messages Local ON OFF All Notes OFF Active Sense Reset X X X X X X O O Notes MTC quarter frame message is recognized 1 Bulk Dump Request Parameter Change Re...

Page 301: ...ition Focal Press 1994 Covers all MIDI topics in detail and looks at how MIDI can be used to control systems i e digital mixers synths THE MIDI BOOK Steve DeFuria with Joe Scacciaferro Hal Leonard Books A good introduction for anyone new to MIDI THE MIDI RESOURCE BOOK Steve DeFuria with Joe Scacciaferro Hal Leonard Books 1988 Following on from THE MIDI BOOK this one looks at the real nuts and bolt...

Page 302: ...292 Appendix D Resources 01V Owner s Manual ...

Page 303: ... mixers together CH Abbreviation for channel Clipping The unwanted distortion effect caused by inputting too large a signal to an audio circuit Coaxial The electrical connection for transmitting and receiving consumer format digital audio typically using phono connectors See also Consumer format Consumer format The consumer digital audio format developed by Sony and Philips for transferring digita...

Page 304: ... display device that uses liquid crystals to generate characters and graphics LED Light Emitting Diode A type of diode that lights up when an electric cur rent is applied Line Level Signal A high level signal in the range from 20 dB to 20 dB Most audio equipment outputs signals at line level Contrast with Low Level Signal Low Level Signal A signal in the range from 100 dB to 20 dB Microphone and e...

Page 305: ...art of the A D conversion pro cess the pulses derived using PAM are converted into binary data words using PCM See also PAM Peaking A type of EQ circuit used to cut and boost a band of frequencies producing a mountain peak type response The width of the band is called the Q Midband EQ is usually of the peaking type Compare with Shelving PEQ An abbreviation for parametric EQ PFL Pre Fader Listen Mo...

Page 306: ...lly of the shelving type Contrast with Peaking Signal to noise ratio S N In an audio system the difference between the oper ating signal level and the residual noise floor expressed as a decibel ratio commonly used to measure a system s noise performance Snapshot See Mix scene ST OUT The 01V stereo output System Exclusive A type of MIDI message for exclusive use with a particular device See also B...

Page 307: ...Auto navigate wordclock source 209 AUTOPAN 144 AUX page 1 95 96 97 99 100 AUX page 2 102 Aux pan page 102 Aux pre post page 95 96 97 99 100 Aux sends about 94 block diagram 104 dynamics processors 164 effects returns 131 EQ 64 input channels 50 level setting 99 metering 83 monitoring 94 muting 100 omni outs 94 option I O 94 pairing 101 panning 102 pre post fader 97 specifications 265 stereo pair b...

Page 308: ...ying channel settings 59 Crossfading mix scenes 191 CURSOR buttons 31 Cutting the EQ 63 D D switch routing 49 D A converter definition 293 DEC button 31 De emphasis digital stereo input 213 option I O input 216 Delay cascade compensation 215 effects parameter 137 input channels 45 omni outs 117 stereo output 91 DELAY LCR 141 Delay page 45 DELAY page 1 42 DELAY page 2 45 DELAY page 3 45 DELAY page ...

Page 309: ...ings 128 metering 86 muting 129 pre post fader 125 viewing settings 127 Emphasis definition 294 digital stereo input 213 option I O 216 ENTER button 31 EQ about 62 adjusting 63 aux sends 64 bypassing 66 effects returns 64 input channels 63 library 67 library page 67 68 69 70 page 63 64 65 resetting 66 specifications 267 stereo output 65 summary 5 EQ AUTO SCREEN preference 203 EQ library about 67 M...

Page 310: ... LED definition 294 Level diagram 257 Level setting aux sends 99 bus outs 109 effects returns 131 effects send masters 128 input channels 46 stereo output 90 Libraries dynamics 173 effects 132 EQ 67 LIBRARYLISTORDER preference 204 Line inputs 20 Line level signal definition 294 Link port about 222 selecting 224 using 224 Linking 01Vs 239 LISTEN monitoring 78 solo 80 Local control 234 Locate points...

Page 311: ...5 Nominal fader indicator 30 Nominal Level definition 295 Normal phase 42 Nyquist theorem definition 295 O Omni definition 295 OMNI OUT 22 Omni out select page 116 Omni outs about 116 assigning 116 aux sends 94 block diagram 118 bus outs 108 connectors 22 D A converters 116 delay 117 input channels 50 meter page 84 metering 84 specifications 265 stereo output 88 ON buttons about 18 aux sends 100 e...

Page 312: ...lusive 231 PARAMETER wheel 31 Parameters Dynamics processors preset programs 177 effects preset programs 138 EQ preset programs 71 PCM definition 295 Peak hold 84 Peaking definition 295 EQ 62 PEQ definition 295 PFL definition 295 PFL AFL See AFL PFL PHANTOM 48V ON OFF switches 22 Phantom powering 41 Phantom powering definition 295 Phase 42 Phase page 42 PHASER 143 Phone inputs 20 PHONES jack conne...

Page 313: ...ies 266 program change assignment table 273 protecting 189 recall safe page 192 recalling 187 recalling via MIDI 188 renumbering 190 safe channels 192 storing 186 summary 7 titling 190 undoing recalls 189 what s stored 184 Security cover 259 SEL buttons about 18 fader modes 32 SELECT CH MESSAGE preference 203 Selected channel area display 29 Selected channel controls about 16 EQ controls 63 SETUP ...

Page 314: ...nition 296 Title edit dialog box 37 Titling dialog box 37 dynamics programs 176 effects programs 135 EQ programs 70 scene memories 190 TO HOST about 222 about the connector about 23 using 223 Top panel 14 Transmit local control 234 MIDI bulk dump 232 Transmit channel MIDI 225 Transport control MMC 236 TREMOLO 144 Troubleshooting 253 Turning off the 01V 11 Turning on the 01V 11 U Undoing mix scene ...

Page 315: ... 04 2000 AP Printed in Japan YAMAHA CORPORATION Pro Audio Division 18 3 P O Box 3 Hamamatsu 430 8651 Japan interstage Phistersvej 31 2900 Hellerup Danmark Telefon 3946 0000 fax 3946 0040 www interstage dk ...

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