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10

XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual

Monitor mix with effect

In this instance, your effects device should be set up as follows: the AUX SEND 2 

jack should be connected to the L/Mono input of your effects device, with its 

outputs coming back into the STEREO AUX RETURN 1 jacks.
Connect the AUX SEND 1 jack output to the amplifier of your monitor system. 

The AUX SEND 1 master control determines the overall volume of the 

monitor mix.
Using the STEREO AUX RETURN (TO AUX SEND) control, the effect signal can now 

be blended into the monitor mix.
You can easily use the headphones distribution amplifier BEHRINGER POWERPLAY 

PRO HA4700/HA8000 to provide four (HA8000: eight) stereo headphone mixes for 

your studio.
The following table shows which jacks on the console can be used for 

this purpose.

External effects device 

receives signal from...

External effects device 

routes signal back to...

The effect signal reaches the 

monitor mix via…

X1622USB

AUX SEND 2

STEREO AUX RETURN 1 

connectors

STEREO AUX RETURN 1 

(TO AUX SEND 1) control

X1832USB

AUX SEND 1

STEREO AUX RETURN 2 

connectors

MONITOR switch of the 

FX/AUX 2 RET

X2222USB

AUX SEND 2

STEREO AUX RETURN 

connectors 1 or 2

STEREO AUX RETURN 1 

(TO AUX SEND 1) control

X2442USB

AUX SEND 2

STEREO AUX RETURN 1 

connectors

STEREO AUX RETURN 1 

(TO AUX SEND 1) control

optional:

AUX SEND 1

STEREO AUX RETURN 2 

connectors

STEREO AUX RETURN 2 

(TO AUX SEND 2) control

Tab. 2.1: Connectors and controls for monitor mix with effect

STEREO AUX RETURN FX

On consoles X1622USB and X1832USB this is the 

STEREO AUX RETURN 2

on consoles X2222USB and X2442USB this is the 

STEREO AUX RETURN 3

.

Use the STEREO AUX RETURN FX control to determine the level of the signal 

routed from the AUX RETURN FX jacks to the main mix. If nothing is connected to 

these jacks, the output of the built-in effects module will appear.  

MAIN MIX / TO SUBS 

This switch routes the signal fed in via the STEREO AUX RETURN FX jacks either to 

the main mix (not pressed) or to the submix (pressed).
On the X2442USB you can select which subgroup the signal is assigned to 

(switches 1-2 / 3-4, to the right of MAIN MIX / TO SUBS).

SOLO RETURNS

Additionally, this model allows you to route the aux returns together to the solo 

bus and the PFL bus. The LED lights up when Solo is on. 

STEREO AUX RETURN 4 (X2442USB only)

This control behaves the same way as the other stereo aux returns. Additionally, 

it provides for a simple monitor path using the switch PHONES/CTRL ROOM ONLY.

PHONES/CTRL ROOM ONLY

Use this switch to route the signal appearing at the AUX RETURN 4 jacks to the 

control room and headphones outputs.

2.3.6  Supplement to X1832USB

The X1832USB has a stereo fader for the AUX RETURN FX and offers a variety 

of routing options: MUTE disables the effect return (but not PFL of course!), 

SOLO routes it to the Solo or PFL busses, SUB to the subgroups and MAIN to the 

main mix.

X1832USB

Fig. 2.13: The FX/AUX 2 return fader of the X1832USB

MON

The MON switch routes the signals appearing at the AUX RETURN 2 jacks to the 

monitor path, along with the monitor signals from the channels.
If you wish to route the effect signal to the monitor mix, you can also switch aux 

1 to pre-fader, drive the effect device from the aux 1 output and return the effect 

signal via AUX RETURN 2 to the monitor signal. 

2.3.7  XPQ Surround function (X1832USB only)

X1832USB

Fig. 2.14: Control elements of the surround function

The XPQ surround function can be enabled/disabled with the 

XPQ TO MAIN

 switch. This is a built-in effect that widens the 

stereo width, thus making the sound more lively and transparent. 

Use the 

SURROUND

 control to determine the intensity of this effect.

VOICE CANCELLER

Here, you have a filter circuitry that lets you almost entirely remove 

the vocal portion of a recording. The filter is constructed in such a way 

that voice frequencies are targeted without majorly affecting the rest 

of the signal. Additionally, the filter seizes only the middle of the stereo image, 

exactly there where the vocals are typically located.

◊ 

Connect the signal sources you wish to process using the Voice Canceller 
to the CD/TAPE INPUT connectors. The Voice Canceller circuitry is not 
available for other inputs.

Summary of Contents for X1622 USB

Page 1: ...User Manual X2442 X2222 X1832 X1622 Premium 24 22 18 16 Input 4 2 3 2 and 2 2 Bus Mixer with XENYX Mic Preamps Compressors British EQs 24 Bit Multi FX Processor and USB Audio Interface...

Page 2: ...the latest digital technology these best in class consoles combine the advantages of both analog and digital technology Table of Contents Thank you 2 Important Safety Instructions 3 Legal Disclaimer...

Page 3: ...inchedparticularlyatplugs conveniencereceptacles andthepointwheretheyexitfromtheapparatus 11 Useonlyattachments accessoriesspecifiedby themanufacturer 12 Useonlywiththe cart stand tripod bracket ortab...

Page 4: ...erefore this mixing console is ideally suited for use as a karaoke machine This feature is also an optimal solution for singers who need accompanying music for their rehearsals CAUTION We should like...

Page 5: ...1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on high temperature devices such as ra...

Page 6: ...mark This way you have a vast amount of drive headroom for use with very dynamic signals The CLIP display should light up only rarely preferably never While fine tuning the equalizer should be set to...

Page 7: ...and 4 panning hard left will route the signal to group output 3 only and panning hard right will route to group output 4 only MUTE The MUTE switch breaks the signal path pre channel fader hence muting...

Page 8: ...SOLO switch SUB and MAIN switches and channel fader 2 3 Interface panel and main section Where it was useful to trace the signal flow from top to bottom in order to gain an understanding of the chann...

Page 9: ...is is that you can now use that channel s EQ on the effects return signal In this instance the FX control of the channel being used as an effects return should be turned fully counterclockwise otherwi...

Page 10: ...n the X2442USB you can select which subgroup the signal is assigned to switches 1 2 3 4 to the right of MAIN MIX TO SUBS SOLO RETURNS Additionally this model allows you to route the aux returns togeth...

Page 11: ...L ROOM OUT and phones SUB 3 4 The SUB 3 4 switch performs a similar function for subgroup 3 4 X2442USB only MAIN MIX The MAIN MIX switch sends the main mix to the CONTROL ROOM OUT and the PHONES outpu...

Page 12: ...isplayed at a lower volume than in the PFL function As a rule solo signals are monitored via the control room outputs and headphones jack and are displayed by the level meters If a solo switch is pres...

Page 13: ...ple a vocal track enhanced with reverb in parallel to a dry vocal track when doing the mix down later on you can freely determine the amount of reverb added The X2442USB has the effect output on the r...

Page 14: ...input output The XENYX mixer line has built in USB connectivity allowing stereo signals to be sent to and from the mixer and a computer The audio sent from the mixer to a computer is identical to the...

Page 15: ...below show the wiring of these cables Be sure to use only high grade cables strain relief clamp sleeve tip sleeve pole 1 ground tip pole 2 The footswitch connects both poles momentarily TS footswitch...

Page 16: ...tance 131 dB 133 3 dB A weighted 150 source resistance 129 dB 130 5 dB A weighted Frequency response 10 Hz 150 kHz 1 dB 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max input level 12 dBu 10 dB Gain Impe...

Page 17: ...dB X1622USB Main mix 0 dB 81 dB Channel fader 0 dB 80 dB X2442USB 83 dB X1622USB Power Supply Mains voltage 100 to 240 V 50 60 Hz Power consumption 50 W X2442USB 50 W X2222USB 50 W X1832USB 50 W X162...

Page 18: ...no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equ...

Page 19: ...We Hear You...

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